breck is having a growth spurt. like when your toddler suddenly grows inches and miles and you cast aside the tiny outfits, reaching for the next sizes up.
you don’t really know what to expect about how a child will look when a baby is born. every day – in the middle of the chaos that is parenthood – you look at this precious child, pretty much incredulous. there are days when nothing about their tiny face and body looks much different. there are days when you have an inkling of what this little person will look like as they grow. there are days you stare and wonder whose child you are holding.
breck is kind of like that. for years since we brought breck home from – yes, breckenridge, colorado – it has looked like a small quaking aspen sapling. potted and then in the ground in numerous places in the backyard, its leaves were small, easily-identifiable aspen leaves, the classic well-loved shape of mountain breezes and stands of shimmering, rustling.
and then, this summer.
breck is now – apparently – an awkward teenager. the new leaves are giant, the new growth resembles the beanstalk that jack planted. it is as high as the lowest point of the garage roof and each day there are new leaves up there, new inches. we are not quite sure what is happening out there. but it sure looks like breck is having the time of its life.
breck’s vigorous growth this very summer seems really hopeful to us. in these past five summers we have watched breck maintain, keep status quo, a little teeny growth here or there. we’ve been grateful it has sustained. we feel inordinately connected to this little tree that made its way home from the high mountains with us in littlebabyscion.
we wonder about its sudden enthusiasm. we wonder about its new and different leaves. it feels like it is somehow bursting out of slow-and-steady into what-the-heck-full-steam-ahead.
“still, what i want in my life is to be willing to be dazzled— to cast aside the weight of facts
and maybe even to float a little above this difficult world. i want to believe I am looking
into the white fire of a great mystery. i want to believe that the imperfections are nothing— that the light is everything—that it is more than the sum of each flawed blossom rising and falling. and i do.” (mary oliver – house of light)
truth be told, i am pretty easily dazzled.
diamonds on the lake, owl feathers on the trail, first fireflies, an unsolicited kiss from dogdog, the rising moon, constellations pinpricking the sky, tightly-wound buds, wide-open-blossom fragrance. catching my beloved’s eye, the gesture of hand to his heart, the ninth in harmony, the sinking sun through a forest of trees, birds gathering at 4am, sunrise, surprise texts from my grown children, squishy pillows, the first coffee, a bold red, a new thermal shirt, snowfall, the first glimpse of the mountains.
as everything changes – my body, my work, my impact, my voice – it is easier to float above the difficult when dazzled a dazzling number of times a day.
i don’t know who to credit with my easy-dazzability. i suspect it’s my sweet momma. she did not have a high bar for ecstatic. she cheered on the tiniest event, she buoyed even those she did not know. her gaze took it all in…it became fodder for extraordinary within the ordinary.
but, oh, the practice of being astounded, of having your breath taken away, of being startled by that which you’ve seen many times, of holding the horizon loosely like the reins of a horse – without restraint, your knees signaling “gallop”. full-fledged immersion in possibility, unabashed glee, awed.
when the lake glitters, it feels as if the day itself has reason to shimmer.
i realize now – already – and at long last – the shimmer – of light – is always there. no matter.
behind the curtain and between stage-left and stage-right wings, the action is paused and ready. umbel stalks on point, waiting to explode into clusters of tiny white flowers, delicate leaves opening, lacy, inviting the show to go on.
it’s spectacular – this performance of nature.
queen anne’s lace – i first learned of this wildflower from my dear friend linda – can be confused with other plants. bishop’s flower, wild parsley and hemlock taunt many from the meadow and one must be careful to realize that their performance piece is not the same – they are not edible – like this wild carrot of queen anne’s lace – and, in fact, they are toxic. the meadow stage offers up options but only carrots are carrots.
for those who love the stage in any capacity, there is a responsibility, things one must remember.
i knew from the beginning that the stage was not about me, not about what it could bring me. instead, the stage is about what i can bring to the audience. i have played to a handful of people; i have played to tens of thousands of people. i always knew it was simply my job to offer my music, stories, lyrics, song, to put it out there. to be absolutely present – sharing the moment – my jeans stuck in my boot. to connect, to resonate, to move – though my expectation was not to be moved, were i to feel it connect, resonate, move, i, in turn, am profoundly moved.
to be off-stage for a longer period of time is taxing. there’s expendable energy stoking up, ready to burst off the apron, into the house. shimmering moments, illuminating the glow of faces seated, the warm cloud of laughter, the sighs of sinking in.
i have stood on the giant rocks of the john denver sanctuary, bowing. i have stood on the stump and the downed tree in the forest, bowing. i have danced on the deck, bowing. i have fist-microphoned in the kitchen, bowing.
i googled “what is the difference between an entertainer and an artist?” for i am often called an “entertainer” and, for some reason, that word rubs me wrong. surprisingly, an AI bot responded. “sage” wrote, “entertainment often focuses on providing a pleasurable or amusing experience for the audience, while art is more about expressing ideas, emotions or personal experiences. … entertainers focus on entertaining, while artists focus on expressing themselves through their art.”
sage’s answer indirectly implies a contrived reorganization, a pleasing-you approach. and while i have read audiences time and again, choosing direction of a concert – if possible – as i perform, on the fly, it is still with an intent to share, to impact, not to simply “amuse”.
i think it’s a matter of purity. or order. or intention. a combination of the three. plus gut. intuition. emotion. to bring. to touch. to move. to prompt questions. to elicit change. artistry. to lift up – suspending in midair – a piece of music, to let it soak up tiny jet streams that will carry it, to let it fall – as it might – onto the anyone or the anyones who is or are there – recipients of my good intention, from stage to audience.
hunger for the stage is real. it is pining for that connection, for the very reason i have composed.
one day the curtain rises – one day the delicate leaves drop – and i’m grateful to perform, piano, boom mic, wood under my feet – and the clusters of tiny white flowers explode into daylight.
we don’t always get a rotisserie chicken. we are eating waaay less meat and waaay more vegetables, often choosing a meatless dinner or a plant-based alternative. costco, however, does make serious down-to-the-wire-budgeting a little less painful with a $4.99 rotisserie chicken that we can literally turn into three evenings of dinners.
the other day, we pulled up to the chicken-line, jostling our way past other shoppers who were vacillating “chicken-no chicken-chicken-no chicken”. there was a young woman with half-a-cartful eyeing the chicken-line, not in and not out.
i asked her, “are you in the chicken-line?” she responded, tentatively, “i think so.” she had a little bit of a lost look on her face so i asked her, “is this your first time in the chicken-line?” to which she responded with an emphatic “yes!”. i told her that it really is quite the experience, almost cult-like – to which she looked uncomfortable. i hastened to add that there are many chicken-line things to ponder – ie: the way the clocks on the ovens work – giving you false hope that it’s almost T-I-M-E and then realizing it has numerous cycles and countdowns. i didn’t tell her how much i think about the chickens. i didn’t mention the guilt. i welcomed her to the chicken-line, parallel parking our cart behind hers. then we waited. quietly.
the costco chicken-people extracted the roasts from the oven and – incredibly deftly – containerized them for the chicken-warming-station-counter. we moved forward.
the young woman was waiting by the packaged quinoa salads, straight ahead, about ten feet further down. as we passed, she looked at us, catching our eye, smiled and said, “thank you for sharing that experience with me.”
our old door – leaning against the house on the back deck – is not high in the himalayas. it’s not at everest base camp or, for that matter, on any scaled summit. but, like the space in which our other prayer flags fly, our deck provides a place from which to release prayers and mantras into the wind, to hope for compassion, peace, strength, wisdom, and good will.
the cracked-paint white door leans against the white lapped vinyl siding of the house. walking sticks – mostly from mountain trails we have hiked – lean nearby.
our colorado prayer flags have faded and shredded to nearly invisible. i imagine many, many prayers blown far and wide, the wind pulling at the string on the northeast side of the house, a place of distinct breezes off the lake.
i decided to make our own. they do not have the words of prayers on them. they are not specific in a colorful palette. instead, they are black-and-white, save for one white-and-black flag. sewn of thin bandanas and seam tape, i was pretty excited to string them up.
and with them, as they are beginning to catch the breeze, as they begin to get tattered and worn and sunbleached, they will begin – just as the others – to send wishes of goodness and positive energy into the world.
we aren’t going to get all hung up about color or what is printed on the flags. for us, in these times, it’s all about the intention.
my son shares his name. it’s his middle name. wayne.
it was in the middle of my second pregnancy we lost my vastly-loved big brother. my little girl was two; my little boy not yet arrived. i had lost grandparents before that. but, somehow, despite our sadness in these losses, in their older-age, it seemed a natural part of the life cycle. my brother was different. it was today, 31 years ago. and he was merely 41, which is twenty-three years younger than i am at this moment.
though my brain somehow grasped the details of his cancer, my mind couldn’t wrap itself around how it was possible that the world could go on if he could no longer feel it. i still struggle with this. i am not naive enough to think it all ceases because of one – but the lack of the act of feeling, the passion of feeling, the tactile, the visceral of feeling – all this – it felt – no, feels – inordinately complicated to me. the full-stop. surely, in the moments i ponder this is when i realize how utterly futile it is to try and control anything, to be utterly absorbed in stuffff, to not stop and notice the tiny delicate flowers on the path.
we are reading a book together. though the actual book has nothing at all to do with this post or my brother or pausing on trails in the woods, the title – for me – is relevant: i have some questions for you.
i do, my big brother. i have some questions for you.
i know you know, bro, how adored you always were. did you take it with you? can you feel it on this other plane you are on?
i know you loved coffee ice cream, hot cups of coffee, birthday cake. are your senses as vibrant? did you smell the peonies in our backyard? can you now catch a whiff of the lavender, the mint, the basil? can you feel the sun? are you aware of the breeze – or – are you the breeze itself?
i know you loved to hear neil diamond, loved to play guitar and sing, loved to feel your hands on projects of wood. do you float in and out now, catching snatches of song, feeling the pick in your hand, hearing the scroll saw start up?
i know you loved. are you right here – loving – right now? are you right next to your wife, your beloved children and your grandchildren, and, if we could touch incandescence, the full spectrum of color, translucent gossamer, could we touch you?
i know you are not in a physical form on this earth. but are you simply unseeable? are you, in turn, coffeesitting with our mom and dad and then swooping in to somehow steadfastly drop wisdom or strength onto the rest of us?
i know you probably don’t have any questions. but i do. and, as my big brother, you will need to find a way to answer them, as i am counting on you to explain all this.
i’ll stop – wayne – at the delicate flowers in the woods. i’ll slow down and dance on the deck. i’ll try not to worry about the angst of the day-to-day. i’ll feel and i’ll drop into pause.
there are times i know you are here. there are times i know our sweet momma and poppo are here. i wish it were easier to see you.
in some kind of trust – right smack in the middle of grace and not-knowing – i do believe you are the wind.
the sink is clogging. the fridge is leaking. the hall needs to be painted. the dishwasher stalled years ago. the sitting room floor needs refinishing. the doorknob fell off the bedroom door. there are deck screws to tighten and weeds to weed from the patio blocks. the window sash rope is broken. the mailbox needs repainting. the front rail needs sandblasting. the hydrangea needs to be tied for support. the garage needs to be cleaned, the basement storage culled. the vinyl siding needs to be washed, the gutters emptied, the chimney redone.
all in due time. like everyone else’s houses.
slowly but surely we get it all done. we are not brilliant masterminds of DIY home repair. my reticence to start a project has less to do with laziness or procrastination and more to do with grokking this lack of savvy. i utter, “i don’t think we should do that,” to his “and then i’ll just….” and we stammer through a few ridiculous heated words about manhood and ability and blahdeeblah till we start laughing because – really – we rarely have any idea what we are doing in these repairs – even with youtube at our beck and call.
i try to channel my daddyo; he was the king of repair. at least he seemed that way to me – always invoking in me confidence and trust that things were not going to get worse. my big brother was like that too.
but – the two of us? well, not so much. it’s all guesswork. sometimes it goes well and sometimes….? well, suffice it to say the sink is leaking now too.
bunbun et al seem to love the new hosta. we added them to the back garden – along the new fence – last summer. and then bunbun’s momma added her family to the backyard.
it’s not that we don’t love hardy purple-flowered hosta. they are the hosta of my youth, the stalwart souls of shady gardens everywhere. they come back, despite pretty much anything.
but those white-flowered hosta – big solid-colored blue-green leaves – and the waterfall of white flowers bent under the weight of their blooms. i’d see them in nestled in mulch on our walks. i’d see them in peaceful garden center strolls. ahh, i was in hosta-desire.
most of our yard – prior to last summer – has come from others. plantings, cuttings, full transplants from people dear to us. so it has been less about landscape-planning and more about gratefully accepting gestures of friendship and generosity.
and then, when it was time for a fence, it became about planning.
our fern garden is tucked into the back left, over by the garage, under a canopy of many big old trees. we dug up and transplanted all the hosta from along the back fenceline to over by barney – kind of a vintage garden, old-fashioned flowers tucked in next to each other, next to our almost-100-year-old piano. it’s where our sweet peonies are and all the daylilies.
along the back fence, though, we now have various-sized ornamental grasses. switchgrass and zebra grass, blue sedge and a big piece of driftwood that tiny birds seem to love. they perch and linger, eyes on the birdfeeder, waiting their turn for the birdbath. we added three of the darker-leafed hosta. these are the ones bunbun loves. tiny bites of leaf – evidence of bunny snacktime.
each day – with the coolest watering wand and hose gifted to me by my niece – i wander slowly around the backyard, taking note of new growth in each of our plants – the gifted ones, the carefully-researched, chosen ones. it’s simplicity at its best – a slow walk nurturing all the living things back there. we fill the birdfeeders, knowing the chippies and the squirrels love them too. we clean and refill the hummingbird feeder and late dusk watch the hummer fly in to do its feeding circuit. we scrub out the birdbath daily, refilling it – just as the woman walking through the parking lot told us to do when she enthused about our purchase on the rolling flatcart and i asked her about things we should know.
it’s a slower summer. because of circumstances, we don’t know if we will be able to travel much. but that makes dogdog happy. and, in my imagination, i can hear the house wrens and the cardinals and the robins and chickadees and sparrows clapping. and bunbun’s ears perk up too.
his legs wrapped tightly around the garden fence, the cicada gave in to his time of transformation.
i found him when i was watering. i bent down to pull a weed by the low fencing and there he was, clinging with all his might to the thin metal frame, following his call of nature, nymph to adult. the transition is recognizable. the two creatures look remarkably different, so it is easy to tell which is the mature cicada.
it’s the second time we have been witness to part of the cicada’s metamorphosis. the first time the cicada was clinging to the deck and we watched the whole fascinating process. this time, we came upon the cicada after it had shed its old skin, the outer exoskeleton having molted off into the dirt. both were profound for us. the giving over, the trusting of transformation, gaining wings, going on into next as something quite different.
“life is not so much about beginnings and endings as it is about going on and on and on. it is about muddling through the middle.” (anna quindlen)
and in the middle, the holding on. legs – and arms – wrapped around the garden fence of our lives, clutching for dear life. to be in the middle – sorting and pondering, full of wonder and angst – we can only trust that each next will arrive, that the on and on will not betray us, that we will not betray the on and on. the cicada surrenders, relinquishes any worry of what is to come.
and then, it wakes soon after, having pushed its way through the deadened shell. with wings. wings! exuberant noise fills the summer air. i know i will listen for our garden-fence-cicada on hot nights when the sun is setting and dusk is on the sky.
and we – in our metamorphosis from one day to another – sorting and pondering on our fence – begin to know that wings are possible. we learn that we have had them all along. we untuck them, test them out, flex a little, grow stronger. and we are astounded to learn – like the cicada – that we can fly.
“i want to be light and frolicsome. i want to be improbable beautiful and afraid of nothing, as though i had wings.” (mary oliver)
it UsedToBe that i could drink coffee any time of day or night, as many times as i wanted, as much as i wanted.
NotSoMuchAnymore.
now, i am careful to drink coffee in the morning. not afternoon. not even a minute after noon. and definitely not evening.
and – we have started cutting back even on the morning java. we drink sips out of our hydroflasks from our girl, which don’t allow for glugs because – if you didn’t already know this, hydroflasks keep coffee incredibly hot and you would burn your mouth off if you glugged. so, our sips last through waking-up-pillow-time, through breakfast, and a bit beyond – into writing our blogposts. and then…that’s it. no more. despite how amazing the scent of coffee wafting through, well, anywhere, is, we cannot have any.
there have been few exceptions. a cuppa after a dinner out. an espresso on the road.
but – on a day-to-day basis – we are no longer the javamasters we once were.
for two people whose entire written narrative at the inception of our relationship was titled “cuppajava”, this is profound.
there is this moment – and we have experienced it sans glee – when you go from happily sipping, enjoying caffeine to its fullest – to feeling slightly OutOfIt and a little bit headachey and buzzy.
reverse threading 