reverse threading

the path back is the path forward

Tag Archives: evocative


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carry it with. [kerri’s blog on two artists tuesday]

dear you.

we are trying to regroup, rethink and refocus our melange blogpost writing a bit. we – like you – know what is really happening in our world and do not need one more person – including ourselves – telling us the details of this saddest of descents destroying democracy and humanity. though we know our effort will not be 100% – for there is sooo much to bemoan in these everydays – we have decided to try and lean into another way – to instead write about WHAT ELSE IS REAL. this will not negate negativity, but we hope that it will help prescribe presence as antidote and balm for our collective weariness.

xoxo, kerri & david

***

in the tiniest liminal space while the river rivers, a frozen second of film captures a painting of swirling green. with no frame of reference – no smidge of bridge over the waterway, no shoreline of rock or underbrush, no logs or boulders or turtles or fish or heron, no sky, no horizon – this tiniest second – the moment it takes to snap the photograph – becomes etched in time and space and the mystery of the image is born.

what else is real…there is beauty in the pollen-filled river, beauty as it flows slowly – slogging its way downstream, a palette filled with the pollen of nearby trees, algae exploding from the heatwave. and as we stand above it – we gaze down at it – and i am astonished at the color, the swirls, the ever-changing etch-a-sketch, like a jackson pollack painting has come alive right before us.

and the liminal space – this very tiny liminal space that the river has identified and snap-immortalized in our camera – evokes for me – once again – how momentous this very moment – that we can see this. and it, gratefully, untriggers – if there is such a thing – even for the briefest of time – the amorphous and not-so-amorphous anxiety-about-these-very-days i have been feeling.

and so i pick up the chartreuse-and-black river and carry it with me.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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smitten. [kerri’s blog on two artists tuesday]

the boulders. the lake. the obvious. 

beyond the boulders – trees, deep in fog. fuzzy.

minus the beyondness, minus the trees, one would barely know it was foggy. 

but context is everything. 

up close, the boulders are clear. they are like the notes on the page, the score. technically, they are vital. but context is everything and it is the artist’s job to look beyond the obvious, to seek that which tells the whole story, that which evokes more. it is the musician’s job to play that which is beyond the obvious, to play that which evokes. more. 

peter spering, in an online forum that was great-debating which – of technical wizardry and feel – was more important in playing music, wrote the words “…technically great but creatively dull”. 

the boulders without the foggy trees: we have all heard this music, seen this art, read these words, watched this dance. if you have listened to a computer rendering of a piece of sheet music, you are aware of neat and tidy technicality, seamless, even perfection. you are also aware of the lack – of any emotion, any expression, any air, any space. boulders will only sound like boulders. there will be no question. there is no beyond. there is no fog.

to answer the this-or-that question from the forum – technical chops or feeling – is both impossible and necessary. music is the expression of the human condition. music is love in sound. it is a marriage of both the technical and the evocative. 

yet…if art is to convey questions and answers, to explore and navigate, to inform, to find meaning…if the recipient is to be moved, to be smitten by life, then music – the simple and the complex – must be played with heart. and technical wizardry will cease to matter if it falls upon souls with nary a touch, without any dents or brushmarks or trace that it had been there.

“it is enough when a single note is beautifully played.” (arvo pärt)

because a single note – played with heart – will impact you. it will bring you to a place where – even without standing on the shore – you can see the fog, the trees, the dim horizon.

and you are able to “feel the world stand still”. (arvo pärt)

smitten.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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thank you, george winston. [not-so-flawed wednesday]

in 1971 he came up with it: “rural folk piano”. uncluttered, melodic, uncomplicated, “inspired by the seasons and the topographies and regions, and, occasionally, by sociological elements” – a reflection of where he was at. we – solo pianists and composers – owe george winston a debt of gratitude. he has just died, in the last days, but the impact of his work will continue to reverberate through speakers and earbuds and, significantly, through the works of those of us who have followed him.

i chatted briefly with george once. it was after one of his concerts early in my recording career and i can’t remember if he had put his shoes back on. he doesn’t speak much in concert; he lets his melodies do that for him. they are profuse and intelligent and articulate, always evocative. but just like some might think that they know everything i am thinking or feeling because of this blog or my music, a listener might think they know everything george was thinking or feeling because of his music. i’m guessing for george, but think neither is truly the case, entirely. blogs and music compositions, words and notes can certainly disclose some of the soul, but i suspect that, just as is true for me, the complete autobiography is not found in completion there – it is also found in the reflections all around us.

there are few people – instrumental aficionados, especially – who have not listened to george winston’s 1982 release “december”. it is exquisite. it went triple platinum and was on the billboard 200 for 136 weeks. his work – a plethora of gorgeous albums – gave serious credence to melodic solo piano and set the stage for a next set of composers – those of us writing emotional piano pieces, some solo, some with orchestration – and the subsequent contemporary radio airplay that ensued. by the time i wrote my fourth album, a/c airplay was possible and – for that purpose – pieces were kept under 4 minutes, and, even, closer to 3:30.

the reflections in the building across the river are entrancing. black on cobalt, it’s all a curiosity.

the reflection of those-who-have-come-before-us reveals in our own zeal to create, to speak, to have voice. artistry.

it is with gratitude and a deep appreciation for his wizardry that i thank george winston. his star will always shine with brilliance and his legacy will resonate throughout the ages.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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the burn. [k.s. friday]

they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.

to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.

as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.

and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.

it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.

as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.

there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.

“i want to know if you will stand in the centre of the fire with me and not shrink back.“ (oriah mountain dreamer)

shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.

*****

“and you were there in all of my suff’ring.

you were there in doubt, and in fear;

i’m waiting on the dawn to reappear...” (you were on the cross – m.mayer, k.butler, a.assad) 

TRANSIENCE ©️ 2010 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY


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on the trail of uuno. [merely-a-thought monday]

i was stunned to see my eyes on his face. maybe even my nose. ok, maybe – for obvious reasons – more my dad’s, my mom’s. but, sheesh, this ancestral dna, undeniable, is a funny thing.

finnish. i am finnish. and proud of it. though there are millions of us, my most-italian-city-in-the-state-of-wisconsin doesn’t have a lot of finns. we are pretty few and far between. the most finnish we get in these parts is people talk about (while mispronouncing) “saunas” and wonder about the use of the word “sisu” (one of my personal favorites.)

recently, in facebookland, my cousin posted this finnish proverb, “the forest will answer you in the way you call to it.” another cousin wrote that she remembered the story about our relative uuno klami, a famous finnish composer, “one of the most significant composers in the era following jean sibelius”, who brought people out into the forest and encouraged them to “sit quietly” and “listen to the woods”.

my sweet momma used to tell me about him, too. she connected the dots back to uuno as where i drew my composing juju. no one else in our family wrote music and, actually, not many even played instruments. my dad used to brag about how he could “turn on the stereo” as his musical talent. yes, he was a cutie-pie with a dad-sense-of-humor. my mom was insistent. in the ever-so-typical “yeah-yeah-yeah” internal response to which we children seem to default, i didn’t go much further than these conversations, a discuriousness i now regret.

so a couple weeks ago i googled him. it was startling to see his picture. because i felt like i recognized the heavy eyebrow lids – frontal bossing or some such term – slightly drooping eyes, the 11’s furrowed over his nose, his actual nose. geesh. he was not blessed with as high a forehead. now, a few generations later…

but – his woods connection. yes. psithurism: the sound of rustling leaves and wind in the trees. gorgeous. inspiring. evocative. i so agree with him.

his music – as i now begin to listen to it, on his trail – many pieces with only one recording, one interpretation. and – in the way of composers and real life – much of his oeuvre is unpublished.

yet i suspect that the forest knows it all. what he brought to it – his muse – returns to the leaves and the wind and is always there.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY