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Category Archives: not-so-flawed wednesday


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our parents. [not-so-flawed wednesday]

neither one of them knew what it was. clearly, they both lived in a cave before i came along in their lives. but still.

“it’s a butterspreader,” i informed them. for your corn-on-the-cob. you put the butter pat in it, hold down the handle and the curved plastic screen perfectly spreads melty butter on your cob.

they stared at me as if they had just landed on plymouth rock and – supposedly – were the ones who literally discovered new land.

in unison, the choirboys said, “i’ve never seen one of those!”

i laughed. as a non-butter-user, it doesn’t matter to me if i pull the cornbutterspreader out of the drawer, but i knew that it might matter to them – one potential butter-user-depending-on-the-day and one devoted butter-user.

my sweet momma had these kind of snazzy devices. she had the yellow metal-pronged corn thingies to hold corn-on-the-cob as well. long islanders, we were pretty loyal cobcorn eaters in the summer. back then, it was all about the biggest aluminum pot in the house and boiling water. but now, my sweet momma would have loved to see 20 cut off the ends of the cob (including the stringy end), putting the whole thing into the microwave for 4 minutes. as an alternative, we could have placed it on the grill as well – unshucked – but the microwave was a little quicker.

it was a day that kind of celebrated our parents – without our really knowing or planning it.

i carmelized the onions before i added the beer – milwaukee’s best. i knew columbus was watching, laughing with glee as i put the brats in to boil. momma jeanne said they were just like his when we made them in iowa, so we have a stamp of approval. we had beans – because my momma and my poppo never had brats or dogs without having beans. and sauerkraut because, well, 20 was raised by his momma on sauerkraut. (you don’t want to know how often he eats this.) and watermelon…well, every one of our parents loved watermelon. we were our parents – wouldabeen 102, 102 today, 90, 99, still 100 and still 88.

today’s my sweet momma’s birthday. she’s the wouldabeen 102. in the way of grief, the moments sneak up and take me by surprise. suddenly, i am pitched forward into desperately-missing-her from the ever-present missing-her. it doesn’t take much.

it’s the cardinal in the backyard. it’s telling her about the new birdbath. it’s the triumphs i want to share and the failures when i wish for a hug. it’s a cup of tea or morning coffee. it’s early rising or wee-hours-pondering. it’s chicken soup. it’s rye toast. it’s upside-down shampoo bottles. it’s blue eyes. it’s hearing “to thine own self be true”. it’s her “don’t underestimate me”. it’s “i know you can do it”.

and it’s the silly corn butterspreader.

happy happy birthday my sweet momma.

*****

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garter snake. [not-so-flawed wednesday]

the snake lazily laid across the trail. a big beautiful garter snake, i saw it first and pointed it out to d. it didn’t move as we approached. i wanted to make sure it was ok. i went to it, trying not to frighten it. it seemed fine. so, camera in hand, i started snapping photos. it stayed put. after a moment it started to curl and bend, coiling into a posture of defense, but it still didn’t slither away. it held its ground, later begging research. we left it, curled back-forth-back-forth on the trail, enjoying the sun.

i’m not particularly a fan of snakes. i wouldn’t be likely to attempt to pick one up or let it slither too near me. but this one seemed dedicated to staying put, like it had something to say.

i wondered what it was trying to tell me. was it encouraging, “stand your ground!”? was it reminding me, “go slow and be deliberate!”? was it conveying, “change is imminent; be aware, be open!”? was it hissing, “beware of those who are maleficent!”? was it declaring, “allow for higher forces!”? was it reassuring, “renewal, healing!”?

i don’t know.

at the moment we saw it, it simply was stretched out in the sun – a snake relishing life. it may or may not have a message, an underlying meaning.

mostly, it was just there. and so were we. and we were glad to share the trail with it.

*****

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daisy to the sun. [not-so-flawed wednesday]

though we haven’t heard from him – on his youtube channel – for a long time now, joey coconato has a thing about meadows. he was in the presence of superb forests, the most majestic of mountains, rushing water and red rock canyons, but you could feel his reaction when he came across a meadow. it was like a breath of fresh air. a deep breath. i see a meadow and, now, consequently, think of joey.

the meadows we pass on our trail are revitalizing. post-invasive-species-eradication, they are greening and the vegetation is multiplying, more quickly than we can keep up. like breck – our aspen tree out back – we notice new shoots of growth every day, new tiny blooms of color. and then – there are the daisies.

this daisy caught my attention. even more than the others. mostly, maybe, because it wasn’t facing us. instead, the daisy had its back to us. and it seemed to have turned its face to the sun, soaking up energy and warmth, in a full-on beach-towel-on-the-summer-sand kind of invitation.

there have been days when face-to-the-sun is the best we can do. our meadows, sometimes fraught with invasive species and problematic drought, need us to just stop a moment and look up. turn our faces to the sun, let the shadows drop, soak it in.

when i think about our hiking and the moments that stay with me in the bank of yearning, they are the ones in pine forests, in and amongst quaking aspen, alongside quiet streams. they are on mountains with views between branches out to other mountains, ranges in the distance.

but the moments that are really prevalent – really impactful, even in their familiarity – are also these – the ones we know best, the turn in the trail, the scent passing a certain stand of pine, and the new beginnings – rebirth – in the meadows.

and, like daisy, we turn our faces to the sun.

*****

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thank you, george winston. [not-so-flawed wednesday]

in 1971 he came up with it: “rural folk piano”. uncluttered, melodic, uncomplicated, “inspired by the seasons and the topographies and regions, and, occasionally, by sociological elements” – a reflection of where he was at. we – solo pianists and composers – owe george winston a debt of gratitude. he has just died, in the last days, but the impact of his work will continue to reverberate through speakers and earbuds and, significantly, through the works of those of us who have followed him.

i chatted briefly with george once. it was after one of his concerts early in my recording career and i can’t remember if he had put his shoes back on. he doesn’t speak much in concert; he lets his melodies do that for him. they are profuse and intelligent and articulate, always evocative. but just like some might think that they know everything i am thinking or feeling because of this blog or my music, a listener might think they know everything george was thinking or feeling because of his music. i’m guessing for george, but think neither is truly the case, entirely. blogs and music compositions, words and notes can certainly disclose some of the soul, but i suspect that, just as is true for me, the complete autobiography is not found in completion there – it is also found in the reflections all around us.

there are few people – instrumental aficionados, especially – who have not listened to george winston’s 1982 release “december”. it is exquisite. it went triple platinum and was on the billboard 200 for 136 weeks. his work – a plethora of gorgeous albums – gave serious credence to melodic solo piano and set the stage for a next set of composers – those of us writing emotional piano pieces, some solo, some with orchestration – and the subsequent contemporary radio airplay that ensued. by the time i wrote my fourth album, a/c airplay was possible and – for that purpose – pieces were kept under 4 minutes, and, even, closer to 3:30.

the reflections in the building across the river are entrancing. black on cobalt, it’s all a curiosity.

the reflection of those-who-have-come-before-us reveals in our own zeal to create, to speak, to have voice. artistry.

it is with gratitude and a deep appreciation for his wizardry that i thank george winston. his star will always shine with brilliance and his legacy will resonate throughout the ages.

*****

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the time between now and the wind. [not-so-flawed wednesday]

pretty soon he will be ten.

it doesn’t seem quite possible – this time has flown by.

but 10.

our cherished dogga is beginning to show signs of age…slowing down a bit, sleeping more, not always waiting at the door, but meeting us there as soon as he hears us walk in.

i guess aussies are typically with us for about twelve years, with some maybe as long as somewhere between 13 and 15. if we could vote, we’d vote for one of those, so long as he felt well in those years. because, like you, we know that the next two years will fly by as well. and that just makes us cringe.

the wander-women-thru-hiking-superstars-in-our-book once spoke about their plans for the future. they had downsized and sold off homes, sold off stuff, bought an rv named “biggie mama”, planted it in colorado springs and now travel all over thru-hiking, exploring and adventuring. they talked about their summers, the time of their biggest adventures. last year they were going to bike across the united states, but their plan got waylaid and they decided to set it aside when they felt unsafe on the roads which had no provisions for long-distance bicyclists. they said – not verbatim – that they wanted to use their summers wisely. if they – at around 60 and 65 – had another 20 good summers or so, then they wanted to use them in the happiest of ways, feeling centered and grounded in their plans.

another 20 good summers or so.

that made me stop.

and think.

it made me wonder about my sweet momma and whether she, in the last twenty years of her life, thought about the potential of those last twenty years. she moved on to the air around us at almost-94, so those last twenty years or so started in her 70s.

in her last years i saw momma often. and david met her on nine trips we made in her last eighteen months. they became fast friends. but what about before that? what about in all that time i lived in wisconsin and she lived in florida? i wonder now.

did she think about this tiny fact: because of distance and travel expense and busy schedules and all that life places in our actual and emotional way, that if i had only been able to see her once a year in her last twenty years, she would have only seen me twenty more times.

it’s a sobering thought.

very.

and it applies to all of us. even more so because we don’t have any guarantee about the number of years – or summers – we actually have.

and so, i’m thinking that living like our beloved dogdog: exuberantly happy to see us each time we re-enter the room, full of love and not-even-one grudge for anything we may have done, missing us when we are apart, a curiosity perspective willing to learn any new trick, anxious to be around us simply to be around us – without expectation, eager to go along anywhere we are going, truly unconditional – may be the best way to live ANY amount of time between now and the wind.

*****

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no same-old. [not-so-flawed wednesday]

i used to know someone who really despised redundancy. this person would interrupt and say, “you already told me that” or “i heard that already”. ask them about their day and they would reply, “same-old-same-old.” it was hard for me – a new yorker – born into repetition and long-story-telling.

d and i sat on that iowa porch only four days, but it doesn’t take long to grow fond of something beautiful.

in front of us – facing east – were two trees. beyond the trees were fields. before they were mowed down, the fields were wildgrasses green with sunny yellow flowers. in the distance – quite a ways off – was the road. a country highway, it was populated by many pickup trucks, an occasional sedan, rarely a semi and, at one point, more booming harleys than we could count.

the light changed during the day. no surprise there. the sun rose to the left of the trees and burned its way into the sky. the trees glimmered and reappeared through the early morning thin layer of smoke from wildfires in canada, jetstreaming its way into the heartland. it was bright in midday and then the sky took on the echo of the western sunset. at night, the trees were still a presence, silent, rooted strength.

i took many photographs of these two trees. they were somehow very comforting and reassuring; it was a time of memorial for columbus and emotions were all over the place. and the trees stood there, steadfast.

they watched us all gather and eat and talk and reminisce and play bags and run with oversized bubble wands. they watched us hula-hoop and dance in the grass and drag chairs following the sun and escaping the wind. they watched us wander and take pictures, play with gracie-cat, pour wine. they watched – as trees do – and we watched them back.

i love each of the photos of the two trees on the east side.

because there is no same-old same-old.

*****

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gracie-cat. [not-so-flawed wednesday]

gracie – like babycat – followed the sun. gracie – like babycat – sought snuggles…on her terms. gracie – like babycat – adored food time. gracie – like babycat – spent long periods of time curled up or stretched out sleeping. gracie – unlike babycat – is a farmcat.

she lives outside on the iowa farm, a heated waterbowl on the south side of the house. her food is by the front door and is moved inside at night, so other critters aren’t attracted. you can watch her hunting out in the fields and i shudder to think of what her successes have been. she is free to come and go. i nicknamed her “sweetie” last time we stayed on the airbnb farm and it stuck; she came to any singsong call.

we’d find her – in early morningtime – curled up in the pillows on the porch bench swing on the east side of the house, sunrise warming her. out the dining room windows or the old door to the porch we could see her, eyes closed or maybe just waking, yawning her way into the day. the moment she sensed you were watching, she’d jump down and make a beeline to the door as if to remind you of your veryimportantwork of putting out her food dish.

as the family gathered, everyone adored gracie-cat. she was the belle of the ball, wandering from person to person, collecting sweet nothings. a darling of the farm, this cat was a generous hostess.

there wasn’t much about this farmhouse that wasn’t charming. there wasn’t much about this farm that wasn’t charming. the old silos and barns and sheds – a photographer’s dream. simplicity and tradition, passed-down.

we watched the comings and goings of big farm equipment, witnessed the field on the east side cut down, watched multiple pick-up trucks in and out of the long driveway. it’s a working farm and it’s spring, so it’s busy. we cannot understate how much work it all must be and, though we were unable to see activity from where we stood by the stand of trees with the hammock, we knew all the farms in the distance – close-up and far – were ever as busy.

we went outside in the night. looking in the direction of my favorite two trees, a line of lights on the far horizon…likely farm lights down another country road.

we looked up. the big dipper greeted us and other constellations vied for our attention. we felt tiny. the sky stretched further than we could see.

somewhere out there gracie was likely hunting. she didn’t come around as we stood in the grass. cats are independent creatures, after all.

and babycat – in the plane of the universe that beloved cats go – gave her a high five. “do what you want,” he telepathed to her, knowing full well that first thing in the morning – as the sun rose over the fields and tickled the porch swing – she’d be there waiting, just as he always was. different but the same.

just like people.

*****

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squeaking. [not-so-flawed wednesday]

“squeaking with joy, ” cousin kate wrote – all in caps – “the turtles are back!”.

at the exact time she sent that, we were on our trail, on the bridge over the river, gazing down at the turtles. we had seen a couple earlier in the spring, but then it got cold and they disappeared. now, they are back – seemingly for good – and we, too, are squeaking with joy.

earlier in the winter, i had written:

“i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

and waiting. and the river freezes. and then it thaws.“

and then i had this idea walking down the hall the other day. it was a the-turtles-are-back idea.

in my mind i named it “out of fallow” or “out of the mud” or even “the relevant challenge” or “on the fly” but the name is fluid. the idea floated around and landed tiny feet on my brain, so i eventually told david about it.

it’s relatively simple. we choose ten destinations – in wisconsin, in the midwest, on the northeast coast, in the high mountains, on quiet southern beaches, in the canyonlands, in the grand national parks – all different projects. taking a yamaha portable battery-operated keyboard (with recording/disc drive capability), ten canvases and paint, both laptops, and a couple spiral notebooks – we go to each destination for a pre-determined amount of time (say, three hours). while there, i compose on the fly – what that place feels like – and he paints on the fly – what that place feels like. on the fly – spontaneous creation – is not for the meek at heart. it requires focus, has a terminal product necessary at the end – a short time after beginning – and necessitates a degree of letting go. it pushes us back into the active-art-place and pushes us past edges. it gets us out of the muddy bottom. it produces the raw pieces of an album to be orchestrated and a collection of paintings to be framed. it needs some support to get off the ground. it has me pondering, swimming to the surface with the turtles.

our snouts will pop out of the river and we’ll look around some, trying to figure it out. we would definitely need some encouragement, some warm sun, some help.

and, if we move forward, out of the suspension, we – turtles, too – will definitely be squeaking.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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natgeo. [not-so-flawed wednesday]

and after we got off the train we walked in the brisk wind off the lake to the chicago auditorium. a stunningly beautiful landmark theatre, it was established in 1889, around the time my grandparents were born. the arches and tile floor and gilding tell over a century of stories. a joy to be in such an old house.

the first national geographic live event we went to was in breckenridge, colorado. the cinematographer and extreme adventurer bryan smith had breathtaking footage descending over waterfalls and climbing mountains. we sat next to the guy who owned the scrumptious soup shop in town (the one to which we quickly became addicted) and ooh-ed and ahh-ed in unison. we were hooked.

david doubilet and jennifer hayes were the speakers at this event – coral kingdom and empires of ice – and to watch the photographic essay of their work was to marvel at the life this 24/7-together-married-couple live. multiple times they encouraged people to contact them, to ask questions or ask for help. brilliant change-agent scientists. generosity and humility.

as two people who are together 24/7 we know the perils of such togetherness. artists have a wiiiiide spectrum of emotions and this can be detrimental at times, so i wondered about two explorers. david and jennifer poked fun at each other while honoring each other’s work; the dance seemed balanced. working with your life partner requires a good sense of humor and a good life raft. sometimes, getting in the river on the rapids is the only way forward. that and laughter.

the hardest time we ever had working on a project was during our rehearsals for the lost boy. a two person play written by david and inspired by his mentor tom’s family history, we were preparing it for the premier performance on stage in california. prepping was a little like two pieces of sandpaper rubbing together. the rough kind. not the fine sandpaper you use for finishing work. nope. the roughest sandy sandpaper you could pretty much find. somehow, and i’m not sure how, we made it through the memorization, the blocking, the nuances and weeks of rehearsing onto the plane to california. and mike – our director – took it from there.

at the end of the first performance we jumped and danced in the hallway, twirling around in the aftermath glee of success. i imagine this to be much like david and jennifer having made it back to the surface after sharing oceanic waters with sharks and crocodiles. the time when david – in the minutes of giant jaws within inches of jennifer – took photographs. i’m thinking they likely danced in the boat. in the category of 24/7 moments, some are better than others. they didn’t mention the “whatthehellwereyouTHINKING?!!” moments. but you know they’re there. we can attest to them.

i can imagine – one of these days – subscribing to natgeo live. there are usually three or four events a season and, in combination with the magazine that arrives every month and the tv channel we mostly land on, they would round out these opportunities to keep learning.

my sweet poppo received national geographic magazine for as long as i can remember. he’d immerse in it. just like my newer intense desire to know all the birds – like my parents – i find myself holding national geographic in high regard. my dad would have loved being in the same room as all of these explorers, sharing their adventures and discoveries. his wall-to-wall bookshelf of yellow magazine spines all lined up would vouch for that.

i guess i’ll just carry it on from here.

*****

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this is the stuff. [not-so-flawed wednesday]

the may apples stood on risers in the forest, singing to spring, singing to any audience who might be there, singing their glorious song. just like a choir. unified. united. elated to be in harmony. creating four-part jubilation to be alive. making music.

the singtolive choir stood on risers in the sanctuary of the beautiful church, directly in front of the organ pipes. their joy was palpable and, if i closed my eyes as they sang their program of the great american songbook, i could imagine the record albums of my parents playing and the choirs of 33rpm singing into our living room. they were cohesive and gently exploring the expanse of the songs chosen for the evening. and then, at the end of the concert – this concert dedicated to breast cancer survivorship – the singers left the risers and came out to stand among us, the audience.

to say that their last song was touching would be an understatement. a trademark of this marvelous group, why we sing was exquisitely performed. we all had eye contact with singers surrounding us. you could feel hearts swelling and tears forming. they delivered this emotional piece like no other preceding it in the program. i whispered to david, “this is the stuff.”

there is a lot of choir music ‘out there’. for the decades of my career as a minister of music, i was shipped an enormous number of catalogs, of listings, of cds with samples of songs. and then, there were charts to study, trends in music. and then, arrangements and reviewing lyrics and the range of my singers – in note as well as in degree of difficulty. i reviewed all this music always seeking that which would resonate, that which would help a person’s heart and mind connect with their faith, with the questions they had in this world, with good intentions and their community. it’s not a small responsibility to choose that which a choir – any choir, any worship band, any ukulele band, any choral ensemble – will sing in public – no matter the venue.

heidi and i stood in front of thousands of people through the time we worked together, performing “celebrate sweet life” – our breast cancer survivorship programs. with audiences of 35,000 in new york’s central park to hundreds in a medical center to a few thousand in the chicago sun with lance armstrong’s tour of hope to a more intimate group in pjs at md anderson to sharing a long island stage with hillary clinton to oncology pharmaceutical sales conference in puerto rico, it was our privilege to share messages – of hope, of healing, of making a difference for each other, of being alive – with audiences all over the country.

there is a video from one of our performances that touches me each time i see it. it is a bit blurry, not captured with the best of equipment. yet, at the end, as the audience has risen to their feet, there is a man in the foreground. as heidi speaks her last words and i sing the last lyrics of one of my songs, this man wipes at his eyes, stirred. and each time – no matter how many times i have viewed this – i am profoundly moved.

the may apples – gleeful in their rising out of the eradicated forest, now clear of invasives and plants with ill intent – stand proudly. they are furled at first and one might think they are quiet, meek, hiding. but as the sun warms them they arise. they will give their performance their all, joining together as one umbrella of green. the trillium will watch in the forest as audience members. and then, pure white flowers will form under the may apple parasols. and the trillium will turn to each other and whisper.

in the moments of performances under my choir baton or concert stages under my feet, there has been nothing quite like thinking that someone out there is whispering to the person next to them, “this is the stuff.”

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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