the headline on the catalog page read: don’t just go somewhere. be somewhere.
i lounged in the gravity chair on our deck and looked up. just beyond the peaked roof of our house, inbetween the pine tree and our westneighbor’s tv antenna, with the wire that stretches across our driveway stretched right through it, there it was:
the clouds had drawn the sun. exactly like i would have done it had i had big fat sidewalk chalk in my hand and i was drawing on the breezy jet-streamed canvas of the sky: an arc for the sun, rays coming from the hot center. it was obvious, clear, pretty doggone cool.
i grabbed the phone to take a picture and, before it disappeared as if someone had lifted the cellophane on a magic slate, drew it to d’s attention. we were both a tiny bit giddy at this small gift in the sky.
and that’s how i want to live. being somewhere. in each moment.
with all the horrific going on, it is not hard to wonder about time limits on presence.
so – in addition to paying attention, to drawing attention, to downright attentiveness attention to all of that horrific – i’m going to pay attention, draw attention, be downright attentively attentive to being here.
“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)
in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.
the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.
we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.
for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.
“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.
each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.
to pay attention, this is our endless and proper work. (mary oliver)
every time you think you have it all figured out, life has a way of poking fun at you, pulling the rug from underneath you, making you re-evaluate, maybe roll your eyes, maybe cry out and push back, maybe giggle in abandon.
the island players performed a short at TPAC from spoon river anthology (e. l. masters), a collection of epitaphs spoken as monologues by the deceased residents of the fictional town called spoon river. it is gripping. a not-so-subtle reminder of our brief time on this earth and the absolute into-thin-air-ness of our lives. perspective-arranging, yes, as you listen to the tales of each person, ephemeral, transitory, all fleeting moments in a deep milky way of vast time.
one of the characters, a finely and properly dressed older woman, brags of renting a house in paris, entertaining the elite, dining at fine restaurants, taking the cure at baden-baden, a spa town in germany’s black forest. she returns to her hometown of spoon river, only to realize that no one really cares about where she dined or what she ate or who she entertained or if she took the cure at baden-baden. a sobering moment for her and, if you let it in, another one of those lessons. the kind where you realize that what you do and what you have is – not – who you are.
instead, the dust of us will later snicker, laugh, out and out guffaw at how invested we all were in the things of life that didn’t really count, the things that will disappear into the outer atmosphere of the universe, never to be retrieved. instead, we should chuckle now, realizing that indeed the best-laid plans are only that. plans. that doesn’t make them life. life has its own ideas. perhaps we should just remember that, cut ourselves a bit of slack and recognize how funny it really is that each of us, formed of zillions of random cells, somehow ended up here, right here, right now. for this time.
reverse threading 