though i know it won’t really matter to either of them, i’ll hang a pair of tiny overalls and a pair of tiny first-walking-shoes on a peg in each of their rooms.
i was deep in memories going through and washing all of their infant and toddler clothing. touching each and every piece, i kept thinking, “surely he/she would want me to save this!!”. i seriously pondered making them quilts out of their childhood clothing, sure that they would treasure these. until i realized something.
it’s me who remembers these tiny clothes. it’s me who remembers my little girl – tucked into her bear chair – a stack of books next to her, absorbed. it’s me who remembers my little boy – kneeling on the road rug with buildings and streets and stop signs, matchbox cars lined up or zooming with his little hand. they were tiny toddlers with no real thought about memorizing forever and ever what they had on. i’m the one who remembers what they were wearing. i’m the one who remembers the onesies, the sleepers and the footie pajamas. i’m the one who remembers the tiny jeans and turtlenecks. i’m the one who remembers the polly flinders smocked dresses and sweet rompers. i’m the one who remembers the oshkosh overalls.
so i’ll hang the oshkosh b’goshes upstairs anyway. and i’ve decided to hold out just a few items from the big ikea bags that we will deliver to the mission in chicago. and i’ll cut yoyos out of these and make a small yoyo hanging that i can place on a hook in our bedroom. that way, anytime i want to get lost in the memories of my amazing adult children as babies and toddlers, i can touch a little fabric that will bring me back.
en pointe, arm in fourth ordinary position, the queen lace stands in late winter. curved seed petal over her head she stands in the brilliant sun, ready to release all the rest, to grow, to start over.
way back in the day, one of my favorite times in each week’s schedule was when my little girl took ballet lessons. she had a pink leotard and tights and tiny ballet slippers. we parents sat on the wood floor in the hallway just outside the entrance to the dance studio, gazing in wonder at our little girls – dancing. tiny ballerinas. the sweetest ballet.
our play group back then gathered in our houses, with a revolving schedule. when we were anywhere near a piano, i’d play music and all the little ones would dance. it was amazing and inspiring to see all these tiny people dancing with abandon. so much joy.
we passed the queen anne’s lace and i could see these tiny dancers as we passed by – arm curved and raised overhead, on tippy-toes, swaying, twirling in the wind.
in my mind i raised my arm up – over my head – and pirouetted around. right there on the trail. what better way to greet the sun of each new day, i thought.
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and, just like thistles, prickly people tend to stick together. at least that’s been my experience.
one wonders what the point of thistles are in the world. what good might they do? the nectar and pollen are of nutritional value to pollinators; the seeds are feed for songbirds. but ouch! the packaging is a bit rough.
sandspurs were a way of life in florida. any time you stood on the swale of the road you would expect to encounter them. they were present on the coast of hilton head too, sticking to the bottom of your flipflops as you walked to the water’s edge. we encounter them on the trail – particularly if you step off, into the underbrush. sandspurs, like thistles, are unwelcome hitchhikers on socks and the bottom hemline of jeans, backpacks you laid down, beachtowels. they are about as prickly as thistles – and about as nasty.
i suppose if people were to assign flora to our personalities, none of us would prefer to be “thistle” or “sandspur”. i’m thinking more along the line of peony or daisy, sunflower or orchid or even cattail or meadow grass. definitely not thistle. definitely not sandspur.
and yet, there are people – out there – who seem to relish their prickliness. maybe it’s to stave off other people. maybe it’s a protective shield of some sort. maybe it’s the result of others’ prickliness to them. or maybe it’s the truth – they are just damn prickly.
and, as we know, thistles attract thistles. nasty attracts nasty. mean attracts mean. sandspur and thistle posses can be powerful, keeping out – repelling – anything softer, anything into which they can sink those stickers.
each day – as we continually learn of the challenges of others – i think that there is not enough time to be prickly, not enough time to be nasty like that, not enough time to be unkind, not enough time to be uncaring. we barely have enough time to be loving, to be kind, to care about those around us, to have compassion for those we don’t know.
and despite the many advantages of the thistle, the many advantages of the sandspur, i’m thinking that an outer shell that may or not may belie inner goodness is kind of a waste of precious time. it may be good for the underbrush, good for the meadow, but it’s not so good for humankind.
at the moment i am writing this, i am not in possession of this.
but.
sometime between then and now, i suppose we may go back so that i might get it. for even in the paring-down, giving-away, selling and disposing of artifacts-of-life accumulated along-the-way, i find myself drawn to things here and there…like this counter bell.
maybe there will be a shoppe of some sort some day. maybe that big old barn. maybe a foodtruck called “AND SAUCE” where we will drive all over the countryside and serve up sauce with other stuff – like on a baked potato or roasted veggies or oven-baked sweet potato slices or in a pita or, yes, even on pasta. it’s a fun fantasy – our AND SAUCE foodtruck from sea to shining sea. or maybe & SAUCE – with the ampersand. some things are important to suss out ahead of time, like font and logogram characters. nevermind the business plan and budget. pshaw! regardless of all that, people may need to ding us, using this very bell on the window counter of the truck. i mean, who really knows what can happen?!
in the meanwhile, i’m not sure why we would need a counter bell, though – frankly – i can think of a few purely indulgent reasons. it just appeals to me.
there are brand new bells at staples for merely $3. and there are victorian-like bells on etsy for $30. this bell – though – it has some history. there are stories here. there is no indication where this bell – to get attention – lived. was it in a bakery? in a small market or general store? was it at a used bookstore or a boutique of some sort? was it at the front desk of a hotel or tiny country inn? whatever its story, you can tell it was well-used. there are dings on its old plain galvanized metal. it got some attention.
so, i wonder if purchasing it – having it here – on some counter in our home – might propel forward some of the other things i dream of…projects and products that may have a place in the world, music and books to birth, closely-held ideas to design. new ventures. or old ventures revisited. would the bell help? i don’t know.
i do know this: that just seeing this counter bell at the antique shoppe, just ringing it and giggling at its loud attention-getting ding, just picking it up and holding it, placing it back down on the shelf to ding once again…this has all gotten me to thinking.
“you are a child of the universe, no less than the trees and the stars; you have a right to be here. and whether or not it is clear to you, no doubt the universe is unfolding as it should…” (desiderata – max ehrmann)
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“when she stopped conforming to the conventional picture of femininity she finally began to enjoy being a woman.”(betty friedan – national organization for women co-founder)
ripped jeans and boots are – most often – my dress of choice. i add a black thermal shirt or a long (black) tunic and feel like me. it’s my dopamine dressing, regardless of the colors, textures, ensembles on the dopamine charts.
my studio is not large. it’s one of the bedrooms on the main floor – in the front of the house. there are three double-hung windows – two of which face south – so nice light. there’s a chiffarobe holding a big old black-framed window, pictures of my parents displayed. there’s tin on the wall with photos of my children. there’s a painting by david and two framed collages with my first two albums. there’s a photo of me as a little girl, a rocking chair, music stands and mic stands. and there’s my piano. it’s a 6’5″ yamaha grand so it’s a presence.
and now – over in the corner opposite my bench – hangs this lampshade. i suppose it could be used as an actual on-a-lamp lampshade, but ever since i saw fabric-repurposed lampshades hanging in that iowa farmhouse we stayed at, i have been intrigued by the simple hanging of a lampshade. and so, a couple days after the new year, while out antiquing, we came upon this shade. it was hanging in the middle of a vendor’s booth, with no price tag. it wasn’t for sale. but – like the chunk of concrete – this spoke to me.
its femininity was appealing. torn strips of silk and organdy, a feathered hairclip, i was smitten by it. i could imagine it in my studio – softening the straight lines of plaster walls and crown molding. it felt – forgive me for this generalization – girly. in every good way.
i asked at the front checkout about it and the sales associate and i took a walk back to it. she double-checked, looking for a tag. it looked like it was there to dress up the booth. and, indeed, it did. it was charming.
we left without it, but the associate said she would contact the vendor and let me know the lampshade’s status: available/notforsale. my concern was that even if were available – or if the vendor made it available based upon my desire for it – the demand-cost equation might enter in and it would be out of my range (which, frankly, most things are).
the next day i got a text. $15. i re-read the text. $15. i wrote back, double-checking. surely it wouldn’t be only $15 for me to bring home this piece of softness – this very cool boho shade that reminded me of all the layers of who i am.
i wore – as usual – my ripped jeans and boots, a vest over my black thermal shirt. we walked in and the lampshade – the lampshade waiting for me – was on the counter.
there was a group of women standing near the checkout counter, all talking at once. they glanced over at the lampshade, admiring it, asking me what i was going to do with it. we all laughed together, visiting and having those amazing moments you can sometimes have with a group of women (or people, but in this case it was women) who don’t know each other at all but who all-of-a-sudden have a common interest. the lampshade.
this is a good time in my life for this, for the ripped ribbons of silk and shreds of organdy that flow gently from its structure, for the skeleton of a for-a-lamp shade to have new out-of-the-box purpose, for a reminder of femininity and of who i am.
on the way out, carrying my lampshade as i passed by one of the older women standing nearby, she turned to me and said, “it looks like you.”
it’s like having bob marley on our refrigerator. every single time i glance at this bookmark, i can hear mr. marley and the wailers singing. it’s not a bad thing. i mean, what could be bad about hearing reggae in your head? it’s a reminder: don’t get mired in all the blankety-blank of life. in the end, it will all be ok.
i was gifted the book “don’t sweat the small stuff” decades ago. the book spent 101 weeks on the ny times bestseller list. clearly, the stress consultant/psychotherapist richard carlson had some idea what he was talking about. the rest of the title of his book is “and it’s all small stuff” and the tagline subtitle is “simple ways to keep the little things from taking over your life”. yes. it’s THAT stuff.
we humans tend to immerse in worst-case scenarios – i suppose it’s our nature. and i suppose it depends on all the baggage you have carried with you. it predisposes us and we are burdened by all of it, weighed down by magnifying the things we worry about, convinced every little thing is worthy of our angst.
but then, there are those moments we are reminded – yet again – of the very preciousness of all this – this life.
we have a stack in the basement. there are spare suitcases, backpacks, small carryons, small totes with zippers. baggage that holds baggage. they are in line to go. next to all the other things that don’t spark joy, next to all the other things that are extraneous, next to all the other things that other people might need more than us.
with that stack – little by little – i am placing the baggage i have carried internally. as space is created in the basement, in the main part of our house, in the attic, i am lifting the darkness off other spaces that need air. i have no idea what that will mean, how that will change me in any way, what light i will feel.
but the postcard bookmark at the antique shoppe spoke to me. and we purchased it, brought it home and put it on the refrigerator.
on sunday we parked littlebabyscion in front of big red – closer to the garage on our one-car driveway. it was making a funny noise, so, access to big red instead. then on monday, big red refused to start. tuesday morning the browser on my old laptop stopped letting me into my blogsite. last night my crown fell off my tooth. the bathroom sink doesn’t drain quite right. the fridge is still tinkling on the floor every so often. and then, there’s much bigger stuff…things that have impacted me or us dramatically…things that we are dealing with…things on which we spend great deals of emotional and intellectual energy. big stuff. or so we think. at least right now.
but there’s also this: we snuggled under the comforter and the quilt with the window cracked and fell asleep last night. we ate leftovers from a meal we had shared with 20, listening to music our son created and the piano music of kostia – both feeding us. our dog is laying on the bed with us, even as i write this. i can hear the tenor windchimes out back. i have a hydroflask from my daughter that is filled with bold coffee at my side. my dentist is making room for me in his schedule. and we are cleaning out. things that center us.
you just never really know. anything.
on page 185 of “don’t sweat…”, chapter 76 is titled “get comfortable not knowing”. richard must have heard bob marley in his head too.
we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.
i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.
we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.
some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.
and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.
in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut.
but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.
we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others.
and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.
and when it comes to the end of the year – already – and we gaze into the shiny brite mirror of the year that has passed, what do we see?
on either december 31 or january 1 we will take out the calendar – the one i write in with mechanical pencil – every day – a few words jotted down, a tale of the day, a meal, a quote, a visit, an appointment, some moment i wish to remember. and we will sit with it in the light of happy lights and christmas trees.
each year it is a journey – through that which we recall and that which we have forgotten. each year we find a treasure. each year we find something courageous. each year we find generosities that have sustained us. each year we find days that were hard and days that were easy. days of strength, days of weakness. we find sadnesses and unexpecteds. we find decisions and repairs. we find frogs and hawks and eagles. we find challenges of spirit and heart. we find recipes that have nourished us.
we head into the new year – just a couple days away now – reflecting, ruminating – with thoughts of what to do differently, what to change, what to let go of, what to hold onto. we wish to be better, do better, feel better. we set intentions.
and – in looking in the mirror – we are harsher than we need be. we forget some of the rest. the moments inbetween all the lines in the calendar. the ordinary. the giving. the grace. the laughter and the light. the things i didn’t jot, didn’t remember to journal, or wanted to just simply let simmer in my heart without being written down.
we wake – in a couple days – in a new year. each day a ridiculously big gift. beyond all else.
“may you recognize in your life the presence, power, and light of your soul…” (john o’donohue)
“all i can do is be me. whoever that is.”” (bob dylan)
it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.
standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do.
i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her.
and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart.
and in both circumstances, i have been in awe. and in both circumstances, i have celebrated.
because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go.
our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal.
“some people feel the rain. others just get wet.” (bob dylan)
he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.
“dear artists. don’t hold back. that’s it…” (okuntakinte)
“… the road is long with many a winding turn that leads us to who knows where, who knows where but i’m strong strong enough to carry him he ain’t heavy, he’s my brother
… so on we go his welfare is of my concern no burden is he to bear we’ll get there
… for i know we would not encumber me we ain’t heavy, he’s my brother
… if I’m laden at all i’m laden with sadness that everyone’s heart isn’t filled with the gladness of love for one another
… it’s a long, long road from which there is no return while we’re on the way to there why not share?
… and the load doesn’t weigh me down at all he ain’t heavy, he’s my brother
… he’s my brother he ain’t heavy, he’s my brother he ain’t heavy, he’s my brother
(bob russell / bobby scott – he ain’t heavy, he’s my brother)
queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”
we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.
we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.
and they are waiting for us – the humans – to catch up to their simple wisdom.
reverse threading 