reverse threading

the path back is the path forward


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shabby chic. [two artists tuesday]

i was grateful when they attached a name to it – shabby chic. my inclination to love things with the texture of peeling paint and a bit rough-hewn was vindicated…wait!…not only vindicated, but reinforced by the decorating fashion industry. phew! that meant that the old screen doors on the wall, the glass-less window frames tucked here and there, the chopped-off-side-of-the-vintage-desk end table, the vintage black suitcases, the metal radiator grate catty-corner in the foyer, the old door laid horizontal on horses, the tin ceiling panels…these were all fashion statements and not statements of making-do-decor. such a relief.

i must say, however, that i wouldn’t have changed anything anyway. these all make me happy. they are cozy and warm and, mostly, they have history. and it’s the history-that-remains-a-mystery and the history-that-i-know-a-smidge-about that i love. i had no idea whose screen door screens these were when i got them at a wholesale trade show years ago but i could imagine the sound they made when they slammed shut. nor did i know where the old black window with one colored glass square in my studio was from. the old four-foot tall window frames were being thrown out of the historic lakefront building where i had my offices, making room for new windows. i couldn’t bear to see them in the trashpile and the way i adored those offices made it easy to take them home. someone literally chopped off the side of the old desk leaving three drawers and a rough edge and selling it in the estate sale for $5. you can’t see the rough edge unless you really look and this piece has been in the living room for years and years now, serving a purpose and feeling loved. the tin, well, who knows? what i do know is that they make marvelous places to magnet photographs and cards and tiny little signs with sayings that help each day. so, yeah, i guess my point is that whether i know the back-story or not, i really appreciate the warmth of long living they bring. they sit alongside many rocks and sticks that have made short and long journeys home with me, in the back of little baby scion or in backpacks with corks that come home from times spent with my children and moments i want to remember.

i haven’t purchased a lot of brand new furniture. there was the first herculon-fabric overstuffed couch with two matching overstuffed chairs, a tweed in lovely shades of very-early 1980s brown.

well over a decade later that was donated to a youth group and a new couch in mid 1990s floral barn red and forest green with a reclining wingchair of red and white checks made its way into the living room. both of those pieces still have a place in the house – though no longer in the living room. the couch, still very comfortable, is covered with a black slipcover and has a place in the sitting room with a hand-me-down lazyboy, an old farm table and an antique copper boiler tub that stores our roadtrip writings.

there’s a black leather couch in the living room now that has been there over a decade. it shares the space with the old secretary that was my brother’s, the bistro table that was in the second story porch of my old offices, a vintage typewriter 20 bought me for my birthday a couple years ago, a few paintings i spattered, the desk-turned-end-table you now know too much about and the driftwood we brought back from a trip to long island. the two big branches we painted white and potted to hold happy lights still stand steadfastly happying up the room and each day i pass them i wonder if they are too holiday-ish. i quickly reject this as too big a decision and plug them in.

it is in recent days i have had the good fortune of hearing from a dear old friend i taught with in my first two years of teaching way-back-when. we soon will have a phone chat and catch up on everything from a-z. what lois doesn’t realize is that i have thought of her simply every day…as it is her dresser that stands in our bedroom of vintage size that couldn’t really accommodate one of those bedroom suites you see in magazines. instead, this old sturdy five-drawer sits opposite the windows of the sunrise and hold my dad’s peanut can, one of the precious items i have of my sweet poppo’s, the planters peanut blue metal can he tucked in his drawer that always held a few dollars and was the place he sent you if you were going to go pick up the pizza.

as i look at the top of that dresser right this second, pictures of d and me and of my beloved children are on top. there is a small piece of the carpet padding from the irresponsible-gasket-flood waiting to go in the special box next to the yago-sangria-wine-bottle-turned-lamp i made when i was 19 and there is a card in a glass frame that reads: “someday, the light will shine like a sun through my skin and they will say, what have you done with your life? and though there are many moments i think i will remember, in the end, i will be proud to say, i was one of us.”

all of this – the stuff with history i know, the stuff with history i don’t know, the peeling paint, the rough-hewn, the used and the it-took-me-a-long-time-to-decide new…all of it – around me reminds me of that and is the connecting thread. of the concentric circles of me, of us. probably that’s why “shabby chic” speaks to me. it is most definitely why it works for me.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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marriage and/or a parakeet. [saturday morning smack-dab]

suddenly it’s all different. suddenly, walking past other people’s tiny children makes you wistful. suddenly, in what seems like a very few split-seconds, your own formerly-tiny children are all grown-up. and the nest is empty. what’s next, you wonder. possibly a parakeet?

*****

read DAVID’S thoughts this SMACK-DAB SATURDAY

SMACK-DAB ©️ 2021 kerrianddavid.com


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saturday morning smack-dab.

commentary: i mean, seriously, how can you brush your teeth withOUT suds??? i’m certain that the crest toothpaste people would be proud. i have nothing else to say. i’m not going to justify this or defend it. i’m just going to sit smack-dab in the middle of it. love, kerri. xoxo

SMACK-DAB. ©️ 2021 kerrianddavid.com


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just like an onion. [two artists tuesday]

time away from home always grants moments for reflection. out of the norm, away from routines and the familiar, it is time to think, to ponder, to wonder, to both anguish and be overwhelmed with gratitude. roadtrips are moments suspended and quiet time in the truck on the highway can take you deeper inside. they are chances to examine the emotional flow-chart, a ping-pong of mapping that is our lives.

yesterday we drove through a snowstorm coming up through the passes. i was driving big red and didn’t want to relinquish the wheel. i wanted to know that i was not too nervous to drive through the snow, the icier road conditions, past runaway truck ramps in high elevation descents. we drove past a semi that had jack-knifed backwards on the highway, literally perched on the edge of the road, hanging over a cliff. we were thankful arriving safely back into spring and onto dry roads. under soaring pines bowing with fresh powder and on slushy lanes, i thought about our past recent days and the bit to come in the mountains. i drove, hands tightly on the wheel, the rhythmic sound of wipers and the wet road the only accompaniment. in the middle of all of it, i pondered my role in these days, the way i fit into each of these stories.

sending out new shoots, seeking to divide and grow, this sprouted red onion looks like i feel inside. peeling back the outer paper, the onion sections itself off so that multiple bulbs may be planted. wanting to hold on to what i’ve known, wanting to learn, new ways of being, of accepting change, of middle-aging gracefully, of holding on and releasing, of sorting, i search the inside layers for answers to questions i ask myself and questions i haven’t yet given words to.

i guess each of us sedimentary-humans must take on these onion-questions when we aren’t too busy denying listening to them. like this red onion, there are mushy parts that are no longer good, that reveal a raw flawedness, that beg letting go. and there are layers of goodness, sweet and refreshing to remember. and, in highway-rolling moments and staring-at-ceiling-deep-in-the-night moments, there are also new sprouts to acknowledge. all are there, bearing fruit, a gentle and prodding reminder that time – years – and life – keep going and stopping either is trying to catch rays of the sun in our hands.

the gift of pulsing-time, the fluidity of planting-harvesting-planting-harvesting of ideas and artistry and work, relationships and love…these remind us to grow anywhere we are planted and, despite the challenge, not to be afraid of peeling back the layers. for there are many germinating bulbs to be found.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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hand-holders. [d.r. thursday]

in my memory bank, i can remember my sweet momma and poppo holding hands. they would grasp each other firmly. they would hold pinkies. they would hold hands often. and, for me, it was one of those telltale signs that they loved each other, despite the day, despite the challenges, despite everything. my dad would not let my momma cross a parking lot without holding her hand. my dad would not let my momma walk on a sidewalk without holding her hand. for that matter, my dad would not let my momma walk on the road side of the sidewalk – ever. he placed himself between momma and the cars zipping past. he opened doors wherever they went and waited to close the car door after she got in. a gentleman always, his stock of niceties was plentiful and momma never had to remind him.

i am a hand-holder. and i, obviously, come by it honestly. but i haven’t always been around hand-holding types. some folks just prefer not to hold hands. for me, it is an intimate sharing of moments, a warm reassurance, a statement of adoration. to adjust one’s stride to match another’s, to hold their hand, is gentle reinforcement – of pooh-piglet “making sure of you” right-here variety.

i don’t know if david’s mom and dad held hands through the years; i haven’t known them that long. but columbus is a sweet man who tears up when it’s time for anyone to leave, who loves to hug, who has a glint in his eye that says, “i like you! you’re in!” and so, i would imagine that he has been a handholding proponent, an advocate of a firm and tender grasp. and david’s mom stands with this man who, if he still understood and remembered all that had gone before these sadly-ever-increasing dementia-ed days, would still grab her hand, declaring his undying love and devotion.

i cannot think of a time that we do not hold hands. we hike holding hands. walk the ‘hood holding hands. watch movies holding hands. sit together to talk holding hands. it is a gift i relish – a many-many-years-yearning during which i spent years watching others. and pining.

in this painting columbus stands in the cornfields of iowa, the place he grew up, the place he packs to go regularly in his memory care apartment. jeanne finds him with bundles of clothing secured by belts or wrapped up between the sleeves tied in button-down shirts. he’s excited to see her when she comes to visit, a new limit that must be incredibly difficult for her to fathom after decades of marriage. most of the time he still knows that she is ‘the one’ – the one he would choose most in the world to hold hands with. but he is confused and sometimes he does not readily recognize her for who she is. he is still settling into his facility. it’s not likely he will go to iowa again now.

it matters not. together they stroll the halls and step into the colorado sunshine. jeanne, steadfast and brave, chats about the family and reminisces and columbus tells tales of the things he believes he has seen that day, visions of beloveds who have gone before, of places he cherishes and stories of the way-past. they walk slower than they used to; columbus breathes with a little bit of oxygen helping him along. jeanne checks in to see how far he wishes to walk, how tired he has become.

i imagine jeanne takes his hand and squeezes it. and i imagine columbus smiles. he knows she likes him. and, just like piglet, he knows she’s right there.

*****

read DAVID’S thoughts this D.R. THURSDAY

browse DAVID’S paintings on his virtual website


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just like my sweet momma and poppo. [not-so-flawed wednesday]

inosculate: join by intertwining or fitting closely together. “inosculation is a natural phenomenon in which trunks, branches or roots of two trees grow together. it is biologically similar to grafting and such trees are referred to in forestry as gemels, from the latin word meaning “a pair”.” (wikipedia)

tomorrow is the sixth anniversary of my sweet momma leaving this earth. there is not a day that goes by that i do not think of her, miss her, wish i could call her, have questions to ask her. in the way that we all wish on stars, i wish i could have more time with her.

momma lived three years past my dad’s passing. in the very days before he died, he knew that his dying was imminent. i walked into his hospital room and he told me he was ready. i, however, was not. neither was my momma. she was seriously infuriated at him. they had been married – at that time – for 68 years. 68. i haven’t even lived that long yet, and they were together for longer. in every way imaginable, they were, like these trees in the woods, inosculated. a pair.

inosculate: to unite intimately.

my parents had simple routines in their later years. coffee and breakfast. making the bed. reading the paper. coffee break. a few errands perhaps. lunch. my poppo doing a little work at his workbench or in the garden while my mom worked at her desk. sitting and gazing at the waterfowl behind their house. maybe a little snack in the afternoon. reading. dinner. nothing stupendous. nothing extraordinary. but most definitely inosculated.

though i’m sure they drove each other a bit crazy at times (who doesn’t?), in these later years, particularly, they fit together like these trees. sharing responsibilities for the day-to-day. carefully mindful of each other’s health concerns. re-telling old stories. looking forward to any time they would see their family. grateful for this home bathed in sunlight and surrounded by green.

they were indeed “gemel trees”, sharing deep root systems, with prolonged contact, fusing together. and, in the end, their love was no longer complex. it just was.

when we passed these trees off-trail, i wondered about them. i’m not absolutely certain where their connections are and if they are prime examples of inosculation, but they are indeed living in community, united. they somehow rely on each other, sharing nutrients and sun and dirt-space on this earth.

and, once again, here in the forest, i can see the simple example set for humans. the same one my sweet parents set.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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in the may apple village. [two artists tuesday]

once upon a time in the middle of the forest there was a may apple village. canopies of verdant green umbrella-ed a world of little tiny beings living little tiny lives. the village went on and on, deep into the trees. if you got right down on the ground and looked underneath all those canopies you would be amazed at what you saw, er, imagined. the village doesn’t last long. it appears and then disappears, showcasing short-lived flowers blooming and then going dormant in the summer. and the little tiny beings move on.

it is in my nature to try and make people laugh. i want to hear them giggle, guffaw, snort. i want to see cheer on their faces and to know they are amused by some self-deprecating thing i said or some story i told or some weird-action-that-would-instantly-embarrass-my-kids thing i did. i am not afraid to talk for my dog, skip in the airport, talk to strangers in elevators or subways or grocery lines, or make up loud songs-with-his-name i would sing to my cat. the reason i adore rehearsals is the chance to see people, in community, laughing. it’s never about perfection. it’s always about joy.

and so it was pretty darn weird to be on an interview call recently during which … no one laughed. i was stunned by this. i could not elicit one snicker, not even a draw-breath-in-breathe-out-a-soft-‘haha’. it concerned me. after six decades on the planet, i understand seriousness, job dedication, commitment to work. after six decades on the planet, i also understand the best way to get things done is in joy. the big picture. short-lived flowers.

the little tiny may apple village was bustling the other day in the woods. i could see tiny bistro tables and chairs, tiny beings milling about laughing and getting things done. the community was aware of all the work it had to do in the short period of time the encampment – and they – would be there. they were not overwhelmed; they were not undone. they realized that they were each spokes in relationship in the big-picture-wheel.

and they – these tiny beings under their awning-of-green – realized that their mirth was the thing that held the leaf-canopies open and kept things in motion, that kept them sharing and working with each other, through the burdens and the successes, that kept them from being divided and, instead, made them a community of inclusion, exuberant and productive, making their tiny mark.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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an octopus and a hissy fit. [d.r. thursday]

in the outstanding documentary “my octopus teacher” craig foster forges a relationship with an octopus in the south african kelp forest. every day he enters the cold water to search for her and over the period of about a year he bonded an intimate friendship with this amazing creature. when she disappears after a scare, he spends days seeking her, commenting, “i try to think like an octopus.” his success reuniting with her shows he is at least somewhat capable of thinking how she thinks, of seeing how she sees. your heart is filled watching the mutuality of their connection and you wonder why this level of reciprocal respect cannot exist more easily between human beings.

tuesday i had a hissy fit. i have mostly recuperated. i’m not sure where it started but it definitely was a meltdown. anxiety coupled with grief coupled with worry and angst with a pinch of frustration – the ingredients du jour for many of us on a given day in these difficult times. i went on about a propensity for letting things just roll off my back, making things ok, not speaking up – for myself – as often as i would wish or as often would seem apt. in my wild and wooly meltdown, i complained that others can do this and often do this – speak up, push back, say things are not ok – without incident, without remorse, without punitive measures, without concern. i stated examples in that way you do when you are ranting; there are many words you speak asfastasyoucan to make sure the other person keeps listening and there are also many punctuation words you linger on, stretching out the sound of them on your lips, exquisite cuss words that seem fitting at the time. these are not necessarily pretty, but they are definitely handy at providing emphasis. i ranted about neighbors playing music at absurd decibels in a house-dense community. i ranted about the internet and streaming and ridiculously small music royalties, an industry for independents, flailing. i ranted about my right hand’s range of motion plateau. i ranted about speaking up for myself and my rights as a woman, my rights as a professional, my rights as an employee. i ranted about not saying “no”. i ranted about losing my job. i ranted about those who claim to be caring and compassionate not even entertaining having any kind of discussion or dialogue. i ranted about ill-suited leaders in leadership positions, seemingly not being held answerable. i ranted about hypocrisy. i ranted about people’s silent complicity. i ranted about wanting to retort to others about their stance on politics, on gender and racial equality, on the pandemic, on climate change, on gun violence and gun control. i ranted that, even sans retort, even in even-keeled, calm, cool, collected and researched manner, it would be next to impossible to navigate debate. i ranted about the abyss in our nation that makes it impossible to have an intelligent, thoughtful and respectful conversation without vile getting in the way. i ranted about the inability for people to see things together. i ranted about missing my sweet babycat. i returned to the top, taking a breath and again ranted that others seem to do and say whatever they please, despite fallout or impact on others, despite truth or consequences, without care and with agenda, without benevolence and with mean-spiritedness, without kindness and with a lack of sensitivity. i ranted that i could not continue this way. i ranted, “if i can’t at 62, when is it that i can???” can’t what? can what? i’m not even sure i know. ranting is like that.

it would seem that possibly a kelp forest off the coast, deep dives with a weight belt, times of holding one’s breath minutes at a time might aid in establishing some sort of common ground. it worked for craig foster and his fantastic octopus. he carefully, and without antagonizing her or scaring her or moving too quickly, watched her in her short life. he passively, without interfering or having self-serving agenda, watched her deal with day-to-day life, with adversity, with terror, with the pecking order that comes in the ocean. he watched her gracefully and intelligently co-exist with stunning creatures of the sea. he was saddened when she was hurt; he mourned her when she died. relationship. a kinship crossing natural boundaries.

we humans…we have much to learn. we have brains that refuse to look for new factual knowledge, hearts that refuse to respect all love as love, eyes that refuse to attempt empathy or fairness and see what others see. maybe we should spend some time immersed in the vast ocean, in a kelp forest. or maybe we should try harder. or maybe we should spend some time answering the important questions of our hissy fits.

*****

read DAVID’S thoughts this D.R. THURSDAY

CHICKEN MARSALA ©️ 2016 david robinson & kerri sherwood


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a clinker. [not-so-flawed wednesday]

i am a clinker. i simply cannot take a sip of wine without clinking.

last week we rediscovered that three wine glasses clinking sound infinitely different than two. for the better part of a year we have only clinked two, never a third, never a fourth. like many of you, the pandemic has prevented us from sharing a few moments with others, having a toast, sipping and talking together in the same space.

last spring, summer and fall, out in their backyard distanced by about ten feet, we had happy hour with our best friends. we sat in adirondack chairs on the patio or in the grass, under the setting sun or the giant-sized umbrella, hoping for a cool breeze or warming by the bonfire. we talked, we laughed, we visited in our little pod from far away. but we never clinked.

i clinked in october. we were in the high mountains at long last and my girl was holding a wine glass in the same space and we clinked. tiny cherished moments and glittering in their rarity. and then, just as there were months before, there were months after. the clinks-of-aspen have been ringing in my heart since those crisp fall days.

so the fact that this past week we clinked is a big deal. we have had both our vaccines and so has 20. we are all meticulously careful. and so, after much research, for the first time, he came over for dinner. inside. in our kitchen. it felt surreal and took a little getting used to. oddly for us, it’s been a long time since anyone was in our house besides us. it was a special clink and we laughed at how normal and abnormal it was. and then, the same story only different, after way too much time, we clinked with my boy. at his spectator counter in their beautiful kitchen, steps away from a table set for a dinner we would share. clink.

three more-than-two-glasses-clinks in about a year.

although there are several outdated and somewhat dark ancient and medieval reasons for clinking, the farmers’ almanac states that, “it is believed that clinking glasses was done during toasts, because sound helped to please all five senses, completing the drinking experience. drinking is also a coming together of friends, so by physically touching glasses, drinkers become part of a communal celebration.”

a communal celebration. the sound of community. things that have been missing this last year. it is clear we are all starved for time together. it is also clear that some people are just throwing in the towel. fatigued with isolation, tuckered out by a piece of cloth across their faces, they go and do whatever they please, scorning the wise advice of medical experts who warn of the possibility of “impending doom” and beg this country to abide by covid-19 safety parameters just a little longer. it’s hard to understand – the lack of concern for the collective. we do not exist in a vacuum, though it would seem that there are those out there who believe we do.

as we – d and i – gently and very slowly add to our experiences with others, i want to celebrate each and every one, never taking for granted being seated around a counter, never taking for granted what it feels like dining around our tiny kitchen table or with a fancy setting in the dining room, never taking for granted a houseful of people milling around eating and drinking, never taking for granted what it feels like for those dear to you to walk into your house and enjoy the presence of others, never taking for granted basking in community.

“i have big ears,” one of my long-lost-but-now-found-cousins said on the phone when we were talking, trying to catch up on everything since around 1970. i tried to reassure him i would not talk his ear off each time we spoke; it takes so many words to try and catch up, to reconnect, as i am discovering in conversation with him, another of my cousins – his sister – and my almost-99-year-old aunt. he laughed and reassured me, “no, no. it’s all good. i have big ears.”

were he here, my cousin tony standing in the kitchen with a glass of wine, i would clink with him and celebrate mightily that my community is growing in ways i would not have expected.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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dog and cat. [not-so-flawed wednesday]

his best friend. he waits at the door for his best friend to return. his sorrow is quiet, subdued. his grief is confusion, dedication to a belief that babycat will come home. he has never been in this house without him – not even a day – and this last week has been heartwrenching to watch his reaction. his sadness is palpable, his loss profound.

the first few days after his babycat disappeared he was almost silent. dogdog is never a silent dog, so this was noticeable. without a sound, he looked everywhere for his cat. with lydia’s wise recommendation i tried to visualize for him all that had happened once his babycat had left the house, to give him some context, to let him know he did not have to wait, to tell him that his babycat was now in our hearts. he looked deeply into my eyes and then looked away, as if to dismiss my explanation, to hold close his own perspective, his own interpretation.

‘the boys’ spent the days together – every day since we brought dogdog home as a puppy. they’ve navigated through changes and ups and downs with us. they’ve kept us amused and entertained. they’ve nuzzled us in our times of angst. the rare times they were apart were very few times that we were on a trip. they moved to the littlehouse on island with us and adapted, finding mutual spots at the place where the kitchen met the living room and the sun streamed in. the noise of the ferry on the crossing scaring babycat, dogdog stayed close to him, signaling all was well. they channeled reassurance to each other, touchstones of steady, ever-present. they shared their water bowl and cheered each other on when it was time for treats. where one would go, ultimately the other would follow. and at the end of the day, butt-to-butt, they lay on the raft, waiting for us to sleep. babycat ruled. they were best friends.

last tuesday morning as i sipped coffee on the bed and babycat lay curled up down by my feet, dogga jumped up and laid down. gently, with all absence of play and what seemed in all seriousness, he moved his face over to babycat’s face. they laid nose to nose, heads on the soft old quilt, their hushed stillness, in retrospect, a clear display of their great love for each other. after a bit of time, babycat’s symptoms surfaced suddenly. and everything in the world changed for our sweet dedicated-to-his-cat aussie.

i understand dogdog’s quiet. though our presence and snugs and words to him might help, solace will only come in time. “woundedness is one of the places where normal words and descriptions break down.” grief is not limited to human hearts.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY