though we take turns with the existential questions of life, he is the one who asks most of the ones – aloud – that are -sometimes annoyingly – foggy. the kinds of questions that require lengthy, long-winded, circular, pondering dissertations, steeped-in-wisdom-devoid-of-wisdom yada-yada, first-person-experience tales, prolonged dialogue, yin-yanging polar opinions, all the reddiwip of solid answers.
i find myself – in these moments – thinking of the practical, the reassuringly tactile, the basic. the homemade chicken soup.
we have a ridiculously high level of dedication to this. despite the fact that no one is requiring it, no one is requesting it, no one is paying for it. every weekday, for one week shy of four years, we have written a post. i guess it’s part of the autograph we leave on the world, whether or not anyone reads it.
they poured the last bit of temporary sidewalk this week. it’s there till spring when it will be replaced by something permanent. i stood at the front door and chatted with the guys, who told me we should sign our names in it…after all, it is temporary cement. i did have this fleeting thought that, even if it were permanent cement, it is still temporary, but i didn’t think they wanted to have an existential conversation so i said nothing.
i went upstairs to get d from work. “we have to sign our names in the sidewalk. the guys told me to,” i pulled him away from his desk. he grabbed a yellow craftsman screwdriver from the kitchen drawer – where we keep one to tighten the door handle and that thingy on the door jamb that the lock slides into…what is that thingy called…oh yeah, strike plate….that.
it wasn’t too cold out – which is why they poured – so we went outside, stared at the open, undisturbed, perfectly raked canvas of wet cement and … drew a blank. the possibilities were endless. a peace sign? a heart? flowers? a mountain sunrise? paralyzed with uncertainty and too many choices, we decided on our names, which presented its own set of problems.
for we never really call each other our names. of course we will reFER to each other as kerri and david to others, but saying the name david TO david feels funny coming out of my mouth. and hearing david say kerri to me is just weird.
because a long time ago now we found out that we had the same middle name. in the very early stages of our relationship – when all we did was write emails and then texts – before we had met in person and before we had much voice-to-voice conversation, we discovered that, in the oddest of odds, our middle names are – for all intents and purposes – the same.
erle.
and
earl.
mine is the feminine version (that’s what my sweet momma would try to have you believe. having been named after my dad erling, she tried to convince me that e-r-l-e was soft and girlie. mm-hmm.) david’s was “the sound that bears make” – according to him; he was named after his grandpa.
regardless of the obvious chatter this will create as you try to discern if it is indeed soft and girlie or more of a gutteral utterance of a grizzly bear, it was decidedly a unique moment to find out we had somewhat rare names as our middle name.
and so, i started to call him david earl. (and similarly kerri erle.) soon, the formality dropped to d.earl – which is pronounced d-dot-earl. and this was shortened to d.dot – which is pronounced d-dot and does not include the obvious redundancy (d-dot-dot), because, heaven knows, we would not want to be redundant.
most of the time now, i just call him “d”.
so…standing there…in front of cement just pining to be written in…we had a decision to make. what.to.write.
and there you have it. the absolutely unnecessary story that you can’t believe you just read to the end. k.dot and d.dot in the cement sidewalk. temporarily.
the next morning – the morning after the installation – i stepped out to look at our handiwork. the sidewalk had cracked in the bitter overnight cold.
but they’ll be back, like they said. in the warmer spring or early summer days. and they’ll pour the next.
there’s a good chance we will write in that permanent sidewalk as well. our autographs.
the old radiator in my studio was its home for years. i picked it up at a wholesale show…an old fencepost with equestrian leather…i couldn’t resist. it was perfect next to my piano. shh. quiet. ponder. dream.
it’s outside on the back deck now, really for the same reasons. shh. quiet. ponder. dream. it reminds us to take those moments and just be.
in the middle of the night last night we talked for a few hours. it was a big discussion…about life, about existence. we agreed that life is merely about those rare and outstandingly idyllic moments – a collection you might store in a little special box or place in photographs-in-the-round for a viewmaster – ready, at any time, for you to look at, review, be reminded of, hold close. not usually the gigantic stuff, but the slides of tiny, even silent, markers, instants you recognize as mica.
we had another water episode a few days ago. it seems the theme this summer. once again, drains in the basement yielded water instead of no water. a really lovely young man from the sewer-drain company came; it was their second time in just over a month. the tree roots they had cleared likely had left behind another piece. it doesn’t matter. he cleared it out and we moved on. it wasn’t without a ton of unexpected work…clearing all of david’s paintings out of the space to protect them, moving any and every thing out of the way of the water and allowing room for the technician to work without feeling nervous about anything around him. after he left and we cleaned everything up it was back to quiet.
we exercised down there again yesterday. it’s a peaceful place, even though it is a basement. being surrounded by the muse of david’s time at his easel brings a certain life to it. i imagine he wishes this little sign was in his studio, but there is a hush nonetheless, even without the sign.
our studios – places where time fills in the gaps between noise.
in the middle of existential questions about my wrist and hand, a screeching halt to occupational therapy imposed by the insurance company (don’t get me started), questions and the after-effects of betrayal, a silencing of my professional work, i have not sat there much. i enter to allow in light and fresh air, gaze at my piano and walk out. another silent day.
each morning, for at least a week, as i have sat with pillows propped sipping coffee, the window beside me wide open, i have been visited by a chipmunk. it sits atop the fence post across the driveway right opposite the window and looks in, chirping. i named him ‘sunny’ as it is often that the sun is just reaching that fencepost as he sits and the first time he was bathed in rays of light as he held his spot and said whatever he was saying to me in chipmunk i could not understand.
today, in the quiet of the morning, sun not even yet beginning to stream in the window, sunny was out there, chirping to wake us. i called out the window to him a good morning greeting. we chirped back and forth a bit before he left, satisfied he had awakened me. i watch for him now each day as the sun starts to rise.
three times in a twenty-four hour period over the last weekend i heard or saw the words “everything will be ok”: once written, once spoken and the third time bob marley sang it in the woods as we hiked the river trail.
sunday as we sat at the table on the deck in waning light a not-oft-seen hummingbird came directly over and hovered right in front of me. a couple days later as i stood on the deck, david watching, a monarch butterfly flew over to me and circled less than a foot above my head. and sunny, a chipmunk on a fence post, greeting me each day.
i guess that sometimes the universe is quietly whispering, “it’ll be ok. everything will be ok. shh.”
there’s so much truth in this. the red wine. the adirondack chairs. the ‘what are you thinking about?’ the sky-gazing. the existential amazement. the mars and venus. the hot flash. yes, yes. so.much.truth. yup. uh-huh. nothin’ more to say here.
when my big brother died, i was lost in a maelstrom of emotion. it was hard for me to wrap my head around how the world would go on at a point he could no longer feel it. it wasn’t like i hadn’t experienced loss before. at that point in my life, i no longer had any of my grandparents present on this earth with me. that just felt like a more natural thing – to lose those we love who are elderly, who have lived long and full lives. my beloved brother, on the other hand, was merely 41 and there were so many hopes and dreams he still had for himself and his family. i am still struck by the fact that the world does, indeed, go on. the sun rises and sets; the moon lingers in the night sky. and my question, both existential and somewhat obvious, remains unanswered: how it can go on if he can’t feel it anymore. how it will go on – someday – if i can’t feel it anymore.
at some point a few years ago, i played for a memorial service at a synagogue. one of the meditations before kaddish made me weep. penned by merrit malloy, it reads: “when i die give what’s left of me away to children and old men that wait to die. and if you need to cry, cry for your brother walking the street beside you. and when you need me, put your arms around anyone and give them what you need to give me. i want to leave you something, something better than words or sounds. look for me in the people i’ve known or loved, and if you cannot give me away, at least let me live in your eyes and not in your mind. you can love me best by letting hands touch hands and by letting go of children that need to be free. love doesn’t die, people do. so when all that’s left of me is love, give me away.”
the white trout lily humbly bows on the forest floor. much like people, though on a different scale, their presence is ephemeral, fleeting. on sunny days, their petals will curl back, up, towards the sun; on shady days these small flowers may not even open. their simple beauty a mystery to the passerby, their faces shyly downward, they fill the underbrush on the side of the trail, dotting the landscape with fragile white blooms. i trust they are not concerned with the impact they make on the world nor do they wonder about their footprints once they are gone. they are simply there – love – dressed in white floral.
as we have moved through the pandemic and the devastating myriad of even just this past year, it is inevitable to think of all the loss, the loved ones who have died, the families and concentric circles left behind in grief, questioning. it is also – yes – a reminder that we are still here.
my dear friend sent me a link to a new york times op ed by charles blow. she drew my attention to the last line, words of perfection: “when i am gone, and people remember my name, i want some of them to smile.”
reverse threading 