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the path back is the path forward


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what you do. [k.s. friday]

ymad

“what you do will live beyond your lifetime.  it transcends the things of this earth.”

(YOU MAKE A DIFFERENCE ©️ kerri sherwood)

when i think about my sweet momma and my poppo, my big brother, my godfather uncle allen, my grandmother-mama-dear, more beloved family and dear friends – all who have left this earth – i don’t think about their jobs or upward mobility, their income or the status symbols they owned.  i don’t think of the timeline of their school or work or whether they had finished a degree or if they had even gone to college.  i don’t ponder awards or certificates they received or resorts where they may have vacationed.

i think about what a difference they made in my life. my mom’s devotion to cheery kindness, my dad’s quiet and stubborn thoughtfulness, my big brother’s goofy humor and ability to tell a story in all its details, my uncle’s absolute commitment to his fun-loving smile no-matter-what-was-happening.  i think about the joy my mom experienced when my dad brought her grocery-store-flowers.  i think about big bowls of coffee ice cream with my brother, neil diamond playing in the background.  i think about my uncle generously paying for my very first recordings in ny, diligently holding me up and gently pushing me.  i think about simple moments with them.  in what could be a crowded-with-information-obituary in my head for each person, i hold a piece of their heart instead.  they have made a difference in this world.  they made a difference for me.  i remember.

(from THE FAULT IN OUR STARS)  “you know, this obsession you have, with being remembered?  this is your life!  this is all you get! you get me, and you get your family and you get this world, and that’s it!  ….  and i’m going to remember you.  …. you say you’re not special because the world doesn’t know about you, but that’s an insult to me.  i know about you.”

 

we live on an infinite continuum of opportunity.  chances to bring light and hope to others.  deeds we can do out of kindness, goals reached by collaborating together.  we face choice just as soon as the sun-peeking-over-the-horizon wakes us.  we innately or intentionally decide, we head in a direction, we live a day.

 

“We’re all traveling through time, together, everyday of our lives… All we can do is do our best to relish this remarkable life.  I just try to live everyday as if I have deliberately come back to this one day, to enjoy it… As if it was the full, final day of my extraordinary, ordinary life.” (from ABOUT TIME)

 

this song. i have performed it countless times.  in nyc’s central park for tens of thousands of people, in small medical clinics, in large oncological settings, in chicago’s grant park.  at a pharmaceutical conference in puerto rico, outdoors with the lance armstrong tour of hope.  across the country, in pajamas and jeans and all-dressed-up.  in theatres and at walks/runs, in schools and churches.  for organizations including y-me, the american cancer society, gilda’s club, young survival coalition, susan g. komen foundation, the annual breast cancer symposium.  and each time, heidi and i, working together in performance, fighting back tears.  the list is profound.  not because of the innumerable times i have sang this song, but because of all the people in these places and behind the scenes, joining together, remarkably touching the lives of others:  those they know and those they may never know.

we make a difference.  in every arena of our lives.  every place we go.  every interaction.  every gesture.  every assumption.  every conversation.  every every-thing.  every single thing.

what intention will we have?  will we be positive or negative?

“the truth is, I now don’t travel back at all, not even for a day.  …  live life as if there were no second chances.” (ABOUT TIME)

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read DAVID’s thoughts this K.S. FRIDAY

 

 

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YOU MAKE A DIFFERENCE ©️ 2003 kerri sherwood

 


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quarter rest. and the beat goes on. [k.s. friday]

quarter rest

quarter rest.  one beat of silence.

with these broken wrists i have moved from a whole rest to a quarter rest.  i have made progress playing my piano and my broken-wrists have told me when to be silent.  in the silence the earth keeps spinning, we trek around the sun, everything keeps keeping on.  but for a moment, i rest.

we are each granted rests upon entrance into this orchestra-of-earth.  sometimes they are chosen, sometimes they are not.  always they are necessary.  it is in your quiet that others make noise, that others speak, that other timbres color the muted.  the hush is yours to own; the rest is yours to take.  the silence both sometimes frighteningly deafening and sometimes a grand relief.  the metronome really never stops.

(a reprise of paragraphs from 8.13.2015 post): at 1am, we walked to the lakefront. away from as many lights as we could get away from, we laid on some old steps, bricks and mortar digging into our backs so that we could gaze straight up, watching the night sky for the meteor shower.

the streaks of white light across navyblueblack make us draw in our breath. i’m wondering how far away this meteor is…how it is that we, here on earth, can see this amazing sight. such a big sky. such tiny bodies in contrast lying on the ground, waiting for the symphony to start, waiting for the downbeat, the symphony that has been continuously playing, the downbeat lost in centuries upon centuries of time gone by. like any good piece of music, it’s the rests in-between the notes, the rests in-between the meteorstreaks, that build the anticipation, that create the emotionflow, that bring tears to your eyes. each burst, each streak of whitelight is a miracle, a tiny moment exploding in time, so far away, in vast vastness.

time stretches out in front of us. and behind us. we are tiny and we are big. we gather in the moments, we breathe them, we rejoice, we worry, we ponder, we move. there is no downbeat and the symphony is already playing, has been playing and will continue to play. always. it is magical. and it is vast.

and the beat goes on.

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read DAVID’S thoughts this K.S. FRIDAY

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TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood

 

 

 


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treading water. watershed. [k.s. friday]

watershed the songbox

i don’t feel as much in-a-boat as i feel that i am relentlessly treading water.  but there was no handy treading-water bitmoji and i remember the exact moment that this bitmoji showed up on my snapchat mapping…in the middle of a lot of treading.

treading, treading.  guessing at why what-is-happening is happening – in wide concentric circles around us, tightly close to us.

i can only guess, as i type this with these two now-familiar broken wrists, that this is a watershed time.

watershed pronunciation

definition 2

and today, both valentine’s day and d’s birthday, i want to express gratitude for this man who is standing in the water with me – waves crashing over us, undertow threatening to pull us down, riptide ever present – and holding my fiberglass-cast-encased hand.  the person who is equally as perplexed at this time, who takes turns with me being alternatively flabbergasted, philosophical and soberingly pragmatic.

he continues to zip my jacket, buckle my seatbelt, paste my toothbrush, carry my music, pepper-mill my breakfast and dinner, put the ernie straw in my coffee.  he has learned the fine points of where-on-the-head to place hair conditioner, how best to tie plastic bags on my arms, what stool will work best at the piano, which wine glass i can pick up at the end of a day.  he has watched me learn how to hold mascara with two hands and pull up girl jeans by the belt loops.  he has been treading water with me as we look to the horizon.

maybe this watershed is the thing that elicits change.  at the end of 2019 i could feel it coming.  and i can now, with all authority and certainty, say that the change is not that i will, smack dab in the middle of middle-age, become a professional snowboarder.  nope.  but there may truly be things out there i just didn’t see or consider.  perhaps the things that are vexing us, stunning us, deeply disappointing us, are just the things that will propel us.  ah, if that just didn’t feel so pollyanna-ish.

this life is bigger than anyone can ever live it.  that includes us.  treading water in the watershed might be a time that forces dynamic change.  like everyone, i wish i had some prescient inkling of what’s-out-there, what-will-happen.

my perceived lack of control is maybe a misperception.  maybe that which has taken away control is conversely granting control, granting the creativity that comes with grabbing onto flotsam and jetsam in a sea that seems to be swirling.  maybe the grasping-at-straws is grasping-at-ernie, a touchstone that seems flimsy and unimportant, but which actually is grounding, rooting, and gives voice to more solid footing, less wave-action, more direction-choosing.

the watershed is here.  moment by moment we stare at it.  we roll our eyes, we yell at the angst-y details, we shake our heads in confusion, we stop and stand still and, yet hyperventilating from treading, we wonder.  we try to breathe, to center, to be in the eye of the storm.

holding hand-cast, we look forward and we guess that this ain’t the last watershed on the horizon.

 

download WATERSHED from AS IT IS on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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WATERSHED from AS IT IS ©️ 2004 kerri sherwood

 

 


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two broken wrists. [k.s. friday]

two wrists

day 4

it broke more than both my wrists, that snowboarding fall last monday.

it broke my ability to do many things for myself.  it fractured my independence.

it exploded my previous gratitude of those around me, loving and caring for me.  it expanded a dependence on others, particularly david.

it broke through my vulnerability threshold.  it made me acknowledge my modesty and encouraged me to try to stand tall in my new temporary disability.

it broke what i knew about others around me.  it both surprised me in all the best ways and surprised me in all the worst.

it broke my assumption that all things – all my relationships – all my work – would stay the same.  it shattered any sense of security.

it further broke my trust in our country’s healthcare coverage.  it pointedly drove home that point.

it broke through any calm-in-the-storm-around-us i had found.  it exacerbated a profound sense of worry.

it broke my muse.  it scared me, really scared me, and it made me wonder if i would play again, write again, perform again.

day 5.  my quiet piano welcomed me into the studio.  i stood in front of it.  determined.  and i played.  nine fingers, not ten.  not the hand-span of all other days, but never mind.

day 12.  eleven days after breaking them i still wake up, after night’s elusive sleep, surprised to see my wrists, well, more accurately, my cast and hard splint.

i think, “here we go,” and i set out to see what’s beyond two broken wrists.

read DAVID’S thoughts this K.S. FRIDAY

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whole rest. [k.s. friday]

rest

two broken wrists.  there’s not much that can stop me, but two broken wrists has done it.

it is profound what you do in daily living with at least one hand.  really everything.  this is my fourth day on this hand-less journey and i know there’s a long road ahead.  i am not a good patient and the inability to perform the simplest of tasks has been world-stopping.  i had to teach david how to ‘properly’ wipe my mouth, put on girl jeans, comb out wet hair.  he has to hold my coffee cup (and yes, a wine glass or two) with the infamous sesame street ernie straw, feed me every bite, help me sit up from laying down, open doorknobs, pick up my cellphone so i can voice activate it, wipe my tears as i cry in frustration.  the list goes on and is only limited to your imagination.

i wanted to have a tiny window into my beautiful daughter’s world.  My Girl tells me lots of coaching and instructing stories from her high mountain snowboarding career, but i have never stepped on a snowboard.  i wanted to physically experience the board under my feet, even a tiny grasp of how she feels.  so we have planned for a long time to take a lesson and surprise her with our tale.

this week was wisconsin ski and snowboard week and for a mere $29 you could purchase lift tickets, rental equipment and a group lesson.  it seemed perfect.

and for an hour and twenty minutes it was.  a really difficult sport, we stood on boards and managed to learn the slightest of skills.  until that little girl on skis was in front of me downhill just a bit.  not really well-versed at turning and, clearly, less versed on stopping, i worked to avoid her.  the stop and the fall were simultaneous.  tailbone down i clearly put out my hands to help my fall, the first do-not-do-this rule.  instinct took over; reflexes prevailed.  that was step one in this two-broken-wrists tale, this whole rest.

four days ago i took for granted every little thing my hands (and arms) did for me.  i could play the piano at any given moment, grab a pencil and jot a lyric, readjust the bench, open the blinds and let the sun into the studio.  today the studio is dark, the piano quiet, the pencils waiting.

instead, moment by moment i am aware of every move i make, every single thing i need assistance with.  i work each day to gain one more tiny ability.  we have slowed down to a crawl and are abiding in each minute, one by one.  i appreciate david’s help beyond mere gratitude or words; his commitment to my every-single-movement is humbling.  our friends and family have reached out with offers of meals, company, words of encouragement and vast amounts of humor.  we are right here in this very moment.  presence defined.

i wonder about my piano.  i know that my right hand in a hard fiberglass cast is on hiatus.  i think that maybe my left hand, which is in a hard splint, might have a beensy chance at a few notes, regardless of the ensuing pain.  when i was 19 i broke three fingers on my left hand slammed in a steel church door.  they were splinted but i was fending for myself making a living for college as a musician and so i relentlessly started playing with those fingers anyway.  this too-early-in-the-healing-process-playing prevented full healing, so i am cautious now.  the piano is a part of my soul and so i honor the process of getting-back.

in the meanwhile, in the way that only the universe understands, after these last months, i seem to have needed a reminder of being loved and cared for, a reminder of attending to ‘now’ with no dreaded worry of ‘next’, a reminder of what’s truly important.

last night i held a fork.  it was pretty amazing.

oh, and – the little girl skied on, unaware.

read DAVID’s thoughts this K.S. FRIDAY

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weddings. [k.s. friday]

my best friend with frame

we are watching.  two lovely young women, the daughters of dear friends, will be married this year.  we will be attending each of these weddings.  i will have the honor of playing at them.  they are excited, immersed in the details of their ceremonies and their receptions, the times that people will gather around them and celebrate their joining of lives, of families.  it is a time of immense joy for them and it’s certainly fun to be included, hearing about gowns and venues, songs and vows.  they are amazed at how quickly these days are approaching.  it’s that life thing.  it keeps moving. faster and faster.

when my niece got married on the beach, she had her dj play instrumentals of mine as her bridal party, including me, walked across the sand.  but a couple weeks ahead, when we were talking about all the tiniest details, she asked if maybe, just maybe, i could write her and her husband-to-be a song, something that would be solely hers as she walked toward him over the warm beach, bright sun low in the sky.

this is the song i wrote for them.  no time to run to nashville or even chicago, i ran to a studio in town and quickly recorded it, just piano and voice, nothing fancy.  i was moved to hear it broadcast over the sound of waves, watching as she walked into a new chapter of her life, directly to her best friend.  and now, there’s so much more.  life keeps going.

i wore a pink dress with puffy sleeves (yes, shockingly, a color) for my other sweet niece’s wedding.  twice as long ago, i was touched at being included.  i have watched her grow (she’s amazing!) and have watched as she and her husband have built a home together and lovingly raised their two boys.  life.  keeps moving on.

i recently heard from a nephew of mine after a pretty long time of silence.  he sent a picture of he and his husband together and i was thrilled to see him looking so content, so in-his-life.  it keeps moving.

we are at the age when many friends’ children are marrying.  each time we attend a wedding or send off a gift we watch as two people decide to be together, through thick and thin.  we wish them more of the best than the challenges, but we know that the challenges are also the glue.

each story is not as simple as it sounds.  we know that.  moving in together, whether post-wedding or no wedding at all, sharing a sink, worrying about life’s constant worries, dividing up household responsibilities, traversing family dynamics, navigating gigantic decisions, choosing which direction to put the toilet paper on the roller…life as two is both more difficult and less difficult than life as one. and, in the way of how it all works, the time of life both moves in slow motion and flies by.

it helps when you choose it with your best friend.

 

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read DAVID’S thoughts this K.S. FRIDAY

 

wedding pic with website

MY BEST FRIEND ©️ 2010 kerri sherwood

 


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the organ bench. [k.s. friday]

organ pipes

no one else.  there was literally no one else i knew who took organ lessons.  eight years old and i was the only one.  everyone else i knew took piano lessons.  they went to the new local music store –munro music on larkfield road in east northport – and had lessons in itty studios downstairs and came back upstairs to pick out sheet music from a big wall featuring the latest hits and books of collected artists, written out for various levels of piano-playing ability.  me?  i went to mr. i-never-knew-if-he-even-had-a-first-name sexton’s house (now, think about the torture my peers had with that name) and took organ lessons in the addition adjacent to the garage.  there was no wall of sheet music, were no cool guitars hanging up begging to be purchased, no amplifiers or drums.  just that one organ.  no windy or ode to billie joe or i’m a believer easy piano for me.  it was beautiful dreamer and long, long ago.  and hymns.  lots of hymns.  but i had been asking for lessons since i was five and the little chord organ that was my grandmother’s was moved aside and a ‘real’ organ with two manuals (keyboards) and real pedals and cha-cha button settings was added to the corner of the dining room that was next to the kitchen and the living room.

when i was ten i tearfully played the pipe organ for my brother’s wedding, the processional as my sweet sister-in-law walked down the aisle to my big brother.  yesterday i was talking to john whelan, a master celtic accordionist the exact same age as me, and we talked about the first real gig we did.  his was at 12 and he actually got paid.  mine was this wedding and, for obvious reasons, payment was out of the question.  i got to wear a really pretty peach-colored party dress and white shoulder stole and wept my way through the difficult piece.

after some time, i somehow convinced my parents that they needed both an organ and a piano and they signed me up for piano lessons.  joan ostrander, the very chic music teacher, was my first piano teacher and i adored her.  she pushed me and i adored that too.  i spent long hours practicing on the piano bench with my dog missi sleeping underneath, my dad whistling in the background.

in years to come i studied with the teacher-of-all-teachers alan walker and was convinced that the piano and i were kindred.  i taught more piano lessons on long island (and later florida and even wisconsin) than i can remember, back then driving from one house to another, delighting in each student’s joy playing the piano and progress no matter the pace, hoping to emulate the teaching style of this amazingly kind man.  after lessons we talked life and ham radio and ate open-faced crunchy peanut butter sandwiches.  music is not just about music, you know.

during my undergrad, i studied piano in college with one of the professors but kept bringing in pieces of original music and kept veering off course from assigned large scale pieces, hoping he wouldn’t notice.

as no real surprise, i majored in music composition, the first (?) step toward living as an artist, the first step in a road that leads to here and now.  so much in-between.  the gigging composer music timeline is filled with albums, concerts, performances, cd sales, radio and tv, qvc appearances, barnes & noble and borders, listening wall placement, phone calls, yamaha, traveling, shipping and more shipping, recording labels, carrying boxes, standing in the rain on flatbed trucks playing and singing, driving, driving, driving, press releases, graphic design, writing, recording, supportive family and friends and coworkers and a person named hope hughes.

but that organ.  it has kept on re-appearing.  somehow it is one of the threads that has woven its way through my life.  there aren’t that many of us out here:  people who play the organ, who can finesse a chosen timbre through the pipes and who can actually play lines of bass notes on the pedals.  those lessons from the very beginning somehow set the stage for me to work for three decades already as a minister of music.  conducting choirs and handbells and ukulele bands and worship bands, choosing music for services and performing groups, leading and shaping worship and, yep, playing the organ…it has been a constant.  there are days that i will pull out all the stops and play as loud as the organ pipes will allow.  its bellowing echoes through the sanctuary and i giggle as i think of my ten year old self, sitting on an organ bench in williston park on long island and crying.

what would i have thought if i had known that fifty years later i would still be sitting on an organ bench?

canyon love

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read DAVID’S thoughts this K.S. FRIDAY

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noodling. [k.s. friday]

the art of noodling

we can never repeat it.  that piece we played together during a quiet moment in the service.  moments where notes suspended, combined with hearts and lingered in the air.  we noodled our way through it and, even just after it was over, we could not speak to how it was shaped or where it went.

it is my absolute joy to work with someone who can join me in this.  jim, our beloved guitarist, is a ready partner.  hand signals of the key, head nod count offs and we are on our way.  sometimes the noodling takes us to a more intense, busy place and sometimes it is the stuff of nirvana, peaceful, thoughtful serenity.  always it is rewarding for both of us; we share a smile when it’s done and know that the ethers now own that piece of music.  never to be repeated.

improvisation is a driving force – we play at least seven pieces of music every service.  with skeletal lead sheets we choose how to perform each one.  sometimes we liken our performance to ‘how it was done on the recording’ and sometimes we have our own agenda, working it into the style or feel we wish it to convey.  but, because we don’t simply read every note on the page (since they aren’t on the page), we know the performance of each piece will also never be repeated.  it is not likely that most realize we are drawing from deep inside, from knowledge or experience, from heart, when we play.  they likely think we are reading music that is all written out.  i don’t suppose it matters what they think as long as we deliver what we intend.  as long as we shape the service emotionally, for that is what the music is all about.

as a composer, my favorite moments, in addition to those sweet moments of harmony when we, with our respective instruments sing and can hear the lining up of the stars, are those moments of noodling.  we have no fear of what’s next.  we have no preconceived notion of where to go.  we just start.  and we follow where the music leads us.  it’s ephemeral.  it starts from the dust and returns to the dust.  and is never to be repeated.

yamaha artists

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read DAVID’S thoughts this K.S. FRIDAY

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laugh. [k.s. friday]

creativity is not always a serious thing.  songwriting isn’t always serious.  today we offer you the attempt we made on washington island to record our brilliant and profound song SITTING HERE IN THE SUN.  we understand, with 7 takes, if you can’t bear to watch it all.  and we understand if you are underwhelmed by the song (not to mention the angle of video recording) – when you finally get there.  but right now – at the very beginning of a new year and a new decade – we are thinking maybe the laughter is the most important song of all.

 

 

 

 

 

 

 

jaunt over to DAVID’S blogsite to see if he added anything esoteric to my meanderings

for real recordings, go to iTUNES: kerri sherwood here

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guide star. [d.r. thursday]

hotel art

last night we watched cnn’s broadcast movie about linda ronstadt “the sound of my voice”.  a star in every facet.  as we watched , we revisited times of our lives – times when the music we listened to was simpler, less engineered, less auto-tuned, less machinated, less acrobatic.  it was music of melody and harmony, stylistically less thickened by tracks of extraneous stuff.  it was indeed purer.  linda ronstadt, now in her 80s and dealing with the effects of parkinson’s, particularly on her voice, was a powerhouse raised in music, surrounded by music and who, with generosity, graced us all with her music for decades.  her voice goes on.

we are attracted to simpler.  simpler melodies minus the gymnastic riffs and with simpler production, simpler paintings with great depth or color or message.  we are analog; there’s no doubt about it.  and as we watched a john denver christmas in aspen the other day i found myself yearning for that simplicity, john denver’s voice – both his writing voice and singing voice – effortlessly clear.

the common thread of less is more.  it had impact on us, on our art forms.

when d was messing around in the studio recently he painted these very simple elements that often appear in his paintings:  a star, a flower, petals. it’s not natural for him to paint without a figure.  i imagine he was experimenting, paring down.  i would liken that to me recording a song on the ukulele.  it’s not natural for me to record without a piano.  but experimenting is good and paring down is an exercise.  especially in times of mostly-quiet easels and mostly-empty lyric sheets.

linda ronstadt’s story is one of unparalleled success and a great number of layers of experiment, a constant delve into another style of music, always paring it down to dedication to her absolute love of singing.

in the midst of all the layers, all the experimentation, all the paring down, all the silent canvases and hushed keys, we find our guide stars.  and we go on.

read DAVID’S thoughts this D.R. THURSDAY

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©️ 2019 david robinson, kerri sherwood