reverse threading

the path back is the path forward


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whole rest. [k.s. friday]

rest

two broken wrists.  there’s not much that can stop me, but two broken wrists has done it.

it is profound what you do in daily living with at least one hand.  really everything.  this is my fourth day on this hand-less journey and i know there’s a long road ahead.  i am not a good patient and the inability to perform the simplest of tasks has been world-stopping.  i had to teach david how to ‘properly’ wipe my mouth, put on girl jeans, comb out wet hair.  he has to hold my coffee cup (and yes, a wine glass or two) with the infamous sesame street ernie straw, feed me every bite, help me sit up from laying down, open doorknobs, pick up my cellphone so i can voice activate it, wipe my tears as i cry in frustration.  the list goes on and is only limited to your imagination.

i wanted to have a tiny window into my beautiful daughter’s world.  My Girl tells me lots of coaching and instructing stories from her high mountain snowboarding career, but i have never stepped on a snowboard.  i wanted to physically experience the board under my feet, even a tiny grasp of how she feels.  so we have planned for a long time to take a lesson and surprise her with our tale.

this week was wisconsin ski and snowboard week and for a mere $29 you could purchase lift tickets, rental equipment and a group lesson.  it seemed perfect.

and for an hour and twenty minutes it was.  a really difficult sport, we stood on boards and managed to learn the slightest of skills.  until that little girl on skis was in front of me downhill just a bit.  not really well-versed at turning and, clearly, less versed on stopping, i worked to avoid her.  the stop and the fall were simultaneous.  tailbone down i clearly put out my hands to help my fall, the first do-not-do-this rule.  instinct took over; reflexes prevailed.  that was step one in this two-broken-wrists tale, this whole rest.

four days ago i took for granted every little thing my hands (and arms) did for me.  i could play the piano at any given moment, grab a pencil and jot a lyric, readjust the bench, open the blinds and let the sun into the studio.  today the studio is dark, the piano quiet, the pencils waiting.

instead, moment by moment i am aware of every move i make, every single thing i need assistance with.  i work each day to gain one more tiny ability.  we have slowed down to a crawl and are abiding in each minute, one by one.  i appreciate david’s help beyond mere gratitude or words; his commitment to my every-single-movement is humbling.  our friends and family have reached out with offers of meals, company, words of encouragement and vast amounts of humor.  we are right here in this very moment.  presence defined.

i wonder about my piano.  i know that my right hand in a hard fiberglass cast is on hiatus.  i think that maybe my left hand, which is in a hard splint, might have a beensy chance at a few notes, regardless of the ensuing pain.  when i was 19 i broke three fingers on my left hand slammed in a steel church door.  they were splinted but i was fending for myself making a living for college as a musician and so i relentlessly started playing with those fingers anyway.  this too-early-in-the-healing-process-playing prevented full healing, so i am cautious now.  the piano is a part of my soul and so i honor the process of getting-back.

in the meanwhile, in the way that only the universe understands, after these last months, i seem to have needed a reminder of being loved and cared for, a reminder of attending to ‘now’ with no dreaded worry of ‘next’, a reminder of what’s truly important.

last night i held a fork.  it was pretty amazing.

oh, and – the little girl skied on, unaware.

read DAVID’s thoughts this K.S. FRIDAY

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weddings. [k.s. friday]

my best friend with frame

we are watching.  two lovely young women, the daughters of dear friends, will be married this year.  we will be attending each of these weddings.  i will have the honor of playing at them.  they are excited, immersed in the details of their ceremonies and their receptions, the times that people will gather around them and celebrate their joining of lives, of families.  it is a time of immense joy for them and it’s certainly fun to be included, hearing about gowns and venues, songs and vows.  they are amazed at how quickly these days are approaching.  it’s that life thing.  it keeps moving. faster and faster.

when my niece got married on the beach, she had her dj play instrumentals of mine as her bridal party, including me, walked across the sand.  but a couple weeks ahead, when we were talking about all the tiniest details, she asked if maybe, just maybe, i could write her and her husband-to-be a song, something that would be solely hers as she walked toward him over the warm beach, bright sun low in the sky.

this is the song i wrote for them.  no time to run to nashville or even chicago, i ran to a studio in town and quickly recorded it, just piano and voice, nothing fancy.  i was moved to hear it broadcast over the sound of waves, watching as she walked into a new chapter of her life, directly to her best friend.  and now, there’s so much more.  life keeps going.

i wore a pink dress with puffy sleeves (yes, shockingly, a color) for my other sweet niece’s wedding.  twice as long ago, i was touched at being included.  i have watched her grow (she’s amazing!) and have watched as she and her husband have built a home together and lovingly raised their two boys.  life.  keeps moving on.

i recently heard from a nephew of mine after a pretty long time of silence.  he sent a picture of he and his husband together and i was thrilled to see him looking so content, so in-his-life.  it keeps moving.

we are at the age when many friends’ children are marrying.  each time we attend a wedding or send off a gift we watch as two people decide to be together, through thick and thin.  we wish them more of the best than the challenges, but we know that the challenges are also the glue.

each story is not as simple as it sounds.  we know that.  moving in together, whether post-wedding or no wedding at all, sharing a sink, worrying about life’s constant worries, dividing up household responsibilities, traversing family dynamics, navigating gigantic decisions, choosing which direction to put the toilet paper on the roller…life as two is both more difficult and less difficult than life as one. and, in the way of how it all works, the time of life both moves in slow motion and flies by.

it helps when you choose it with your best friend.

 

download the single MY BEST FRIEND on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

 

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MY BEST FRIEND ©️ 2010 kerri sherwood

 


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the organ bench. [k.s. friday]

organ pipes

no one else.  there was literally no one else i knew who took organ lessons.  eight years old and i was the only one.  everyone else i knew took piano lessons.  they went to the new local music store –munro music on larkfield road in east northport – and had lessons in itty studios downstairs and came back upstairs to pick out sheet music from a big wall featuring the latest hits and books of collected artists, written out for various levels of piano-playing ability.  me?  i went to mr. i-never-knew-if-he-even-had-a-first-name sexton’s house (now, think about the torture my peers had with that name) and took organ lessons in the addition adjacent to the garage.  there was no wall of sheet music, were no cool guitars hanging up begging to be purchased, no amplifiers or drums.  just that one organ.  no windy or ode to billie joe or i’m a believer easy piano for me.  it was beautiful dreamer and long, long ago.  and hymns.  lots of hymns.  but i had been asking for lessons since i was five and the little chord organ that was my grandmother’s was moved aside and a ‘real’ organ with two manuals (keyboards) and real pedals and cha-cha button settings was added to the corner of the dining room that was next to the kitchen and the living room.

when i was ten i tearfully played the pipe organ for my brother’s wedding, the processional as my sweet sister-in-law walked down the aisle to my big brother.  yesterday i was talking to john whelan, a master celtic accordionist the exact same age as me, and we talked about the first real gig we did.  his was at 12 and he actually got paid.  mine was this wedding and, for obvious reasons, payment was out of the question.  i got to wear a really pretty peach-colored party dress and white shoulder stole and wept my way through the difficult piece.

after some time, i somehow convinced my parents that they needed both an organ and a piano and they signed me up for piano lessons.  joan ostrander, the very chic music teacher, was my first piano teacher and i adored her.  she pushed me and i adored that too.  i spent long hours practicing on the piano bench with my dog missi sleeping underneath, my dad whistling in the background.

in years to come i studied with the teacher-of-all-teachers alan walker and was convinced that the piano and i were kindred.  i taught more piano lessons on long island (and later florida and even wisconsin) than i can remember, back then driving from one house to another, delighting in each student’s joy playing the piano and progress no matter the pace, hoping to emulate the teaching style of this amazingly kind man.  after lessons we talked life and ham radio and ate open-faced crunchy peanut butter sandwiches.  music is not just about music, you know.

during my undergrad, i studied piano in college with one of the professors but kept bringing in pieces of original music and kept veering off course from assigned large scale pieces, hoping he wouldn’t notice.

as no real surprise, i majored in music composition, the first (?) step toward living as an artist, the first step in a road that leads to here and now.  so much in-between.  the gigging composer music timeline is filled with albums, concerts, performances, cd sales, radio and tv, qvc appearances, barnes & noble and borders, listening wall placement, phone calls, yamaha, traveling, shipping and more shipping, recording labels, carrying boxes, standing in the rain on flatbed trucks playing and singing, driving, driving, driving, press releases, graphic design, writing, recording, supportive family and friends and coworkers and a person named hope hughes.

but that organ.  it has kept on re-appearing.  somehow it is one of the threads that has woven its way through my life.  there aren’t that many of us out here:  people who play the organ, who can finesse a chosen timbre through the pipes and who can actually play lines of bass notes on the pedals.  those lessons from the very beginning somehow set the stage for me to work for three decades already as a minister of music.  conducting choirs and handbells and ukulele bands and worship bands, choosing music for services and performing groups, leading and shaping worship and, yep, playing the organ…it has been a constant.  there are days that i will pull out all the stops and play as loud as the organ pipes will allow.  its bellowing echoes through the sanctuary and i giggle as i think of my ten year old self, sitting on an organ bench in williston park on long island and crying.

what would i have thought if i had known that fifty years later i would still be sitting on an organ bench?

canyon love

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read DAVID’S thoughts this K.S. FRIDAY

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noodling. [k.s. friday]

the art of noodling

we can never repeat it.  that piece we played together during a quiet moment in the service.  moments where notes suspended, combined with hearts and lingered in the air.  we noodled our way through it and, even just after it was over, we could not speak to how it was shaped or where it went.

it is my absolute joy to work with someone who can join me in this.  jim, our beloved guitarist, is a ready partner.  hand signals of the key, head nod count offs and we are on our way.  sometimes the noodling takes us to a more intense, busy place and sometimes it is the stuff of nirvana, peaceful, thoughtful serenity.  always it is rewarding for both of us; we share a smile when it’s done and know that the ethers now own that piece of music.  never to be repeated.

improvisation is a driving force – we play at least seven pieces of music every service.  with skeletal lead sheets we choose how to perform each one.  sometimes we liken our performance to ‘how it was done on the recording’ and sometimes we have our own agenda, working it into the style or feel we wish it to convey.  but, because we don’t simply read every note on the page (since they aren’t on the page), we know the performance of each piece will also never be repeated.  it is not likely that most realize we are drawing from deep inside, from knowledge or experience, from heart, when we play.  they likely think we are reading music that is all written out.  i don’t suppose it matters what they think as long as we deliver what we intend.  as long as we shape the service emotionally, for that is what the music is all about.

as a composer, my favorite moments, in addition to those sweet moments of harmony when we, with our respective instruments sing and can hear the lining up of the stars, are those moments of noodling.  we have no fear of what’s next.  we have no preconceived notion of where to go.  we just start.  and we follow where the music leads us.  it’s ephemeral.  it starts from the dust and returns to the dust.  and is never to be repeated.

yamaha artists

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visit iTUNES by clicking here or on image above

read DAVID’S thoughts this K.S. FRIDAY

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laugh. [k.s. friday]

creativity is not always a serious thing.  songwriting isn’t always serious.  today we offer you the attempt we made on washington island to record our brilliant and profound song SITTING HERE IN THE SUN.  we understand, with 7 takes, if you can’t bear to watch it all.  and we understand if you are underwhelmed by the song (not to mention the angle of video recording) – when you finally get there.  but right now – at the very beginning of a new year and a new decade – we are thinking maybe the laughter is the most important song of all.

 

 

 

 

 

 

 

jaunt over to DAVID’S blogsite to see if he added anything esoteric to my meanderings

for real recordings, go to iTUNES: kerri sherwood here

www.kerrianddavid.com

 

 


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rough cuts. [k.s. friday]

you're here songbox 2

rough cuts.  there are lots of them.  recorded on an iRiver or an iPhone so i don’t forget.  scraps of paper with lyrics and chord indications, rhythms jotted above the words, a few melodic notes scribbled in the margins or throughout the page.  songs that haven’t yet been recorded.  songs that may some day be recorded.  songs that will never be recorded.  rough cuts.

before the cantata i prepared for this holiday season i had carefully selected music – all contemporary pieces, all meaningful lyrics that i felt would resonate with those watching, making the experience touch their hearts.  but, as i mentioned in a past post, i’m pretty picky and there was this one song.  after playing around with it with the band, i deleted it from the line-up.  with a spot still to fill in-between narrative, i decided to write a new song to fill the slot.  this is the song i wrote –  YOU’RE HERE – and you can listen to a very rough cut of it recorded on my iPhone played on an out-of-tune church piano if you click here.

it’s been a long while since i recorded an album.  more time has passed than i ever thought possible.  i wonder which songs in my rough cut collection will make it onto the next album.  i wonder if there will be a next album.

in the meanwhile, i’ll keep paper by the piano and have my cellphone ready.  the iRiver is in the drawer, along with the microcassette recorder and a pile of cdr’s.  maybe the presence of at-the-ready songs will eventually tilt the earth and i’ll be back in the studio.  maybe people buying cds will come back into vogue.  maybe i will record on vinyl (again).  maybe it will all be virtual.  more to stream.  (note my tone of voice.)  maybe.

or maybe i’ll just put the piano at full stick, pull up a boom stand, throw on a mic and sing.

listen to the rough cut of YOU’RE HERE by clicking here or on the image just below:

you're here songbox cropped

view most of my albums on iTUNES

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read DAVID’S thoughts this K.S. FRIDAY

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YOU’RE HERE ©️ 2019 kerri sherwood


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joy. [k.s. friday]

joy songbox

the video from My Girl made me out and out cry.  it was just a little hello, sent from around a firepit in the high mountains after a long day of working.  and it was perfect timing.  to see her face and hear her voice was pure joy.

we walked and walked and walked.  miles from millenium park’s christmas tree and skating rinks, past beautiful ornate displays of lights and simple twinkling white branches.  in a rare opportunity linking my arm through My Boy’s as we strolled, i was filled with joy.  the loudspeaker music and dancing lights of the lincoln park zoo just echoed my delight.

as adults, the holidays carry a different set of qualities than they did as when we were children.  much pressure, oftentimes grief, maybe a slippery slope feeling of never-doing-enough, some disappointment, a measure of jealousy or envy perhaps as others-with-family-all-in-town gather together in big festive celebrations.  for those of us who work on christmas eve and christmas day, there is a yet another added layer.

we walked through the woods yesterday looking for the right branch laying on the ground.  we don’t yet have a christmas tree up.  we have other little trees – i have collected small trees through the years – but no true christmas tree.  each year in these last years, we have chosen that “tree” carefully, always something we found, something re-purposed into a christmas tree, something that had meaning.  there was the christmas-tree-on-a-stick – a christmas-tree-misfit – we cut down on the tree farm, a piece of the tree that fell into our backyard narrowly avoiding the house, a branch that had snapped off of our beloved tree out front, a star suspended over a straight trunk wrapped in lights to tease The Boy.

this year i thought about just going to a lot and purchasing a tree, thinking maybe, in the midst of the ending of a really tough year for many,  that might put me into the holiday spirit.  but i just couldn’t bring myself to do that.  we figured that the answer would become obvious, as it has done in the past years.  and it did. watching My Boy, clearly proud of the decorations of the neighborhoods north-of-downtown, agree with us about how simple, beautiful and truly elegant the white branches were, made up my mind.

last night we put the first coat of white spray paint on the two sets of branches we brought home.  we’ll finish coating them with paint later today and wrap them in white lights.  we’ll gently place silver ornaments as we play christmas music in the background.  i will miss My Girl and My Boy like crazy.  i will yearn for my parents, my brother and sister-in-law and sister and brother-in-law and nieces and nephew and all their families, david’s parents and extended family.  it isn’t the christmas of christmas-past.

but there still is magic.  those moments of joy – when everything else ceases to exist and joy eclipses it all.

download JOY on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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JOY ©️ 2004 kerri sherwood

 

 


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picky. [k.s. friday]

christmas composing

this is at least the 30th christmas.  the 30th one that i was responsible for making sure that other people – in various congregations through the years – feeeeel it.  the 30th one where i have chosen music to reflect the season, the love, the light…and to be certain that it was all accessible to the people listening, to be certain it touched them, to be certain it made them think and celebrate, to be certain it spoke to their faith.

i am pretty picky.  i don’t like kitschy.  i don’t like trite endings.  i don’t like certain chord progressions.  i don’t like when songs, in an inane effort to be interesting, modulate up in key (the kind of modulation where you expect bubbles to be released into the air).   i don’t like certain kinds of lyrics or songs that are preachy.  i don’t like songs that imply elitism in any way, including any kind of religious denominational dominance.

i have reviewed a zillion cantatas through the years.  (a cantata for a church is a combination of narrative and song, telling a story, embracing a theme, usually anywhere from 30-60 minutes in length.  the more traditional cantatas are oftentimes stunningly beautiful but are difficult for volunteer choirs to sing and, frankly, for congregations to sit through.)  many more recent cantatas are like buying a record album…many of the songs are really good but there’s always one or two that are throwaways.  i have revised every cantata i have ever purchased for a choir.  ask any choir director and she/he will tell you that they are revising and improvising on the fly.  if they aren’t, well, i just don’t even know what to say about that.

one year, in particular, back in the late 90’s, i was particularly displeased with the cantata samples i had been sent.  so i sat down one night and started writing my own.  it was the beginning of november and, because we published the actual faxes that went back and forth between me and my producer, you can see that i composed all hours of the day and night and he arranged all hours of the day and night.  i had the choir working on drafts that were printed out in the wee hours of the morning, as we continued arranging and re-arranging.  the pieces pretty much dropped out of the universe to my hands and i loved conducting this cantata THE LIGHT IS HERE! that year and a few more times through the years since, honing the narration and revisiting the language in an attempt to keep it contemporary.  after all, surprisingly, the late 90’s were two decades ago now.

a few nights ago at band practice we were running through the pieces i had selected for this year’s special music schmear (my word instead of ‘cantata’ which is sorely outdated and makes people stay away.)  one song, though well-intended, was just plain wrong.  so i pulled it out.

the next day i reached for paper and a pencil and wrote a new song for that slot.  it’s a solo so at least the choir and the ukulele band don’t have to learn it at this late date (although they are used to having to go-with-the-flow).

in my position as a minister of music, it’s not my job to just play any old thing or direct any old piece, dis-regarding how it speaks to the listener, ignoring whether it is accessible, whether its message is relevant or timely, whether it invites someone in.  instead, it’s my job – as i see it – to open listeners’ minds and hearts, to wrap them in music and lyric that resonates, that challenges, that reassures.

someday i will no longer be a minister of music.  i will sit on a mountaintop or at the edge of a lake or on a riverbed and i will listen to the sounds of this beautiful earth in celebration of every season.  i will not be responsible for making sure others feeeeel it.  i will just sit quietly, all the music i could ever need surrounding me.

in the meanwhile, i will be picky.  it’s a curse.  and i guess a blessing, as they say.  picky.

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read DAVID’S thoughts this K.S. FRIDAY

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women. you made it through. [k.s. friday]

made it through songbox

“i want women to see that you do not get pushed around.” (* attributed below)

this piece today is dedicated to all the women who have made it through, all the women who are making it through, all the women who will make it through.

your fire has brought you to the edge of the battlefield many times and you have still made lemonade; you have still prevailed.

you have made it through intensely emotionally abusive relationships.  you have picked up the pieces and you have moved on.

you have made it through physical or sexual abuse.  you have risen from the ashes.

you have made it through terrifying health scares.  you have pulled up your boot straps and determinedly plodded through with massive courage.

you have made it through society’s prioritizing of body image and appearance.  you have been measured by your cleavage or lack thereof, by the indent of your waist, by the clothing you choose, by your hair.  you struggle to remember you are beautiful.  you stand tall.

you have made it through vacuumous times, the middle of chaos, the middle of multi-tasking.  you have created.

you have made it through physical summit experiences.  you have scaled mountains.  you have boarded down untracked chutes.  you have trained your body with weights and exercise.  you have run.  you have skated.  you have pedaled.  you have breathed in and sighed an exhale.  you’ve run thousands of lengths of playing fields.  you took the next painful recuperating step.  you dove to the depths.  you have been on world stages.  you have risen with hungry or fevered children night after night.  you have competed.  you have given birth.

you have made it through falling.  you have made mistakes.  you have been human.  you have forgiven and you have been forgiven.

you have made it through an education steeped in gender-inequality and bias.   you have chosen to learn more, to actively seek the resources, rights and opportunities due you, to resist against the discrimination.

you have made it through a system that undermines your success and devalues your value.  you have fought for your place.

you have made it through financial challenges of single womanhood, of single motherhood.  you have been scrappy and, without complaint, you have layered onto yourself however much it took to get it done.

you have made it through work situations where you’ve questioned how you would be treated were you to be a man.  would you be yelled at?  would your professionalism be questioned?  you have asked these questions.  you have stayed, holding steadfast, or you have moved on; you have decided what is best for you and moved in that direction.

you have made it through the skewed-world fray into leadership roles where your every decision is challenged or thwarted.  you have overcome; you have triumphed.

you have made it through being-too-young and through aging.  and you are not irrelevant.

you have made it through.  you have spoken up, spoken back, spoken for.  you have written letters.  you have marched.

you have been pushed around.  but you have pushed back.  and, just like the tortoise, you have made it through.

download MADE IT THROUGH from THIS PART OF THE JOURNEY on iTUNES or CDBaby

(*this quote is attributed to nancy pelosi)

read DAVID’S thoughts this K.S. FRIDAY

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MADE IT THROUGH from THIS PART OF THE JOURNEY ©️1997 kerri sherwood

 


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the people who love you into being. [k.s. friday]

grateful songbox 1

“all of us have special ones who have loved us into being. would you just take, along with me, ten seconds to think of the people who have helped you become who you are….ten seconds of silence.”  (mr. fred rogers)

he brought it up on the trail.  the movie we had recently seen.  not an action thriller or a mystery.  just a movie about a man who changed the world.  mr. fred rogers.

quietly hiking on the trail, he broke the walking-arm-in-arm silence, “i’ve been thinking about all those people.  those people who loved me into existence.”

what could you possibly be more grateful for?  that trail of thought found us yesterday morning and wove its way into all day, skirting along the edges as we cooked, back into the center on facetime, at the table with wine glasses, in a late night text out of the blue.

the people who love you into being.

mr. rogers got more specific, ” from the time you were very little, you’ve had people who have smiled you into smiling, people who have talked you into talking, sung you into singing, loved you into loving.” what kind of legacy do you have to be known for this kind of wisdom?  it changes everything.

the people who love you into being.

we spoke of these people on and off all day and late into the night.  there was a moment i could feel shadows that were cast by any of those we talked about falling off, light covering the shadow.  reasons.  seasons.

the people who love you into being.

too many to list.  too many to remember.  we backtracked and stood still in our memories, telling stories and finding wonder as names – and the dear picture of that person in our mind’s eye – spilled out of us.  a wealth of being-makers.  every one of them a builder in the construction of some piece of us, like a giant box of tinkertoys or lincoln logs or even crayons.  so much  potential.  a wildly wide spectrum of color and characteristic, texture and depth. profoundly moving.  a tiny bit of shake-up.  both.

the people who love you into being.

ten seconds.  nowhere near long enough.

download GRATEFUL on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

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GRATEFUL from AS IT IS ©️ 2004 kerri sherwood