built from a couple planks of old barn wood and some galvanized pipe, its possibilities were endless. tucked into a corner of the backyard, cozied up between the edge of the deck and the fence, every day this mighty garden called my name.
not so mighty in size, it was wildly enormous in delivering zen. with a pair of clippers in my hand and a watering wand waiting nearby, i spent hours through this summer tending this garden.
and it has rewarded us with jalapeños and cherry tomatoes, basil and mint and rosemary and cilantro and parsley. nothing you can’t purchase at a market, but there is something about growing right outside your kitchen, a few steps across the deck, through a wrought iron gate from the patio.
we continue to harvest from this potting stand. we’ll see it through to the last of the herbs, the last of the peppers and tomatoes, all the while planning a bit more for next year. success begets trying some new things. we planted in previous years – and there was a yield of herbs, a few tomatoes, a handful of peppers – but there was something a bit different about this year.
and this was the year we needed it.
somehow, the universe – in all its energy and light – knew that this was the time. a time for us to invest our own energy and attention into growing things. not just grasses or ferns or peonies or a few other flowers, but things that would nourish us, things that would connect the dots from dirt to our kitchen.
a gift of growing at a time when growth – real, human, throw-out-your-arms-and-hold-all-the-world-close growth – seems to be shunned, devalued, debased.
even after all these years – a full five decades – it is andrea vrusho who sticks out. in her bandana kerchiefs, her flowy clothes, her peace sign necklace, i can still see her. she was the shining light who encouraged us all to write, to search, to be poets, to be ourselves, to embrace words.
i’ve written about her before. i will likely write about her again. the lighthouses in your life are like that; they keep rising up and waving at you, encouraging you just like they always did.
and i still see her – standing at the front of my high school english class – all tie-dyed and hoop-earringed – even now – in the latter part of the middle of my sixth decade, as i continue – ad infinitum – to do this: “the thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself.” (anna quindlen)
she was one of the first – outside my family – to lessen my concern of being a different coneflower, the flower spent from living aloud, a flower on the edges. she pompom-ed my tree-sitting, my practice of journaling. she challenged my beliefs and rained questions on us. she buoyed my feminism and stumped in class for our rights. she cheered on my voice.
and i think about her now. now, as i reclaim that voice. now, as i broach the distance between before and after. now, as i reach back in time to who i was and, thus, who i am.
i know that my coneflower looks different. i have always felt it. artists are outliers, sticking out sometimes simply because of simple reasons. the suits don’t quite fit. you are somewhere lagging behind the trends. you are hopscotching from creative project to project. you are exposure-heavy and earnings-light. you are different – your perspective, your ultra-sensitivity, your empathy. you are the silver in a field of gold, the gawky sunflower in a meadow of daisies. but, despite your best efforts at being the best blendy coneflower you can be, your own distinct and peculiar – offbeat -voice stays with you. like gum on the bottom of your shoe, as much as you try to dislodge it, it is there – still sticking around.
a few days ago on the trail i stopped and turned to d.
i preambled what i was going to say – “this is not a solvable moment. this is just something i have to say.”
and then –
“that’s it!” i declared. “no more sniveling! i’m done with that! it is not who i am!”
without context that could be confusing. but in the middle of the middle of life right now, it made complete sense to him.
and he looked back at me – with andrea clapping her hands on the other side – and said, “good!”
“never compare your insides to everyone else’s outsides.” (anne lamott)
the chipping-peeling-paint white cabinet spoke to me. it sat on top of a side table in the booth straight ahead of the walk-through from one building into the other at the antique shoppe. it had some sweet personality and i visited with it, lifting the old clasp handles to open it and peer inside. with shelves ready for stuff to be tucked away, this little cupboard charmed me.
i took a few photographs, noting the price, and we left.
i had an old aquarium stand next to my bed as my nightstand. it held a few photos and framed notes from my kiddos when they were little: “goodnight mom” and “mom” with hearts. it held a jelly jar with pens and pencils, a pair of readers. it held a small clock and a glass nightstand lamp that was my sweet momma’s. it held a box of tissues, babycat’s old “meow” bowl with trinkets and my earbuds. underneath, on the bottom glass shelf, it held a wooden crate that serves as a special box for earlier decades.
you may be getting the picture.
the fishtank stand held too much.
we visited the little white cupboard a second time, measuring it and taking more photographs, pondering.
we moved things around in the bedroom and i emptied the glass and wrought iron metal stand, paring down as i worked. and still pondering.
and then we went back to the antique shoppe – our favorite. i held my breath as we came around the corner to the place where you could see through the passageway into the other big room and into the booth where the little white cupboard still sat, patiently waiting.
and this third time, after a smidge of price negotiating, the little white cupboard came home.
because we do not have a matchy-matchy kind of bedroom suite, it seemed right to add this little cabinet to the old black-painted cedar chest that had been miss peggy’s from next door, the medium-toned wood dresser that had been lois’ before she left for overseas teaching forty years ago, the spring from my dad’s antique bassinet, holding tiny clothes-pinned handmade cards we’ve given each other. the live-life-my-sweet-potato print and the black and white canvas of babycat. the gingham print red and white wingchair lazyboy, the small black jewelry armoire i bought off marketplace, the pine cabinet from the town in the north carolina mountains where we bought property over four decades ago, the quilt a friend made when i broke both my wrists that graces the bed from which we removed the frame so it would be easier for our aging dogga to jump on and off. it is a venerable hodgepodge and we love it. the peeling-paint white cabinet is right at home.
we have always been drawn to items – particularly vintage – that are painted black. but lately, it seems, we are attracted to the things that are painted white, things that show life, things that have had some miles and some stories, some lovin’-on. but lighter, brighter.
and so these pure white flowers that are in our dear westneighbors’ yard are just exquisite to me. these hydrangea seem like the flowers of posies of love, of weddings, of hope. they bring a smile every time i pass by them, backing down or pulling into the driveway. such delicate beauty, these blossoms on shrubs where tiny birds gather.
maybe it’s the balance of light. this room – our house – has great sunlight streaming in many old double-hung windows. in these times, as we find ourselves slightly more insular – again – staying home with our old dogga – we are spending much time in the spaces of our home. the white fuzzy pillows, the white chunks of concrete, the old white door learning against the wall, the white throw, the white iron obelisk trellis…they hold light.
and right now – particularly right now – as we make our way through these times, it would seem important to gather around ourselves things that hold the light for us.
he says that one day we must go on a trip that is specifically about photography. that we will slowwwwly stroll – wherever it is we are – and i can stop and linger – at any time – and take a picture – or twenty – of any single thing along the way. i am excited about that and we have a really, really long list of the places we might choose as destinations. an endless list, actually.
the funny thing is – this is pretty much how i do every day. on the trail, in our backyard, at the garden center, at our potting stand, in the antique shoppe, at the grocery store, in our ‘hood, in the mountains, on the beach – anywhere.
i have always loved taking photographs. even a dear old friend, who i hadn’t spoken with in about four decades, remembered that i always had a camera in my hand whenever she and i were together. it goes way back…for me, to those pocket instamatic cameras and the cameras with the square bulbs on the top that rotated for the next shot. in college i did photo shoots with my new 35mm manual camera for extra money. i climbed fences to take sunrise shots on beaches. i hiked in rivers to capture the fauna along the edges. i adored being the photography editor of my college paper, toting my camera to disco parties, softball games, campus events, college-sponsored ski trips, lunch with paul simon. if there were no pictures of something or someone from back then, there were good reasons.
there have also been times – along the way – when i have realized that taking photographs would take away from the moment – and, in those times, i have chosen to put the camera away – to simply memorize the moment instead. but this thready heart of mine loves to scroll back through images that place life and time.
it feels somewhat like cheating when you take photographs at a nursery such as i did for today’s image. i wandered about the aisles and aisles, greenhouses and gardens of nearby milaegers, entranced by the vast opportunity to capture color, texture, utter beauty. there is no end to it. even the flowers that are wilting are absolutely divine. i walk, arm in arm with david, and i feel fortunate to see so much that touches so many senses. it is impossible to not feel it. we are surrounded by the glorious.
and so we plan – one day – to take a trip sheerly about photography. i will be excited to plan it, to choose idyllic places and vistas that offer moments like the shimmer of sun on iridescent raindrops.
in the meanwhile, i will carry my iphone and its remarkable camera everywhere i go, capturing everything else that is beautiful, that is evocative, that means something, that will be a source of joy or heart or memory, that is life.
i could imagine it. dill roasted potatoes. dill on salmon. dill pasta salad. dill in pesto. dill risotto. tzatziki sauce. deviled eggs. the recipes are endless.
so we added dill to the potting stand. a big clay pot with good dirt and lots of sun and a splendid watering wand. and it grew and grew…into a dill tree with lovely willowy branches and fragrance that inspired. until it was ridiculously rainy, ridiculously hot, ridiculously sunny and then – pushing back on the stuff i didn’t know about dill – my dill-ignorance – the dill bolted.
i diligently clipped off the bolting parts, hoping that would suffice – that the dill would forget and resume its normal-growing-program. but – once bolted, always bolted.
so when i saw the tiny caterpillars on a sunday on the dill, i kind of smiled. it made me a little bit happy that they – these half-inch long critters – were munching on this plant.
imagine my surprise when i saw these hefty caterpillars on friday, merely five days later. these are some serious black swallowtail caterpillars. with such quick lifecycles and growth, i am now looking for the chrysalises (yes, i looked up the plural form).
i’ve given over to them. the bolting dill will no longer focus on producing leaves and so my time as a homegrown-dill chef is over for now. next time, i will know to move the dill to a shadier spot, for our potting stand does receive full sun much of the time. next time, i will be more alert, more responsive, more informed.
but for now – well, our $3.98 dill is strictly to support the lives of these two caterpillars and their transformation into butterflies (and maybe others i am unaware of as well). a worthy sacrifice. and one of these days, when i see a couple black butterflies dipping and sailing over our backyard, i will know that we were part of their metamorphosis.
and i’m thinking that $3.98 is not too big a price to pay to witness – and be reminded of – rebirth, new beginnings, positive change and hope, new chapters in life. it’s not too big a price to pay to witness the magic of flight. it’s not too big a price to pay for two happy caterpillars.
i didn’t pick up the feather. i have many feathers, so this is rather unusual, but i left it there. i wanted others to see it as well. one lone crow feather, standing in the grass.
and when all evidence is but one feather, what does it say about this crow?
what evidence are we leaving as we fly through this world?
are we complacent, inattentive, unmoved by all the chaos of the current climate in these un-united united states? are we merely living superficially, going about our days normally, with nary a nod to the cruelty and vileness of what this administration is wreaking, what this administration is intending? are we ignoring the descent of this country from the cherished democracy it had been? are we shushing each other, refusing to partake in conversation, stating that we “just don’t talk about it”?
or do we care about the fast and vast changes that are taking place? do we feel the pain of others, do we try to put ourselves in their shoes? do we try to ease the burden of people who are affected by the policies based in homophobia, xenophobia, racism, extreme nationalistic, misogynistic, patriarchal, antiquated horror? do we speak up, is there an inflection point when we are no longer silent?
I didn’t pick up the feather. i left it there because i felt like it was evidence that we all leave evidence for others to witness.
it goes by fast on the train – almost a blur, but not quite.
“you are beautiful,” painted on the side of an old building.
in the middle of all the ugly going on right now, it is a good reminder: not to lose – or forget about – our own value, our own light, our own beauty.
somehow the most basic gets distorted in the chaos. somehow we put our joy to the side, we drop our view from the kaleidoscope of exquisite, we forget that this one and only moment is ours and we are here for it.
we prep and we wait. two of our friends wait as well – all of us ready to text as soon as we see one. it’s a vigil for the tiny hummingbird.
this year we were the first. the hummingbird surprised us as we adirondack-chair-sat outside. it was morning and the sun was brilliant. we were quiet as the day began to warm up. and then, suddenly, it was there.
there is something infinitely touching about that first tiny hummer. something that gives you pause.
we love our birds – all of them. we consider our birdbath one of our finest outdoor purchases. watching a black-capped chickadee or a house sparrow perch on its side and dip its head to drink, or a robin fully immersed, splashing around…it is joyous to know you have contributed in a tiny way to their precarious lives. it’s much the same with our feeders – it’s all just a reminder that we are in this same big world together.
and then the hummingbird shows up. and, after once, it remembers, just like the news spreads through other birds about the clean water birdbath or the feeders in the backyard.
and then, though invisible, there is a connection.
it was always there.
we transcend that which binds us to the pragmatic, the stuff of our lives. and we sit – watchfully – as we wait for the hummingbird’s return to the feeder. or the chickadee’s entry and exit into the birdhouse. or the cardinals – walter and irma – at the flat-based house feeder. or the sparrows dustbathing where dogga had dug. we just wait.
these are the moments. and the ones before slip away as the ones to come linger in the air. we just sit – untethered to either – our wings resting.
these days – even if you shut your eyes really tight – squeezing your eyelids so that you can see nothing – you cannot block it all out. i’ve tried. it doesn’t work.
like you, well – some of you – i am horrified by the fast and furious devastation – the epitome of meanness and ugliness cast upon us, upon this nation. there are no words to describe it all.
so i open my eyes instead.
and i look for things of beauty. anywhere. everywhere.
the sage green was a balm to the eyes in a landscape mostly brown. the folds of veiny leaves drew me to it – tiny crystals of dew glinting what little light there was on a drearily grey day.
the photo shoot wasn’t prolonged – only six photographs – but each one is somewhat dreamy – this fuzzy plant off-trail in the underbrush was stunning. i was glad to have noticed it. its presence gave me pause – to breathe.
this is the only way i’ll get through all this.
by keeping my eyes open to anything of beauty on or off trail. anything at all. anywhere. everywhere.
it snowed last night. there is a dusting on the deck and on the roofline that i can see out the window right now. even a dusting is magical. even a dusting is snow. even, if it were only a dusting, only this, it would be enough.
the snow earlier – in november – didn’t last long but – while it clung to the adirondack chairs – i went out, crunching through it, to take a photograph, to remember it. it was the kind that snowmen are made of. and, even if that were the only snow, only that, it would have been enough.
i am trying to learn the art of even if, enough. for right now. for this moment. for standing in this space, spinning on this earth in this solar system in this galaxy. the next moment is a mystery – on repeat – a measure of blank space, again and again.
you don’t just arrive there, we are not simply maestros of this art. it is – what i am seeing – a process like the tides. a little wave in, a little wave out. a grain of sand in, a grain of sand out. it is not simple but it is…actually.
it is the recognition – when you are feeling in right mind, when you are feeling more balanced, when you are not hijacked by outside influences – of the right now and a nod that even if….it is enough.
in this time, these times, our yearnings are real. and – as our world turns and we approach a time of far greater chaos than we have likely ever known in most of our lives – we can see that the even if, enoughs are going to play a big role in staying grounded.
it is a work in progress, i suppose, for each of us. we – mostly – live in societies where more is more and less is, most definitely, less. we are not typically validated in our less. we are not typically commended for finding value in less.
but it is the gift of the tide and time. you begin to realize that the tiniest pebbles that drop in on our personal shoreline are often the mica of life. you begin to realize that they balance out the grains of sand that are pulled out each time and tide.
and so i, maybe like you – am trying to be satisfied with – at peace with – the even if, enoughs.
even if we don’t have enough time with someone – but we have a tiny bit – it is enough. even if we don’t have enough stuff, newest stuff, trendy stuff – but we have a tiny bit – it is enough. even if we don’t have enough time – but we have a tiny bit – it is enough. even if we don’t have enough snow – but we have a tiny bit – it is enough.
though the even ifs make us – make it all – feel somewhat fragile, the enoughs are a good place to seek, a good place to live.
reverse threading 