reverse threading

the path back is the path forward


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cracked. [kerri’s blog on two artists tuesday]

i’m a window-seat-er.

it’s not just because i am prone to motion sickness; it is magical to look out the window at the earth passing below us. and now, the window next to me looked cracked, as tiny droplets skirted across. so much to look at in lieu of staring at a tablet or screen.

i am the geek taking pictures out the window of the plane – as if it was my first time flying.

but i don’t care. i take pictures anyway.

a few days ago i spent over two hours on the phone with an old friend i hadn’t spoken with for – if i’m remembering correctly – over four decades. in that strange way that you can pick up where you left off – despite the fact that there are blanks spanning decades – it felt like we had just danced the night away together, laughing and talking, at one of the discos on long island… just like we did back in the day.

she and i met at college and were instantly friends. i was pretty naive back then, but she had a savvy i could draw from and we had many adventures together.

it was a joy to be on the phone together again – i remember hours tethered to the wall, making plans or discussing crushes. this time i wandered around the house, chatting and trying to picture her now – after so much life had gone by.

and i heard my voice change. suddenly, there it was. the new york accent, back. it doesn’t take much – i am impressionable with others’ voices. the kiddos used to know when i had just talked to my nashville producer – i’d be drawling afterwards. so, long island came roaring back and we interrupted each other with abandon, punctuating our conversation with much laughter.

and there was this. this candor i remember, a not-beating-around-the-bush-ness – a bluntness – an assertiveness – that is visceral for me. i could feel it bubbling up, cracking through my learned midwest reservedness, my keeping-the-peace-ness.

“this used to be me,” i thought.

i – admittedly – have a whole bunch of leftover newyorkness in me. but much of it has been tempered by life in places outside of the northeast. it is pretty much necessary for survival – and for friendships outside of a place left behind, where conversation is more open, more sharing, more – well – raw.

it didn’t take much time to crack through to that place, shifting to this-doesn’t-need-to-be-polite, to this-doesn’t-need-to-be-filtered. i jumped back into a conversation where we – without words – assumed the other was a mature adult, sharing intimate details and what-could-feel-like risky stories with each other, instead of accommodating the other’s comfort level.

it was incredibly refreshing.

when i got off the phone i realized that i missed this. the cracked veneer – the truth of life – minus the filtering, minus the concern about judgment, minus storytelling sans the sordid details, the guts, the ugly as well as the pretty.

i missed the real-real. i missed the interrupting. i missed the accent. i missed the new yorker in me.

i shared snippets of our call with d, laughing at my slowly-shifting-back voice. i felt different.

i’m no mary poppins,” my girlfriend said on the phone.

aware that i was thinking about how the midwest might feel about admitting one was not at-every-moment ‘too good to be true’, i proudly answered, “nope. neither am i.”

those cracks. the kintsugi. damaged and filled with tears and laughter, hopes and dreams and disappointments. truths and failings and forgiveness and grace.

and always at least one little spot that is not perfect, that is left open – where spirit can enter.

or the new york you left behind.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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under the flowbrella. [d.r. thursday]

back a while ago – in 2018 – we were designing up a storm. we offered prints, throw pillows, tote bags, phone covers, shower curtains, coasters, leggings. i spent hours designing hundreds of products. it was a blast! one of our designs back then was “go with the flow” and you can still see (and purchase) items on society6.com.

because “go with the flow” still fits – and, i suspect, forever fits – when we passed these napkins at festival grocery store, it was on a day when they were the perfect companion to our happy hour. a reminder. a keep-perspective nudge.

i have learned that going with the flow is really an umbrella mantra. everything else can get neatly tucked in underneath the flowbrella. for what choice do we really have? pushing back causes undue stress and anxiety. hiding in a cave is just downright depressing. moving on – in the flow (picture yourself on an inner tube in a lazy river under a soft sun in 75 degrees with a gentle breeze) – is likely the best option.

having been raised in new york, i must say that goingwiththeflow doesn’t really come natural. there’s a little pushback in each o’ us and the older i get, the more i realize the uselessness of trying to dig in. my heels are not strong enough to withstand the force of the big river and it’s hard to curl my toes in the cold water to grip the riverbed (without getting a foot cramp, which is a whole ‘nother post).

in these days of getting older – and perhaps a tiny bit more sage but not too much but maybe a little – i have learned that the future comes – at least the next day – whether i agree with the present day or not, whether it’s my best day or not, whether i am wrong or right, whether i am blissfully happy or gutwrenchingly sad.

we are all kintsugi vessels. we keep our eyes peeled above the water, through the challenges of being human, and focus on whatever is our “go” lighthouse.

*****

read DAVID’S thoughts this D.R. THURSDAY

our sweet Chicken Marsala


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buds and blossoms. wrapped in gold. [not-so-flawed wednesday]

if i were to get a tattoo (not to mention the “sisu” tattoo i would love to share with my daughter) i think it might be a simple tattoo depicting the japanese practice of kintsugi: the golden repair and honoring of flaws, beauty in human brokenness. there’s no telling if i will do that. there’s also no telling if i won’t. i’m not averse to ink. i know that ink is an expression of where you are in your life, of what you believe in, of what you seek.

“age and stage,” 20 often says when we talk about the stuff of life. tight bud to full bloom to blossoms falling, petal by petal, to the dirt. all the iterations in the middle.

everything is like that, i suppose.

the first time my boots hit the wood as i crossed from backstage to the apron was memorable. i won’t forget it. each time i’ve walked to the piano, adjusted the boom mic, took a breath and started…memorable. i won’t forget. i remember being in the middle of one of my concerts, in the middle of one of the pieces…i forgot where the piece went…i was lost. i made it up. it was a solo piece; no one else had to share in my lapse of memory. i followed the theme and noodled my way through to an end no one would ever hear again. my producer hugged me and laughed later, “nice coverup.”

the pace of my walk is slower now than it used to be…steadier. now i know that no matter what, no matter the mistakes, no matter the braindrops, no matter the missed lyrics, the thinking notes…the story will get told, the bud will open and, like any artist, i will give of myself, despite of whatever i get or don’t get in return. age teaches you that it is not the return that matters. age teaches you it is in the giving.

we talked in the kitchen this morning about the work we have done in our lives. david’s paintings, hung and not hung, my music, recorded and not recorded. we talked about our youthful desire to have everything seen, everything heard…and not in a little way. we talked about how age has brought us to this place – a place where seen and heard doesn’t really matter. painted and played matters. drawn and written matters. expressed matters. received en masse doesn’t.

it really is “age and stage”. it’s not just the moments of our children, tiny beings not sleeping through the night, toddlers in terrible-two-tantrums – people reassuring us “age and stage”. it’s not just the trials of parents letting go of those adored humans who are now adults in the world, a little less access, a lot less time – people encouraging us “age and stage”. it’s not just our aging moms and dads, significant changes in ability, in perspective, in health – people comforting us “age and stage”.

it’s us. it’s our age and our stage, we are reminded. we try to fix what is broken, try to start something new, try to perfect the blossom. and we realize that it was a bloom all along. it was beautiful. it counted.

were we to be able to see – from the beginning – all the stages – the tight bud, the slightly opened petals – the bloom – the blossom falling to the ground – we might take it all more lightly, we might not cling to ideals of success and how we receive it. we might know there would be mistakes and dropped notes, lyrics mixed up and words not spoken. we might know there would be vulnerabilities and painful angsting, gorgeous improvised melodies, pictures without everything we desired, without everything coming to fruition, vamped decisions, regrets and, yes, bows. we might know that we would join with the rest of the human race on broken roads.

and we might know that the stages of our ages were all wrapped in gold.

and maybe ink.

“and the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” (anais nin)

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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imperfections. [not-so-flawed wednesday]

it was the rip in the petal that attracted me. this stunning white bloom in the woods, surrounded by underbrush, green leaves and many seemingly-perfect flowers, this was the one that stood out.

kintsugi is a japanese art. it is the practice of putting broken pottery pieces back together again with gold. it is metaphoric self-care. it is the celebration of that which is difficult making you stronger. it is the holding most gently and most admiringly that which is not perfect. it is creating something more beautiful, more unique and more resilient from something broken.

this bloom in the woods needs no gold. its purity and absolute allure are natural. it does not suffer illusions of self-conscious expectations nor does it pine over flaws nor does it wallow in the not-good-enoughs. it simply and silently leans toward the sun in all its glory.

and it wins my vote as the most-beautiful, dazzling the forest floor, reminding me, once again, to have gratitude for all the imperfections that make me me.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY