reverse threading

the path back is the path forward


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not normal. [kerri’s blog on d.r. thursday]

starlight. starbright. first star i see tonight. i wish i may, i wish i might, have this wish i wish tonight.”

he said, “you’re not normal. you two are not normal.”

he didn’t mean it in a mean way. in fact, he quickly explained it was a compliment. he elaborated that it was his way of saying that we lead with creativity and artistry and that just isn’t a normal thing, that we don’t necessarily give credence to how naturally that is a part of who we are, how we move in the world, what we do with our time.

because our success is not measured like the success of others, it’s a little hard to take in this compliment. the success of our imperative is measured in resonance with others, in touching hearts, in poking thoughts, in giving space. the success of others is measured in salaries and annuities and perks and material goods. there is a vast disparity between the payroll of the artist and the payroll of the white-collar-ed.

at the queen tribute band concert we attended there was a woman in the next row who held an intense conversation during intermission. she spoke about their son who had chosen a different route – not to go to college – and who was succeeding mightily nonetheless. she spoke about how others looked disparagingly upon him, but how she supported his choices. the most telling thing she said was, “at least in life he isn’t doing a job he hates.” i did a double-take. the tone of her voice, the look on her face showed she was underplaying her own feelings. she is clearly doing a job she hates. for the long haul.

we’ve all had jobs we hated. it’s a fact of life. bills need to be paid, obligations need to be met and we are responsible people.

we talked about this on the way home from the concert. eh…who am i kidding? we talk about this all the time.

our life is different than most anyone else’s we know. our dreams are maybe a little different too.

we immerse in moments that remind us of the good fortune of merely breathing. we flail in moments that remind us we are not “that kind” of normal. but seeing stars in dried flowers and hearts in verdant underbrush and angel wings in clouds and appreciating the sunshine on the quilt, the old birdhouse on the mantel, the tiny cairns on our shelves, the harmonic overtones in the air all remind us.

i wish i may, i wish i might, have the wish i wish tonight…

to not worry. to know that this work that we do in the world is valued. to feel some of the same ‘normal’ as most of the people around us.

but if i have to worry and wonder and feel ‘not normal’ to be the artist i am, to maybe have something i do resonate with someone else, touch them, make them think, change them a tiny bit, give them a little space of peace, then i’ll take it. because i don’t hate what i do.

because i love doing what i do.

*****

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the gig economy tapestry. [ saturday morning smack-dab.]

i was going to write about the gig economy. about how living a life – mostly – in that world has given me a perspective about work that is maybe a little less rigid than the perspective of one who has worked outside the gig economy. always piecing it together, always scrappy, always thinking of the next new thing to create – these are second nature. not having as much, worrying, repurposing, having thinner margins – these are also second nature. in the middle of the middle of what-next thinking, outside the box of indeed and monster and ziprecruiter and simplyhired and random sites that seriously suggest i apply for positions as a neuroscience researcher. “now what?” people will ask – mostly who don’t really know me or who are drawing comparisons with their own lives. i was going to write about all that.

but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see what which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.

there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.

*****

read DAVID’S thoughts this SATURDAY MORNING

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meander-er. [k.s. friday]

meander

“…Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.”  (Robert Frost)

a product of sunday-drive-parents, i am a meanderer.  i’ll choose a backroad.  i’ll choose the woods.  i’ll avoid the six-lane interstate.  i’ll avoid the leader-led-coach-bus-travel tour group. i blame my sweet momma and poppo.

in an obvious life metaphor, choosing to be an artist of any medium -for the long haul- is choosing to be a meanderer.  it’s choosing to live life looking for and celebrating layer cakes – a layer cake of work.  it’s a continual wracking-of-the-brain for the next idea, the next project, next pitch, the next initiative, the next validation of your artistry.  it’s continual exploration and continual growth, surprises and intrinsic rewards of the heart.  and it’s continual worry: how will what you earn equal or be greater than that which you owe.

my parents encouraged my every musical moment.  neither of them was a musician, but their steadfast support reinforced the decisions i made that were more out-of-the-box.  their prideful applause inspired and fed me, lighting a fire even when the embers were falling to ash.  times i would rise and fall and rise again, i blame my sweet momma and poppo.

in somewhat recent days, when i was bemoaning the exponential cost of healthcare, someone asked me if i needed to see a financial counselor, someone who could ‘teach me’ how to budget.  i was stunned at the lack of sensitivity and actual empathy.  “no, thank you.” i responded, while trying to maintain the sound of calm in my voice, “i am actually quite good at budgeting and truly love math.  this is not rocket science.  it is simply a case of not having enough income, even from several jobs, coming in.”  a meanderer.  those sunday drives.

i’ve read plenty of ‘being the youngest child’ articles.  it seems that my profession, lean toward autonomy, artistry, careful rebellion are all because of my place in the sibling line-up.  so, once again, i blame my sweet momma and poppo.

the urge to be off-the-beaten-path, literally and figuratively, to quietly sit in the middle of the woods or i-wish-more-often the top of a mountain, to stand on a wooden stage with a piano, a boom mic, a few songs and a story to tell:  things that are part of my very soul.  the core.  i blame my sweet momma and poppo.

and i thank them from the bottom of my heart.

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