reverse threading

the path back is the path forward


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go back and buy the towel. [two artists tuesday]

i should have bought the pencils.

i love #2 pencils – though, in an inane detail you are probably unconcerned about, i love mechanical pencils more – and it was a whole pack of ’em. plus each and every one was printed with the word “dissent”.

that’s why i should have bought them. i could have stashed reminders of RBG’s venerable spirit and dedication to equality and goodness and principle and ethics and probity in my purse, on the kitchen counter, at my piano, in our mélange-planning notebook, in my calendar.

they would have reminded me to stand courageously in dissent, to back it up with facts, to hold to integrity, to not waver in the face of any question or any fear or any threat. the thing about supreme court justice ruth bader ginsburg, though, is that she was intrepid – even without the pencils.

and so, with the sisu of ruth, the belief in “an opinion, philosophy or sentiment of non-agreement or opposition to a prevailing idea or policy enforced by a government, political party or other entity or individual in a capacity of contextual authority” (wikipedia), the steadfast commitment to the truth and transparency, we all batten down the hatches and ready ourselves for whatever things we care about for which we must fight.

at the very least, i should have bought the towel.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

PS. “despite the fact that the justices routinely disagree with each other, they never let it get personal, and have good working relationships with one another.” (dhruti bhagat, librarian, boston public library blog – ruth bader ginsburg and dissents: what’s a dissent?)


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the sustain pedal. [k.s. friday]

the file drawers are bursting. there are three bank boxes in the closet, next to and on top of the file cabinets. there is still music to be filed away, but it’s almost done. the ukuleles and the strum stick are hung on hooks. the cello sits silently in the corner. the black metal music stands are cleared of sheets and books. everything needs to be dusted or waxed. the wood floor needs to be swept more thoroughly – to chase away the dust bunnies. a few pencils wait. the storm is gathering. the sustain pedal begs for attention.

i’ve played maybe twice since last november. i stacked music and calendars and binders of slated songs and folders of research in there. i dragged in a box or two of supplies and cantatas that i brought home. i laid the ukuleles on the rocking chair, the poster behind the door. but i didn’t play. except for a day or two after our babycat died and maybe one or two other times. the piano is tacet. and the sustain pedal waits.

because i played and sang constantly for work before the end of november, and i was surrounded in my studio by all the tools and resources i used for that work, it has been, in the these last few days, important to me to finally move all that which i had been playing, all that which is no longer relevant to my life. this studio needs to be clean. it needs space. it needs room for new. it needs to no longer represent life doing that work, that dedication, that place. my studio needs a refacing. the sustain pedal holds its breath.

i got an email from a lovely woman somewhere in new mexico. she wants to order a baker’s dozen cds and wrote that she includes owning them up in her wish list of “large sacks of $100 bills and 25 hugs and smiles received daily for life”. i’m grateful to her and her dedication to analog music. it will be fun to pack it all up and ship it to her, though i will have to direct her to amazon for a few titles i no longer have in stock. her order is a reminder. and even in these days when i have been actively submitting titles to pandora for streaming (there are now nine titles available on pandora.com and everything on digital platforms everywhere) it is refreshing to go to the stock of cds and pull out shrink-wrapped copies of music to ship off. the sustain pedal giggles.

i’m getting anxious to finish the studio cleanse. to walk in and see possibility. to sit and listen to the quiet. to see the new project, the new song, the new composition through fog, fallow and passing time. to one day again depress the sustain pedal and place my hands on dusted keys under a full stick. i don’t know when that will be.

the sustain pedal whispers, “whoosh”.

*****

listen on PANDORA to a growing library

listen or download from my little corner on iTUNES

read DAVID’S thoughts this K.S. FRIDAY

THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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surf [two artists tuesday]

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becky loves boards.  snowboards, surfboards, skateboards.  she is one of those people who can easily stand up and grab a wave or dominate a mountainside and make it all look easy.  david’s drawing of a surfer makes me think of her.

but in more than one way.  she and The Girl, just like us, really, are living a lifestyle that is uncertain.  snowboard/ski/surf coaches and instructors, like artists, choose a life that doesn’t have guarantees…there are few financial aspects you can depend on with these callings and yet…the mountains call, the break of the wave calls, the canvas calls, the piano calls…and you know that, despite the risk and the worry and yes, the uncertainty, you are doing what you are supposed to be doing…people need what you are doing…you are THAT spoke on the wheel…and all will be well.

click here (or on product box above) for SURF UNCERTAINTY products

TWO ARTISTS TUESDAY – ON OUR SITE

read DAVID’S thoughts on this TWO ARTISTS TUESDAY

surf uncertainty & surfer ©️ 2016 & 2018 david robinson & kerri sherwood