and nature hung chandeliers all over the woods. shooting star chandeliers in celebration of warm spring days – tucked next to majestic oaks, stars flying across the meadow. but not for long. as summer heats up these will fade. everything has its time.
aging is a funny thing. but it is not in the way of the enchanting shooting star – for those will come back the next spring, ever-resilient, perennial.
instead, aging is a bit more like an annual. periods of growth followed by fallow. uncertainty. we struggle with what is ours to do – we struggle with how that changes – we recognize endings and, thankfully, beginnings. but our time as chandeliers is not limitless. and, as we process that, we are less devoted to the zealous striding of our younger selves and more to the mission of the expression of ourselves.
i have thousands of cds in the basement. all cds with my name on them, ready to be shipped. smack-dab in the heyday of my career-with-a-much-delayed-start, writeable cds became a thing and streaming became rampant. it changed everything. dramatically. suddenly, the tens and tens of thousands of cds i was selling – which merited the thousands in waiting stock – dropped in numbers. streaming and download reports showed hundreds of thousands of hits but merely tiny slices of a penny for each one. it is stunningly gut-wrenching to look back at the shooting stars as they burned out.
people ask me if i am still “doing music” when they see me. because it is who i am i always say yes. and then i think about the boxes of cd stock in the basement and any latent desire to record more. it is hard to justify. very.
but the call of a piano and a boom mic on a stage or in a studio is ever-present. they are part of my chandeliering. and – like wishes on a shooting star – i wonder if one day pale purple flowers might bloom out of the fallow and i might give myself to the astonishing and to the illusion of the standstill of time.
they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.
but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.
and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.
when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.
i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.
but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.
and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.
and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.
it remains a mystery.
even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.
though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.
i have always been drawn to notebooks. composition books, spiral notebooks, journals, graph paper pads, legal pads, pa-pads – really, i guess, any kind of bound group of paper. blank paper.
it all represents a beginning. “begin anywhere,” john cage urges on a piece in my studio.
but sometimes there is a paralysis. sometimes there is something – some quirk – that stops me from starting – it stops me from putting pencil or pen to the first page. i feel this very big responsibility to the new blank paper. sometimes it feels like what i might write, compose, jot down may not be worthy of the first pristine sheet in a new paper vessel that could – ultimately – contain hundreds of writings, compositions, jottings. i haven’t yet gotten over that.
and so i dig out old spirals that my children used in elementary school – with wide rule lines – or high school – with college rule lines. their names are on the front and i can – delightedly – still find scribblings inside the notebooks. lab results or math problems, vocabulary words or drawings or paragraphs of tiny stories they were creating – it’s all thready for me and so this stack of old spirals and folders speak to my heart – in so many ways. i can easily write in these.
but there are those really delicious new books, new pads, new journals. and i glance at them, wondering when i might think that anything i might pencil in them would be worthy of their newness.
just staring at the beach was zen-full. it was quiet. almost pristine.
the beach had been combed – stunning horizontal lines – raked, perfectly clean but for a few sets of footprints walking – along the horizontal and taking the hypotenuse to the water.
the orderliness was just a tiny bit interrupted. and the orderliness was waiting for more disorderly. the disorderly would mean people – walking and running, children playing and building castles in the sand, seagulls clamming, dogs digging, sand flying.
even as i write this, i think about pulling out one of the brand new notebooks. taking my ever-present mechanical pencil to the first page (or maybe the second – to leave the first page clean and blank).
it makes me think that maybe the disorderly – the walking, running, building, digging, sand-flying – might actually be the real joy.
it makes me think i just might walk the hypotenuse across the college-ruled page. and wreak a little havoc on some clean paper.
though we love-us (as they say) a familiar trail, we found a new trail to hike recently.
it was a really windy day and we set out knowing we would not-know what we might find along the way. that – in itself – is one of the gifts of hiking. even on trails we know like the back of our hands.
i knew being a minister of music like the back of my hand. and, as the easter holiday just passed by, i thought a lot about the 35 or so easters for which i had been responsible – the decades i had shaped the music of these seasons. i always believed it was my job to help people connect to that which they could not see – thus, ultimately, to touch faith, to touch love.
a dearest friend of ours retired this past week. with great joy, we celebrated his new freedom and listened as he told about the party his colleagues had thrown for him. he told of their stories, their comments, their appreciation – it was a powerful validation for him and for all the time and energy and life he had spent working in that place. he finished with a flourish – full of affirmation – ready to walk into next. one door closed, others ready to be opened.
it brought up personal grief.
for my very last days – of that career – one of the professions in which i used my knowledge of music – that spanned three and half decades – these days were not lined with validation or gratitude or even a nod of thanks. instead – for me – they were fraught with being fired, what felt like a plethora of undistilled meanness, full of unanswered questions, betrayal and shock and – then – absolute quiet. an assault.
i never finished. there was no brunch, there were no casseroles, no sheet cake, no jello mold. there was no t-shirt, no mug to carry off and use each morning, warmed by the memories of time spent.
this was an awakening.
i suddenly realized that i wasn’t done.
for all the sorting and cleaning and throwing out, there was still something incomplete.
there was no flourish; there was no affirmation.
this was an epiphany.
since i can’t go back literally, there is something in me that wishes to find a way to closure. maybe it is to go back to this place we found on this new trail. to this gate that stands in the messy field of wild grasses next to the birch tree just a bit back from the meadow. maybe if i lift up that gate and just step – even just one step – into what is past it – what is on the other side – maybe it might feel – in some metaphorical-retirement-party-crepe-paper-streamers-strewn way – like there was a little flourish. that i will grant myself the validation, the affirmation – the acknowledgment of a great deal of dedicated time of my life – that others tore from me, disregarded – that i will know – deep inside me – that i gave that place – and all the 35 years in that particular spoke of my sedimentary-layered life of music – giant pieces of my creative soul and that i can finally – finally – leave the familiar behind and get about the new. whatever their agenda or issues – in an end that was not of my choosing – it should not detract from my own celebration of me.
i will never be a minister of music again. that part of my life – that arrow of dedication of the music within me – has finished. and – i was damn good at it. i understood it. i knew it like the back of my hand.
and now it’s time for a new trail.
right after i pull down all the streamers and toss them out.
we were talking about what it used to be like – out holiday shopping.
we both individually remember the out-and-about of windowshopping and browsing and pondering and findingjusttherightthing as including the time and space for stopping, for a nice cup of coffee and a treat, maybe for lunch out.
it was sheer indulgence the other day when we used a long-saved gift card for dinner out after a fun day of shopping. and yesterday, we did a thing.
we actually – mid-day-mid-shopping – stopped at a bakery to pick out a danish (yes, sacrificing the usual gluten-free-ness) and then we went next door to starbucks to get a christmas blend coffee. we shared both – jubilant at the “old-timey” tradition we were re-enacting, pretty happy with ourselves that we chose to take the time and splurge on coffee and a treat.
it’s beginning to look a lot like christmas!
i spent a-couple-years-less-than-a-decade celebrating christmas in florida. though everyone still decorates and the holiday rush is still pushing you forward, it never quite felt the same as christmas up north. i suppose if i had grown up in the south it – the traditions and rituals and things i associate with christmas – would be different, but having grown up in the northeast, i associate the holidays with being bundled up, the cold, the snow, pink cheeks and noses, mittens and scarves. there is a different sparkle to twinkle lights in snow.
we here in our neck of wisconsin may not have a white christmas this year. but it will be brisk enough for the deck to make cracking noises as we walk to our backdoor, for the radiators to clunk a little, for the wood floors to creak under our feet. ice will paint beautiful images on a couple of the north-facing windows, the stars in the bitter sky will seem brighter and dogga will be in his glory laying outside in the cold. it’ll be cozy inside, surrounded by the glimmering trappings of the holiday.
maybe – as we continue our march toward Christmas Day – in-between bits of shopping and wrapping and shipping and clearing out and giving away – we will take a few minutes here and there to celebrate the right-now of it all. maybe we’ll consider another coffee out, another pastry. maybe we’ll bundle up and go see some special lights. maybe – just maybe – i’ll play some carols in my studio. this is the time of year i especially miss creating a space – with and through music – in which other hearts might open to the spirit of the holidays, to sink into that which they feel but cannot see.
as adults – whose bars for enchantment are higher than in childhood or for whom perhaps reality has life-light-dimmed – we all sometimes struggle as these times roll around. we know it’s up to each of us to create any magic in these holidays, to recognize it, to linger in it. the tiniest bit of indulgence goes a long way. indulging out and indulging in.
it is likely that we are captured by the minuscule much more than most. it truly doesn’t take much for us to be in wonder – or, at the very least, to spend a moment or two noticing something that maybe others might not notice.
our entertainment budget is pretty much non-existent. we love to cook together, hike together, write together, read together, on occasion argue together. occasionally, we will have the good fortune of going out for a meal or to a movie or maybe a concert. but most of the time we entertain ourselves in ways that don’t cost a lot and that’s all good.
a few years ago we decided that barney – the smith-barnes piano aging in our backyard – needed a chandelier over its brow. you might remember we found one online that works as a solar light and so we ordered it. it wasn’t expensive – i mean, for a chandelier! – and we were surprised when we got it in a small amazon bag. taking it out revealed a collapsed plastic “chandelier” that had to be shaped and would then hang in all its glory. it was not quite all-that nor what we had expected. we knew immediately it would not serve barney well and, in the process of deciding whether or not to return it, hung it on our awning outside for a bit.
that night the little chandelier glowed – like any good solar-powered ithinkican chandelier – and we fell into like. and we decided to keep it.
we recently hung it in our sunroom right in front of the east window where the sun streams in each morning. littlechandelier apparently loves this spot because each night – if it has been a sunny day – when all the lights are out in the sunroom, it has a tiny glow.
its shadow is intriguing. both of us have stood staring at the shadow, completely enjoying littlechandelier’s effort to do its little chandelier job.
even in the middle of challenge – whatever that challenge may be – i must say that i truly appreciate appreciating the littlest things. i appreciate that WE appreciate the littlest things.
we are not living a posh polished-glass-ornate-crystal-chandelier kind of life. but we are living a chandelier life nonetheless. it’s all around us.
we are truly – like mika brzezinski said – ” counting down to the election of America’s life.”
if there are no alarm bells going off in your head, you have not been paying attention, you have not read the intentions of the maga party, you have sloughed off the reprehensible words of the maga candidate.
if you are not trembling as you think about the outcome of this election, you have not elicited any part of your good conscience, your moral center, the part of you that cares about this country or its inhabitants. you, instead, have bought into hatred and violence. you have abdicated your character, your integrity to the abhorrent character of this maga leader. and, if i knew you before, i don’t know you now.
if you don’t feel like sobbing thinking about the darkness that could come with the maga intentions of the maga candidate, his cronies, project 2025, every single mean-spirited, depraved, cruel, sadistic undermining of rights, freedoms, opportunity, you have closed off your heart. you clearly don’t care what happens to the people of this country – of which you are one.
i am stunned we are here, at this nightmarish moment in the history of the united states. it feels surreal to even try and wrap my head around the unconscionable, ghoulish possibility that we – free americans – could find ourselves in a fascist regime under the authoritarian rule of this unscrupulous maga candidate and his drooling-for-power contemptible sycophants.
“the optimist sees the donut. the pessimist sees the hole.” (oscar wilde)
i suppose this could easily be applied to aging. somehow, in some rush of years, i am 65. it’s still a wonder to me and it has now become clear why my sweet momma was so astounded when she was almost-94 and thought she looked like “an old lady” when she looked in the mirror.
like my sweet momma, we are choosing to see the donut. which, i suppose, means one day we will be astounded as well. (truth be told, we are a tiny bit astounded by some tiny body-change each and every day, but we are holding off on the big-time astonishment as long as we can.)
so instead of seeing – and ruminating on – what’s missing in the here and now, instead of trying to clarify the blurry of what’s out there ahead of us, we – as an ever-aging couple – yikes – are zeroing in on the gifts of the present, the sweet phase – as we are calling it, and tapping the rich potential of the future. there is so much we don’t know but we are excited about exploring what’s next.
artists don’t really have solid retirements. it’s risky business, this being-an-artist thing. we keep on keeping-on because it’s an imperative, a driving force. we write, we paint, we compose, we mold thoughts and questions and experiences and impressions into tapestries that we – vulnerably – put out there for others to read, see, listen to, touch, feel.
we work for the donut-lovers and the donut-holers. we are not selective. we believe art is fundamental. art provides access and awareness. we are simply part of the delivery mechanism.
and so, even as we get older, that doesn’t change. we look to times of new projects, artist residencies, experiments outside our usual mediums. we aren’t simply done. and, maybe, in the words of grace hopper, “we’re just getting started.”
regardless, every day we walk toward astonishment we have decided to do it with as much grace, joy, anticipation and gratitude we can possibly muster. we will be (gluten-free) donut-lovers in the sweet phase and we will reach for each star past the donut hole.
“we are all in the gutter, but some of us are looking at the stars.” (oscar wilde)
“i’m a romper room do-bee, a do-bee all day long.” (romper room)
oh geeez. about to write this blogpost, i looked at this image – of this stunning bumblebee happily lingering in the flowers of our coleus – and thought of the romper room do-bee song. where does this stuff come from???
my dear husband claims that i am a circular worker-bee, that i go from one thing to the next, doing a bit, then doing a bit, then doing a bit, then circling around again and getting a bit more done, a bit more done, a bit more done. i suppose that is somewhat true – though i would like to add that eventually it all truly gets done, circular or not. as i watched this bumblebee bumbling happily around the other day, i thought that maybe i am more of a bumble than a circular worker-bee. or maybe that’s the same thing…
this little bee seemed perfectly content to flit from one flower to the next, never lingering too long on any one nectar source. it reminds me of when i had toddlers, flitting from reading from a stack of books on the floor to the matchbox cars on the floor to the studio to jot down a lyric or a melody to the stove to stir the kraft macaroni and cheese or flip over the grilled cheese sandwich. in constant motion. just like the bee. eh, truth be told, it reminds me of now.
romper room was a staple back in the day. though the host never saw me (she never said my name aloud) in her magic mirror, i remained a fan through my pre-school years. the fact that i have the romper room do-bee songs 45 rpm record attests to the impact of this little show back then. it’s interesting that i still have it – in my 45rpm record case – the kind that perfectly fits 45s with a buckle on the front and the handle on the top. and it does make me wonder how mitch miller and his orchestra, along with the sandpipers recorded this side a/side b with straight faces. “i always do what’s right. i never do anything wrong. i’m a romper rom do-bee, a do-bee all day long,” the big finish has a predictably rising (and crescendoing) melody despite impossible-to-humanly-achieve lyrics.
we write blogposts six days a week, as you know. five of them are based on images of photography or quotes we have come across in our path, while saturday is the cartoon smack-dab that we produce. that you have gotten to this sentence is amazing to me and i want to thank you for reading – however often or sporadically you read. i’m never quite sure of what i will write as we open up our laptops (ok, well, not my laptop now as that is refusing to remember its role in life, so i open up my mini ipad). i’m never sure of how you might react or respond to what i have written. sometimes i feel vulnerable about what i have shared. sometimes i feel nervous about what i’ve put out there. sometimes i’m a little tiny bit proud of something i’ve written. nevertheless, i keep writing and telling you of life from my little corner of the world. it is, after all, a romper room rule:
i’m an artist. always i know that there will be another flower, there will be another source of nectar. the next image, the next day. and i will happily – and bumbly – share words and thoughts with whomever wishes to read them.
you and i – we are together in this moment. we are doing-do-bees, sharing time in the world.
and, from the bottom of my trying-to-be-a-do-bee-all-day-long heart, i wish you plentiful flowers filled with plentiful sweet nectar as you flit from one moment of your life to the next.
“i go to nature to be soothed and healed, and to have my senses put in order.” (john burroughs)
to draw a paddle through silky water, to listen to the call and response of the loons, to feel the breeze off the lake and to catch the first and last glimmers of sun rising and dropping through the trees…it is completely unremarkable to say this is soothing, that these moments are healing. it is unremarkable because it is obvious, because these are so remarkable – each – and because our senses rise to these offers of peacefulness, to these opportunities for rejuvenation…every time.
we have viewed each night of the democratic national convention. the joy, the energy, the hope – they are palpable. to say that our nation needs all this is an unremarkable statement, because – of course – it is obvious. we need joy. we need energy. we need hope. we need this kind of light. we need to be soothed and healed. and we need our sense put in order.
it should be unremarkable to have – to own – this kind of hope and light and joy in this country. it should be a given. this is supposed to be the fruitful land of opportunity, a place of freedoms, a nation where – with goodness our north star – we may be who we are. and, when our senses are put in order, we remember this…each and every one of us.
when we are in chaos, when there are those wreaking ugly havoc, when division and mean-spiritedness are being stoked, when soothing and healing is far from the minds of those who wish to be leaders, it is a time we must rejuvenate our country. we must move forward, not back. we must seek the best in each other, aspire for unity, clutch onto fervent hope with all we’ve got, put our faces to the sun and get sensical.
because it should be obvious in these united states of america that democracy and freedom are the only choice, that kindness and loving one another is the way of life, that equality and acceptance and inclusion are undeterred, that sense – real sense – is in order. and that – in all its brilliant remarkableness – pointing out that those are fundamental to these united states of america is completely unremarkable. because it is obvious. because it is the way.
we drew the paddles of the canoe through the glassy water, exploring the crannies and coves of the lake. to say we were soothed, healed – even momentarily – from worries pummeling our minds, that we were able to return to our senses would be an unremarkable statement. obviously we were.
living in this country – as a place where peace and freedom and forward movement and opportunity and goodness toward each other abounds – should be as obvious.
please vote with your senses and sense in order. let us promise a soothing, healing, joyful, intelligent, abundant future to all who come behind us.
reverse threading 