reverse threading

the path back is the path forward


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pure magic. [kerri’s blog on two artists tuesday]

it was pure magic.

i had never been in a butterfly house before. the chicago botanic garden has such an exhibit right now and we saved it until last – after all the beautiful gardens and fresh air had zenned us out. if it is possible to sink further into zen than being enfolded in gloriously intentional blooming, this butterfly garden is it.

it isn’t a huge screen enclosure – and they allow limited people in at a time – but it is complete immersion in the magical. enchanting. for two artists who draw inspiration from the outdoors and its gorgeousness, we felt like we could have stayed there for hours.

butterflies were literally everywhere…on the plants, on the screen, on the path and – most delightfully – on us. the first moment a butterfly landed on us felt like you had been chosen for something uniquely special – this fragile creature with wings of scales and chitin (a fibrous protein) supported by a system of veins. nature, indeed. how is this kind of iridescence even possible?

only one other time – that i can remember – did a butterfly land on me. it was shortly after my big brother died and, as this butterfly flitted around me out front in an adirondack chair, i was convinced he was sending me a message. until it landed on me and hung out. then i was sure it was my brother, having converted his life energy temporarily into that of a butterfly. i was astounded and ever so grateful.

this time i was just in complete awe. i felt chosen as a few butterflies lighted on my hands or my arms, one at a time. i spoke quietly to each of them, thanking them for this incredible moment in time…a moment when i was reminded that we are all – butterflies and people – on this good earth together. we are all doing life the very best we can. we are all capable of gorgeous and of making another feel singled out and exceptional.

butterflies in this sanctuary just have to fly around and then land, their visit a thing of softness…a mica moment.

we – as people – can also lift someone, transport them into nirvana … in so many ways. we need remember that. our goodness is not winged, but – with our loving encouragement – others may fly. it’s all pure magic.

*****

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consider the butterfly. [kerri’s blog on two artists tuesday]

a little summary of the 1972 picture book – hope for the flowers (trina paulus)

stripe, the caterpillar, after eating many leaves and crawling many crawls, was driven to climb a pillar of caterpillars he could see that stretched way, way high up into the clouds. it seemed an imperative – the thing every other caterpillar was doing. without question, he began to climb, stepping on other caterpillars in his zeal to get to the top of the pillar. he couldn’t see what was up there and he did not know where they were all going. he begins to wonder aloud. yellow, another caterpillar close by, agrees that she was also wondering, but that “no one else seems to worry about where we’re going so it must be good.” stripe needs to keep going and so he steps on yellow who is in his way in the caterpillar pillar, stating, “well, i guess it’s you or me.” he then crawls off and apologizes to her.

stripe and yellow continue climbing the pillar. but stripe is feeling bad and wonders, “how can i step on someone i’ve just talked to?” together – realizing that the pillar made no sense – they decide to climb off the caterpillar pillar and make a peaceful life together crawling and nibbling grass.

after a bit of time, it seemed that crawling and nibbling grass and hugging each other in a caterpillar sort of way was not quite enough, that there was more to life. stripe felt the call of the pillar once again and, leaving a reluctant yellow behind, went back to climb high, high, high with all the other lonely climbing caterpillars that had no idea of what was at the top.

yellow, desolate without stripe, wandered away from their home. she came upon a caterpillar spinning a cocoon and it spoke to her, telling her it was doing what was necessary to become a beautiful butterfly. it told her that “without butterflies, the world would soon have few flowers.”

yellow could not believe that there was a butterfly inside of her, but the cocoon explained to her that she had to wish to fly with beautiful wings so much she need give up being a caterpillar. it explained that “life is changed, not taken away.” it explained that a cocoon is “an in-between house where the change takes place” and though “it will seem to anyone who might peek that nothing is happening…the butterfly is already becoming. it just takes time.”

and then it tells yellow that “once you are a butterfly, you can really love – the kind of love that makes new life.”

yellow chooses to spin a cocoon.

stripe – on the caterpillar pillar – determined to get to the top – watches the caterpillars squished at the top falling off to their deaths far below. he is ruthless, with the words “don’t blame me if you don’t succeed! it’s a tough life” at his lips for any caterpillar on the pillar who would complain. nearing the top he felt the pressure of the other caterpillars jammed in around him.

one day a beautiful yellow butterfly with eyes filled of love flew near him. “looking into the creature’s eyes he could hardly bear the love he saw there. he wanted to change, to make up for all the time he had refused to look at the other…the others stared at him as though he were mad.” and stripe realized that to get to the top he needed to fly, not climb, delighted to believe this possibility – that there was a butterfly inside of him.

stripe began to carefully descend the caterpillar pillar, looking each caterpillar in the eyes and whispering, “i’ve been up; there’s nothing there.” other caterpillars were shocked, refusing to listen, dedicated to blindly climbing. one asked, “don’t say it even if it’s true. what else can we do?” stripe answered, “we can fly! we can become butterflies! there’s nothing at the top and it doesn’t matter!”

the other caterpillars were not as convinced and it was a struggle to get down off the pillar. one “crawler sneered, ‘how could you swallow such a story? our life is earth and climbing. look at us worms! we couldn’t be butterflies inside. make the best of it and enjoy caterpillar living!”

stripe made his way to the bottom, exhausted, falling asleep.

and just as in every good story – yellow, the butterfly, flew to him and – with great love – helped him to spin his own cocoon and then waited. until one day stripe emerged as a beautiful butterfly, able to fly to the heavens and bring love to the flowers. 💛

the simple metal coneflower sculpture outside in the garden of the shop in the tiny town of stockholm on the river road invited me to walk to it. soldered slightly askew, it was the perfect flower for our ornamental grass garden right in the middle of our backyard, right next to the old bricks from the standing basketball hoop, right next to breck, our aspen tree. a permanent flower.

i could not help but think of this little book as i looked at this photograph. published in 1972, it is completely relevant in today’s world.

if you need a visual for kamala harris that is different than all the joy and positivity she is already offering our country, you might think of this story. she is a butterfly.

it is without a doubt the maga party is the caterpillar pillar, full of ruthless pillar climbers, of crushing pressure and no compassion, of nowhere to go, of no one asking questions, of no love.

it’s a clear choice, worthy of thoughtful consideration.

i choose the butterfly life, just like stripe and yellow.

*****

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draw of the microphone. [k.s. friday]

it’s been a minute since i’ve sung into a microphone. for that matter, i haven’t spoken into a microphone in a while either. i haven’t run cables or tested monitors, used earpieces or balanced sound in a space. i haven’t hung condenser mics over my piano or booms in front of the keyboard. no neumanns or shures, no audix.

it’s not like you forget, though.

we walked past the meadow off-trail and nature had clearly sent in her sound engineer. the meadow hawkweed microphones stood ready and able to amplify all the ambient sounds of the woods. it made me giggle a little thinking about these tiny microphone-like clusters soaking up all the noises around them, running them through some sort of nature-equalizer and tossing them back out through an invisible speaker system.

in every good venue sound system, decisions are made for each and every performance. tiny – sometimes barely perceptible – turns of the dials, slides of the sliders, mutes and unmutes all define what the listener will hear. in the best scenario, the listener hears sound as it really is, nothing distorted. in the best scenario, sound is pure, unadulterated, unfiltered, offered as true, crisp, present, full-frequency-range. the piano sounds luxurious; the voice rides above it. exquisite.

how would nature balance it all – the call of birds, the busy peeper-frogs, the wind in the high leaves of the forest, the wings of butterflies, the tease of chipmunks and squirrels in the underbrush, the crunch of human footfall, conversation, hushed tones of worry, laughter, breath. would nature pare down all tones of negativity, choosing instead to pan to the positive? or would nature allow for all of it – a cacophony of life as it exists in the moment?

the draw of the microphone is powerful. i wonder if the butterflies nearby felt it too.

*****

IN A SPLIT SECOND ©️ 2002 kerri sherwood – holding many dear ones so close in these moments…

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irato.caesura.fermata.lento. [k.s. friday]

in transition

irato.caesura.fermata.lento

the chaos of irato.  a passage of angry, passionate.  a symphony of irate engaging us, challenging us, buckling us under in its fervor.

“take a break,” earth-the-breathless-conductor would admonish.  “hold and rest,” earth-the-counselor would encourage.  “slow down.  be deliberate,” earth-the-sage would advise.  caesura.  fermata.  lento.

acknowledging the rage.  listening.  resting in the questions.  conscious mindful steps.  measured decisive action.  slowly leading the way with goodness.

i suspect mother earth, in its mother-earth-wisdom, would hear the symphony as transition.  the space between before and after.  a time of growth and change and every possible note, every possible emotion.

we listen, as earthlings, imperfect-in-every-way, and we get lost.  to live in irato is uncomfortable.  a cliffhanger.

but mother earth smiles.  after all, she knows all about suspense and the big bang and butterflies.

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IN TRANSITION ©️ 1995 kerri sherwood

 


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rest and good things will come [chicken marsala Monday]

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it was the first. the very first butterfly of this season. we both stopped to watch it as it freely flitted around the path in front of us. it felt like another harbinger of spring; maybe it’s really here. a few minutes later we stopped and sat for a few minutes. we didn’t talk; we just listened to the woods. the rest was soft and rejuvenating. the quiet was punctuated by birds and chipmunks. even a raccoon came out to wander. we got back up, ready for more hiking.

i distinctly remember a day i sat in the front yard. it was summer and, just like chicken marsala in this chicken nugget, there was a butterfly that came to light on my hand. it circled around and came back, landing on my knee, my foot. it felt like a message to me, a reinforcement to quietly sit in the sun.

this world is full of chaos and confusion, deadlines and worries. looking at the furrows lining people’s brows, it is obvious that we don’t take enough time to just rest, just sit, just soak in new energy, just let butterflies lead the way. good things will come.

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rest and good things will come ©️ 2016 david robinson & kerri sherwood