linda and jim were doing the swedish death cleanse. linda was determined to de-clutter their home of anything that could potentially burden their children one day. once on a mission there is no stopping her, so they were diligent about going through every corner, nook and cranny of their home, eliminating anything that was not needed, anything that hadn’t been used in ages or was just simply extraneous.
now, we all talked about that around the table. with the sun setting on lake michigan and wine in our glasses, our little neighborhood group discussed how hard it is to let go of things, especially things that have some meaning or are mementos of some sort. add to that the fact that many of us were raised by parents who had experienced the great depression and you have people who are pre-destined to keep stuff, repurpose it, re-use it, save it for sometime you might need it, save it for when it comes back into fashion so you don’t have to buy it again, etc etc etc. (that’s definitely my experience and my excuse.)
many times i have entered the basement storage room and gazed at the bins. in years past, we have eliminated most of the boxes and traded them for these bins, throwing out some things, giving away some things, donating items that are useful, so we have made some progress. now there are bins with christmas ornaments, bins with artwork and stories and projects created by The Girl or The Boy, bins of things my sweet momma felt too guilty to give away, bins of sewing paraphernalia, bins of art supplies, bins of old music (for everyone gives the musician they know all the old sheet music they come across in their own basement and then that musician, who feels like it’s a mortal sin to throw music out, is compelled to keep it all in file cabinets or, yes, bins.)
from time to time i get a wild hair and go through a bin or random remaining box or pile in the basement workroom. sometimes i am pretty successful at eliminating clutter. trust me – i have been in peoples’ homes who have been hoarders and just seeing that makes me want to get rid of everything and live in a tiny house (well, one that would fit my piano.)
this winter perhaps we will tackle this once again. one more layer of cleaning out. it is possible. it’s just tough for me to be ruthless. i am too thready to be ruthless. touching memories or seeing them around me is reassuring and fills my heart.
one day in more recent days i went upstairs to look for something in the closet in the hallway. on the top shelf sat these slippers. stored here, they are my sweet momma’s and my poppo’s. they kept them here for when they would visit.
i know that they won’t visit our home again. noticing the slippers stopped me in my pursuit of whatever-it-was-i-was-looking-for. all the moments of having my parents present in my home swirled around me, the finality once again a reality. i struggled with what to do. i took them out of the closet and brought them downstairs to show d.
laying them carefully on the floor, i took this picture so that i could look at it and remember. and then, i placed them in a bag so that someone else – a woman with smaller feet than mine and a man with bigger feet than d’s – could have slippers. slippers with a bank of memories. slippers worn hugging my children as they grew. slippers worn around the christmas tree. slippers worn in the cold winter sitting by the fire or in the summer drinking morning coffee on the deck. slippers that lived here, just waiting for their owners, my beloved parents, to put them on. slippers with big heart. slippers with profoundly good juju.
i found a note the other day, tucked inside a book. it was a jotting-down-of-a-memory and was a quote from The Boy. he was five and he said, “look at how i can snap (my fingers). at 5 years old!! i could become a snap teacher and teach everyone how to snap!” never too young to dream.
jen is zealous. she is reallyyyy zealous. i don’t think i have known anyone who is as zealous a learner as jen. it is invigorating and inspiring to be around someone who embraces all she does not know with questions and a hope for understanding, as opposed to resistance or suspicion. she actively seeks out ways to learn the new, the unknown, wholeheartedly jumping in and swimming. she knows that vitality comes with opening yourself to new things.
pantene recently ran a new video series. it’s referencing the holidays and in it transgender people talk about what it’s like to go home. it’s breathtakingly sad the number of LGBTQ women and men who are not welcomed at home because someone cannot learn, ask questions, try to understand. instead, resistance and suspicion and a whole lot of judgement fiercely reign and the dream of being all together celebrating is devastatingly dashed. squelching another’s dreams is not the ultimate job of our job as humankind.
yesterday i conducted a christmas cantata. ahead of time, i had, for hours and hours on end, researched songs to find the pieces i felt would resonate with people, the pieces that would be generously bestowing of spirit and not off-putting. i looked for the language i thought would tug at their hearts and remind them of the light, the miracle of the season. when one song didn’t quite fit for me after i had chosen it, i wrote a new one. they were labeled ‘contemporary’ songs, with melodies, rhythm, chords, years of copyright differing from the hymns in the hymnals. over thirty people participated: a choir, a ukulele band, a worship band, a violinist, a violist. the result was truly beautiful, the message clear and the music gorgeous. our little church – a church that proudly purports to be reconciling and all-embracing – had moments truly holy in that service.
h is 93. every week at rehearsal he is ready and willing to learn something. he is steeped in traditional – after all, he is 93, his year of copyright long ago. and yet, those new melodies, harmony, challenging rhythms he has learned to sing have brought a freshness of life to him. never too old to dream. he knows that vitality comes with opening yourself to new things.
but back to yesterday. i remain unfulfilled in one way. because the sad part about yesterday? all the work and time that these dedicated volunteers had put into this cantata – with my careful choices based on over thirty years as a minister of music – was not seen by the first service folks. the word ‘contemporary’ made it unfathomable for that service to host without complaint, relegating it only to the second service. the spirit of camaraderie, the support of the efforts of others in their own church, the truly beautiful music that was made was lost on this first service. i try to understand their dedication to traditional music, to choice, and i heartedly honor it in selecting music for every other week of the church year. but i fail to understand their unwillingness to even try to embrace something else, something ‘new’. i fail to understand any reinforcement of ‘different’, of divisiveness. especially as simply one day and a festive community celebration of the holiday. especially when churches are constantly looking for relevancy and vitality is one of the necessary ingredients. they do not know what they missed. closing off. what they are missing.
jen and h would like each other. they both openly embrace new. they both openly embrace others. they both dream dreams, happily engaging in life, snapping. what a gift to be around.
this is at least the 30th christmas. the 30th one that i was responsible for making sure that other people – in various congregations through the years – feeeeel it. the 30th one where i have chosen music to reflect the season, the love, the light…and to be certain that it was all accessible to the people listening, to be certain it touched them, to be certain it made them think and celebrate, to be certain it spoke to their faith.
i am pretty picky. i don’t like kitschy. i don’t like trite endings. i don’t like certain chord progressions. i don’t like when songs, in an inane effort to be interesting, modulate up in key (the kind of modulation where you expect bubbles to be released into the air). i don’t like certain kinds of lyrics or songs that are preachy. i don’t like songs that imply elitism in any way, including any kind of religious denominational dominance.
i have reviewed a zillion cantatas through the years. (a cantata for a church is a combination of narrative and song, telling a story, embracing a theme, usually anywhere from 30-60 minutes in length. the more traditional cantatas are oftentimes stunningly beautiful but are difficult for volunteer choirs to sing and, frankly, for congregations to sit through.) many more recent cantatas are like buying a record album…many of the songs are really good but there’s always one or two that are throwaways. i have revised every cantata i have ever purchased for a choir. ask any choir director and she/he will tell you that they are revising and improvising on the fly. if they aren’t, well, i just don’t even know what to say about that.
one year, in particular, back in the late 90’s, i was particularly displeased with the cantata samples i had been sent. so i sat down one night and started writing my own. it was the beginning of november and, because we published the actual faxes that went back and forth between me and my producer, you can see that i composed all hours of the day and night and he arranged all hours of the day and night. i had the choir working on drafts that were printed out in the wee hours of the morning, as we continued arranging and re-arranging. the pieces pretty much dropped out of the universe to my hands and i loved conducting this cantata THE LIGHT IS HERE! that year and a few more times through the years since, honing the narration and revisiting the language in an attempt to keep it contemporary. after all, surprisingly, the late 90’s were two decades ago now.
a few nights ago at band practice we were running through the pieces i had selected for this year’s special music schmear (my word instead of ‘cantata’ which is sorely outdated and makes people stay away.) one song, though well-intended, was just plain wrong. so i pulled it out.
the next day i reached for paper and a pencil and wrote a new song for that slot. it’s a solo so at least the choir and the ukulele band don’t have to learn it at this late date (although they are used to having to go-with-the-flow).
in my position as a minister of music, it’s not my job to just play any old thing or direct any old piece, dis-regarding how it speaks to the listener, ignoring whether it is accessible, whether its message is relevant or timely, whether it invites someone in. instead, it’s my job – as i see it – to open listeners’ minds and hearts, to wrap them in music and lyric that resonates, that challenges, that reassures.
someday i will no longer be a minister of music. i will sit on a mountaintop or at the edge of a lake or on a riverbed and i will listen to the sounds of this beautiful earth in celebration of every season. i will not be responsible for making sure others feeeeel it. i will just sit quietly, all the music i could ever need surrounding me.
in the meanwhile, i will be picky. it’s a curse. and i guess a blessing, as they say. picky.
because i have this thing about everest, high-mountain-climbing tales and the arctic, we have a propensity to seek out movies we can view that tell these stories. we stumbled upon an explorer series that followed the adventures of an arctic explorer at the north pole. the photography was stunning. so much white. and then the blues. a turquoise aqua that you just can’t accurately describe. the explorer described the north pole as elusive, as theoretical, since it continually moves and the longitude/latitude is never constant, always fluid. he is there at the exact north pole and he is not. both.
this painting BLUE PRAYER feels like there. sitting at the very top of our mother earth, the deep night sky behind her, she prays. for our planet, all people, tenets of goodness, generosity, peace. she is quietly still and bowed in fervently verbose prayer. she is praying for the elusive, the theoretical. she knows it is all out there and she knows it is not. both.
this could get ugly. it could also get too honest. and maybe too personal. and too detailed.
this is the week. i’ve been dreading it for months. it is the final week to select health insurance for 2020. sometime this week i will wait online for probably hours to take my turn, to take my turn to sign up for a plan on healthcare.gov. i have been awake all night on and off for weeks.
we are artists. both of us. neither of our jobs and none of the other work that we do provide health insurance or benefits. we live in the state of wisconsin and have four options of healthcare companies on healthcare.gov. an insurance agent pointed out that we could opt for short term health insurance (up to 360 days) instead of a regular policy, but those do not cover any pre-existing conditions, do not provide for physicals and most preventative care and are basically catastrophic plans. hmmm. as a grown-up who has been working my entire grown-up life, i would really like to have grown-up insurance.
so. four companies. bronze, silver and gold plans in each. none of these companies provide nationwide coverage and a couple do not even allow for emergency room coverage out of network. two of those companies do not cover our doctors, professionals with whom we have established relationship through years; last year (2018) our coverage did not allow us to go to our own doctors, so we didn’t. we paid for coverage and never visited the doctor’s office at all.
so let’s get more mealy here. there are plenty of arguments about healthcare out there and plenty of naysayers and supporters -each- of the affordable care act. are you even familiar with it? if you would prefer not to know, i would stop reading here. but if you really want to know more, please read on… but keep in mind, i love math and research.
we are 60 and 58 and healthy. these four companies on healthcare.gov presented bronze, silver and gold plans that will cost between $1600 and $2800 per month out of pocket, which is a total of $19,200-$33,600 per year. the $1600 options have deductibles between $14,000-16,000. in many cases, this is what you must satisfy before the company even begins to pay a portion. that would mean you have paid in the neighborhood of $33,200 a year for you and your spouse to be treated on a bronze plan, without figuring in the actual cost of the treatment.
let’s explore an example for example’s sake.
let’s say you make a combined salary of $70,000. let’s assume a meager (and understated) tax bracket of only 20%. $70,000-14,000 = $56,000. now let’s assume you own a house or pay rent and your mortgage plus escrowed real estate taxes are about $1200 combined (also underestimated in most cases). $56,000-14,400 = $41,600. add to that your utilities bills; let’s just estimate that at a lowish $250 per month, which is $3000 year. $41,600-3000 = $38,600. now subtract out for cellphones, home phones, cable, wifi again lowballing at $250 per month, $3000 per year. $38,600-3000 = $35,600. at this point you have not included any of your outstanding student loans or parent plus loans, nor have you subtracted out for home insurance, car insurance, life insurance, dental insurance, any kind of retirement savings or a car payment. nor have you even considered food, clothing or gas for driving to and from work, even if you don’t drive anywhere else. any outstanding rotating credit card debt or medical related costs that you are paying on installment are not subtracted. but you are sitting at $35,600 usuable income.
so. if you take the bronze plan you must assume that you have approximately $16,000 in the bank for the deductible and you must subtract $19,200 (27% of your gross income) from your $35,600 leaving you with $16,400 to cover all the aforementioned items we hadn’t subtracted and maybe perhaps saving a little to cover the percentages of medical expenses you need to cover post-deductible. OR you can take a silver plan, which is in the neighborhood of $2200 per month or $26,400 year (38% of your gross income) leaving you with $9200 to cover loans, home insurance, car insurance, life insurance, dental insurance, car payment, food, clothing, gas, etc. you clearly can’t even consider a gold plan at $2800 per month (the most grown-up plan) because that would cost $33,600 a year, leaving you with a mere $2000 to spend on the rest of life (as listed above). again, that’s assuming a meager 20% income tax rate and not considering state or local income taxes as well.
i’m sure you are beginning to see my point.
and then there are the subsidies. yes. if you earn below 4 times the poverty rate in your state, you are eligible for subsidies for this healthcare insurance. naturally, the more you earn, the less subsidy you are able to receive. that makes sense. it feathers out as the numbers go up. and then? there is a dollar level – one dollar this way or that – that a granted subsidy would drop from hundreds, even more than a thousand or fifteen hundred to – ZERO – . for instance, if you are granted a subsidy because of your level of income and sometime in the year (as you have worked hard to earn more to live a little better) you go over the healthcare cliff by ONE DOLLAR, ONE dollar, you will owe back the entirety of the insurance plan. in the above case, that would be anywhere between the difference of what you paid in and the plan total of $19,200 or up to $33,600.
we are the poster children of this so-called sweet spot in the healthcare crisis of our country. a bit older, working hard, multiple jobs, no job-provided healthcare. not making enough to scoff at spending say $29,000-$33,000 (silver or gold plans) or even $19,200 (bronze) for one year of health insurance, nonetheless be able to actually budget that, but making a bit more than the cliff. no ropes. no guardrails. just a cliff.
the professional insurance agent on the phone said she had “a lot of people your age in that circumstance.” she suggested considering short term health insurance, the kind i mentioned above that precludes pre-existing conditions etc etc. etc. that doesn’t sound like grown-up health care to me. and the deeply disappointed, frustrated cynic in me asks this question – when will breathing be considered a pre-existing condition?
something needs to be done. is the health of the people of this country important or not? it’s a basic question. with an obvious answer. where do we place value?
some things just stop me in my tracks. strolling through school days antiques mall i turned the corner and screeched to a halt. familiarity swirled around me as i stared at this painting – a paint-by-number. my breathing slowed. the scene, the hues…all made me feel like i was embraced. by my sweet momma. i texted a picture to my sister, to check in, to see what she said. she texted back that it, indeed, felt familiar and we tried to remember what happened to this painting of my mom’s. every time i look at this photo on my phone i feel ‘home’. even right now.
this wasn’t the first time this happened. back a couple years ago ON mother’s day we were tooling around an antiques store in woodstock, illinois. we had taken a ‘sunday drive’ (i am turning into my parents!) and looked for antiques stores to visit. as i turned the corner from one booth to the next it was there, staring at me. the paint-by-number-jesus that my mom had painted. i photographed it and called everyone that day. this painting was hung somewhere in our growing-up house that we can’t all agree on. but we know it was there. i turned the painting over looking for my mom’s signature on the back, but didn’t find it. i studied the frame, one that was identical to a frame that my sweet poppo had made on a paint-by-number-nude (yes, it’s ok to laugh aloud here) my mom had painted and hung in their bathroom (which i know i have written about before). i pondered how it might have gotten to woodstock, if indeed this painting and truly-identical-wooden-frame might have been my mom’s paint-by-number-jesus. it wasn’t likely. our growing-up-house was on long island and then my parents moved to florida so illinois was a bit off the mark (unless she had given the painting to my brother a million years ago and he “generously” donated it, which would make me laugh aloud.) we left and went home and a few days later drove all the way back, just to study it a little more, to touch it again. i thought holding it in my hands might tell me if i should buy it and bring it home and, well, i had no idea what to do with it then. i mean, what does one do with a paint-by-number-jesus? i didn’t buy it. i left paint-by-number-jesus in woodstock and i gratefully welcomed my mom’s embrace from afar.
so the other day, in the midst of the stresses of life, we took a stroll in one of our favorite antiques stores, chatting and reminiscing and laughing about all the stuff we used to have growing up and all the stuff that we still have in our cabinets that are now considered antiques.
we tried not to talk about the things that were nagging us, the things we are worried about, the things that seem insurmountable.
frank made sure to bring us the dvd. our favorite of the hallmark christmas movies, a season for miracles was scheduled for tv viewing at a time we were not available. and he knows. frank knows how much we love this movie during this season. we, i have to admit, spend just a little bit of time watching hallmark christmas movies, despite their obvious indulgence to happy-endings-aficionados. a season for miracles is such a story, but there are these lovely lines spoken by patty duke toward the end, that inevitable-anticipated-yet-yearned-for end. she wisely advises one of the stars of the movie, giving him something to consider, “i forgive you. there’s a lot of power in those three words. they can change the world.”
yesterday i sang these lyrics, “all these pieces broken and scattered, in mercy gathered, mended and whole. empty handed but not forsaken. i’ve been set free, i’ve been set free.” (broken vessels – j. houston, j. myrin)
in true cliche, i would, indeed, say we are all broken by pieces we need to forgive, things for which we need forgiveness. we carry these burdens like heavy luggage, dragging them day by day, place to place. nary a moment goes by without our minds summoning up a reason to be dismayed or disgusted with someone, disappointed in ourselves. we are not free.
is it pollyanna-ish to believe that the world would be changed if forgiveness were paramount? is it an irrational, unreachable panacea for all the divisiveness and turmoil? is there just too much purity – too much hallmark – in those words, in that kind of peace-seeking?
if you could, who would share the third seat in a room with you and forgiveness? with whom would you seek forgiveness from? who would you forgive?
is it better to be mended and empty-handed than holding-on-tightly-burdened with sharp, broken pieces that pierce your heart? where is your free?
“i want women to see that you do not get pushed around.” (* attributed below)
this piece today is dedicated to all the women who have made it through, all the women who are making it through, all the women who will make it through.
your fire has brought you to the edge of the battlefield many times and you have still made lemonade; you have still prevailed.
you have made it through intensely emotionally abusive relationships. you have picked up the pieces and you have moved on.
you have made it through physical or sexual abuse. you have risen from the ashes.
you have made it through terrifying health scares. you have pulled up your boot straps and determinedly plodded through with massive courage.
you have made it through society’s prioritizing of body image and appearance. you have been measured by your cleavage or lack thereof, by the indent of your waist, by the clothing you choose, by your hair. you struggle to remember you are beautiful. you stand tall.
you have made it through vacuumous times, the middle of chaos, the middle of multi-tasking. you have created.
you have made it through physical summit experiences. you have scaled mountains. you have boarded down untracked chutes. you have trained your body with weights and exercise. you have run. you have skated. you have pedaled. you have breathed in and sighed an exhale. you’ve run thousands of lengths of playing fields. you took the next painful recuperating step. you dove to the depths. you have been on world stages. you have risen with hungry or fevered children night after night. you have competed. you have given birth.
you have made it through falling. you have made mistakes. you have been human. you have forgiven and you have been forgiven.
you have made it through an education steeped in gender-inequality and bias. you have chosen to learn more, to actively seek the resources, rights and opportunities due you, to resist against the discrimination.
you have made it through a system that undermines your success and devalues your value. you have fought for your place.
you have made it through financial challenges of single womanhood, of single motherhood. you have been scrappy and, without complaint, you have layered onto yourself however much it took to get it done.
you have made it through work situations where you’ve questioned how you would be treated were you to be a man. would you be yelled at? would your professionalism be questioned? you have asked these questions. you have stayed, holding steadfast, or you have moved on; you have decided what is best for you and moved in that direction.
you have made it through the skewed-world fray into leadership roles where your every decision is challenged or thwarted. you have overcome; you have triumphed.
you have made it through being-too-young and through aging. and you are not irrelevant.
you have made it through. you have spoken up, spoken back, spoken for. you have written letters. you have marched.
you have been pushed around. but you have pushed back. and, just like the tortoise, you have made it through.
download MADE IT THROUGH from THIS PART OF THE JOURNEY on iTUNES or CDBaby
i just read these words and stopped and re-read them. for no specific reason – just because, i had taken the sarah ban breathnach book simple abundance out of the old wooden north carolina cabinet on the other side of the bed. i flipped open to december 5, old cards and notes and newspaper clippings trying to slip out of the pages into which they were tucked.
the quote at the top of the page read, “most of the sighs we hear have been edited.” (stanislaw jerzy lec) and the meditation for this day was about sighing. in fact, one of my favorite sentences reads, “women sigh so that we won’t scream.” oh yes! sarah continues, in rare exacting form about screaming, “there are several occasions in the course of any woman’s day when, without question, screaming is the appropriate response.” sarah continues, in rare exacting form about sighs, and writes, “the act of sighing is a quiet vote of acceptance – of … moving on. …letting it out. letting it go….” resilience.
sarah’s quiet wisdom touches a nerve: “…sigh more… because … preferences, needs, wants, wills and demands to be dealt with, if there is to be a state of detente in the daily round. more bending in order not to break…” sisu.
i hadn’t thought about my sighing, but i know i do it. the intake of breath and the slow exhale. the thought i-have-no-idea-what-i-can-actually-do-about-this-anyway or the thought i-have-no-control-over-what-others-are-doing-or-thinking-or-feeling. my own feeling of being astounded by someone or something. the feeling of hurt. the feeling of exasperation. fragility. fortitude. both.
the sigh. a release. from my heart into the hands of the universe. isn’t that prayer too?
i read this text after rehearsals tonight. today was one of those days…not enough time and so many layers. we all have them. all the colors in the crayola box. at once.
“…the present now will later be past…”
my sweet momma would say, “this too shall pass.” knowing that applies to the most astonishing moments as well as the most staggering, i’m thinking i will try to cling to the present a bit harder. even if it is a-changin. especially if it is a-changin.