i can feel the sun over my shoulder, low to the horizon, warming the back of my head. in front of me the field of cut-grain takes on the color of the sunset and the sky darkens in answer to the summoning of nightfall. the color is intense; the darkness is perforated by the suggestion of clouds, maybe stars…maybe it’s too early for that, i wonder. i want to walk up the hill to see what color might lay there, what color might be beyond that which i can see right now. but i stay still. and listen to the crickets in the grass, the cicadas in the small stand of trees behind me, the sigh of day’s end.
ohmygosh. this was my swan song every time we left the house when The Girl and The Boy were little. this is our swan song before we leave the house now. every time. some things don’t change. i know this has nothing to do with this flawed cartoon and the instincts of birds flying south (or the technology they pay attention to), but middle age and its challenges -and joys- dictate what i pay attention to. and the common theme songs are hot flashes and restroom locations. sheesh!
we have a group of friends that all go together to a winter festival up north a bit. we literally PLAN where we are stopping for the “rest” stop and snacks. and it’s only an hour and fifteen minutes away! we don’t have devices to alert us. they are not necessary. besides, charlie refuses to have any of that confounded stuff.
yup. sometimes nature and people and even geese don’t really need technology.
this face entered my life nine years ago now. i had never had a cat before, but my sister and niece conspired when a kitten showed up on heather’s doorstep in florida. my sister had asked me, maybe weeks before, what kind of cat i would want if i had a cat (which she insisted i needed.) not having had sharing-life-with-a-cat-experience (for i know now not to call it “owning a cat”) i was less convinced. but then this little (short-lived on the word “little”…babycat is BIG!) kitten showed up on heather’s doorstep. after searching for its owner, it seemed fortuitous that i had answered my sister with the less-than-emotional-or-even-informed-but-kind-of-more-practical response, “i guess i’d want a black cat so it will coordinate with my clothing and i won’t always be using a rolly-thing to get fur off my clothes.” it was a match!
and, indeed, it was. after many trials, babycat was named “wilson” (a nod to The Boy’s tennis involvement) and we (The Girl, The Boy and i) drove him back to wisconsin, none of us quite sure how to handle his eating and relieving himself, a crate, food, portable litter box, water, toys and our laps handy. he has never ever answered to the name wilson and he totally chose his name babycat, readily answering to one of his nicknames. and so, his dominance over the household started.
babycat was one of those who-rescued-who stories you read about. at just the right moment, he entered our lives. he has been a big (no…BIG) presence ever since. not knowing what cats really do, i taught him many a dog-trick, sitting and speaking on command, coming when called, sitting up to beg for a treat. he was able and, more so, willing. (if he’s not willing, there’s no way to make something happen with him.)
and then david and, subsequently, dogdog came along. b-cat reined them both in, alpha to each of them. a bit more aloof when younger, but never one to hide or totally ignore us, somewhere along the way, he became a cat who wanted to snuggle.
but that face. it’s just too easy to read babycat’s mind. and right now, i agree with him. where DID the summer go?
babycat. he’s a force. and a big (no…BIG) part of my heart.
i’ve never bungee-jumped or parachuted out of an airplane or ziplined across a gulch or dropped on a snowboard off the side of a mountain. but i understand how inspiration can make you do crazy things.
i remember my first album, 23 years ago now, felt like a crazy thing. it was scary stuff, putting my own music ‘out there’; it was scary standing on stage telling the stories that went along with those pieces and playing my first full-length concert. i imagine the adrenalin i had standing in the wings of the stage before the lights dimmed was much like that of stepping off the platform in a body harness ready to fly. now, the scary stuff would be not doing that which i know so well.
so many people who have stepped out – trusting their instincts, trusting their training, trusting their beliefs and values, trusting their resilience. following a path that might look unlikely. following inspiration. seemingly crazy stuff all of it. stuff that opens them to a wide spectrum of possible results, from wild success to something that looks like failure.
all inspired. all crazy. all learnings. all life. it may not all be safe, it may make you feel vulnerable; it may even invoke fear, but it sure is interesting.
when i saw aly a few weeks ago she was holding her sweet baby boy landon in her arms and she told me that every night he goes to sleep with this album playing. ian joked that landon doesn’t make it much past the first three pieces, so maybe they should start it in the middle so they would be able to hear more of it. either way, hearing snippets or the whole hour of lullabies, i am touched that this little boy is gently going off to sleep with this music playing him into dreams.
i recorded this album after many others. i had already recorded six original cds, three christmas albums, two retro 60s/70s albums, two hymn albums and several singles by this point. but many of the shops stocking my albums and listeners who had purchased albums asked me about a lullaby album. it was with the picture in my heart of rocking (or walking) my own children to sleep that i researched lullabies, wrote a couple original pieces and spent time in the studio at yamaha artist services in nyc recording this.
some of my most precious memories are of My Girl or My Boy drifting off to sleep as i sat in the rocking chair in the nursery watching the seasons change out the window. i would read goodnight moon and sing quietly to them. then i would tiptoe out of the room, careful to avoid the spots in the old wood floor that would creak under my steps.
and so, it is an amazing thing knowing that there are moms and dads out there in the world, rocking tenderly or softly slipping out of their nursery with my album AND GOODNIGHT playing their cherished baby into sweet sleep.
download the album AND GOODNIGHT on iTUNES or CDBaby for your nursery iPOD
the little mermaid music swirls in my head, “under the sea, under the sea…” i can’t help it. the gorgeous brushstrokes of blues and greens and deep reds inspire thoughts of beautiful oceans full of color and hues that are untouchable by dictionaries far and wide. this morsel, from the painting EARTH INTERRUPTED VII, i titled AQUA AGUA MIT ROUGE, a name derived from several languages (english, spanish, german, french), a nod to the inability of words to describe it.
this morsel is somewhere underneath this beautiful painting – within the depths of EARTH INTERRUPTED VII – not visible, but part of the underpainting, a layer of, well, the earth. how much more perfect could that be?
well, blackbeard may well be a goob, even the biggest goob ever, but some things are best kept to ourselves, eh? my sweet momma always said, “if you have nothing nice to say, say nothing at all.” there is candor and there is boorish rudeness and there is a very fine line between them.
every time we get a text from david or molly with a picture of sweet dawson coloring i believe i see an artist-in-the-making. he is intense, all not-even-two-years-old of him. his crayons seem deliberate choices, his drawing coming from a place inside that beckons him to the paper, the cardboard box, the canvas. it’s innate.
charlie is a second grader. he practices batting every day. he has ground down an area of the backyard so much that seth thinks there will never be grass there again. charlie can cite all the players on the kansas city royals and their stats and he will narrate his own one-person ballgame in the backyard, an announcer with great animation and accurate details. such a small person with such a big passion for the game. it’s innate.
khloe, a teeny but mighty seven year old, would come up to the chancel each week and john would let her play the drum set. she didn’t pound, she didn’t arbitrarily hit drums or cymbals. you could see by the combination of joy on her face and an expression of concentration that she was pretty serious. she has the beat. it’s innate.
when my sweet beth and i talked on the phone she said, “i’m not sure how i feel about her going into music.” she was talking about her older daughter, who already has been cast as the lead in three plays this coming school year. i don’t think she has a choice. for emme, it’s innate.
each of us spokes-in-the-giant-wheel come into this world with something. something that is just ours. ours to do. ours to bring. it’s innate. already in us.
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