the two of you: two reasons why i breathe ~ my children (cd liner notes)
this will never change. most of the things i gather around me are things that make me think of them, feel them near. it’s as simple as framed photographs or collages or a peace keychain or lanyards that say ‘colorado’ and ‘boston’. it’s a screenshot of a text message i want to remember. it’s a note jotted on my calendar about something My Girl or My Boy said to me or a date that is important to them i want to remember. it’s notes they wrote as children held by magnets to the refrigerator or in small frames bedside. it’s laughter saved in a video. it’s moments of tears driving away from their homes. it’s a rock saved on a hike in the high desert canyonlands with The Girl; it’s The Boy’s childhood favorite ny taxi pencil on my piano. nothing is huge. everything is huge.
most of my also-mom-friends will agree that, outside of spending time together, the one thing certain to lift them up on any given day is a reaching-out-to-them by a grown-up child. it’s the moment ANYthing else stops. it’s the silently-agreed-upon, strictly-held-to and always-welcome interruption in the middle of visiting others, working, hiking, cooking, sleeping. both The Girl and The Boy knew – and know – that they can call or text at any time of day or night and i will be there; i will answer. ‘always there’ is a fierce inner motherhood promise designed to both ground and frustrate children, whatever their ages. it’s a guiding principle, a mom-creed. it’s absolute. it’s truth.
from the moment they were born everything changed. and, from that moment on, one thing didn’t. the two of you ~ two reasons why i breathe ~ my children. ❤️
download AS IT IS on iTUNES or CDBaby
read DAVID’S thoughts this K.S. FRIDAY
THE TWO OF YOU from AS IT IS ©️ 2004 kerri sherwood
they had me thinking about the songs coming from my sister’s room and the songs my big brother would play on his guitar. so it wasn’t a stretch to write a piece that was all about longing and reminiscing and memories, stories that were deeply set in my heart, times that had gone by. later on we orchestrated this piece for the album AS IT IS. i still associate it with the twin retro albums; the cello line gets me every time. it makes me want to take out all my photo albums and set up a white sheet in the living room to watch the carousels of 35mm slides my poppo called “film funnies”. longing. indeed.
reverse threading 