reverse threading

the path back is the path forward


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hi to you too. [kerri’s blog on merely-a-thought monday]

the rest of the subway car stared at us. we kept talking anyway.

back in the earlier days of my recording and performing – when a dear girlfriend and i used to travel together – we found ourselves all over the country, laughing. our escapades were hilarious – at least to us – and we readily shared our time on public transport with anyone nearby. we’d chat with the other people grasping onto the silver subway rings over the seats. we’d chat with the seat mate on the plane, once all holding hands together as the plane hit severe turbulence and – incredulously – even the flight attendants were weeping. we’d talk in the taxi, in the terminal, in the restroom. we seemed to be entirely capable of writing what-seemed a seinfeld episode everywhere we went. we were thoroughly entertained by – us – and it made all the travails of travel into adventure.

i’m a new yorker – a long islander – so talking – tawwwking – is not necessarily a problem for me. now i am a recovering interrupter (which i came by honestly) but back then…interrupting each other was part of the gig and it made us laugh even harder.

we’d step onto the subway – having gone through the turnstile with great aplomb or – more often – like something out of a cartoon – and immediately say “hi!” to whomever we encountered. sometimes people would answer as these were the very earliest days of cellphones so people were not staring into the palm of their hands. sometimes people would strike up a conversation – “you’re in town visiting, eh?” sometimes people would just stare. literally stare.

i carry these episodes with me even now. it is impossible for me to be on an elevator without saying anything; i simply cannot participate in the stare-at-the-slit-in-the-center-of-the-doors. or the up-stare at the numbers of the floor changing. “hi” just doesn’t seem to be a really challenging or aggressive kind of greeting. it just acknowledges that someone else – a person – is there. with you in the same space.

though i would not encourage the spray-painting of these boulders along the lakefront, the simple “hi” – in the middle of everything we are all reeling in, in the middle of this country – made me smile. an acknowledgment of someone else’s existence.

none of us are alone here. we’re in this together. we all count.

hi to you too, stranger.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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cracked. [kerri’s blog on two artists tuesday]

i’m a window-seat-er.

it’s not just because i am prone to motion sickness; it is magical to look out the window at the earth passing below us. and now, the window next to me looked cracked, as tiny droplets skirted across. so much to look at in lieu of staring at a tablet or screen.

i am the geek taking pictures out the window of the plane – as if it was my first time flying.

but i don’t care. i take pictures anyway.

a few days ago i spent over two hours on the phone with an old friend i hadn’t spoken with for – if i’m remembering correctly – over four decades. in that strange way that you can pick up where you left off – despite the fact that there are blanks spanning decades – it felt like we had just danced the night away together, laughing and talking, at one of the discos on long island… just like we did back in the day.

she and i met at college and were instantly friends. i was pretty naive back then, but she had a savvy i could draw from and we had many adventures together.

it was a joy to be on the phone together again – i remember hours tethered to the wall, making plans or discussing crushes. this time i wandered around the house, chatting and trying to picture her now – after so much life had gone by.

and i heard my voice change. suddenly, there it was. the new york accent, back. it doesn’t take much – i am impressionable with others’ voices. the kiddos used to know when i had just talked to my nashville producer – i’d be drawling afterwards. so, long island came roaring back and we interrupted each other with abandon, punctuating our conversation with much laughter.

and there was this. this candor i remember, a not-beating-around-the-bush-ness – a bluntness – an assertiveness – that is visceral for me. i could feel it bubbling up, cracking through my learned midwest reservedness, my keeping-the-peace-ness.

“this used to be me,” i thought.

i – admittedly – have a whole bunch of leftover newyorkness in me. but much of it has been tempered by life in places outside of the northeast. it is pretty much necessary for survival – and for friendships outside of a place left behind, where conversation is more open, more sharing, more – well – raw.

it didn’t take much time to crack through to that place, shifting to this-doesn’t-need-to-be-polite, to this-doesn’t-need-to-be-filtered. i jumped back into a conversation where we – without words – assumed the other was a mature adult, sharing intimate details and what-could-feel-like risky stories with each other, instead of accommodating the other’s comfort level.

it was incredibly refreshing.

when i got off the phone i realized that i missed this. the cracked veneer – the truth of life – minus the filtering, minus the concern about judgment, minus storytelling sans the sordid details, the guts, the ugly as well as the pretty.

i missed the real-real. i missed the interrupting. i missed the accent. i missed the new yorker in me.

i shared snippets of our call with d, laughing at my slowly-shifting-back voice. i felt different.

i’m no mary poppins,” my girlfriend said on the phone.

aware that i was thinking about how the midwest might feel about admitting one was not at-every-moment ‘too good to be true’, i proudly answered, “nope. neither am i.”

those cracks. the kintsugi. damaged and filled with tears and laughter, hopes and dreams and disappointments. truths and failings and forgiveness and grace.

and always at least one little spot that is not perfect, that is left open – where spirit can enter.

or the new york you left behind.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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buymeacoffee is a website where you may directly impact an artist whose work directly impacts you. xoxo


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where i’m from. [k.s. friday]

where i'm from songbox

it’s circuitous…the way i would define where i’m from.  you have to be prepared to listen a spell if you ask me this question.

just like anyone, i have taken pieces – absorbed – every place i’ve been, every community i have shared in, every experience i’ve had, everyone i’ve met or been influenced by; indeed, those have become where i’m from.  in jeans and boots on stage i talk about where “home” is and try to differentiate by referring to wisconsin as “home”, florida as “home-home” and long island as “home-home-home” which sounds semi-ridiculous, not to mention annoying for people who cringe at redundancy.  plus it doesn’t include time living on a sheep farm in new hampshire nor profound moments i’ve had visiting places that have sought space in my soul.  but it might give you a place to listen from; with your eyes closed you may hear your own story.

when i wrote this piece, 21 years ago or so, i knew it needed to swirl around the theme, travel from one key to another, return to its theme…have continuity yet have places where it started again.  in celebrating my sweet momma and dad this week with the introduction of my song YOU’RE THE WIND it brought me back to my deepest roots, transplanted time and again though they may be.  no matter what, i will always be a northeast girl.  new york is in my blood and long island is ever a part of my heart.

where i’m from…it’s time ago…it’s now…it’s what’s to come.

if you listen you can hear the tide.  in and out…like day, like experiences, like finding home.  it changes.  it’s the same.

download WHERE I’M FROM on iTUNES or CDBaby

read DAVID’S thoughts about this K.S. FRIDAY

skipper's pub, northport harbor, ny website box

Screen Shot 2018-08-07 at 12.27.50 PM

WHERE I’M FROM from BLUEPRINT FOR MY SOUL ©️ 1997 kerri sherwood