i am writing this on the next day. the day after spring. it is now winter again. the seasons are getting shorter and shorter these days. i’m wondering if that is a product of age and stage, as 20 says.
mostly, it convinces us that we need to have a sense of humor. about all things. even the weather.
we sit writing this – snow outside – windows closed – heat on (though not much because i am a curmudgeon about the heat). yesterday we sat writing – birds and sunshine outside – windows open – heat off. it is off again, on again. the tease of time.
tomorrow it is march. and suddenly, i am in the month of my 65th birthday. i am in the month of medicare. i am in the month of the supplement vs the advantage plan. i am in the month of part d. i am in the month of whoa!!
and i wonder – where did the time go? wasn’t it spring yesterday? wasn’t it summer and delicious fall? how is it that i glance in the mirror and an almost-65 stares back?
it truly is the tease of time. the seasons are getting shorter and shorter. and – more and more – my investment in them is getting bigger and bigger – each individual day in each individual week in each individual month in each individual year.
the next day is all well and good. but it’s today that matters right now.
i guess it’s true. you don’t know what you don’t know.
the only thing certain is change and, i suppose, the most important thing about that is being able to remain an amorphous blob, malleable enough that you can bend and wriggle and twist and turn and do somersaults and cartwheels in all paths heading forward.
because there will always be a curve ahead. because nothing is guaranteed. because life is kind of like some sort of mash-up cross between the cupid shuffle, the disco hustle, the electric slide…no dull straight lines. you can’t return to before, so you might as well allow lift in your wings to carry you on, to embrace the turns. because we are constantly reminded: “welcome to the present moment. here. now. the only moment there ever is.”(eckhart tolle)
and because – well, yes – you really don’t know what you don’t know.
so in this moment, i will clap my hands, put on my sunglasses, have another sip of my coffee and face forward, flap my wings, and get ready to cartwheel.
the blue cornflower corningware baked ziti casserole in the middle of the table, a tall yago sangria bottle perched next to it, blue cornflower plated place settings, a loaf of italian bread – it’s 1977.
tiny cut-up bites of grilled cheese sandwiches – the crust cut-off – it’s 1992, it’s 1994.
chicken-cutlet-on-a-roll-with-gravy from the hewitt square deli…or even suzy q’s and michelob – it’s 1977 again.
heaping bowls of coffee ice cream – it’s 1974 and my big brother is there.
kraft macaroni and cheese – it’s 1996.
burgers and fries and champagne – it’s 2013.
baked clams and lobster bisque – back at 1977.
it’s uncanny and an immense joy to time-travel through taste. we have spent hours laughing with our dearest friends talking about the candies and snacks of way-back, the adult beverages along the way, the meals and desserts of growing-up.
and in those moments of reminiscing, we are powerfully struck by the ability to taste-it, to remember, to hold onto something really precious for a few moments again.
en pointe, arm in fourth ordinary position, the queen lace stands in late winter. curved seed petal over her head she stands in the brilliant sun, ready to release all the rest, to grow, to start over.
way back in the day, one of my favorite times in each week’s schedule was when my little girl took ballet lessons. she had a pink leotard and tights and tiny ballet slippers. we parents sat on the wood floor in the hallway just outside the entrance to the dance studio, gazing in wonder at our little girls – dancing. tiny ballerinas. the sweetest ballet.
our play group back then gathered in our houses, with a revolving schedule. when we were anywhere near a piano, i’d play music and all the little ones would dance. it was amazing and inspiring to see all these tiny people dancing with abandon. so much joy.
we passed the queen anne’s lace and i could see these tiny dancers as we passed by – arm curved and raised overhead, on tippy-toes, swaying, twirling in the wind.
in my mind i raised my arm up – over my head – and pirouetted around. right there on the trail. what better way to greet the sun of each new day, i thought.
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like you, we are shifting gears often. one project to the next, one challenge to the next. we prepare, we research, we make decisions and then move to the next. it is all in constant flux. gazillions of molecules hurtling around all at once. many plates spinning all at once. anxiety and fear and thrill and peace and bliss all coexisting. it’s truly a wonder we are not so burdened by the constancy of too-much that we don’t bend under the pressure of it all.
i step outside the back door – onto the deck still basked in a haze of frosty dew – and look up. the slice i can see of this-house-i-love grounds me. ”stand still,” it says – this house loving me back, “just look at the sky.”
and so i do.
and somehow i can feel the quivering slow. i can feel my feet firmly planted on the old wood of our deck. i sink into the blue sky and look around for rays of sunlight i might stand in. i release the (metaphoric) clutch and the gear-shifting stops – for these moments.
and – for these moments – i am centered back in right now.
i breathe in deeply. and slowly exhale.
and i thank the blue-blue sky and the slice of house – the reach of love – before i go back inside to spin more plates.
and, just like thistles, prickly people tend to stick together. at least that’s been my experience.
one wonders what the point of thistles are in the world. what good might they do? the nectar and pollen are of nutritional value to pollinators; the seeds are feed for songbirds. but ouch! the packaging is a bit rough.
sandspurs were a way of life in florida. any time you stood on the swale of the road you would expect to encounter them. they were present on the coast of hilton head too, sticking to the bottom of your flipflops as you walked to the water’s edge. we encounter them on the trail – particularly if you step off, into the underbrush. sandspurs, like thistles, are unwelcome hitchhikers on socks and the bottom hemline of jeans, backpacks you laid down, beachtowels. they are about as prickly as thistles – and about as nasty.
i suppose if people were to assign flora to our personalities, none of us would prefer to be “thistle” or “sandspur”. i’m thinking more along the line of peony or daisy, sunflower or orchid or even cattail or meadow grass. definitely not thistle. definitely not sandspur.
and yet, there are people – out there – who seem to relish their prickliness. maybe it’s to stave off other people. maybe it’s a protective shield of some sort. maybe it’s the result of others’ prickliness to them. or maybe it’s the truth – they are just damn prickly.
and, as we know, thistles attract thistles. nasty attracts nasty. mean attracts mean. sandspur and thistle posses can be powerful, keeping out – repelling – anything softer, anything into which they can sink those stickers.
each day – as we continually learn of the challenges of others – i think that there is not enough time to be prickly, not enough time to be nasty like that, not enough time to be unkind, not enough time to be uncaring. we barely have enough time to be loving, to be kind, to care about those around us, to have compassion for those we don’t know.
and despite the many advantages of the thistle, the many advantages of the sandspur, i’m thinking that an outer shell that may or not may belie inner goodness is kind of a waste of precious time. it may be good for the underbrush, good for the meadow, but it’s not so good for humankind.
there’s not much he loves quite as much as errands. our dogga is a total cheerleader for us to leave the house – taking him with us – to go to and fro around town or further. it doesn’t matter much to him if we are grocery shopping or making a costco run, going to the post office or ups. he is completely on board. his enthusiasm is unwavering. every single time it’s the same. he is dyyyying to go, as long as it’s with us.
i can’t imagine what it might be like if we all applied that kind of enthusiasm to every single thing. the drudgery, the exciting stuff, the near, the far.
last night we watched three guys climb the impossible mountain peak changabang. we could not – even in our wildest imaginations – imagine being on that trek, scaling that mountain, sleeping in a portaledge hanging off the cliffside. it was enthralling watching them succeed, but it was not without incredible challenge and pain and, so, it was not without giant respect for the commitment these three made to summiting. good grief. i was lying in bed under a comforter and was unnerved just watching this quest.
after that we talked for a while. one cannot simply go to sleep after such a summit. i wondered aloud what we were doing on the day those three guys ice-picked their way up and up and slept in a portaledge in negative temperatures with avalanches falling around them. david – in a serious voice – said we had likely written posts, gone for a hike, maybe made a sheet pan dinner. the comparison made me laugh aloud.
but then we really started talking – as we do – about all that might be happening simultaneously around the globe as we write, hike and sheetpan. it’s sobering.
because – truly – in the same moments we are writing, hiking and making a nice dinner, there are others – elsewhere – who are both elated and suffering. there are babies being born and people dying, communities defending themselves in war, other communities starved for food and supplies, people in distress and families with insurmountable odds. there are those summiting mountains and those studying reasons why species are in decline. people fighting disease, people evacuating their homes. people concerned with climate change and politicians touting their own self-aggrandizing agendas. it is a messy, messy world.
so dogga is one smart dogga. to be enthused about some round-the-town errands – ahhh – he adheres to a simple philosophy. he accepts life as it is, without worry about perfection. he gives no heed to life’s temporary nature and does not regard summiting as completion. instead, he embraces now with everything he’s got.
we might underestimate the lessons we learn from those around us. in a portaledge moment last night – wrapped in a comforter and a quilt – with multiple pillows and the window cracked and dogdog at our feet – we agreed we need not artificially – through disagreement or disdain, jealousy or comparison, not-enough-ness or overabundance – create any suffering for ourselves.
we need only make our days as good as we can. we need bring our pompoms when we go on errands. and – really – maybe every other moment.
though not as existential as ‘what is the purpose of life?’, when i read this question – “what’s the purpose of a blog?” – in our website email i admit to sitting and staring at it for awhile. good question.
since you are reading this, you must find some value in a blog. somehow it must resonate with you. something we are saying must find a spot to linger a moment in your mind or heart. or maybe we are dear to each other and you are staying in touch – albeit virtually – with what’s going on in our lives. maybe we have never met but you are walking this path of living for this period of time with me, with us. i’m not sure why you have clicked on this, but i am curious and, mostly, i am grateful.
this is part of what i wrote back to the question:
“we originally published our mutual website and blogs as a way to draw attention to our varied artistries. david is a painter and writer and i – well, you know.“ (the question was posed by a person who was quite instrumental with encouragement for my first full-length original solo piano album.) “but i was also doing a lot of writing (the written word) and we developed several cartoons and products. it was a mélange of artistic mediums, hence the name – the mélange.
as you know, being an artist presents many challenges, not the least of which is to earn money. people turn to the arts for sustenance, for comfort, for reassurance, for insight, to celebrate their bliss. but, as in the music world, for example, that is often derived via “free” formats…formats that pay the artists little to nothing: spotify, pandora, apple music etc. in an effort to hold true to our artistries, our site – developed a few years ago – combined all of what we do under the bigger umbrella of ‘the arts’ and put it out there.
theoretically, the purpose of a blog is to draw attention to product, to establish credibility, to perhaps be inspiring, to share thoughts, to form a community, to connect with like and not like-minded people, to ask questions, to drive engagement, to repurpose old content that still has life to live.
our blogs are read in over 80 countries – according to the stats. it’s a delight to see that anyone at all is reading what i or david have to say. even better is when they share content – outside our concentric circle – that means something to them or respond because something we said or posted or generated resonated with them.
many artists (and others) blog or vlog (video blog) now. they include ways to help support them. in our case, we have a BuyMeACoffee link (that’s the QR code on the blog pages) which is like a tip-jar website. others have patreon which is a subscription to which people can sign up and regularly support the continuing creating of artists whose work they value. it is simply an effort to continue to be artists in a financial world that doesn’t value artists in a financial way. sigh. with the encouragement of others, we will likely open a patreon account one of these days.
david and i sit and write each morning together. we choose images for the week and post them. then we sit – side by side with our laptops – and write our blogposts, not peeking or sharing until we are done. this process is truly meaningful to us and brings great joy as we read what the image has brought up for each of us – often quite different. david is much more esoteric than i am and my blogposts are usually thready, really from the heart. it’s a good balance, particularly in relationship.”
so, what’s the purpose?
the person who posed this question is an actuary. i suspect that a blog seems somewhat frivolous to them, maybe even out of the realm of pragmatic, certainly not sustaining or financially rewarding. and – though having millions of followers or subscribers could be very lucrative – i suppose all those other points could be true. and yet, there is this imperative we both feel – to write – that we answer, each and every day. it’s both the blessing and the curse of being an artist.
i can’t imagine that there are readers who read each and every of our six-days-a-week postings. but to think that someone in a different US time zone, in africa, in south america, in the EU or indonesia or the middle east or australia or canada or ukraine is sitting with coffee and taking time to read my words is humbling. it’s how i feel about listeners spinning my music. the same. humbling. shy of being in the same room with me or having some kind of live exchange or sharing time together, my music and my words are the closest you can get to me, to what i am thinking or feeling, questions i am trying to answer, the way i parse out what it means to live. it is relationship on the relationship target circle – the circle a couple circles in, where you are not only acknowledging existence, but you are paying attention, responding, even if silently.
we don’t know what would happen if we stopped writing. all of sudden – boom! – full stop! we don’t know if there are those people who would miss these ramblings. we don’t know if there are those people who might just notice, a tad regretfully, our blogs were no longer there. we do know there are those people who would never even know we were gone. it’s a funny thing. and as an artist you must be careful not to let ego and its attention-seeking behavior stand in your way. you just keep on. until you stop. and then, because imperative is – after all – imperative, you do something else. artistry is a living and breathing thing.
i hardly think that the words i write are gloriously wise or the smidgiest-bit funny or new thoughts in an old universe. i just know they are uniquely mine and, for some crazy reason, i am open to being vulnerable enough to share them.
maybe one day you and i will have a conversation about this. and you might be able to tell me what the purpose is of writing a blog.
so yesterday, in an effort to save the social-security-signing-up-for-medicare office some time, i tried to cancel an appointment with them. i had already accomplished what i needed online and i wanted them to be able to satisfy another customer’s needs.
i looked all over on their site for a way to cancel this appointment. nothing. nowhere to cancel.
but on the letter (which i received in real life as well as online) there was a phone number.
thinking that there would be an “option” to choose to cancel appointments, i dialed up.
nope. no option for canceling.
just an option for appointments.
“one hour and fifty minutes,” the pleasantly-recorded bad news said.
i started to stay on hold. put my phone on speaker and laid it next to me.
but i have other things to do. and an hour and fifty minutes to sit on hold in an effort to cancel a phone appointment with them is a tad bit – well – ridiculous. i was just trying to be nice, responsible, aware…you know, all those adjectives about being a good customer, a good citizen, a good fellow-almost-medicare person who knows that other people have questions too and these departments are overrun and that it took me two full months to get this appointment and i would like someone else to be the happy recipient of it.
whatever.
i hung up.
today, when they call, i’ll suggest that they find a way to make it easier to cancel an appointment.
because – doggonit – i’m almost 65 and my time is worth something too.
as i write this, it’s been weeks since we have hiked. i am feeling the tug. despite how sloppy it is likely to be, we really need to get out there – in the woods – and feel the cold, damp air on our faces.
we have been in the basement these days. during the negative-whatevers, the snowstorms, the dense fogs, the rain, we have immersed in the boxes and bins and tchotchkes of life. minus the occasional spider and mouse poop trail, it has been mostly joyful. to touch these things of life again is a gift of memory.
as we sort i can feel the house breathing. now, i have actually been in and seen a hoarder’s house, so i know that there is no comparison whatsoever, but the advent of space is refreshing. i realize that this paring-down will require a few passes – this is the first big pass – but now that we have started, it doesn’t seem as insurmountable. the reward for fortitude in the cleaning-out is the zeal to continue. it’s a circle.
i am making every attempt to be more ruthless in this process, in this circle. but it is a passage through time and life and my fingertips are tingling, touching the first onesie sleepers and those little booties, the tiny oshkosh b’gosh overalls and even tinier bibs. then there’s my sweet momma’s wedding dress and my poppo’s air force “ike” jacket. silk flowers and fold-out honeycomb crepe bells from my first wedding. cabbage patch dolls and children’s books and matchbox cars. 1970s cassettes i listened to over and over and over. reel to reel, cassettes and cds of my recording studio takes and edits, tracks along the way. my report cards from the beginning of time. this process is not as easy as it’s made out to be. but it’s necessary.
and, also necessary, is the call-response of the outside. we need to go out in the trees. we need to hike by the river and follow the deer tracks. we need to feel breathless from the wind and overheated by exertion. we need the balance. in this circle.
so we’ll put down the marketplace ads, the bins and big ikea bags holding donations, the cleaning supplies and our yuckiest clothes and we’ll go outside.
reverse threading 