the aarp article addressed ‘dyadic coping’, in brief, the way a couple together handles the stress reaction of the other spouse. the edition is dedicated to the pandemic so this bit of writing is not a surprise.
in my rant yesterday about every-little-thing david very calmly started to talk about a plan – ways that i can lower my level of anxiety, ways that i can process without taking it into my body. ugh. i just wanted to rant. for a little bit of time. his let’s-solve-for-this guy approach was lovely dyadic-ly, but made me want to roll my eyes. letting off steam, regardless of the lack of any linear thought, is helpful. five minutes later i felt better. nothing was solved, stress still existed, but i could breathe better and move on to the next thing until the next time.
these are somewhat sleepless nights. even if i drift off after our mountain-climbing adventure of late night fare, i awaken. and, like you, i suspect, i start to think. everything from wondering when i will see my children to finances to work to why the kitchen sink is draining slowly filters through my brain. although i would definitely label david more daytime singularly focused, my obsession is in the middle of the night with angst. serenity is elusive.
perhaps this painting is so very appealing to me because of the quietude. the surrender to rest, beloved pets conceding to the gravity pull of being together, of repose. an eyes-closed moment. triad-ic coping.
i woke in the middle of the night to discover i was spooning the cat. he jumps up on the bed and, pretty much like a sack of concrete, settles in for a long night’s nap, mostly because, well, clearly, the other 23 hours he slept in the day were not ample enough sleep. he snugs in and prevents movement of most sorts: there will be no blanket adjustments, no leg adjustments, little rolling over. my hot flashes necessitate much wrestling to find cooler air as he has permanently planted his sweet large body and is down for the count. and so, you must adjust. granted, his sleep-apnea-style-snoring would be cause for plucking-and-moving (to another room) but we love him and suffer his sleeping-sovereignty; the benefits outweigh the costs.
sally told me that there is a machine that duplicates the frequency of a cat’s purring vibration. i did not know that cat purring is healing and restorative – to broken or fractured bones, tendons, joints, muscles, infections. we would rent out babycat but i am trying to figure out how to make him lay on my broken-and-in-the-ridiculously-slow-process-of-healing wrists. once again, the benefits outweigh the costs.
i hadn’t ever had a cat before b-cat, but now it’s been almost eleven years. he is in some ways more of a dog than a cat, having tolerated a parent who knows dogs and was too busy at the time to read ‘kittens for idiots’ all the way through. so he sits when asked and speaks when asked and does dog-like things. however, he rides the fence and takes advantage of cat-like things at will, like claws. and he is fickle as fickle can be. jen explained that cats will patiently ‘allow’ you to stroke them and pet them and fondle them, all seemingly appreciated, until the doll flips and it suddenly reaches out with both front paws and pulls your hand up to its razor teeth. ahh, but those moments preceding the bite…the benefits outweigh the costs.
in this time of other-worldliness and alternate-reality these creatures of ours – dogdog and babycat – are companions unlike any other. they will not argue politics or policy. they don’t strategize or scheme. they are not semantics-nuts or particularly immersed in propaganda-hunts. they will not roll their eyes at our rants nor will they feed them or egg us on. instead, they comfort when they suspect we need it. they are quiet when there’s been too much noise. they are entertaining when we need funny. they are warm in the cold pandemic plane.
and they curl up with us in solidarity. benefits always outweighing the costs.
ty cobb’s career batting average over 24 seasons was .366. this is the number of hits divided by the number of at-bats. i know that is an extraordinary batting average and yet my math-brain looks at that and thinks, “wow. that’s shy of 37%! only 37%!” what if only 37% of my recordings were complete? or 37% of dinners cooked all the way? or 37% of the work for our employers done? or 37% chance of wearing appropriate clothing outside our home? disregarding the possibility of grading on a curve, my school-brain thinks, “37% does not look like an A!” so when david went on about how his painting has been a miss, i thought, “well heck! you need to lower the bar a bit!”
artists are harsh. we are generally not self-congratulatory, although there is definitely a percentage that defies that. we have a vision of where a project is going and we will jump at the chance for perfecting it every time. there is a point when you know; the time has come to stop, start over, wipe clean the slate. (pfffft – can you hear lifting up the cellophane on those cool vintage magic slates made of cardboard and equipped with a plastic stylus?) david walks away from the easel, huffing. i walk away from the piano, sighing. the muse has left the room before us. at least that is what we invariably think, when it’s our own work.
and yet, it’s so often the case that i will stare at his work, downstairs on the easel and think, “wait! stop! don’t do ANYthing! it’s perfect!” but it’s his project and his creation and he fought with the vision he had in his head. they disagreed; they went to battle and the easel reigned supreme time and again as he walked away, disgruntled.
for me, the third iteration of this painting (see above) is the moment. he could have stopped right there and i would have loved it. it had a dreamy, surreal quality to it. it was graceful and lovely. i’d say at the very least a .375. ty would be proud.
anticipation. it’s the stuff of songs. the stuff of great love. the stuff of waiting for the worst to be over. the stuff of all moms everywhere.
we wait. we wait for them to be born. we wait for them to fall asleep. we wait for them outside the elementary school, gleefully skipping down the sidewalk toward us. and then we wait for them outside the middle school, hidden in the shadows down the road to avoid seventh grade embarrassment. we wait for them at the end of sport meets and music recitals, to congratulate or cajole. we wait for them after the day is done at school. we wait for them to return home in the family car. we lay awake, waiting for them a wee bit past curfew. we wait for them to return home from college. we wait for them to come home from afar. we wait for them to say, “yes, all is well,” and we wait for them to sound genuinely happy. we are not settled if they are not settled.
and now we wait – apart. all of us.
we all wonder what day it is and we wonder when this waiting will be over. we look to each other – on texts, on the phone, on social media, on videoconferencing – for words of wisdom, for encouragement, for reassurance, for a chance to say, “yes, i feel that way, too!” we need meet on common ground; we are alive and we are vested in staying well and staying safe. so we compare notes and share ideas and recipes and cartoons and articles and youtube songs and moments that make us weep.
and, like the day that your beloved child doesn’t tell you of their arrival ahead, surprises you and makes your heart swell with joy by walking in the front door, we wait for the hoped-for-but-unexpected. the flattened curve. the antibodies that prevail over the virus. the vaccine. the end of this profound worry, this herculean effort of medical workers, this exponentially terrifying pandemic. in our world, our country, our state, our community, our midst. in our circle.
we know one of these days this too shall pass. and in the meanwhile, we are honing our waiting skills. becoming adept at patience and being in the moment, not sure of what day it is exactly, but sure of the passing of days. time will bring us to a new day and one of these days, just like our grown child unexpectedly bursting through the front door, Next will burst in and exclaim, “surprise! i am here!” and our hearts will explode with gratitude.
we watched global citizen’s concert ‘together at home’ on saturday night. this virtual concert featured a wide spectrum of celebrities and musicians and raised about $128 million for the world health organization as well as local and regional frontline healthcare workers in support of covid-19 relief. despite wildly varying opinions about this effort, i would have been proud to play in the midst of this. it was about humanity. some of it was pretty raw. people were in their homes, many the likes of which i will never enter. they were with their instruments, they were playing or singing songs they felt would resonate with those watching. a few were, as expected, clearly voice-tracked. a few were, as expected, a bit ego-tainted. split-screen performances and technology raised the bar for musicians everywhere. but it was a moment in time – eight hours in total between online and on-air – when you could see that all of us grieve and yearn the same way. no matter the size of your mansion or tiny house, no matter the grammys on your shelf or the lack thereof, this global pandemic is just that – global- and is not discerning of your privilege. it does not care. it can take anyone. and so we weep.
if there is a painting that depicts the face-holding grief and prayerful yearning for hope, it is this painting WEEPING MAN.
i wonder if he weeps for those who have fallen ill, those who have died. i wonder if he weeps for those who refuse to acknowledge the seriousness of this pandemic. i wonder if he weeps for those on the front lines, helping. i wonder if he weeps for those who have hidden in extravagant bunkers underground in far away countries. i wonder if he weeps for our isolation. i wonder if he weeps watching people intolerant of the isolation that will protect others, people who are selfishly and arrogantly protesting stay-at-home orders. i wonder if he weeps for the unrelenting non-discrimination of this contagion or if he weeps for the divisiveness of responsibility-taking, the it-doesn’t-affect-me attitude. i wonder if he weeps for the continuance of humanity. or if he weeps for the loss of humankind. or, if he weeps for the lack of humaneness. i wonder if he weeps because, in the middle of this trying and profound now, Next will come. i wonder if this painting is tomorrow’s tomorrow and he weeps with relief and hope.
THIS all exists. for each of us. it isn’t always good. it isn’t always not-good.
there are those moments. the moments you weep openly, the moments you cover your face to cry, the moments of overwhelm, the moments of absolute weariness that, despite all evidence to the contrary in your tired mind and body, actually do lead to Next. times you feel alone, times of sorting, times of grief, times of fragile vulnerability, times of regret. the times you put your face in your hands and weep…
and there are those moments. the moments you weep openly, the moments you cover your face to cry, the moments of stunning awe, the moments of sheer exhaustion at your goal-line, moments that actually do lead to Next. times you feel enamored of life itself, times of incredulity, times of unquestionable good fortune, times of serendipity, times of simple all-consuming sweet love. the times you put your face in your hands and weep…
we recognize it. we can feel it. and we know that in another moment he -or she, for there is no pronoun-hogging here- will slowly raise his head out of his hands and Next will have arrived. (reverse threading, and so he weeps, january 17, 2019)
we drew heavy curtains to sleep in the land of the midnight sun. my grandmother mama dear and i were in the arctic circle in finland and, much to the fascination of my eight year old mind, the sun refused to set. i remember a twilight like no other – a time of in-between that just lasted and lasted, not day, not night. it was stunning and magical and wreaked havoc on circadian rhythms, necessitating new practices.
EARTH INTERRUPTED VII makes me think of that twilight, that time in the river of not-this-not-that. a time of waiting, it appears that the telescope zeroed in on earth detects an interruption, a wafting darkness. in this time of pandemic, it would seem a portrait of covid-19.
but, as in all other times of darkness, there exists a glow of light. the blackness is dissipating, the shape of the earth is visible, the twilight is vibrant. this painting offers radiant hope.
just like pulling back the curtains in lapland, the sun will rise and we will have awakened from the strange twilight. we will have lost much to the dark. we will have learned new ways, employed new rituals. we will be tired and wary, cautious yet sure. we will have crossed the river of the midnight sun into a new day.
there is a place on a washington island road where the rest of the world disappears. you are walking alongside forest and can see the sky as you look up, tall trees framing blue, the sound of sandhill cranes and red-eyed vireos accompanying your steps. and then you enter this place. the trees gently arc over the road and you are covered by a canopy; we have sheltered in this spot during more than one sudden rainfall. even in the bright day, the green above you – which turns to brilliant umber, rich red, flaming orange during summer’s release on the forest – allows for little light. and at dusk, while the sun sinks into the water hundreds of feet away, walking in the middle of the road, it is dark-dark, the canopy a lure for night creatures, safe in the shadows.
there is a place in a tree in the yard of my growing-up house outside the window of my old room where the branches invited sitting. for hours i would sit there, write, ponder. in the summer the maple seemed to grant me privacy from the world, its branches full of leaves and canopying my little spot. a shelter.
there was a place in the wooden structure in our backyard that had a yellow awning that made a fort. when My Girl and My Boy were little they would play up there for hours, The Boy lining up matchbox cars, The Girl often reading a book. a special space, this little fort, it was hard when it was time to dismantle it and pass it on to friends with little ones.
these places of shelter – places of canopy – provide such a sense of protection, a sense of being held from harm – from the elements, away from others, in our own private place. much like our homes, they can give us pause, a deep breath, safety.
in this time of distancing and stay-safe-stay-at-home, i look around our house and give thanks for its canopy of shelter, for the way it holds us from harm, for the minutes, hours, days, weeks, months and years it keeps us safe.
like many of you, i have laid awake many nights now. exhausted when i lay my head down and then, voila!, wide awake. the middle of the night has many monsters these days. it used to be that as i lay awake and would get hungry and hungrier, i would convince david that the perfect thing, rousing him from sleep, would be to have a 3am bowl of cereal together. since we went dairy-gluten-free i’ve substituted and have chosen a banana in the wee hours. somewhere i read that bananas are sleep aids, so waking david up to have a banana seemed like i was helping him. but now, we have no bananas.
we need to go to the grocery store. but it’s complicated, with disinfecting wipes during our trip there and being absolutely careful upon our return home to wash everything or store it for a period of time. it’s important, vital. we step back from the person who is a personal-space-invader. we make room on the walking path for those coming the other way. we marvel at the recklessness of large numbers of people still gathering in spaces. we weep for those who have succumbed to a disease that is apparently sorely underestimated.
this painting, eve, is a beautiful landscape of color and shape. eve, religiously historic as the first woman.
is it possible that the apple of eve and adam, the one in the story from the tree of the knowledge of good and evil, could now be seen as a casualness toward the spread of this pandemic, a cavalier attitude, a lack of regard toward social distancing or the peril facing citizens, medical personnel, workers at essential businesses? the apple that, in the story, changed everything, for all time?
there are moments when both dogga and babycat seem to be on the same page. sweetly tuned in to our every emotion, they put aside their own agenda to curl up, their warm bodies tucked in against one or both of us, just being there.
in this time of necessary and vigilant waiting, as we defer to healthcare workers, scientists, the experts, all in their prodigious work, perhaps this is the most potent aid we can offer. to curl our warmth and any practical and safe help we can muster around each other. to acknowledge each other’s worry, each other’s fear, each other’s process. to be tuned in, to listen, to offer words of comfort. to stand with each other, hold each other’s hands, even from afar. to quietly just be there.
in these times. the emotional upheaval is exhausting. worry is the crux of insomnia. we measure every step, every decision. we look to each other for reassurance, for a fast-receding touch of normalcy. we feel…lost.
in these times. we remember other times we felt this way. other times of confusion and fear, of social responsibility and adherence to new rules, new realities. too many calamities to name, it seems. too many times…lost.
this little book Peri Winkle Rabbit Was Lost was the product of such a time, as david created it – a one-of-a-kind – in response for a call for a children’s book that addressed the tragic hurricane katrina, a book given to children that offered empathy for the plight in which they were standing, their lost.
we, as artists, do what we can to offer comfort, to bring a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.
we, as people, look to the arts for a little solace, a moment of breathing, a slice of hope in darkness, a tiny map in lost-ness.
in these times. standing in the darkness with each of you. maybe together we will not feel as lost.
reverse threading 