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“the most grown-up thing you can do is fail at things you care about.” [merely-a-thought monday]

unicorn store 4

i still have it.  the index card is taped to the inside bottom of my old piano bench down in the basement.  these  words, “perfection is an eight letter word.  p r a c t i c e ” written in eight-year-old pencil-printing.  it’s been there – in that old spinet piano bench – since 1967, when i started taking lessons and needed a reminder how to keep the ups and downs in perspective.

i spent long hours on that bench and on the organ bench also in my growing-up living room.  what i could hear in my imagination wasn’t necessarily what was showing up on the keys.  my sweet poppo would encourage me, “remember, practice makes perfect,” he’d say.  i’d add, well, at least practice moves you in that direction.

there’s no guarantee for perfect.  there’s no route to it and any expectation that you will achieve it really is for naught.  the best you can do is the best you can do – moment by moment.   with practice, each best-you-can-do is better than the last.  and so on and so on.

it’s the caring that matters.

i have two amazing children who have shown me examples of the pursuit of how to do something, to a point of excellence, that you’ve never done before.  the keeping-at-it, toughlove-letting-go-of-judgment, the training, the practice, the trying-failing-rinse-repeat-ness of learning.  they approach new things like stoic explorers, adventurers prepared and open to experience.

it’s the very thing that inspired our snowboarding lesson earlier this year – the one where i broke both of my wrists.  every time i hear someone say, “eh, i’m too old; i can’t learn that,” i store my emotional response to that statement away in my memory bank, waiting for the day i’m about to say just that so i might pummel the words before they escape my lips.

even though my wrists broke and even though i cannot point to any great accomplishment or success on the slope, i would not take back the experience or the exhilaration and anticipation of learning something new, particularly, in this case, that very thing that would give me the slightest first-hand touch, not merely a window, into my daughter’s professional world.

in post-cast moments many people, aghast, said to me, “what were you thinking?  don’t you think there’s a point you are too old for that?  remember your age!”  i am more aghast at these words than all the months dealing with uncooperative wrists in a livelihood where they really matter.

knowing first-hand how difficult and humbling pure novice-ness is, i hope i can always release the suffocating self-evaluating that goes hand-in-hand with being new at something; i hope that i always care about learning.

at eight i had no idea what piano lessons would mean to my life.  i simply wanted – really, really wanted –  to learn.  i, at 8, didn’t beat myself up over getting it wrong or failing nor did i get self-conscious about my journey of mastery.  i just stepped into it.  and i cared with all of my eight-year-old heart.

we walk and talk about the day The Girl or The Boy suggest to getting-older-every-day-us that we purchase new technology or download a new app or try a new recipe or consider a new lifestyle or or or …. the day we will want to say, “eh, we’re too old; we can’t learn that.” i look down at my wrists and i remember to care.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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a shred of hope. [k.s. friday]

a shred of hope box

to write on-the-fly requires a certain letting-go.  one cannot be too exacting.  there is always another note, another rest, another phrase, another measure.  always a chance to iron out the details, clean up the rough, rake the sandy grit.  composing improvisationally is stepping into not-knowing and following threads that show up.  because, instrumentally, i am typically an it’s-a-song-without-words writer, i listen and hang on to where the thread brought me, seizing it to wrap back to themes stated, to gestures implied.  the starting gate is full of imagery or word-phrases, emotions to elicit.  a shred of hope rose up in front of me today and this time, in an effort to not push back against hope, i answered.  the call and response to a scintilla of hope spoke in glimmers of 1 minute 42 seconds.

yesterday was an historic day.  after days, months, years, decades of not really speaking up, i found myself speaking.  processing the balance of liability-seesaws, i wondered why i hadn’t spoken aloud about things that were not ok, things that were clearly unfair, inequitable, people who were aggressive, people who were passive-aggressive, those who were destructive, those who undermined, those who did not help.  i felt the confines of the wrapping-which-kept-me-quiet and pulled tightly across my heart drop ever so slightly away, fibers draping and drifting. voice, a deep breath, a little lighter.  a beginning.  a shred of hope.

wednesday was an historic day.  we gathered together online again, ukuleles and singers. and yesterday i read a post from one of the young women there, “when you play music in a group where the ages range from 31 to 94 you always feel blessed.”  community.  shared.  a place of i-love-you-love-me.  a shred of hope.

tuesday was an historic day.  a brilliant woman of afro-indian descent was chosen as the vice-presidential running mate of the democratic party’s candidate.  oh, where we have finally come, where we will finally go.  a shred of hope.

monday was an historic day.  the derecho roared by.  our tall old trees were spared.  this time the rain did not pour in by the air conditioner.  the dog and the cat shared the basement with us until the tornado warning expired.  we sipped wine and rocked in rocking chairs, listening to the sound of the wind and rain above us.  our little space in the world was safe.  a shred of hope.

the prayer flags shred in the wind, sending prayers off into the universe.  bits and pieces fall to the ground or fly off in the breeze.  a perfect heart landed on our deck.  a shred of hope.

it all doesn’t change the lost-ness of last friday’s on-the-fly.   we have much to weave back together and so much to let go in this broken narrative, a tapestry of individuals, families, cities, states, a country, a world in pain.

but there is a shred of hope.

if you would like to listen to more of my music, i would ask you to please download it here on iTunes instead of streaming it. it’s how i make a living. every download counts.

read DAVID’S thoughts this K.S. FRIDAY

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©️ 2020 kerri sherwood

 


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so as not to forget. [d.r. thursday]

KDOT sketch

a few years ago i went through all the thousands of photographs taken for the previous three to four decades.  they were not neatly in photo albums, which would have made it much simpler.  instead, with a mere few albums capturing the earliest of years, they were in envelopes in boxes, envelopes in drawers, envelopes in bins, envelopes, envelopes, envelopes.  it was a gigantic task with the dining room dedicated to boxes marked with years and headings like “christmas”, “birthdays”, “summer fun”, “trips”, “visitors”, “losing teeth”… an opportunity to re-live all of it, the heart of life lived.

one thing i noticed in my goingthroughgoingthroughgoingthrough and sortingsortingsorting was that it was really obvious that i had most often been the one taking the pictures.  through my lens, my focus, my read of the moment, the wisp, the instant the aperture closed, my blink.

there is always the picture-taker, a designated recorder, the secretary of the emotions, the faces, the light and shadow, the view, the action, the moment-in-time.  i grab my camera all the time.  it’s second nature for me.  and now that it’s the same device as my phone, it is incredibly easy to always have it at-the-ready.  i just told a friend that i am difficult on a hike – always stopping to take pictures on the trail.  it’s not because i’m so much a collector of things-to-have.  it’s because i am a collector of things not-to-forget.  each photograph, each image reminds me not-to-forget a certain time, a certain place, a certain interaction, a certain story, a certain feeling.

so when i walked into the basement in july and i saw the wisp of me on the easel, it moved me.  that wisp is now gone and in its place, paint-over-paint, is this whispered iteration, on its way as d says.  a moment snapped of my time, a moment of his.  but this one, this wisp, this color-put-to-canvas photograph, is one i didn’t take and, my heart gently points out, one he clearly didn’t want to forget.

read DAVID’s thoughts this D.R. THURSDAY

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©️ 2020 david robinson


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words on a wall. [flawed wednesday]

you hate me framed

tenuous.  we are all walking on the thinnest of threads.  the thinnest threads of life, health, relationship, value.

i don’t know what it would take to graffiti an outdoor stairwell with the stenciled words “you hate me”.  it stopped me as we took a friday night walk – miles around our downtown, across the bridge, through simmons island beach, along the lakefront.  we started down the stairwell to the channel and there it was.

“you hate me”

anonymous.  you hate me.  who’s the you?  who’s the me?  the anonymity factor adds concern for me.  someone, on that thinnest thread, felt tenuousness enough that they stenciled it on the concrete wall.

that it wasn’t “i hate you” and that it was “you hate me” makes it even more distressing.  it makes you wonder which sad and lonely face you passed might have been that of the stenciler.  it thrusts questions about your local community on your heart.  it is a gut punch that foists pondering upon you.  it forces you to search inside, to see if you are emanating that to others.

there are so many reasons right now to disagree with another, so many reasons for anger.  conflicting opinions distort the absolute importance of connectivity, of community, of the healing of love.  people with differing thoughts opine as experts in fields in which they have no actual experience; people proselytize and preach and persuade.  the bandwagons of what-seems-like-the-cool-gangs line up, circling, handing out candy to those who would like to be in the club, aiding them up onto the wagon and then looking away from their individual needs, only paying attention to replenish the candy and keep the furor going.

and so people feel hated.  enough to write it on a wall.

“to reconcile our seeming opposites, to see them as both, not one or the other, is our constant challenge.” (sue bender, plain and simple journal)

i wonder what i would have felt if upon the concrete wall the words “you love me” had been stenciled.

read DAVID’S thoughts this FLAWED WEDNESDAY

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just know. [two artists tuesday]

loves me loves me not

we passed the daisy on the trail and i went back to take a picture.  it was instant recognition of  “loves me, loves me not” as i saw it.  the questions we threw willy-nilly to the universe, the don’t-step-on-a-crack, knock-wood, bread-and-butter reflexes of our 60s-70s childhoods.

were it all still to be so easy.

i remember sitting in the grass making clover chains.  i remember the transistor radio playing on the bazooka bubble gum beach towel.  i remember playing in the woods out back with the neighbors.  i remember kickball in the street and badminton and croquet in the yard.  i remember hula-hoops and skateboards on my driveway.  i remember the “boing” the pogo stick made.  i remember koolaid and ice pops that seemed to never run out.  i remember bike hikes with sue and carvel ice cream cones with chocolate sprinkles.  i remember frisbee at the beach and making apple pies.  i remember listening to cassettes and practicing piano.  i remember the trunk of the maple tree against my back, the branches holding me as i wrote.  i remember the sound the pressure-filled-from-the-sun-light-purple-hosta-flowers along our sidewalk made when popped.  i remember it was time to go home when it got dark and i remember catching fireflies in jars with holes punched in the lids.  i remember sunday drives and picking apples and kentucky fried chicken on picnic tables further out on the island.  i remember cabins in state parks and wide-eyed flirting with older lake lifeguards upstate.  i remember duck ponds and friendly’s.  i remember my puppy riding in my bike basket and ponytails.  i remember loves-me-loves-me-not.

it seemed an innocent time.  a time of marvel.  a time of safety.  never did i wonder if my parents loved me.  i just knew.

babycat just rolled onto his back, all four paws outstretched, his big black and white belly just begging for a pet.  he doesn’t ask questions.  his world is relatively small – since his kittenhood adoption, the littlehouse was the only other house he has known other than our house.  yesterday we brought him and dogdog into the basement as the tornado siren went off.  dogga was nervous but babycat adapted, finding a place to lay on the carpet.  his only demand is for food, several times a day with clockwork precision.  otherwise, he is unconditional.  his presence in my life has brought me eleven years of a gift i really needed when he arrived.

babycat is laying right next to me now as i type.  tucked close in, his snoring is punctuated only by his purring – it’s a two measure repeat in 4/4, each breath a half note.  it is the 11th anniversary of his “gotcha day” and he’s marking the day with a celebration of naps. no worry of “loves me, loves me not” crosses his mind.  he just knows.

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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shift-key. [merely-a-thought monday]

shift key framed

summer is soon going to draw to a close.  it’s august 10 and with today’s feel-like at 96, it’s clearly not anytime too soon.  but soon enough.

this summer has been unlike any other.  in our deference to the pandemic we have limited ourselves to that which we believe shows regard to recommendations given so as not to be responsible for spreading this.  we’ve worn masks.  we’ve social distanced.  we’ve not eaten in restaurants or stood by barstools sipping wine in enclosed spaces.  we haven’t shopped in department stores or had people over in our home, and, differing from every other summer we have had together,  we haven’t traveled.  it has been unlike any other.

but that isn’t the case for everyone.  people have flocked to the beaches and water parks.  people have traveled to hot spots – on purpose, in the name of looking for a break.  people are eating in restaurants and are gathered at bars and at big backyard barbecues.  people are singing in indoor venues and are clustered on sandbars.  people have gone to little towns, vacationing and, with the it-won’t-happen-to-us mindset, placing the locale at risk, placing the locals and the health care system in that locale in a precarious way.  hundreds of thousands of people are headed to or are gathered in sturgis right now.  it’s their summer.  and, if you scroll through facebook, it’s not a heck of a lot different than their last summer.

i read a quote today that spoke to the sturgis crowds.  “there are people throughout america who have been locked up for months and months,” was the excuse for an influx into this town of 7000.  i have to disagree.  any instagram or facebook peek will reveal that people are not locked up; many people have lived summer just like they always live summer:  any way they want.

in the attention-deficit way of america, many people have simply moved on and their temporarily-outward-gaze has shift-key-shifted selfishly inward.  but we are still out here:  mask-wearers, social-distancers, stay-close-to-homers, quietly and not-so-quietly trying to mitigate this time. and we can see the others so we are disappointed, saddened and stressed and we are riding the long-limbo-wave of impossible decision-making.

the masses have spoken – at least in this country – and freedom (read: independence from the government mandating for the safety of all) rules.

but freedom isn’t free, as the old up with people song points out, “freedom isn’t free. you’ve got to pay the price, you’ve got to sacrifice, for your liberty.”

i suppose that our sacrifices count, little as that might be in the big picture.  as this pandemic continues to rage, as chaos continues to ensue, as relationships shatter over disease-disagreement, our not going to wine-knot matters, our crossing-the-road-to-the-other-sidewalk counts, our consistent mask-wearing-social-distancing makes a difference.  it just doesn’t feel that way.  the bigger picture looks bleak and my heart sinks looking ahead, fall and winter just over the we-have-so-many-unanswered-questions horizon.  whether they (in a countrywide sense) are exercising caution or not, our little part is significant.

the up with people song continues, “but for every man freedom’s the eternal quest.  you’re free to give humanity your very best.”

what is our very best?  individually?  collectively?

perhaps a nationwide shift-key would be of value.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

As FACEBOOK continues to block my blog from posting, please consider following this blog.  There is a button on this page that will subscribe you.  Of course, you are free to unfollow at any time.  Thank you for your consideration and for reading. xo

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lost. and found? [k.s. friday]

lost (sketch)

it’s just a thought.  a sketch.  a few moments of piano.  lost.

i recorded eight voice-memo recordings in the studio this morning.  all based on the word “lost”.  they varied in length; the shortest was 9 seconds, the longest 7:22.  i discarded all of them and just kept the first :51 of one version.

lost.

we had just finished reading an op ed that was infinitely disturbing and equally heartwrenching.  an article about the united states, it painted a picture of a country lost in itself, untethered from its values, far from moored to its former strength and viability, unattached to its potential of community, of empathy, of oneness.

lost.

even just yesterday we listened to two accounts of persons who had been tested more than once for covid-19.  with differing results each time, it has us wondering how we might be able to halt the pandemic wave that continues to threaten when we cannot obtain test results that are accurate or consistent.  where are we really in this upsurgence?  this is no little skirmish.

lost.

everything is different right now.  we sat safely in our kitchen yesterday and talked about the 28 million people who would be losing their homes or the place they rent as home.  we talked about the crushing inability to really be with people we love.  we talked about the lack of jobs available.  we talked about unemployment numbers.  we talked about pressure.  we talked about economics and finances.  we talked about almost 160,000 people who had died from coronavirus.  we talked about life insurance.

lost.

sitting at the piano in my studio elicits mixed feelings for me.  i pine for the days that the music i wrote, the music i recorded, actually made me a living, at least the times it even leaned toward making me a living.  i wonder if that will ever be the case again, if it’s even possible in this online-download-time that has usurped the living of so many independent artists.  i experience a sense of betrayal sitting on the bench and work hard, somewhat unsuccessfully, to overcome it.

lost.

my left hand starts.  always a provider of depth and rhythm and always strong, my left hand knows how to dig in.  even now.  i think the word “lost”.  my right hand starts to follow.  and the limitation of a wrist that no longer bends beyond 20° makes me draw in my breath.

lost.

on the top of the file cabinet in the back hallway of TPAC there was a basket.  in that basket was an assortment of stuff:  coffee mugs, a jacket, sunglasses, readers, a set of keys.  it was the “lost and found” basket.

i suppose there is a simple wisdom in “lost and found” stashes.  found, as an antonym of lost, implies not forever lost.  it is hopeful.

maybe, though we cannot see it, we are living in the very middle of lost and found.

 

 

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read DAVID’S thoughts this K.S. FRIDAY

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messier. more color. [d.r. thursday]

sketch image

heart and strawberry

peter max, a pop-art-expressionist, popped into my mind when david showed me this sketch.  add bursts of color to this and it’s the happy full-spectrum pieces of the 60s and 70s, full of rainbow and light.

one of the presents i received for my birthday this year was a coloring book and colored pencils.  at the time i was unable to use it, but i put it aside for when my broken right wrist might cooperate and i might be able to lose myself in good-old-fashioned coloring.

i dropped david’s sketch into photoshop and started to peter-max it.

the more i worked on it, the happier i became.  it was so messy.  but it was just so – fun.

color – this infinitely wide range of possibility – fills the lines, goes out of the lines, overlaps and bleeds into the next, reminds me that life, even in these very times, times of chaos and unrest and pandemic and exponential worry, is not just black and white.  and, surprisingly, not just the blurry grey in-between.

life is much more peter max than that.  messier.  more color.

which brings me to this:  while it is easy, particularly right now, to sort to grey, perhaps an answer to the myriad of questions is to open the delicious tin of 50 premium artist pencils.  and just color.

yes. as dear jeff used to say, “that’s the ticket!”

read DAVID’S thoughts this D.R. THURSDAY

colorized

early on…just a little bit of color…and infinite peter-max possibilities

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during this time that FB, impossible to contact, figures out i am not ill-intended nor do i post SPAM, i would ask you a favor:  if you have found any post of mine to be thought-provoking or encouraging or reassuring in some way and have enjoyed reading, please “follow” this blog.  you can “follow” it on this post or later go to our website www.kerrianddavid.com/the-melange to find the link to this blogsite.  wordpress will send you an email each day with my 5 day-a-week blog. you can certainly choose to read or not read each day and, at any time, you can choose to “unfollow” the blog.  just as it is your decision whether or not to read my post on facebook each day, i would like to think you still have the option.  subscribing gives you that.  hopefully, FB will allow and restore my written work soon.

 

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©️ 2020 david robinson, kerri sherwood


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words. [not-so-flawed wednesday]

kawaii raccoons

“look it up,” my sweet momma would say.  i blame her.  for my word-curiosity.  for my policing of spelling, punctuation, grammar.  for my love of dictionaries and my commitment to learning.  at 93 she was still asking questions, being curious, looking it up.

black and white composition books, of both thick and thin variety, populated my growing up, my teenage years, my college years, and ever since.  though i do have a thready fondness of using My Girl’s and My Boy’s old unfinished spiral notebooks these days, we have piles of waiting-to-be-used composition books and they beckon when i open the supply cabinet in the sunlit office upstairs.  places to jot poetry, thoughts, reflections, stories, lyrics, these composition books always make me think of my mom.  they are places to process, to remember, to dream, to sort.  they are the beginnings of stories, lyrics to ponder, the coda to the song.  to someone else they are simply words on the page.  to me, it is my breath that gives them life.  we each have stories to tell, songs to write.

in the last few days i have had the frustration of feeling silenced.  as i wrote in yesterday’s post, someone marked all five of my blogposts of last week on facebook as “spam” and that somehow triggered facebook to pull every last one of my blogposts – and any mention of my blogsite – down.  every word – the simple ones, the ones that require looking-it-up – pulled down.  with 650 posts, even averaging 500 words, that is 325,000 words.  MY 325,000 words.  gone.

in these times of chaos and unrest and pandemic, there are plenty of words out there.  foul words, words of peaceful mantras, words of untruth, twisted words of conspiracy theories, imploring words, scientific words, words of wisdom from giants of wisdom, accessible words, words we have to look up, words we can hardly believe we’ve heard from various people-in-the-spotlight, words at which we roll our eyes, words we find reassuring.

in a daily email he receives, david shares a new word with me.  “kawaii,” he reports, “means cute.”

the baby raccoons, most definitely kawaii, peeked out from behind the tree trunk.  upon seeing us on the trail, they had scrambled from the little pond up the tree.  they stared at us; we stared at them.  they didn’t move, quizzically grasping onto bark and watching quietly.  we didn’t move either.  we just stood quietly on the trail and watched.  the story they would tell about our encounter wouldn’t have many words.  all was silent.  all was motionless.  they were safe; we were safe.  for a few minutes, we shared the serene woods together, a little eye contact in hushed regard of each other.  maybe, in their re-telling, in their speckled composition book, they would just tell the coda – “and then they left.”

every now and again i take out an old composition book.  it’s astounding.  i was so…..wordy.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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shh. [two artists tuesday]

SHH

wow. thirteen minutes.

in a matter of thirteen minutes yesterday all 650 of my blogposts were wiped off of facebook.   it seems someone, in the matter of thirteen minutes, marked five of my blogs as SPAM and this must have triggered the facebook “community standards” filter which POOF eliminated everything.  over two and a half years of writing.  at merely an hour to an hour and a half each, that is well over a month of writing, 24 hours a day.  vanished off of the facebook platform.  because someone had a beef.  i would call that cowardice.

cowardice (noun):  a lack of bravery.

all because, i am guessing, someone disagreed with me for some reason and could not bring themselves to have an adult discussion about it. instead, this person chose a different approach, a way to end up censoring my words.  cowardice.

i am not paid to write.  i do not receive any money for writing.  my catalogue of blogposts was written from my heart, from an honest and well-intended place.  i am more than happy to entertain any dialogue about any topic, as long as it remains respectful and kind.  i am more than happy to have a conversation.  i do not take kindly to being censored.  i do not take kindly to being a target.  i do not take kindly to being on the receiving end of someone’s spinelessness, their secret malintent and inability to give voice, whatever their reason.  rendering me voiceless on facebook is mean-spirited and appalling.  and seemingly deliberate.  it does beg a couple obvious questions.

truth be told, facebook is making me tired.  scrolling through a myriad of temper tantrums and boasting-posts to find wee bits of news about beloved family and friends is disconcerting.  trying to use my own 200% copyrighted music on facebook and having facebook block it claiming copyright violations is beyond frustrating.  watching facebook allow misinformation and foul language to prevail on the platform is disappointing.  scouring facebook for ways to communicate with an actual person or to find avenues for correcting their errors is pointless.  it’s tiresome.  but those wee bits keep me going back – seeking a few more pictures to drink in of people i-love-but-cannot-see-right-now or reading viewpoints that give me food for thought, lead me to ask questions, make me learn.

during this time that FB, impossible to contact, figures out i am not ill-intended nor do i post SPAM, i would ask you a favor:  if you have found any post of mine to be thought-provoking or encouraging or reassuring in some way and have enjoyed reading, please “follow” this blog.  you can “follow” it on this post or later go to our website www.kerrianddavid.com/the-melange to find the link to this blogsite.  wordpress will send you an email each day with my 5 day-a-week blog. you can certainly choose to read or not read each day and, at any time, you can choose to “unfollow” the blog.  just as it is your decision whether or not to read my post on facebook each day, i would like to think you still have the option.  subscribing gives you that.  hopefully, FB will allow and restore my written work soon.

in the meanwhile, just as no one should be hushed in the expression of thoughts about living life, i am dedicated to continue sharing my own in a variety of ways.

shh????  i don’t think so.

and your thoughts?

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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