reverse threading

the path back is the path forward

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my souvenirs. [kerri’s blog on two artists tuesday]

she pointed at the artisan-crafted wooden sconce and said, “did you see the heart?” one of the wooden discs was in the shape of a heart. i hadn’t noticed, which is saying a lot since i always notice hearts. i was thrilled, though, because the thought of her having this heart-infused sconce on the wall of her newly-purchased “dream home” was, well, totally heartwarming. this person was the right person to have these family-handed-down scandinavian birch sconces – and that was the moment i knew it.

each day i am finding something else of which i am ready to let go. it’s not always easy. sometimes the connection is hard to break. but i am trying to make decisions based on the unlikelihood of our actually using a piece versus the chance that someone else might be able to use it, has been searching for it or is just charmed by that very thing. storing something ad nauseum seems completely silly now. despite its charm, the beauty of something hand-crafted, the ancestry strands connected with it, if i haven’t used it in decades, why would i expect to use it now?

it is a tad bit overwhelming – i realize i am redundant-beyond-the-beyond here – to go through everything. the bins, boxes, closets, attic, storage rooms seem neverending. and yet, there are some great stories i am able to tell david, some history of these relics, with mixed emotions that accompany them.

as i move them on, i begin to see that the artifacts of the past – though some laden with positive or negative emotion – are not that which holds the emotion. the curio is merely the vessel of what jolts my memory, pokes at my heart, the physical thing that – when i see it or touch it – brings up whatever the emotion might be.

there are a few things that still don’t pass muster. even if i smudged them with great amounts of sage, they would still be too much for me to hold onto, too much for me to tuck back into a bin or box, a closet or the attic. some things must move on – and there is no reticence whatsoever.

it’s been a big learning. and it has gained momentum for me. as i unearth each bit of relic for release, i see yet another and know it is time.

some of it i send out with bits of my heart and some with a deep exhale. and, either way, i know that – eventually – it all remains anyway. even when the bins and boxes and closets and attic and storage rooms are way less labored with stuff.

i have connected with the memory, acknowledged it, felt it, and stored it back away. i have wrapped my heart around it or dealt with processing it.

and the fragments of memory – now invisible remnants of all the stuff – are now my souvenirs.

*****

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apparently. [kerri’s blog on flawed wednesday]

it was frigid out that day. really, really frigid. a good day to bake cookies and make a big pot of pasta sauce. we added water to the old radiator pans to put a little moisture in the air. we set up the humidifier in the bedroom. we hunkered down.

we’re still in clean-out mode. we will be for a while, likely a long while. cookies mid-day are a perfect reward for keeping-on.

we are making discoveries as we go, so the going is slower than if there were no stories whatsoever, if there was no personalization. it would definitely speed things up if we felt no attachment whatsoever to any of the stuff, if we were decidedly ruthless about cutting all threads to any sentimentality.

but we can’t…well, mostly, i can’t – since most of the things in the basement are related to me. d didn’t tote decades of belongings with him when he arrived well over a decade ago. his physical baggage was simpler – a budget-truck-full. though he still willingly participates in the sluggish crawl through bins and boxes and closets and storage rooms.

so we move slowly and give credence to all the stories, the memories, the narrative, the life that whispers from each thing we unearth – short or long, loud or soft.

we read an article about the historical united states – pre-lincoln – when the mud-sill theory was rising as a way-to-be in this place – caste system heavy, subordinating women and those of non-white races. ugly and cruel, the system disregarded the stories and lives of the ‘regular’ populace, of any working class of people. not that it ever really went away – despicable stuff – it has risen its brutally hideous head once again. right here. right now.

this administration would much like to speed things up. this administration would much like to be entirely ruthless. they are honing their merciless skills every day now. there is no ‘slow’ in their vocabulary nor in their agenda, for it would seem that slow might elicit accountability or conscience and there is neither.

we don’t really understand how one gets there – to a place of such depravity. despite the somewhat-constitutional-pom-pom-waving-somewhat-marginalizing-sordid history of this country and its arc through time, we do believe that most people would like to live in harmony, most people would like to live in peace. they are the ingredients for a democracy, the recipe for the sweet life.

they’re gluten-free, these chocolate chip cookies. but you’d never know if i didn’t tell you. they are just as delicious as tollhouse cookies with wheat flour. they are just what we needed in the middle of the afternoon.

apparently, right now, the sweet life is limited to what we can create together with others who are like-minded in their desire for goodness, who are not callously embracing the unrelenting horrific.

yeah. that and these cookies.

*****

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hats for 200, please. [kerri’s blog on not-so-flawed wednesday]

i used to wear hats. not baseball caps – i don’t have the right face shape for those. millinery hats. it was the 90s and i had straight-across bangs, which works best for hats – particularly when you have a high forehead – which i do as i inherited this from somewhere deep into and repeated on related faces time and again in my ancestry. nevertheless, i didn’t have a lot of these fancy hats – actually, only two: this green wool felt bowler-type hat and a black flat rim wool felt hat. i had a suede cowboy hat, and a couple of straw cowboy hats, but i wore the felt hats pretty consistently. i don’t wear them anymore and have decided to move them on. but not before telling d some stories about them, not before modeling them, grimacing at how they now look on me. sigh.

the black hat – a wide brim boater/gaucho – was my favorite. i told him about when i took part in the american cancer society jail ‘n bail fundraiser – a faux ‘arrest’ when you are taken to a place i now can’t remember and – in order to ‘get out of jail’ – you must raise enough donations to equal your ‘bail’. it was a fun event and i was really happy to help this cause having lost my big brother to cancer. i wore my hat that day. and, because i knew about the ‘arrest’ ahead of time, chose a chic outfit to go with it. i wasn’t going to be photographed in just anything.

i’m holding back the black hat, but, as i write this, think i might be able to move it on as well. i’m not a hat-person anymore and someone else needs to sport these stylin’ hats. i’m pretty sure that the outfit – a suit maybe? or something else a tad bit fancy – has moved on long ago. most fancy stuff has moved on long ago. we aren’t fancy-stuff-wearing people these days.

in an effort to not talk about current events, we talked about that on the trail one day. we have simplified our wardrobes. i still have some work to do on that – more ruthless culling – but our first mutual impulse is not to keep things that suggest fancy gatherings or anything highfalutin (as my sweet poppo would say).

i confessed to d – as we slogged through the mud on the hiking path – that i am way more interested in the gear one needs for a thru-hike on the PCT than what i might wear to a derby party or a sophisticated tea. we avoid gold-gilded places and steer away from people who find identity with all that. ick. that all feels like a waste of life. i talked about how i could pretty much get by with a couple pairs of favorite jeans, my ever-present scoop-neck long-sleeves, a thermal shirt or two and my favorite black flannel shirt. oh. and boots. and flipflops. and my hiking sandals. boom, done. what is it they call those minimal wardrobes?…..a capsule wardrobe. (in reading an aarp article about this, i realize i need a few more items to be in on this movement – though those items are likely already in my closet….a consideration for how to effect the pare-down.)

if all this sounds like avoidance, you are likely right. for there are moments right now when one is in peril of being overwhelmed by every single thing going on, one is in peril of succumbing to the angst. and, in those moments, well, let’s go with ‘hats for 200, please’.

anyway, anything i could wish to wear now – at this age – is anything that is actually me. there isn’t a dinner party, a stage, a trail, an adventure we would consider going to, performing on, hiking on, partaking in that would require anything fancy-schmancy. it’s simply not us.

and i’m actually certain of that.

because now – at this point in our lives – there is nothing to prove. we realize there was nothing to prove all along. there is just gratitude for being here – on this planet – and acknowledging that there is a fleeting moment – a.fleeting.moment. – between being here and not.

which i why i will never understand what is happening right now in current events – why there is so much cruelty, so much aggression, so much hatred, so much extremism, so much vile superiority. we all breathe in and out the same way. dominance over others is a waste of this life.

and which is why – on the trail – we talked about the hats i unearthed from hat boxes perched on the top shelf in the closet of my studio.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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making the cut. [kerri’s blog on not-so-flawed wednesday]

before she had her ears pierced, my sweet momma had a collection of beautiful old-fashioned screw-back earrings dangling on this display on her dresser. i don’t know if i have any of those earrings but somehow i have this chrome and acrylic display that i think she and my poppo used back-in-the-day when they owned a small jewelry store.

i don’t have a specific use for this. it sits empty on my dresser. every time i look at it i think of my mom, so maybe that’s its use (though thoughts of my momma are prompted by many things and moments in my days.)

in this time, in the going-through of the stored stuff – things in boxes and bins and closets – there have been a few treasures. the crèche from a well-loved christmas house in a little town in florida that i passed on to a dear friend who has significant connections to that town. the painting we sent to the family of the painter. the hand-painted collector plates – painted by ancestors – i’m sending to family members so that they, too, might have a piece of this history.

other things? well, not so much.

it will be a slow process and last night – before we went to sleep – we were talking about how we might have missed so much had we just quickly given everything away. i’m grateful we are taking our time. the gifts are in the time-taking.

now, i would be remiss if i didn’t mention how hard some of these things are to part with. despite no real driving imperative for banana curls, i am reticent to part with the pink sponge curlers. despite no current (or impending) babies in the family, it is a tiny bit difficult to give up the sesame street baby play gym. despite a lack of counter space for it, the 1970s roll top breadbox is a tough giveaway. despite never having used it – and frankly, not even knowing i had it – finding the Betty Crocker plug-in warming tray seems a splendid idea for entertaining. despite not wearing them for – like – ever, the sweatshirt collection – and yes, it is a collection – has a zillion memories, each one its own reason for purchase. how can i give up montauk or galena or northwestern university or long island or nyc or seattle or lawrence or the university of minnesota or the high school tennis team? despite zero talent for woodworking, my brother’s scrollsaw templates…were my brother’s. despite, despite, despite. despite no real need for them, i will struggle as i photograph and ponder the fate of these things…remembering always that they are simply things and that any memory is still a memory, cued up and ready for my heart to wander through or linger in.

it’s gonna take a while. likely, a long while. but each day something is given away or sold or sent to someone or – in some cases, when appropriate, thrown out. little by little we are making headway. and, now, david – who used to be much more ruthless about culling possessions – is finding himself also relishing the process. well, relishing might be a tiny exaggeration. but definitely appreciating the process.

i’m not sure about this vintage earring holder piece. it has no function on my dresser, but it doesn’t take up a lot of room. there is a gingham stuffed heart hanging on it right now.

maybe that’s all it needs.

when the play gym and the warming tray and the sweatshirts and the scrollsaw templates and all the other things i will unearth and unbox and unbin and photograph and ponder actually move on, maybe it’s the small seemingly meaningless that will remain. to someone else, those things might look extraneous. but my heart connects the dots. and this time through, well, the chrome and acrylic stand might make the cut.

*****

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patina. [kerri’s blog on k.s. friday]

i just can’t keep everything. and right now, i’ve been more valiant about going-through-giving-away-selling-getting-rid-of.

and so, despite the really beautiful wood handle on this vintage cast iron meat grinder – passed down to me by my mom and dad – a manual kitchen gadget – a peck, stow & wilcox – from the late 1800s or early 1900s – i have decided to move it on.

we aren’t big meat eaters and we are definitely not meat grinders. as a matter of fact, i am hard-pressed to remember my mom grinding meat. and, as antiques go, our old kitchen isn’t big enough to add the meat grinder as a displayed collectible, even with its patina of worn-smooth wood, the curve of its handle, the working vice clamp – really, the whole curiosity factor. no, it is time to let it go.

in our economic blackout protest, we won’t be shopping today – or the next few days – and we didn’t the last few days – anywhere but smaller retail. over this weekend we may go to our favorite antique shoppe or we may stay in, continuing the big-clearing-out, maybe hiking as a respite from the going-through.

every now and then, as i touch something that’s been packed away, i pause for a few minutes. in the flash of memories that flies through my heart in those minutes, i do my best to detach from the item and simply attach to the feeling. some things are easy – the meat grinder is sort of one of those, despite its collectible value. some things are a bit more difficult or downright hard – an old felt hat of my dad’s, a mid-century modern black and blue ceramic ashtray i remember from forever, a cypress clock, my momma’s wedding dress, hobnail milk glass pieces – these all run wide that spectrum. my tinier-than-i-remembered horse collection, multiple plastic seagulls on wire stuck into driftwood, the metal yellow and white smile face wastebasket, an old bread box – these are also mixed and the ruthless-matter-of-fact-er in me takes a backseat to the flood of memories. but boxed is boxed and i am wondering what the point is if something that could be used by someone is simply boxed or binned away in the storage room in the basement, never to be appreciated, never to be purposed.

the hands that held this grinder handle, that cranked this, that churned out sausage or whatever it is the grinder is capable of, were hands related to mine. holding this handle is holding time-passed-by. it is holding people passed. and so i do a photo shoot of this cast iron piece, clamping it onto our kitchen table, appreciating its age, its handprints, its history – though i don’t specifically know it.

and someone will eventually purchase this – or we will give it away – and they will also wonder about where it came from, whose it was, how it was used and when. they won’t know, but they will have honored it nonetheless, just by taking it home.

and the meat grinder will start its next phase – maybe displayed – maybe put into use. and the story will continue – about a hundred years of story.

and we will stand firm in our blackout of the kind of purchasing that enables the most privileged wealthy, the oligarchs. we will stand firm in our pushback of the economic inequality, the DEI rollbacks, the administration’s corruption and bow to special interests, to bigotry. we’ll do the best we can.

as always we will scale back, be frugal, lighten the load we have, repurpose, minimalize our needs, support others who have less, hold onto what is truly valuable – memories, feelings, connections….the heart of it all.

because a hundred years from now – from the time of this very story – i would hope the patina of that future time would show the well-worn bruises and scars and hard work of the people who pushed back, the people who – successfully – held onto democracy.

*****

LEGACY © 1995 kerri sherwood

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the delicate things. [kerri’s blog on two artists tuesday]

and there are things – here and there – as i continue to muster what i need to go through everything – things i find – things that must be considered delicate, things that must be held gently.

they are not the delicate things that one would label fragile, nor the delicate things that one would think of as valuable. they are the unexpected, the morsels of real life, of real moments, moments felt, moments lived.

there was the torn piece of paper – torn from a decades-old church bulletin – with the first notes of the first piece recorded on my first album.

there was the last physical mother’s day card i received from my girl, before everything went text and digital.

there was the note in little-boy pencil-writing from my boy, filled with hearts.

there’s a small green ceramic compass – just a trinket – i put on my piano.

there is a tiny stick person my big brother made of electrical wire.

there is the (very) ripped sweatshirt jacket i wore driving thousands of miles, criss-crossing the country in busy performing days.

there are the old notebooks. when the kiddos were here, it was my son who first spotted the spiral notebook. it was in a stack of spirals on a shelf in the office upstairs. but this one was sticking out enough he could see his handwritten name on the front cover. he immediately pulled it out to look at it, wondering aloud, “what’s this??” the notebook was empty – all the pages were blank and he asked why we had it in this stack, just as my daughter pulled one out with her name on it. “because we repurpose and there’s still paper in these, so we like to use them so we aren’t wasteful. plus they were yours…it connects me back,” i answered. i would never think of just throwing these out, without using up the paper still in them. it’s a total joy for me to use a notebook that has one of my children’s handwriting on it.

now, there are other things too. there are decorative plates and leaded crystal vessels, vases and wooden carvings, pieces of silverware, scandinavian artifacts, vintage ornaments. i’m guessing some of these items have a little bit of value, maybe – though i don’t imagine a lot. and that’s really ok.

for the things i am finding i hold most gently – the most delicately – are the realest things i come across: the list of homemade candles and tiny cacti i sold door to door when growing up, pulling a wagon behind me around the neighborhood, an early entrepreneur at ten or so. the handwritten notes from my mom or dad, pompom-ing me. the drawings and writings of the girl and the boy. the rocks – so many rocks – i come across, knowing that i chose each one for a reason, for a place, for certain minutes i spent. the earliest lyrics i wrote, the poems from my tree, the bits and pieces of me from a very long time ago, on a different trajectory, giddy and cells-vibrating, in a world i wholeheartedly trusted.

there are many, many things in our house – just like in your house. we try to surround ourselves with the stuff that makes us feel comfort, that makes us happy, that brings us a bit of peace.

in this part of our lives, we are finding that those things are not valuable antiques, newly-purchased tchotchkes or expensive collectibles, top-of-the-line anything. they are the things with story, the things we can carry without burdensome weight, the things that connect us – our dots – back and forward. they are the things that distinguish us from all the rest – our morsels – these relics. they are the delicate things, for without them, we would not be who we were or who we are.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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sephora, the arrowhead. [kerri’s blog on two artists tuesday]

in ways i can explain and can’t explain, i am really dedicated to sephora. a few years back when our daughter was visiting we went to a greenhouse and nursery. she has a green thumb and it was cherished time to walk around with her and chat. she pointed to this plant – an arrowhead – and said she was growing one back at her home. i instantly decided to add it to our sunroom and named it after another adventure we had the days she was here. it is important to me that sephora thrives, just like charlie – a heartleaf philodendron she gifted me previously.

i watch sephora like a hawk…always trying to figure out if she needs more water, less water, more sun, less sun, more fresh air, less draft. we have a complex relationship; i think sephora knows the power she has over me and she wields it abundantly. i comply nevertheless. like i said, dedicated to its survival.

even as sephora’s individual leaves turn yellow from time to time (causing me much angst) i find this plant to be so beautiful – the light from the window causing the leaves to glow and radiantly light the space.

a girlfriend and i were talking about the cleaning-out process in our homes. she has readily cleared out much of what her two daughters had accumulated – but not taken with – in their growing-up years. they both live nearby now – in the next town over – all grown-up – and she sees them and their families regularly every week. my friend no longer has much stuff of their youth; with their proximity, she found it easier to dispose of most of what they no longer wanted, even in recent years giving away all the baby clothes and paraphernalia she had saved for possible reuse. she was surprised to hear i still have so much of all this. she laughed at my difficulty – surely a form of paralysis – in getting rid of everything.

i thought about this a bit, trying to figure out why i am so thready – besides the fact that i was born thready, have always been thready and likely will always be thready.

i realized that, though some of this is simply my heart-on-my-sleeve personality, it is also a holding-on of sorts. a peril of motherhood.

it would be dreamy – absolutely dreamy – to have my adult children living nearby, merely minutes away. it would be amazing to see them often, though always respectful of their busy lives. we are fortunate and joyous that our son is just one big city away, a couple-hour backroads drive or an hour plus on the train. to be able to jaunt over and see our daughter at any old time would make my heart burst. she has lived far away – with many states in-between us – for over a decade now, so visits require planning and are much more complicated.

i remember when my parents would come visit from florida – or we would go there – it would be an intense time of visiting in the days they were here – or us there – before it was time for them – or us – to leave and a big expanse of time would gap our shared in-real-life moments. i believe it is harder that way – the concentrated-period-of-time visiting instead of bits and pieces of life scattered like seed throughout the calendar.

in moments of looking through my momma’s things after she died, i could see the remnants and relics of me that she had saved. for in her lack of ability to see me as often as she would have wished, she held on with artifacts of our time together. the dots lined up. i completely got it and it became one explanation for the difference in the ability of my friend and me to let-go of stuff.

my holding-on – of the stuff left behind, the trinkets of their growing-up, the mementos of any grown-up visit we have had, wherever they have lived – it is the holding-on of love.

as claire middleton (the sentimental person’s guide to decluttering) points out, “we think that keeping all of those things will let us keep a little of each child who left us.”

my heart skips a beat.

ahhh. to be a thrower-outer, a clean-sweeper.

i’m working on it. i just had my first two sales on the resale site poshmark, which gives me incentive again. the baby and toddler clothes are bundled up and waiting patiently to go to the mission that gives them away to people in the city who need them. the cassettes are in a box, to be sent with payment for recycling. there are things on marketplace and ebay and craig’s list and the goodwill stack is ever-growing.

but nothing, though, stops my my-name-is-kerri-and-i-am-thready momheart from the wistful.

and, as i gaze at sephora’s stunning golden leaf – sunlight shining through it – i hold my beautiful golden daughter close, blow her a kiss, and miss her.

*****

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one caesura after another. [kerri’s blog on k.s. friday]

the big chalkboard wall was in the basement for decades. and for decades it was signed and scribbled on by my children and their friends-through-the-years. there have been moments – in more recent years – the empty nest years – when i would hit the cement floor at the bottom of the steps, flip on the spotlights and stare at the colored-chalk names scrawled on the wall. lots of history there.

before i took the eraser to this wall, before i washed it off, before i realized the colored chalk didn’t really erase or wash off nomatterwhat, before i prepped it for paint, i took many photographs. once again, my thready heart is challenged – but photographs help.

my girl chalked this design in one of the corners – during the skateboard/dickies/vans era. the memory flood is fast and furious and i stood – touching the chalkboard and its names and illustrations – for some time before wiping it and readying it for a fresh coat. in the end, we put together new shelving for that spot adjacent to david’s studio and now it houses inspiring books of artists and musings…easy access for him, for both of us.

as i’ve written, there are many more of these woven threads in our home to unravel, to gently place aside, to memorize. but – inasmuch as it is a challenge, it is also a gift. because so many things are things we no longer notice, things to which we pay little attention. and right now…right now, we are paying rapt attention to each detail.

we are each telling stories of thethingsinthebox or ontheshelf or tuckedaway or rightthereinfrontofus. some of it makes me a little bit sad – no, i guess it’s more wistful than sad. some of it makes me try to think backbackback to the days backbackback. some of it makes me wish i could revisit those days, live them again, relish them in real time, or maybe live them a little slower or a little differently. and some of it just gives me a little standstill, like a tiny caesura – all part of the diapause, i suppose – one caesura after another.

we keep going. my curiosity is piqued as we open closets and bins, page through children’s books finding scraps of crayoned notes or pictures. i store it all inside, knowing that – even though i will likely forget some of it – it is all there – layers of memories and moments.

and the chalked diamonds will forever remain on the wall of the basement. because they were there, they are there. and they are part of it.

*****

IT’S A LONG STORY © 1997, 2000 kerri sherwood

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sunny starry snowflake seeds. [kerri’s blog on d.r. thursday]

“…you can trust the promise of this opening. … for your soul senses the world that awaits you.” (john o’donohue – for a new beginning – from benedictus, a book of blessings)

i was keeping it, even though it was broken. my sweet momma used to use it as a fruit bowl – on our kitchen table or counter when i was growing up. i feel like i remember bananas in this starry snowflake basket bowl – which hasn’t had its curved glass handle for many, many years now.

as we moved about our home, choosing to be more minimalist in approach, i came upon this glass basket bowl. the broken edges were rough and, though it was sitting out, it was not something i would wish someone to touch for fear of the possibility of getting hurt. i considered this bowl for some time, placing it on the dining room table, gently dusting it out, cleaning its starry edges. and then i realized that it was time for this basket bowl to be disposed of. i took plenty of photographs before gently letting it go, for my threadiness needs – sometimes – to be handled with care.

and then we moved on to the next. and each thing that we moved about or stored or repurposed or disposed of made room – room for our old house to breathe in a bit more light, for us to discover something new that might transform the space.

we can both feel it. the sun’s rays are now reaching further into the living room – way under the old two-person glider that came in from the deck. we’ve sat there many times now already – visiting with our boys on thanksgiving, sipping coffee and watching out the front window, sipping wine and watching the crystals on the big tree branch dance in happy lights. there is change. there is opening.

i have a list – the spots in our home that need our attention, stuff-wise. it is not a short list. we have plenty to do.

but the rewards are great and give us incentive to keep going. we are in no rush. we’ll just take on a little at a time.

and one of these days it will be my studio. i’ll finish what i started there quite a while ago. stopping wasn’t because i didn’t want to complete the going-through-cleaning-out-reorganizing. at the time, stopping was because it was just too much right then. but now…now, some time has passed and maybe i am soon ready to file, to store, to pass on, and – in likely cathartic moments – to throw out that which is no longer relevant, that which served me well until it didn’t, that which is broken in little or big ways.

and, in the process of all this, hopefully i will see the promise of the opening – the sunny starry snowflake seeds – just as we have seen it in the other beloved parts of our home.

all the world awaits each of us each day. we just need to clear the stuff – real or imagined – out of the way to see it.

*****

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all that mylar. [k.s. friday]

they are a mystery. vhs tapes with no labels. now, how on earth can you send them to the vhs recycle place if you don’t know what they are? there could be priceless memories on that magnetic tape, mylar possibilities gone missing.

fortunately for us we still have a vcr machine. i’m not quite sure if it will just simply connect to our tv, but there is a gigantic plastic bag in the basement workroom with all kinds of cords and cables and such, so maybe we will find something in there that will help. or maybe we will have to get some kind of converter. nevertheless, we have hours of viewing fun in front of us for some rainy evenings and we can find out what’s on those unlabeled tapes.

there are plenty labeled as well, which makes it infinitely harder to dispose of them. movies of my girl and my boy as tiny babies, ballet recitals and soccer games, birthday parties and christmas mornings, movies my sweet poppo recorded off the tv, shots of family times, recordings of cantatas i directed, footage of some of my concerts and of me performing on qvc. they all demand a viewing and i’ll set them aside in a bin and someday, well, many somedays, serve them up with popcorn and m&ms.

the pre-recorded vhs tapes are no less sentimental. the million times we watched under the sea singalong songs, the ridiculously infinite numbers of times barney made an appearance at our house, disney movies, the nutcracker. it goes on and on. not just in the basement, these movies are in the chimney cabinets, waiting.

and then there’s the 8mm tapes, which were converted to dvds and carefully labeled a few years back. goodness! memories à gogo.

i guess someday someone will find our fuzzy purple cd case with the zipper and our daughter’s marker drawings all over it, the one we even take on trips. they’ll unzip it to find all our favorite dvds…the ones we default to, over and over and over, for we are those people who love to watch movies we love to watch again and again.

and they’ll wonder how to watch those dvds; they’ll seek out a dvd player, ponder what cords or cables they need, if they need some sort of converter. they’ll pick a movie out of the fuzzy purple case or maybe one home-recorded and labeled. they’ll load it up and push play.

then they’ll settle in with some popcorn and m&ms.

*****

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