ken, my producer, called it a ‘thinking note’ and he’s right. he knew i’d get to the point, but i had to get past the moment of time during which i could not think. in music, the thinking note buys that time; you are held in the shallows of suspension until released into the rest of the sentence. it slows the breathing down a little; it gives rest where there is no rest.
since the instrument of choice for politicians is spoken word, the thinking note has become “look”. i would count how often we hear it, keep hash marks to tally it all up, but that would be unnecessary and tedious. instead, i giggle every time i hear it, viscerally knowing the person who is about to speak is maybe buying a tad bit of time.
in music, the thinking note is a prelude for more, the honest line of melody, perhaps an entrance into a new theme, the slight pause of artistry, the powerful momentary suspension of new sound. it’s the “look” spoken by music. sometimes, though, for me, as ken will tell you, it is simply procrastination, when composition or improvisation falls into the moat surrounding the synapses in my brain – stopping all forward thought for the moment – as i wait for creativity to climb out of the gatehouse and make it to the next note.
in politics, i wonder…does “look” serve the same purpose? is it a prelude for more, an honest line of narrative, an entrance delving into a new topic, a suspension of speak to take a breath and gather thoughts? is it useful, preparatory, formative space between a question asked and an answer given? or is it something else? it feels a little like over-convincing when someone says “look!” to you. a snap-to-it-pay-attention admonition. perhaps an entrance into a one-way conversation. a bit aggressive.
as an artist and not a politician, i’d have to say: look…ummm…i have no idea. maybe we should ask ken.
the cicada was silent, attached to the deck. it was late spring/early summer of 2015 and this insect had chosen our deck as its place of transition. we watched the shell, cautious to not disturb it, waiting for something to happen. until one day it began to emerge, looking much like an extra-terrestrial, wings of flight opening and drying in the sun of the warm day. it was a stunning process from nymph to adult, all silent, with no fanfare for this remarkable transformation. suddenly, this little being was present on the earth, ready to make some noise.
silence to noise – a transition from nymph to mature adult. a lesson, perhaps, for humanity.
our progression from without-words nymph-baby to with-a-voice mature adult, a transformation of growth, of learning, of critical thinking, of fortitude. as cicadas raise their voices to the sky, buzzing and clicking, choosing their song, their chorus wisely, they answer an intuitive call, they align in truth to their purpose, their place on earth. much the same perhaps should be mature adults – answering an intuitive call, choosing their song or chorus wisely, aligning in truth.
there are times we find ourselves in hush. stunned into silence by the words or actions of others, we sit, ensconced in the shell of our exoskeleton. we wait and we watch. and then, as we rise as winged and responsible people, we have the opportunity, the obligation, to speak – to speak up, speak out, speak for, speak against, speak to truth.
perhaps there are adults who have skipped their instar stages, those phases of development that insects pass through on their way to maturity. perhaps they should have lived underground like cicadas, feeding on roots, a bit longer before they emerged, before they walked on an earth where they felt they could use their words to hurt or harm others. perhaps then, after a slow transition into maturation and with no fanfare, they would choose their buzzing and ticking with more forethought, with more compassion, with more honesty, with more wisdom.
sarcasm is babycat’s modus operandi. his viewpoint is much more cynical than dogdog’s, who is a tumbling optimist. dogdog listens to the rise and fall of our voices and reacts accordingly. babycat merely takes a look at things and lists his sweet hulking body to the sardonic.
we read it on a wall in chicago: “everything will be ok.” i really want to believe that. there’s so much.
we are not 65. nor are we essential. workers, that is. so it will take some time before we are eligible for vaccines. the mutation of the virus sounds like it will give the vaccine a run for its money and, still, we drive past full restaurant parking lots, bustling bars.
yesterday was the year mark on my broken wrists. my right wrist refuses to cooperate, having been stunned into re-injury in september. i wonder how it will be in the future. there’s a lot i want to do with that wrist.
we are sharing the crossroads of before and after with the millions of unemployed people in this country. we search for ways to use all we have learned, all we have done, all we have experienced, to make a difference in the world today.
we wonder about people who used to be an integral part of our lives. we try to understand things that have no real explanation. i try to shove the grief into a corner and the anger into another corner and take off the boxing gloves. we hike on the snowy trail and those gloves are nowhere to be seen. but reality returns back in the car somewhere on the way home and then we try to move beyond the big disagree, this thing that lurks, the poison that was pointed my way.
we watch from afar, our hearts hurting, as d’s sweet dad is moved into care, out of his home, away from his wife and all that he used to recognize. we tether ourselves to our phones to field any calls from his momma as she tries desperately to deal with all the details, the loneliness and worry and fear that brings her. she made sure he has his record player and records to listen to and she yearns to be around people at a time that is most dangerous.
and we scroll through the news. our sigh of relief with this new administration is consumed by lies perpetuated by complicit voices of violence, of extremism, of overthrow. it takes our breath away to read of legislative branches, in states and in the federal government, making excuses for the dreadful and inexcusable mayhem, the inciting of riot, in our nation’s capitol. racism, gender-discrimination, ignorant social injustices are rampant. the chasm is ever-widening and the bridge is ever-crumbling.
“it never occurs to us to wonder how the earth sees us. is it not possible that a place could have huge affection for those who dwell there? … could it be possible that a landscape might have a deep friendship with you? that it could sense your presence and feel the care you extend towards it? … perhaps each day our lives undertake unknown tasks on behalf of the silent mind and vast soul of nature. during its millions of years of presence perhaps it was also waiting for us, for our eyes and our words.” john o’donohue’s continued writing in this passage from beautyso reinforces personal responsibility for our good earth.
have you stood in a place, grounded into the dirt, unable to step away? have you hiked in, willing the trail to never-end, to not enter back into the sphere of bustling humanity? have you laid in the grass, your eyes on the clouds, pushing sleep just a bit to the side, creating words and shapes and animals in the sky, laden with sun-color, untouched by crayons or paint? have you touched the bark of a tree that whispered to you wise words with deep roots? have you cradled the petals of a flower gently in the palm of your hand, silenced by its fragility, its complexity?
and what has the good earth felt about us? have we offered the same solace to its soul? has it been moved by our tenderness? is it listening to our carefully-chosen words to each other or is it reeling, dumbstruck, at words thrown willy-nilly, demeaning phrases, curses and mean-spiritedness uttered in its place? does the earth trust we will do the right thing, that we will preserve its goodness for centuries to come? can it feel the love we have for it or is it begging us to notice the litter strewn on the ground or yet another person who throws trash out the car window? do places we go miss us when we leave or is there a sigh of relief as we pass through to the next place? does this soul wait for our soul to return?
the feeling you get when you arrive somewhere you have never been and yet you know you have been there before. the exhilaration of feeling the invisible source of serenity, the tethers of strength. the freedom you feel at the edge of the canyon, your heart beating wildly, a connection to all that has gone before you and all that comes after you.
how can we ever know the difference we make to the soul of the earth?
david knows that i would get in little-baby-scion or big red without hesitation and drive across the country – despite any circumstance, in rain, sleet, snow or ice, night or day, day or night, without delay – if i were to see either of my children for even three seconds when we arrived. just 3 seconds. because – yes – any time i can say “i saw you for like 3 seconds” about my daughter or my son, i can also say “and it made my day”.
3 seconds.
it can make all the difference.
my niece put my sweet momma on facetime over the phone. momma was in the hospital and things were serious. we were leaving and going to be there in just a couple days. but we didn’t make it in time. yet, i had those moments – more than three seconds but less than the years of lifetime i wanted. i saw her face for like more-than 3 seconds and it made my day.
3 seconds.
the last 3 seconds i saw my dad, i took his pale and fragile hand in mine and told him he was the best. period. and my sweet poppo, mere hours away from leaving this earth, whispered back to me, “i love you, kook.” i memorized his voice as i left his bedside. oh, those 3 seconds.
3 seconds.
it’s unusually quiet here on wednesday nights. we had ukulele band rehearsals those evenings and, since this time of virtual life, zoom rehearsals were a good bit of loving community in our week. i miss these people and i miss making music with them. i miss their conversation and the lifebits they shared each time we gathered. it’s funk-worthy, these silent wednesdays. and then…”i think of you every wednesday night,” he texted. like 3 seconds of text and it made my day.
3 seconds.
the sun came out on the trail the other day. we hadn’t seen it for days. grey upon grey, the dismal became lodged in us. it’s hard – it’s just us and dogdog and babycat. we do know even in that we are fortunate. we all desire more. to be surrounded by people we love – light itself. when the rays streamed through the trees over the trail, i felt it on my face first. we looked at each other, smiles coming to our faces, cold from the bitter dampness. “the sun!” we exclaimed at once. it stayed out for a mere 3 seconds before it slid behind the next bank of clouds. but it was like 3 seconds and it made our day.
were i to have their addresses, i would write thank you notes to ben folds, jon boden, sam sweeney, ben coleman, nick laird-clowes, paul buchanan, ron sexsmith et al….you get the picture. this soundtrack is our go-to right now. not only does it elicit thoughts of this most-marvelous-movie, but the music just speaks to us. on repeat. over and over we listen to it, never wearying of it.
there are just certain pieces that center you, that give you pause, that lift you. there are really too many to count for me. some of them are as simple as the text sound my phone makes when either of my children write to me. some of them are unembellished and sound like my husband humming along. some of them are as complex as layered music can get. some of them are silent, floating rumi’s words on their wings: “listen to silence. it has so much to say.”
this movie stays with you. it’s right there, beckoning you to remember. in the recesses behind the lists and tasks and daily troubles, in profound je ne sais quoi it quietly sits and waits for you. it’s a well to dip into even on the darker days and its music evokes each thoughtful scene.
we sit in many layers of complexity right now. it’s a symphony of great proportion, filled with questions, with challenges, with things begging for our angst-filled attention.
“trail magic” is a term for unexpected generosity on the trail. it originated on the appalachian trail and includes snacks and drinks, sometimes even pancakes or burgers. hikers stumble upon this magic – it is the stuff of celebration.
trail magic is not limited, however, to through-hikes and the wilderness. though we’d love to be out on one of those trails (the appalachian, pacific crest or maybe a little more doable for us – the john muir) we are a bit more localized at the moment. in nearby areas, we hike a few trails over and over, watching the seasons change and the wildlife come and go. we recognize when a tree has fallen or when grasses have been tamped down by sleeping deer. the subtleties surround us. we notice them. magic.
this holiday season was unlike any other for us. there was no music planning, no practicing, no piles of anthems strewn on the piano. there were no rehearsals, no services, no choir parties. there was no bonfire after the late christmas eve service, no luminaria party. there were no festive gatherings, no big crowded dinners, no small dinners with guests, no happy hours in holiday finery. there was no travel over the river and through the woods, no trips to visit or sightsee or play tourist. there was no newly-purchased christmas tree – real or artificial. there were no packages under the white lighted branches in our living room or the small forest of trees i have collected through the years.
but there was magic.
trail magic – on our journey through these holidays – came in the form of a very few people who reached out. their kindnesses were the gentle touch of a magic wand and today, as we write our thank-yous, i hope to convey that to them.
trail magic – on our journey through these holidays – came in the form of a blowing snowfall on christmas eve, inches of crunchy snow in the woods, a blustery day spent inside a warm house watching it sleet outside.
trail magic – on our journey through these holidays – most especially came in the form of these tiny bits of precious time: seeing the face of my son in-person on a freezing cold christmas eve, my boy and his charming boyfriend, both warm and relaxed and looking happy despite the circumstances of these times. and seeing the face of my daughter on facetime, a delayed opening of gifts, wrap and glitter flying, and then, just minutes after our new year turned, sharing her mountain-time new year’s eve with a sweet young man, both warm and relaxed and looking happy despite the circumstances of these times. magic.
for there is nothing more magical for me than to see my beloved children looking happy. there is nothing more magical for me than to share a little bit of time with them. trail magic – on our journey – indeed.
and the new year enters from stage right/house left and whispers to the middle of the old wooden stage. a slight and humbled bow to its foregoer, it beckons silence and quiet resolve.
we stand in ovation as we pine for its downbeat and new music, this new year’s promise. then we take our seats in the snow and turn our faces to it gently falling, flakes in slow motion, moments of fresh powder.
stillness commences and the hushed voice of what is to come lingers in the cold dark air around us. it is voiceless and indistinct; we lean in and listen for the timbre of the spirit of what will be.
and the snow whispers back to us, ever-fragile flakes, reminding us of its evanescence, of our impermanence, of the mystery of it all.
we rise and we walk into the woods, our feet crunching on the trail.
for more than half my life (read: over three decades) i shaped the experience of the christmas holiday season for others. each year i tried to find a way to touch the deepest part of people’s hearts in celebration, to help a story-of-the-ages resonate in their up-to-the-minute lives, to help them, their souls, sink into the light.
this is the first year in recent history (read: decades) that i am not creating the musical shape of anyone else’s holiday. it is the first year in recent history (read: decades) that my dining room table and the top of my piano are not laden with music all strewn about. it is the first year in recent history (read: decades) that i will not spend it racing between planning, arranging, practicing, rehearsing, readjusting, rehearsing, rearranging, readjusting, rehearsing and encouraging big community laughter. it is the first year in recent history (read: decades and decades) that i will not go to church.
i did not create. instead, i tried to file it all away in my head, ignore the intuitive music prompts that my heart issues in the weeks prior to and during this season, silence the ideas and gestures that help to make faith – that which you cannot see – touchable. i did not layer my table or piano with music. instead, i put it all away, in boxes and file cabinets and thick binders. i did not race or plan or arrange or practice or rehearse or readjust or rearrange or even encourage laughter. instead, i sit on the steps in the hall, the stuff of decades decimated, and i wonder. i do not plan to go to church nor do i plan to watch church online; i have had enough.
instead, i will quietly walk outside under a starlit sky. i will light candles. i will extinguish the lamps in the living room and i will watch the lights.
eric lowen and dan navarro (lowen & navarro) are two of the most in-sync singer-songwriters i have ever known. with lyrics to break your heart and voices and guitars that complement each other perfectly, you would think there would be no outer limits for them, no bounds. but.
if you need a good cry, an absolute raw moment, you should watch the video of eric’s last time on stage. at 60, devastated by ALS and with his children gathered around him and his guitar, he speaks the words of this amazing song of healing from his wheelchair. if i was the rain. it dives in and both destroys and rejuvenates my heart every single time.
the rain. if i was the rain.
if i was the rain i’d have no reason to explain i’d fall between the fireflies i’d never dampen any light
…
i’d strike a chord within each heart wherever they were torn apart and if that helped them heal themselves maybe we’d find out where forgiveness starts
if i was the rain i’d choose forever to remain i’d add a sparkle to the night and marvel at the morning bright
if i was the rain i’d bless each blossom to unfold and i’d turn each one of them to gold if i was the rain if i was the rain if i was the rain…..
(charles john quarto, eric lowen, dan navarro)
we sat for a few days straight at the table in our sunroom. watching out the window at dreary weather, non-stop rain, we pondered all that was happening. the rain-soaked screens unintentionally made abstract art while we tried to make sense. even with happy lights on and the company of our little pine tree from the woods of the high mountains, it was hard to balance it all.
“and i cried as long as the rain lasted and when it stopped, i stopped.” (no balloons, kerri sherwood)
i can’t really say i stopped abruptly. i wish it were that easy, a faucet to turn off, a switch to throw, a circuit breaker to reset. there has just been so much.
we know we are not alone in that.
in the middle of the night last night – wide awake around 2am – we sat in bed and talked. this year. broken wrists. a raging global pandemic. fights over face masks. covid-loss of jobs. exorbitant healthcare costs. a city on fire, social justice riots and deadly shootings blocks away. city-wide curfews. a country divided. political chaos. communities, families, friends on different sides of aisles that seem more like moats filled with crocodiles. isolation. family so far. worried about the kids. missing them. a parent sinking in dementia. another hand injury. fired. quarantine. i can’t remember all of it.