my sweet poppo died three years before my sweet momma. when she died, the tilt that my world had already felt dove down into a deeper angle, the axis of the earth struggling to keep it in balance. the loss of both parents is profound, no matter your age.
it had been years since i had heard or seen a blue jay. they were common where i grew up, the screeches of jays in the woods or the trees surrounding our home. they have husky voices, always a little bit raspy. but they make me think of home.
i still remember the first day i saw one – after. it’s a few years ago now.
we were hiking on one of our favorite trails and suddenly i could hear them. they flew across the path and i stood still, reveling in the moment, taking it in. since that day, there have been more sightings and i have heard their birdcalls, even out our bedroom window from time to time.
since they are a common bird in wisconsin, i wonder how it is i missed them.
and i realize that sometimes the way home – the sound of a blue jay – is something we just don’t pay attention to, something that falls down on the list of priorities. until one day.
the day comes that all the really important stuff comes into focus. and we realize that we have – maybe – taken for granted the stuff that really is a part of who we are. we slough off paying attention to those things, those places, those people because we believe that there is plenty of time – later. or perhaps there are reasons we cannot grant grace to those things, those places, those people and we somewhat haughtily, in some selfish kind of righteous amnesia of our own actions, put them to the side, the corners of our hearts. or maybe we are just too busy and we have gotten lost, overwhelmed in our very real and partly contrived busy-ness.
any way you look at it, i am surprised i didn’t see the blue jays. until after.
now i hear them, see them, find their feathers in the usualness of our days. each time it is like a tiny nod to home, to all the moments of goodness, to the realness of unconditional love in the midst of the ridiculous hardness of life.
we wore pink. our daughter said we’d get bonus points and we love bonus points. so we wore pink. i had on pink converse high-top sneakers and sported a pink floral drawstring backpack. david had on a pink v-neck t-shirt.
and we went to see barbie, the movie.
there’s a lot of talk-talk about this movie. and, for once, i’m not going to enter the fray. instead, i’m just going to say we loved it. and, we’d like to see it again, revisit some of the one-liners and implicit (and explicit) comments on our society. our tickets were from our daughter so it was extra fun to exchange texts about it after-the-fact. mostly, there are some really defining moments in this movie. it is unexpectedly thought-provoking. and, if you haven’t already seen it, we would both absolutely recommend it.
as you already know, when i was young i wasn’t allowed to have a (cultural icon) barbie. in an excerpt from a previous post about barbie and my mother:
“when i was 38 i got a package from my sweet momma. of course, it was from poppo too but he was pretty much a follower on this one. i excitedly opened the big box and there was a note inside. it read something like, “surprise! it’s about time…thought you could have one of these now.” curious, i continued to rapidly unwrap. inside this simply wrapped gift (for my momma had to mail it to me across the country and everyone knows that those sticky bows get squished when you mail them) was —- wait for it —- a barbie doll with chandelier earrings in a huge party dress with pastel flowers glued onto it! now, that – blossom beauty barbie – sounds like an unusual gift at 38, but you have to know the back-story…
my momma would not let me have a barbie when i was growing up. ahead of her time, she felt that the barbie-body was somewhat unconscionably derisive for women and the feminist in her was railing against having her own little girl fall prey to that attitude. and so, she never let me get a barbie of my own. instead, she got me the doll penny brite, an adorable, flat-chested, bright-faced, modestly-dressed doll who just looked 1960s happy. a little later i got a skipper doll, who was barbie’s younger sister – clearly she hadn’t inherited the same physical genes barbie had. not being particularly well-endowed myself, in later years, i teased my mom that she had given me nothing to aspire to, but she just pursed her lips and tried not to laugh.
so this was a big deal – getting a barbie from my momma. it’s too perfect that it happened to be one of the tackiest barbies out there. but i received this from her when i had my own little girl and she probably guessed i was about to start buying her some barbies (so as not to be “the only one” in her group of little girlfriends without one, like me, still recovering from non-barbie-ptsd.) momma was quirky that way.“
but because of my little girl, i was finally able to immerse in barbie-world. so the movie was particularly poignant as a recovered non-barbie-r, errr, delayed-onset barbie-r. the set, the barbie-house, the barbie-car, the use of product messaging, the language … the pink – all the pink – was pretty splendidly on the mark. and the messages were loud and clear. “it is literally impossible to be a woman…” and “it is the best day ever. so was yesterday, and so is tomorrow, and every day from now until forever.” and “you can be anything.” not to mention the quotes about patriarchy and gender inequality and humanness and the digs at capitalism, the question of play, the differences and similarities between men and women. all conversation fodder. ahh, go see it.
and then there is this moment at the end of the movie, when barbie inventor ruth handler (played by rhea perlman) says to barbie, “we mothers stand still so our daughters can look back and see how far they have come.” this moment made me cry.
the passing of the baton. no matter if we are born in 1921, 1959, 1990…the baton gets passed on. and the pink. it took my momma 38 years, but she passed it on. in a curious coincidence, she was 38 when she birthed me. the baton had already been passed. holding still, ever-holding.
we hiked past the dogwood off-trail. the tiny berries were almost all gone and the stems were exposed. pink. i immediately thought of barbie. it was a direct-connect.
and it made me want to run home and put on the converse high-tops i had fished out of my beloved daughter’s closet.
in color psychology, barbie pantone pink is the confluence of femininity, fashion, and vibrancy. in the dictionary, vibrancy is the state of being full of energy and life.
pink. in my world, it reminds me of my beautiful girl and her brilliance in the world.
i’ll be wearing those pink high-tops a little extra this fall.
we have a meadow in our basement. it’s tucked in the northwest corner. indigenous wildflowers, stacked in boxes, cardboard containers of native blooms.
the oeuvre of decades, shrink-wrapped, flowers from seeds of thought-lyrics, of melodic gestures, of teasing harmonies, of simple evocative lines.
waiting, impossibly, to return to a time of compact discs. waiting, impossibly, for the invasives of streaming to get under control, to support independent artists rather than undermine their success, their ability for forward-movement.
the meadow sometimes beckons – like a soft wind through tall grasses – waving to me, begging me to step into the bramble and thick vegetation. like most good meadows, there is no clear path. you simply must walk in and turn – 360° – looking around, stunned by all the wild – flowers and weeds, both.
the broadcast music inc royalty check arrived. it was for $60.72. though it’s likely a few hundred thousand, i didn’t add up all the counts (listens). but one piece caught my attention. its play on youtube alone totalled 15,212 counts of this piece. my total royalties for this: $1.21. (for perspective on this: even if only 5000 people downloaded this piece of music for 99 cents and listened to it as many times as they wished, it would bring in approx $3465 (there are iTunes fees) instead of $1.21. a stunning difference.)
and we have another meadow in the basement. the canvases of bloomed paintings stack against the west wall; the easel stands in the northwest corner. the digital age of download and print has entered the art world of hanging wire and levels.
canvases, paint, jewelcases, polycarbonate plastic, discography – our wildflowers in the basement. the meadows are cultivated in fields of artistry, of color, of sound, of words and notes and splashes.
robust meadows self-seed. as do artists. we create despite roadblocks, despite the undervaluing of our work, despite the stacks of antique-store-someday-bound cds and canvas. despite it all.
but just like meadows need help – to more than just exist – to eradicate the invasive species, to grow, to prosper, to thrive – so do artists.
at long last – and truly for reasons of existence – we are contemplating a patreon account – a subscription donation platform to help support artists to continue to do the work you value, the work that has moved you, the work you turn to – as we gratefully acknowledge those of you who have contributed to our buymeacoffee tip jar. this simply means a monthly donation – as low as $2/month – that helps to make up the difference that the world has thrust upon artists. some readers may consider this timely, an avenue through which they may participate. some readers may consider this self-serving. either way, we are interested in your thoughts. feel free to email us: kerrianddavid1111@gmail.com. and watch for this – a patreon – one of these days.
we gaze over at the basement-meadows and ponder what is in our hearts, what is left for us to do, what is ours to do. we are each true to our work and, in the spirit of the fault in our stars, we know that we have – indeed – done good work if we have touched even one person along the way.
“do the best you can until you know better. then, when you know better, do better.” (maya angelou)
it’s all a journey in one giant meadow. and the difference between hardly existing and thriving.
because we hike these trails often, we notice subtle changes. new sprouts, thicker vegetation, fallen trees, vole-holes on the path.
this day we noticed this large limb – suspended. it had fallen. because we’ve had large limbs fall in our yard, we know that their size – particularly from far away – belies their weight. this broken branch, even dead wood, had to be mighty heavy.
and yet – the next tree over caught it and was holding on. merely three points of contact, like one hand and two feet on a ladder, these three little v’s where significantly smaller branches met. three points. and so, we will watch it. we wonder how – nestled into the other tree – it happened to fall just right. we wonder how long it will be there – high up in the other trees that show no sign of leafing, of life.
support doesn’t take much. it’s astounding to walk in forests and see evidence of mighty holding up mighty, mighty holding up small, small holding up mighty. nature caring for nature.
i stood staring at the tree from the trail. i looked at david, also staring. we know that the physics of how this branch fell into these three points, how it distributed the weight, must play into why it was held there. but as i stood there i could only think about how that could work in the people-world.
points of contact. support. extending branches of encouragement, reassurance, compassion – these could make all the difference for others. how often i have seen a plato-esque meme on social media reminding us to be kind – for everyone we meet is fighting a battle we know nothing about.
big limbs holding tiny branches. tiny branches holding big limbs.
points of contact.
they will hold a fallen tree in the woods. they will hold you stable on a ladder. they will hold your heart steady.
and – in this forest of humankind – at any given moment, you might find you are one of someone else’s branches, the bridge between falling and held, the difference between holding on and letting go.
it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.
mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.
but it has been rare to see one by itself.
if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.
i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.
on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.
and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.
it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.
i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.
to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.
and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.
i and the mourning dove are in the “church of nones” and the universe of all.
“the sun shines not on us but in us. the rivers flow not past, but through us. thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, making them glide and sing. the trees wave and the flowers bloom in our bodies as well as our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountains is our song, our very own, and sings our love.” (john muir)
there have been moments – holy and glorious moments – when i remember that i am, yes, one with nature. i am no more or less a part of the whole than the heart-leaf on the side of the trail, no more or less a part of the whole than the rocks on the beach, no more or less a part of the whole than the cloud as it floats by. and i remember that in my tiny-ness – within the vastness – i could just as easily have been the energy of the leaf or the rock or the cloud.
“how will you spend your time?” asked the thru-hiker at the end of the trail. mary oliver asks the same, “what will you do with your one precious life?”
i realize – in these sacred and suspended moments when i can feel the threads of soul connect me to the trees, to the living plants, to the creatures – that i am, perhaps, spending too much time in worry.
we were laying on the sand on a couple of old beachtowels. the feels-like was 90 plus, but we were under some trees and what appeared to be the only spot of shade on the beach. the breeze was coming off the water and we could hear the waves breaking at the shore. seagulls, the laughter of children in the distance, boats and jetskis out on the aquamarine water, you could think it was a beach resort somewhere, perhaps an island.
with my head on my small backpack, i closed my eyes and appreciated the wind, my feet still cool from walking the water’s edge, waves breaking on our legs. above us, the sky was cerulean, gorgeous cumulus clouds floating by. we couldn’t believe our good fortune, this ideal spot on the beach.
it was down the beach from where the work was taking place. there were tugboats and bulldozers and barges and boulders and giant backhoes – all to shore up the shoreline, a project by the state of illinois. interesting to watch, we were far away so as not to be intrusive. we were surprised to see jetskis zipping in and around the actual workzone; we wondered aloud about their lack of regard for the workers and safety issues.
we lost track of time as we stared at the water, watched golden retrievers fetch balls in the waves, marveled again and again about the cool sandy haven we had found. hiking back out – it was only a mile or so down the trail – it was hot again, humidity clinging to the marshland as we walked through.
back home we agreed that it was the perfect way to spend the afternoon. a little bitta beach goes a long way settling down your mind. our spot, like a guided imagery meditation, the quiet and almost-solitude, the sun filtering through the trees, the clouds dancing across the sky-canvas, and waves lapping the sand. restorative, it brought us calm.
the seagull looked at me furtively, side-eyed. he acted like i just wasn’t there, stepping along the harbor channel wall at his own pace, seemingly not too nervous about my presence.
writing, i’m holding my weathered copy of jonathan livingston seagull in my hand. jonathan thrived. he left the traditional flock of gulls so that he could fly, soaring higher than he had ever soared. he was an outlier but was kind and loving, generous with the skills he learned.
i’m thinking he was as much an artist as those of us who are artists.
ever since, well, forever, i have had a thing about seagulls. i have a seagull collection in a box in the basement. in the 70s, it was a popular tchotchke – a plaster or wood base that looked like a piling or rocks or shoreline with a thin metal piece atop which was a seagull. sold in every beachfront town, i was – back then – a willing buyer. i had seagulls everywhere in my room. they represented the beach for me – my winter/spring/summer/fall sanctuary. and then i read richard bach’s book. and i was hooked. it resonated with me back then, this story of breaking away, hopefulness, dreaming, accomplishing. i was 18 and i was a jonathan-livingston-seagull.
my soaring seagull days ended abruptly at 19.
but in these days now – as i walk the lake michigan beach or hear the gulls as they fly overhead our house – i am reminded. the caw of the gull is reassuring and, as i gaze up watching them swoop and soar, i feel vestiges of the surf – the sound and the ocean from long ago. tide out. tide in.
i walked along the channel and, in parallel lines, the gull started to step along the wall. and then he stopped, put both feet firmly on the cement.
and, still looking at me sideways, whispered, “don’t forget you know how to fly.”
i own 200% of my original pieces of music, my original songs. 100% of that is the compositional copyright and the other 100% is the sound recording copyright. with the exception of one vocal song which i collab’ed on, and one song where i gave my dueting partner a percentage for a few lyrics he changed, i have solely written each piece.
i did not find myself near the bluebird cafe in nashville or any of the listening rooms in nyc or los angeles when i was writing any of these albums. by the time i was writing for albums i would be recording, i was a mom of two small children, one a tiny toddler. my writing took place in the midst of potty-training and reading stacks of books, pbj’s and grilled cheese with the crust cut off. my growing-up piano was the instrument on which i wrote my first three albums, surrounded by barbies and matchbox cars, vhs tapes of barney and disney movies. i wrote with children on the bench, children under the bench, children on my lap.
in my most recent composing, a bit ago now, i still found myself writing this way…with many plates spinning and in short spurts of dedicated time. it was a practice i honed through the years and it served me well, this multi-tasking.
vocal song lyrics are found on scraps of paper, on pa-pads, on napkins, with letter names of notes and jotted rhythmic gestures next to the words. some of these took weeks of fine-tuning, changes and wordsmithing. others took ten minutes. total. slow dance is one of those.
the album as sure as the sun is one that celebrates life and love and relationship, in its many facets. after five instrumental albums (and another nine albums later) with the very best producer – also my arranger and a consummate musician – i worked with a nashville producer on this vocal full-length. in los angeles for some pre-recording meetings, we put the song same sweet love to pencil and paper, adding it to the lineup for asats production. it’s a totally different energy to collaborate on a song – to share the writing – and something i had little experience with. we both ended up singing on this song and we co-own it.
the very wide spectrum of love – and its impact, its mystery, its universally understoodness (and not-understoodness) – is one of the emotions to which songwriters gravitate. powerful and complex, there is no limit to reaching listeners, a strong connection the tie between music and emotions, a driving force.
i’ve read that a recent psychology of music study revealed that in every decade over the past six decades (since 1960), as much as 67% of all song lyrics were about romantic love. it’s not surprising.
when i do pick up pencil and paper again, looking at the line-up of songs already written for a potential next vocal album, i’d imagine that there may be some editing. i’d imagine that the arvo pärt note-smith will step into the instrumentals. i’d imagine that some lyrics will change in the line-up, maybe a melodic gesture or two, maybe the harmonic structure. i’d imagine that – maybe – in the review of these last years there might be a few new pieces, maybe a whole album’s worth of songs or instrumentals that muster their way past my editing delete-r.
i’d guess that there might be songs about transition, about relevance, about aging, about simplicity. i’d guess that there might be songs about hard decisions, hard times, hard losses. i’d guess that there might be songs about love, in all the corners of one’s life.
and i’d guess i’ll own 200%, back in my studio, comfortable writing alone.
we did not birth a baby together. until all these bunnies. our new-parent-juju is rising. together, we watch over them, noticing how they are growing, changing, their different puff-ball tails, their different markings. truth be told, we are not sure how many bunnies we actually have. we suspect that the number is rapidly increasing – as different sizes are showing up – all in the same day. so we are likely parenting multiples – twins, triplets and beyond.
my sweet momma used to tell me that when she discovered she was expecting – a decade after having my sister and brother – she wanted to have twins. she wanted me to be twins. she didn’t get all regretful or anything, but she just wanted me to know that she wanted me to have a sibling close to my age.
i wasn’t a twin. and my sister and brother grew, lightyears ahead of me, leaving home and marrying while i was just reaching double-digits. i, ever the little-sister, had special relationships with both of them and treasured time and sleepovers at their homes. but i can see the wisdom of my mom’s wish for twins. she called me their “dividend”.
and so i grew up – post-just-turning-double-digits – with older parents. they were already in their mid-fifties when i was a mid-teenager. and they were from a generation a little bit more old-fashioned. so, i s’pose i was a little bit more old-fashioned too.
they were already at the stage where suddenly they had a little bit more time to pay attention to the birds, the animals around our growing-up house, their garden. while i always appreciated their zeal, i didn’t stop in the zooming-around of a teenager to partake in much bird or wildlife watching or spend a lot of time in the gardens. after they moved to florida, in their last home together, they would sit for hours gazing out at the lake behind their home, watching for waterfowl, tiny lizards and traces of lurking alligators. witnesses of nature. it always brought them peace.
and now i get it.
last night we sat on the deck as the sun began to fall behind the horizon. the night air was cooler and the birds, chippies, squirrels, bunnies were busy. we marveled at the hummingbird flitting in to the feeder and we laughed at the antics of a gleeful dogdog, who was outsmarted every time by whichever bunbun was in the yard. we both sighed. the day was coming to an end and our yard-family was getting ready to tuck in.
the joys of dividends are numerous we see. old-fashioned goodness.
my sweet momma and my poppo – over in the next dimension – smiled knowing smiles and clapped their hands as they watched me, as they watched us.
