sisu sue swore by them. turtlenecks. she has them in every color, every kind of weave and fabric. she looks fabulous in them and wears adorable chic jackets over them. she is one cool and trendy lady and i adore her.
having already started the hot-flasharama-period of my life when we were working together, i would ask her how she could stand having a turtleneck on; it was (and mostly still is) out of my realm of imagination being able to wear a turtleneck and not ripping it off in the middle of -say- the choir room or the train to chicago or in the car while driving. this oh-so-wise treasured woman told me that someday i would understand.
THAT DAY HAS COME.
i look in the mirror, a few steps of days away from 59, and stare at (you might want to stop reading now) my NECK. what has HAPPENED? suddenly, my neck (and chin, for that matter) have become O-L-D. where has the time gone? where did my old neck go? and where did that new chin-under-my-chin come from?
my sweet momma, at 93, looked at me one day and said, “i looked in the mirror and (in a horrified voice) i saw an OLD woman.” “momma,” i reassured her, “at 93, you are an old woman, but you are a BEAUTIFUL old woman.” personally, i thought my momma was striking. every last wrinkle told a story. every last thing she saw as a flaw. but my words fell on deaf ears. she just stared back at me. probably feeling much the same as me. delusionally thinking that time would stand still in our necks and chins and -yup- everywhere else. time and menopause take their toll.
the next time you see me try not to stare at my neck (although i have likely set you up for that.) i may or may not be wearing a turtleneck. the ironic part is that a real turtle’s neck really does look a lot like mine. sheesh.
anyone walking in our home knows this is true: i’m a vintage type. our home is not populated with new things fresh from the pottery barn catalog. instead, it is filled with things that are re-purposed, things that are old, things that have some history, things we haven’t replaced with new things. even our manner of work is kinda vintage, although this blog and our online product lines aren’t evidence of that. but as an acoustic-analog-type musician and a brush-to-the-canvas painter, we pretty much scream
“vintage”.
one of my most treasured physical memories of my poppo are a few old small wooden boxes we found next to his workbench. they would likely have been thrown away, but i knew he had “saved them” for some future purpose – perhaps holding random fasteners or nuts and bolts. we carefully wrapped them and brought them home and they now sit in our sunroom (next to our not-so-vintage-and-really-awesome nespresso machine) and they hold nespresso capsules (which are recycled) and a collection of old clothespins my sweet momma used to use on the old clothesline in our backyard growing up. it’s not the fancy stuff. it’s the vintage stuff.
i lusted over this typewriter in the antique store. i’m still thinking about it. if it’s still there one day when we are visiting that shop and i have a little bit of extra spending money, i will buy it. i’m not sure what i will do with it, but it speeeeeaks to me. my sweet momma loved typewriters too. what is it about those?? i think correctotype and purple carbon paper, the workout your fingers got, how it feels when you take the return handle to move to the next line down of type, and that really great sound -think of it…hear it- when you pull the paper out of the roll. it’s visceral.
the stove/oven in our kitchen is, ummm, old, and, although i prefer to think of it as ‘vintage’, it doesn’t necessarily count as romantic ‘vintage’. it was here when we bought the house in 1989 and had likely been here at least ten years at that point; the people who owned the house before us were not the buy-new or even fix-it-up type. matter of fact, they took it to a new level, putting contact paper on the countertops and backsplash and offering to teach us how to replace it. (eww. the sheer bacteria-breeding-ground-ness of that makes me shiver. one of the first things i did was remove that stuff.) but, back to the stove/oven. it continues to work and i can’t tell you how many meals i have cooked on it and how many people have eaten those meals. (if you merely consider almost 29 years and maybe just one meal a day, that is 10,585 times that this appliance has served me and my family and it is likely about 40 years old.) my sister has had multiple stoves/ovens in the time i have had this one. granted, she has enjoyed lots of updated features i haven’t had, but i haven’t (knock wood) spent anything to date on a stove/oven since 1989. amazing. it’s a testament to kenmore’s older appliances. someday i know we will have a new one, but in the meanwhile this workhorse is not taking up room in a dump somewhere, with a half-life of a billion years (ok, slight exaggeration) and i feel good about that. it’s not pretty, it’s not high-tech; i feel it has earned the label ‘vintage’ and no one seems to run – aghast- out of our kitchen because it graces the spot for ‘stove/oven’. there is something to be said for that.
we just had breakfast; d made it as he does each morning these days. he cooked it on that stove and it was deeeeelicous. and me? i’m going to get out our coin jar and count what’s in there. maybe there will be enough to go back to that antique shop so i can bring home this typewriter.
try to see what they see. i glanced back over what i’ve written the last week: about trying to see eye to eye, about assuming awe, about being relentless in a life that isn’t simply black and white, about being brave. is it possible to write too many words about the importance of empathy? the importance of trying to walk in another’s shoes to really understand their circumstance, their joy, their plight, their challenge? because it’s easy to forget, i never feel like i can be reminded enough; it’s always hard to remember my perspective is different than any-other-person’s-on-earth. sometimes it’s laden with stuff. it’s all so complicated.
when dogdog was little we were astounded by his exuberant joy. he was always bounding, seemingly ever hopeful. he still is. i’ve written about what his take on the world looks like to us; i’ve written about what babycat’s take on the world looks like to us. they look forward and see possibility, without the capacity to mull all the looking-backwards-stuff over in their brains.
we surround ourselves with wonderful pets who unconditionally love us. all of us who have dogs or cats -or any pet- we adore know this; people who dedicate time or their lives to keeping animals safe – like aly, a veterinarian, or jen, who has spent lots of time volunteering at humane societies and sanctuaries, or my sister, who just adopted a puppy-she-wasn’t-expecting…we all know this. they see us like no one else. and they are part of us in ways not easy to express in words. they aren’t looking at us with prejudice or judgement, emotional baggage or elitist measurements of value. they simply expect the best and somehow they find it in the very next moment. they find it in each moment. they clearly know something we don’t know. they don’t need to walk in another’s shoes. they just look forward and trust. it’s simple for them.
for us? we can stand to be in those other shoes AND to look forward. we can try to see what they see.
i love design. and i love finding the small morsels of design hidden in each of david’s really exquisite paintings and, with my mind’s-eye-magnifying-glass creating products with them…my favorite new design challenges are – amazingly – leggings! but, regardless of the product i am designing, it makes me crazy how many stunning individual images are within the whole…i’m bowled over with my camera roll after i shoot a painting.
earth interrupted I, mixed media 48″x53″
it occurs to me that this is not far from something i should notice in all of life. quarter earth – a part of earth interrupted I – is no less a beautiful image because it is a smaller piece of a whole painting. ahhh. it’s not a stretch to see – that the individual daisy is no less a beautiful image because it is a small part of a field of daisies…this moment is no less a beautiful image because it is a small part of a life of moments…we are no less a beautiful image because we are are a small part of a whole world of people.
i hardly know where to start. eye to eye. i to i. dang.
it’s easy to look at this and think of my own daily-life-eye-to-eye challenges. but – i can’t look at this cartoon and stay away from the political climate in our country. whether you prefer blue or red – or even purple – you have to admit, we are not in a state of blissful co-existing. we have moved in together and have drawn lines down the middle of the virtual apartment, down the middle of the ever-increasingly important issues, down the middle of integrity, down the middle of people’s hearts. and, with such strong big-thick-font-lines drawn, there seems to be no meeting ground, no where to go. the “eyes” of wisdom and for-the-good-of-all-people have disappeared and the “i’s” have shown up, stronger and bigger and more powerful than before; superman without clark kent’s goodness.
where DO we start? pstacey said the other day that we have to start in our own little corner of the world. i agree. how hard is it sometimes to see eye to eye/i to i in our own relationships, our own families? ptom’s words “acts of radical kindness = building community”. i agree. in the middle of our own concentric circles, we make a teeny movement of goodness and the ripple spreads out. there is no where else to start. without our grounding in the breath-space we each take up in the world, we can’t make any progress, we can’t ripple out.
perhaps we all could work on seeing eye to eye (er, i to i) if we made conscious and generous life-giving decisions with every choice-we-are-faced-with that take into account a weighing-in of how it might impact others. we don’t have to agree. but we have to respect each other in the process, try to walk in another’s shoes, see another perspective, see what someone else’s eyes see. see i to i.
yes! there are two different product lines – each easily accessible by clicking on the “eye to eye merchandise” link OR the “i to i merchandise” link above.
so i’ve decided that there is a difference between us and our pets. you roll your eyes and think, “she is clearly a little slow on this…” but i’m not just stating the obvious. i watch dogdog and babycat through their days and find wonder in their absolutely joy-filled acceptance of the moment. for dogdog and babycat, there is no continuum of how-am-i-going-to-feel-right-now; it is simply always at the apex of ‘happy’.
dogdog runs around the backyard gleeful. our neighbor and friend john says he can practically hear him thinking, “oh boy, oh boy, oh boy, oh boy!” he meets us at the back door when we arrive back home or when we ask him if he wants to “go on errands”, vertical-jumping to challenge the best of basketball players. at the end of the evening, when he is sure it is time for “sleepynightnight”, he rolls over for a treasured ‘belly-belly’; nothing else matters to him at that moment. all of his actions are based in the moment. all of them assume the best.
if babycat can’t be laying curled up next to you, he seeks the sun and follows it around the house. he sits on the chest in front of the window (just as in this drawing of chicken marsala and babycat) and gazes outside, clearly enchanted by everything ‘out there’. he gets most excited by mealtime and a ‘treat’ will literally make him come running and put him over the top. all of his actions are based in the moment. all of them assume the best.
why is it that we function so differently? why is it that we cannot assume the best? we tend to pre-form our view about our day, our challenges, our life, our conversations, our relationships, our, well, most everything. we drag all the old baggage along with us, all of which contributes to heavy-hearted-difficult-to-circumvent-or-navigate negative assumptions of what is to come. what would it be like for us – as individuals, as couples, as families, as a community, as a country, as a world – to assume the best? to assume awe?
there is maybe nothing that says “cool” more than a bass player. upright bass or electric. they have a certain air, a je ne sais quoi, that just quietly and intensely says ‘phat’.
jim is like that. he was the throw-anything-at-me-and-i’ll-astound-you bass player on a couple of my albums. such a great sound. he’s a top-shelf musician and i’m proud to have had his playing as part of my recordings.
the bass player, 24″ x 48″
this painting makes me think of jim and also of several of The Girl’s and The Boy’s friends from high school. they were bass players in jazz band (and every other band that our district offers) and they rocked the house. many of them, like jim, are in chicago now and i hope they are playing and still rocking the house.
this cityscape morsel comes from david’s painting the bass player. when i was photographing the full painting, i kept zero-ing in on this morsel….the city at night. i love the fun of it, the color, the chaos. designing products with this morsel was a blast! i got lost in the possibilities. just as you can get lost in the night in this city.
my name is kerri and i was a razor-flip-phone-holdout. it’s occurred to me that i might have been the last person who ever had one; i went from having my own brand-new-razor to The Girl’s hand-me-down-razor to my friend’s hand-me-down-razor to my friend’s daughter’s hand-me-down-razor….you get the picture. i would hold tightly the little screws keeping both halves of the flip together as they loosened and fought to cease and desist – just to not have to move on and decide on (read: learn) a new phone.
The Girl and The Boy generously gave me my first iphone for christmas a few years ago. it was an iphone 4 and it was groundbreaking. all my fears of smart-phoning disappeared and i became a part of the 21st century.
if it weren’t for texting, there are few conversations i would have with my children-who-live-far-away-and-are-too-busy-to-be-on-the-phone-with-mom (i knowww you can relate.) it was always remarkable to me how fast The Girl could text; i teased her with thoughts of entering her in national contests. she rolled her eyes. apparently, this is not an uncommon skill. i have to say, i flipped out the day, some time ago, that my iphone deleted my string of texts from The Boy. these text-strings are pieces of life.
i have graduated one iphone beyond the 4. skipping the 5 i now have a 6. well, technically, a 6s (there are varying opinions as to what the ‘s’ means.) it still amazes me the kind of connectivity with the world i can have with this little device, how truly smart it really is.
text me when you land makes me laugh. an absurdly funny cartoon, you have to admit, texting is alive and well in all places.
faced with the word “brave” as our two artists tuesday image, i flounder with where to start.
very early this morning our dear friend linda left her home to go to chicago to have a cochlear implant. we spent time with her a few evenings ago, as she sorted through hope and fear, what she’s known and the future unknown. one of her greatest passions in life is dancing. she dances to music designed for dance, to music she hears in passing, to music in her head. terrified of losing the ability to hear music post-surgery, she pondered the what-if of not having this done. but her desire to actually be able to hear MORE (more beloved voices, more broadcasted music, more cds out on the deck or in the dance hall) won out and she is on a new journey. she is brave. brave. brave.
my sister just had surgery on her hand to remove a skin cancer. i am grateful and relieved she is healing from this and will likely not have to have any additional treatment. d and i talked about this on a walk the other day. i was weeping openly on the sidewalks in our neighborhood as i spoke about my big brother, who died after a valiant fight with lung cancer, my daddy who was a twelve-year-or-so survivor of lung cancer, my sweet momma who had a double mastectomy for stage four breast cancer at the age of 93. i cannot help but have some fear. who among us is exempt from that? but my big sister was brave and positive and i am determined, as i move forward in life, to be brave as well. in all arenas. on all fronts. d says i am much braver than he is. i’m not sure why he says this, but his words make me feel stronger.
we meet our challenges singlehandedly, we meet our challenges with a world of support, which is sometimes just one living person, one other being. our bravery is fortified by the love of others, by their words of wisdom, by their ability to shift our perspective, even just a little, by our re-defining. for we are not in this alone. we have on our wall in the bedroom a sign that reads, “wherever you are, that’s where i will be.” our ‘brave’ is fed by our faith, the sisu (perseverance and fortitude) we’ve honed in life, the courageous alter-reaction to the terror of taking a step, our community of people. susan and i have used the word “scrappy” to describe our lives; in looking at the definition of “brave” i would add intrepid and plucky. great word – plucky.
i mean, let’s face it – just being in the world and being who we really are each day is damn brave.
late yesterday afternoon, after a day spent working on computers and designs, with technology sluggishness taking over our souls, we headed to the woods to take a hike. any time we feel tired or ‘stuck’ we walk. around the ‘hood, along the lake, or to the starbucks about 2 and a half miles away. any time we feel exuberant or elated we walk. sometimes in the mountains (ahh!!) or in chicago or the third ward in milwaukee. any time we need a ‘business meeting’ we walk. mostly in the woods, in a county or state park. walking and breathing in fresh air brings us back to the moment. it re-centers us.
we hiked up the small rise in the woods, the light was waning and behind us the sky was deep deep orange. in the clearing beyond the stand of trees stood, very still, a deer. it was clearly the ‘lookout’ as way back in the field were six more deer, easy to count in the almost-dark as their white tails bobbed when the lookout gave the alert. we stood perfectly still watching this beauty, a magic moment in the woods. neither of us wanted to leave the spot. i took a picture, not because you can see the deer in it, but because it preserved the moment for me. i didn’t want to forget. because, as you already know, i am thready like that.
around me, every rock or feather or piece of wood or ticket stub or scrap of notepaper carries with it a specific moment – preserved in time. i could not necessarily tell the story of each of those moments – there are far too many for my synapse-challenged-brain to remember. but i know that each one had meaning for me. each one defined yet another piece of me, my relationship with someone i love, a time i shared with another being, a learning, a moment of sheer bliss, a moment of deep sadness. each moment renewed me and brought me to my next moment of living.
as i have moved through life one thing has become certain. that everything changes. nothing stays the same. life is in flux, always fluid. what more do we have than each moment as it arrives for us? i ask myself, “how do i want to spend this moment? what do i want to feel about this moment?” for i can never get it back. i can never re-do it. time has moved on. and so i must keep moving. i write about moments, i compose about moments, i tell stories about moments. for me, those details count. attempting to put succinctly (ha!) into words my philosophy-of-what-moments-mean is impossible; it is the umbrella that skies over everything else i believe, everything else i think.
when The Boy was little, he called the rearview mirror in cars the “review” mirror. particularly poignant i think. i have seen it written “don’t stare into the rearview mirror. that’s not the direction you are going.” instead i try (read: TRY) to review the past moments, learn from them, find grace in them, save the memory threads. and wholeheartedly embrace the ones to come. the moments. unique. in every way. i love this chicken marsala image.
sisu sue swore by them. turtlenecks. she has them in every color, every kind of weave and fabric. she looks fabulous in them and wears adorable chic jackets over them. she is one cool and trendy lady and i adore her.
reverse threading 