there is no question – whatsoever – that i lay awake inthemiddleofthenight waaay more than he does. i ponder and wonder and fret and worry and perseverate and plan and make lists and sigh and re-start the cycle over again. i lose sleep over things that are troubling me and during times of discontent. it is impossible for me to not carry these concerns into sleep – it’s disquieting and, most definitely, interruptive.
on the other hand, it takes david about six seconds to fall asleep and – perish the thought – stay asleep. there is little to no tossing, turning, blankets-on-ing-blankets-off-ing, staring-at-the-ceiling, looking-at-the-clock. somehow it is possible for him to empty-his-mind-of-all-troubles and just sleep.
middle age is called that because it is the middle of aging. with that comes a bundle of surprises that seem to arrive overnight. suddenly, new wrinkles. suddenly, crepey skin. suddenly, age spots and creeping-on lovehandles. suddenly, menopausal insomnia, achier joints, keeping track of rest areas on the way to everywhere. suddenly, jowls. it’s like a piÃąata that is slowly letting out candy, treats to relish with this person you are aging with.
we have decided that we simply cannot pine for what our bodies were like or could do back before we knew each other. now is now and we are lucky to have that. and so, we will celebrate the laughlines and the readers and changing bodies and funny long errant eyebrows. we’ll roll with the surprises as they arrive, with gratitude, laughing as much as we can, and we’ll stay right here in the middle of this aging thing – together.
we have sat at this table countless times now. it’s the table at which duke and eileen sat for decades of their marriage, sipping coffee, listening to the radio, reading the paper. there have been infinite conversations at this table, much laughter, maybe even an argument or two. this table, clothed in worn, yet sturdy, has seen many meals and some good life.
two days ago i spent some significant time at this table with 20, duke and eileen’s son. we helped him when it was time to clean out their house; duke had moved on to a different dimension and eileen was moving into assisted living. he asked us to put the old table into big red and take it as a donation to one of the resale shops in town. we brought it to st. vincent de paul and they refused it. the guy at the furniture donation door said that it showed wear on the top and that it wasn’t acceptable under their guidelines. we didn’t have time to take it elsewhere so we left it in the back of big red, for a very long time, waiting for another day to donate it somewhere.
looking out onto our deck and backyard, our sunroom is one of our favorite rooms. we stood in the sunroom one day in the early pandemic and did some re-imagining. an old door horizontal on a couple horses spanned the length on the east side of the room and an antique drafting table was smack in the center looking out back. we moved the drafting table upstairs to the office. and stood there, pondering. we thought it might be nice to have a table in front of the window, perhaps one we could sit at with coffee or lunch. we went downstairs into the storage room looking for perhaps another old door, a surface we could use. we couldn’t find just what we wanted, so we thought that we might go look for a table somewhere. it was one of those forehead-smacking-moments when we remembered we had such a table in the back of big red. we unloaded it and the duke-and-eileen table had itself a new home.
we have written at this table. david has drawn cartoons and sketched sketches at this table. i have laid out, added font, finessed, colorized, photoshopped at this table. we have created at this table. it is the easel in our sunroom, a room we adore. amid happy lights, succulents and plants with names like KC, snakeinthegrass, leticia, ralph surround us. the gentle sound of a tiny fountain is soothing and the whir of the small wine-fridge-from-the-boy reminds us not to forget snack-time-happy-hour. we can see the birds at the feeder and know that magic is sunning on a rock in the pond. this table is happy and we are happy the secondhand store turned it away.
so on tuesday, 20 and i sat working on some things he needed to get done. a couple of times he said, “wow. we are sitting at the table duke and eileen sat at all those years…” yes. that’s how we feel each day.
the specific history of this table is a mystery, for we will never know the love expressed at this table, never know the decisions made at this table, never know the tears shed at this table. we just know that it has comforted us through this whole time of pandemic.
like duke and eileen, we have sipped coffee at it, listened to music, read news apps. we have had conversations and much laughter and have argued at this table. this table continues to wear, continues to age, continues to be a place of many meals, and continues to see some good life.
coffee was a recurring theme in our early days. it does not have as big a spotlight role these days, sharing the limelight with wine and lets-try-to-drink-more-water. but back in the day of our writing-back-and-forth-and-back-and-forth it was a super star and you could see how often our bucks were spent on it in photographs taken of coffee cups around the country to send each other. (which literally gives me pause for thought, wondering if that is how starbucks got its name….)
these days? it is more of a guiding light, illuminating the mornings-after-little-to-no-sleep, the balm to heal insomnia, the salve of achier joints, the massage of slower starts. though it is not the only star smack-dab in our beverage list, it is a lifesaver. and there are some days when there simply is not enough of it.
“as estrogen declines in perimenopause and menopause, appetite ramps up. … hormone weirdness can impact your sleep (night sweats, for example). insufficient sleep can further elevate sensations of hunger.” (gennev.com)
and this additional news:
“the decline of sleep-promoting hormones including estrogen and progesterone is one big reason for disrupted sleep. and the other symptoms of menopauseâfrom mood swings and anxiety to night sweatsâalso contribute to sleep problems for women. production of another critical hormone for sleepâmelatoninâalso decreases with age, which can compound sleep problems for women during menopause and beyond.” (psychology today, m.j. breus, phd)
shocking, isn’t it? it makes you want to sign up, doesn’t it? huh?huh?
as one who is smack-dab in the middle of this estrogen/progesterone/post-peri-full-blown-meno fun, i know i am not alone. there is nothing like lying awake in the wee of the night, filled with swirling angst-filled thoughts and lists and no shut-eye, listening to david gently snoring and dogdog running in his sleep, blanket on-blanket off-blanket on, grateful-for-each-moment-crabby-as-all-get-out, melatonin-deprived and starving. i can’t count the vast number of bananas and bowls of cereal we have eaten smack-dab in the middle of the night.
“levels of the hunger-stimulating hormone ghrelin increase, a reason why many women find themselves frequently hungry during this phase.” (psychology today, m.j. breus, phd)
in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.
you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.
i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.
when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.
downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.
some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.
some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.
some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.
these days, in the middle of middle age, time seems to just fly by. at inordinate speed. slowing it down doesn’t seem to be an option. i guess my sweet momma was right when she said, “live life, my sweet potato.” don’t wait.
the angle of the sun changes them. our two green-eyed birds become four birds, elongated or shortened, light shadows on the fence or intensely dark and clear, a party of four. the shadows of our backyard birds entertain us just as the metal birds beckoned to us the day we found them in a tiny river road town on the mississippi side of wisconsin. though we aren’t big spontaneous purchasers, these birds with their green glass eyes seemed to be waiting for us, waiting to be brought home with us as we drove the budget truck on its last leg from seattle to kenosha.
we’ve moved them around the back yard. they’ve watched over the pond, they’ve hung out by the giant pine next to the garage. now, they share the garden along the fence, watching over the peonies and grasses and daylilies.
their genus and species classification was not identified in the outdoor space at the little shop in stockholm, but they mostly remind me of shorebirds, maybe herons, but with their necks scrunched down, their heads tucked onto their bodies. if you look up heron symbolism, it seems fitting for us to have these silent guardians watching over us as we started sharing life. the heron symbolizes tranquility and stillness. it also “signifies determination because we are bound to wade through marshes and ponds through life’s journey, but we must never give up.” heaven knows, that’s been true. in native tradition, i’ve read that they represent “an ability to progress and evolve”. indeed!
or maybe they are black-tailed godwits. the godwit’s latin name translates to “muddy”, so that would also be fitting, as we added them to our lives in water paths that were not clear to us. how can they ever be clear at the beginning, i wonder. how are they ever clear, period? in old english godwit means “good creature”, quiet goodness standing tall with us.
or maybe they are sandpipers, with sensitive bills. there are a variety of meanings attached to the sandpiper but my favorite to lean on is that they are “a good symbol for problem-solving and going great distances to achieve your goals, either physically, or geographically”.
no matter.
they are sweet metal birds, one of our first home purchases together. they stand outside reminding us of the early days, the new pond, the puppy days with dogdog, the ups and downs of new relationship in the middle of middle age. tranquility, stillness, determination and problem-solving in muddy times, lots and lots of wading, surrounded by good persons and, hopefully, evolving.
yes. i’d say these simple green-eyed birds are definitely in the right place. they are home.
34 – the combination of 14 & 20 – love to cook together. they chop and laugh and saute and bake and grill, punting their way through recipes. with glasses of wine in hand (and lately, maybe old-fashioned wisconsin old-fashioneds) these two brothers-of-different-mothers gleefully prepare dinner.
twice a week we three (61 when you add us all up) used to dine together. and then covid. for well over a year, dinners stopped and phone calls commenced. but even zoom doesn’t come close to the ritual of preparing good food and sitting down all together around a table. finally, fully-vaccinated and still wearing masks out in public spaces, we are back. and so there is a piece of our world that has righted; the axis is just a little less tilted. we are grateful.
20 goes way back for me. shortly after my beloved big brother died, i believe he looked down from heaven and hand-picked out 20 to stand in for him. he didn’t expect 20 to be exactly who he was, he just expected him to be there for me. and vice-versa.
my little girl and 20’s little girl took ballet lessons together as tiny ballerinas and 20 and i sat on the wood floor with other parents just off the studio, morning light spilling in through the windows. my little boy drove his matchbox cars up and down the hall, including on and off 20’s legs, clearly seeing in him a man who adored the magic of small children and their imaginations. it was like group therapy, this cadre of parents on the wooden floor, and we still think of those times fondly. we followed ballet class with an ice-cream-sundae trip across the street to andrea’s and sitting on high stools at jack’s cafe in front of the soda fountain. cups of hot coffee and watching our tiny girls make straw dolls with paper napkins and my little toddler boy having soup-that-race-cars-eat with a side of saltines and pickles were glittery times…priceless. in the way that life and mystery goes, 20 happened to be a graphic designer at a time in my life when i needed a graphic designer. we celebrated my first album together and he designed many of the next ones. there for meetings or reviews, i watched him and justine and duke at work. i had the good fortune of secondhand learning; i still credit 20 with the way i design things now. it was inevitable that we would still be almost-brother-sister 27 years later. i imagine this will go on forever and ever, in the way that my own big brother devised it. only now, we are a trio of compadres. we’d have it no other way.
in this time of so much loss for so many, we have not gone unscathed. jobs and security, finances and healthcare, communities-within-communities, relationships – all have an iota of decimation. the rituals of our life together are the things we hold onto, the firm footing that delivers us from one day to the next. for us, resuming the twice-a-week dinners with 20, friday night potlucks with our dear-dear friends which have temporarily become happy-hours in their backyard, our familiar-trail hikes watching the seasons change in the woods…these are real, three-dimensional and steady and are evidence of life beyond these times. they are evidence of a return to some semblance of normal, though we suspect things may never actually be normal again.
we are still careful out in public. we still wear masks and use sanitizer. at OT appointments they still take my temperature, have a pile of masks at the door and ask a slew of covid questions. we are wary of too much exposure – our innermost circle demands it, for this pandemic is still alive and well and we do not wish to place our dearest close ones at any potentially devastating risk.
yesterday we passed a teen girl walking down the sidewalk, mask at her chin, with a sad, sad face. it made me think about all the people who have lost loved ones during this year-plus of covid. i wonder how they feel as they watch others, in seeming cavalier fashion, gather in crowds, throw out their masks and throw any remaining caution to the wind. i’m guessing maybe they are heartbroken. because there is no going back. it can’t be undone. and the loss of their beloveds has not changed others who do not walk in their shoes.
i guess it’s the lack of empathy, the lack of looking-out-for-each-other, the lack of small efforts of willingness to aid the big community that i find most disturbing. because, really, in the ritual-festooned-relationship-rich-shimmering-end we are our brother’s (and sister’s) keeper.
