as autumn moves into full bloom, it is track-able on our westneighbor’s fence. the virginia creeper vine is fully immersed in the transition of seasons – producing berries for the birds, changing color day by day.
but there are fewer and fewer leaves now on the vine. dark is longer and colder and the cicadas and night crickets have ceased their song. in turning back the clock, there’s no turning back the clock.
and we head full-tilt into this season, knowing that winter’s lull will follow, that a time of fallow will start.
we blink back the wistful for summer, for early fall’s warmth as we head into the colder seasons. and we try to remember what we treasure about this next season, just six short weeks away.
with different eyes we look to the horizon of each day – changing our expectations, sorting to presence and appreciating each remaining leaf.
and soon the fence will be bare, save for the vining twigs.
but under the soil there is a gathering momentum of energy. and one of these days again – in the way that nature continues and continues – in the way that goodness goes on – it will burst open and we’ll see growth again. the vine knows.
with what seemed a millisecond between seasons, it is – clearly – fall now.
i had a list of places to go, places to show d. but the tropical storm/nor’easter put a crimp in all that. planting fields, millneck manor, blydenburgh park, hecksher park, every beach on both shores, out east – it was all on the list.
but the reality was that both time and good weather were limited. so in tiny bits of time, we went to the most important places. the other places will have to wait.
grateful to be home, we went to our favorite loop trail and immersed in the turn of the season, appreciating all the little and big ways it had changed in the week we had been away – a week that felt infinitely longer.
i readjusted the smart lights and the old-fashioned timers. d pushed the garden lights earlier. we refreshed happy lights and, and just a few days ago, i turned on the heat for the first time this season. i love autumn, but the waning light is a bit challenging.
any store we enter now is decked out in full holiday schmalz. that – i have to say – is too much for me. though i am completely aware this works for some people, it just seems too soon and it seems a bit tone-deaf to me, considering all that is actually happening.
as i think about the holiday season – knowing our adult children will not be celebrating here with us this year – i wonder about our own celebration. i have some seriously mixed feelings about it all. though being surrounded by lights and cheerful reminders of merriment and joy would be helpful, i also know that there is a tipping point – at least for me. too much of that might be like closing my eyes to the painful changes taking place right here, right now. it will be important to balance the hope of a season of light with reality. some of the merriment, the decorations, the glitter and ribbons and wrap might have to wait. just like millneck manor and planting fields, the beaches and parks of the island. sometimes just a bit is also enough for the moment.
in the meanwhile, we touch this season. we take cuttings of our plants to propagate for next year. we miss long, lazy light as it slowly disappears. we start to wear boots.
the time of fallow is coming.
fallow.
and then?
i truly hope that soon we here in this country are able to – driven to – resume the cultivation of kindness and humanitarian goodness, to regenerate respect and care for each person here, to break the toxic infestation of these days, to recover a nation of integrity, equality, generosity and democracy for all.
when they were little, i was accustomed to watching their growth spurts – these moments when their tiny bodies were overcome by fiery energy of growth……a sudden few inches here or there…a burst in language or fine motor skills. childraising is a continual surprise. just when you thought you knew what you needed to know – at least temporarily – you were stymied by your own tiny child – and you became a little heap of not-knowing uncertainty. oof. it’s all a glorious mystery.
the one – and only one – daylily wasn’t giving up. all around it, blooms had tired and turned into wrinkled brown tissue, stems were drying out, its green frond-y leaves were yellowing.
and then, the growth spurt of this one last blossom – not yet willing to give up the game. it raised its head to the sun, singing.
we are watching the transition to autumn – all around us. fallow is in the offing, just off-stage, waiting for the summer to clear and sweep the wood floor of time it had inhabited. lighting is clearing the way for dark, a slow decrescendo of available daylight. sound is preparing to – soon – shut down the microphones of cicadas and crickets. the props of summer – all the heavenly hot-sun blooms and flowers and produce and herbs and the fantastic tapestry of color – the stagehands of fall are collecting them, quietly putting them to bed.
but the daylily in the front garden is having none of it.
in the middle of the transition to the quietude of fall, it is speaking loudly. it is not remaining silent. it is – in fact – screaming out to us to “remember!” it is reminding us we don’t know it all.
daylily’s transition is not without noise. it is not without color – its flame orange a loud pushback on what seems inevitable – fading fall, falling.
it is having a growth spurt of independent spirit. one lone bloom. glorious.
“instead of silence, she chose fire.” (celeste ng)
“as we walk in fields of gold…” (gordon matthew sumner (sting) – fields of gold)
it is the grasses that thrive in our yard. the hostas have mostly yielded to the daylilies and the ferns have volunteered into a bigger garden out in the corner under the trees. the peonies hold their own – their blooms ever the sweetest. but the grasses – planted in our sandy soil near the lake – multiply and thrive.
were we to be dropped out of the galaxy into our yard, we would at least be able to identify the season – based on the ornamental grasses that grace our gardens. they are stalwart and enduring, coming back despite whatever is happening in our own universe, in the world. they are tuned to the sun and the moon and they set a high bar of appreciation for their renewal, their robust, their willowy feathered plumage, their verdant green in summer and this golden glow in fall.
we sit and gaze at these gardens of gold, particularly as dusk’s setting sun plays over them. we are smitten.
i am planting two new roots of peony, a generous gift from my sister-in-law. carefully we have decided where to place these tiny plant souls. they will flower in white blossoms, different blooms from each other. i will cluster them with one of our hot pink peonies – the one that hasn’t yet budded. and, hopefully, the grasses adjacent in the garden will keep an eye on these newcomers. we can gently plant, water and feed, be mindful of recommendations, but the garden will also tend itself and my sister-in-law has reassured me that peonies are so tough and hardy that they don’t necessarily need anything special. welcome words, as we are really neophytes at this.
there are many gardens with much more variety, that are more exquisite, more elegant, lavish, even opulent. yet, each time we come home – or finish our day on the deck or the patio – now that we have passed by the equinox and autumn is sweeping in on the departing wings of summer – i am grateful for these fields of gold in our yard. the steadfast spirit of these golden grasses aligns with us.
fall has cracked the door open. and, though it may tiptoe around a bit in this teeter-totter season, it will not backtrack. it is on its way.
and nature – in its wisdom – is doing the work, prepping for cold to arrive, stoking up, storing up, guarding its ability to survive, seed heads readying to spread far and wide.
she asked me if i would be recording again. I wasn’t sure how to answer. i don’t know. it has been some time since my last project. recording is expensive and – because of today’s world of streaming – not particularly financially rewarded, making it a kind of skewed investment…heavy on the cost, extraordinarily light on the payoff.
yet, every independent artist knows recording is not solely about the financial reward. it is the expression of what’s inside, just waiting to hit air. it’s doing the work, prepping, stoking, storing, guarding – all for the seed heads to fly.
she asked me other questions as well – how i compose, if i hear music inside. her questions cracked open the door to a conversation I haven’t had in a long time, a real conversation about my music. i felt grateful – not only for her inquisitiveness, but for her obvious support of what i have already produced. it was a sort of balm on a wound that was just lingering, lingering.
I don’t know when – or if – i will produce another album. i’ve teetered-tottered just like the waning of summer and the rising of fall, just like daisies struggling to stay vibrant, open, to stave off utter fallow. i’ve wondered through these last few years if, after fifteen albums, i was “done”, wondered if, at 65, i was no longer relevant, wondered if i still had the necessary chutzpah.
i miss the stage, a piano and a boom vocal mic, a wood apron beneath my boots. i’ve missed telling the stories of songs and the gestures of instrumental piano. i’ve missed eye contact with an audience, finding resonant bits, making people laugh or reminisce, the moment you know they are right there with you.
the daisy seed heads are getting ready. it’s pretty certain they will proliferate gardens again in the spring after their fallow through fall and winter.
maybe – somewhere in here – i am getting ready too. i guess we’ll see.
the glow of the setting sun teased through the grasses out front. autumn is rising.
my old hiking boots are waiting by the back door. soon – and very soon – it will be time to change out of our hiking sandals and back to these boots, worn from many, many miles of trails. we need to replace them. the podiatrist informed us we should purchase new ones every six months or so if we are wearing our boots regularly. since we are artists, this is not quite possible. and so, these circa 2016 boots have graced our feet for the last eight years of hikes. every bit of worn leather, every creak, has a story to tell. someday it will be a tad bit hard to retire them. they have served us well.
today is the first day of school here. i am completely out of sync with these touchstones of time. the trip to target – with school supplies galore – helped place me in time. but with grown children and no direct connection to the school system, we had to look up the district calendar.
a certain wistfulness comes on the breeze with the return of the fall sun. it happens every year. it’s hard to identify, but it is palpable.
i wonder if it is a kind of homesickness – for growing-up times back on long island and for my own days with a backpack – stuffed with textbooks, spirals and new pencils – slung over my shoulder.
i wonder if it is a kind of nostalgia – a yearning – for the times when my children were little, when they picked out new backpacks and pencil cases, gathered their wide-ruled notebooks and glue sticks, colored highlighters and crayons, those days when packing lunches and snacks and waiting for the bus were the defining times of the day.
i wonder if it is the bank of memories i carry – taking my children to college, unpacking into dorm rooms, apartments, toting stuff back and forth, my heart holding dearly to the threads of their childhood while, at the same time, supporting their gossamer winging wings, watching their contrails.
i wonder if it is a kind of longing – a pining for things undone to be done, for things not accomplished to be accomplished, for summer dreams to extend beyond the setting summer sun.
autumn rises and i feel invigorated. these are new times. there is new possibility. i have no idea what is coming but this rising autumnal sun is full of golden light.
golden. light. and my old boots are waiting by the back door.
“the sun shines not on us, but in us.” (john muir)
in the last weeks our hikes have taken on the shuffling gait of autumn…the days when you crunch through the fallen leaves on the trail or even on the sidewalk. it’s crisp out and maybe you are wearing gloves, a warm vest. there is that sound as you walk. it resonates backward in time – and memories of other walks and hikes flood in. having lived in a few different places – distinctly different from each other – gives plenty of fodder.
when i first moved to wisconsin – decades ago now – we drove down one of the main east-west arteries of the city and into a temperature inversion. it was later fall and, apparently, there were homeowners – in the township that has boundaries meandering in and out of the city – burning leaves. the smoke was like a giant blanket, trapped and literally hanging over the road. it was strange to drive from clear daylight into this smoke-filled area – fogged way high up so that you couldn’t see the blue sky when you were in it. i haven’t encountered this since, but the memory of it is still clear. it was early in my time here and it felt unnerving, adding to the feeling of homesickness.
my sweet poppo used to burn leaves. back on long island our home was in front of a woods so there were plenty of trees in our yard. after we raked and raked (and raked) he would burn them, like everyone else. the smell of leaves burning still takes me back there. it brings hot cocoa and marshmallows to mind, my momma adding to the fun. sometimes i’d have friends over and call it a leaf-raking party.
i have snapshots in my mind’s eye – my children playing in leaf piles. towheaded toddlers, mittens, sweatshirts or snowsuits – tumbling and laughing and throwing leaves. neither were raking-fans but there is no denying the pull of a good leafpile.
i’m not doing the raking these days. my wrist can’t handle it. but d doesn’t seem to mind – he loves the physical-ness of raking leaves. there are times i think that it would be exceptionally wonderful to live in a place that is completely natural – where grass is not manicured, leafblowers are unheard of, and leaves are left to become mulch and part of the earth. maybe someday.
in the meanwhile we abide by green biobag rules and rake the extra off our yard, making sure there is plenty still to insulate our plants and to provide frigid-weather shelter for critters. it makes me happy to think of the bunnies who have clearly taken up residence under our deck, tucked into leaves we could never reach.
and – on those days we hike in the woods and the wafting of a distant bonfire reaches us – i stop in the middle of the trail. and, like layers of leaf-smoke blocking the sky for a moment or two, i am wrapped in the embers of memories.
the orange sherbet sky is a stunning backdrop to most anything but the milkweed’s wisp is anything but most-anything.
we pass by and notice. we pay attention. texture and color and movement from the gentlest breeze – it is a photograph before it was a photograph. my job was simply to snap it.
our days are slower. we linger in not-knowing. we acknowledge time as it sneaks by. and the next week comes before any of us are ready, before it seems possible. even the milkweed is surprised.
we are learning lesson after lesson. that this is life: the things our fingertips touch, the scent on the wind, the view before us, the call of the black-capped chickadee, the ground under our feet. we are caught up by the impermanence of it all. we are realizing the folly in the gathering of stuff. we immerse in the river where there is no stratum. we feel the moment, without knowing the edges of next.
the orange sherbet sky doesn’t dawdle. color has another place to be. and as the sun drops below the horizon, the shadow-gaps fill in.
we stand with the milkweed in dusk, close, loitering in early night and, with gratitude and rest, ready for next.
i procrastinate putting away the wrought iron table and chairs. i just want to leave a couple pillows out, a place to sit, the possibility of a meal – one more time – at the table on the deck.
all the other things-of-summer are put away. we’ve cleared the potting stand. we’ve transplanted the lavender. we’ve put the tiki torches and the fire column in the garage. the old door and the black and white prayer flags are taken down and the rugs are rolled up. it’s not easy – this nod to impending winter. and so, we keep out the wrought iron table and chairs and just a couple pillows.
and this week – it has been possible – because this week has been a gift of sun and warmth. and this week we have been able to stretch it out a bit longer, pulling on the taffy of early-autumn just a little bit more.
it’s like a gear-up moment. a chance to sit – for no other purpose but sitting – in the sun. a chance to ponder the coming holiday season. a chance to daydream a bit. a chance to let go – even momentarily – of worry.
and when bellaruth – in my guided imagery meditation – asks me to imagine a place, to see it, to feel it all around me – i would guess that one of those places might be sitting at this outside table, pillow behind me, feet on another chair, eyes closed in the sun. or maybe, sitting on the edge of the deck in the taffy-pull of glorious fall days.
neither orange nor red are my favorite colors. but as i glance down nearby, i see two pencils – one a red mechanical pencil and one an orange colored pencil. they are the closest to me and, because i am a pencil person, i’ve been using them for days.
i remember many years ago, my son mentioned that some day he would like a montblanc pen. it’s pretty funny how a little time changes things. now, i’m quite sure, he would not care to have a montblanc; as a matter of fact, i’d bet he wouldn’t care about any brand of pen – even a bic for that matter – as he rarely writes down anything on paper. it is a generation – now grown-up – sans the need of paper, sans the need of pencils, sans the need of fancy-pens.
i’m not sure how i could function without pencils or pens. or, for that matter, notebooks and pads. i am a lover of paper and all things analog, while at the same time also loving the digital world and its conveniences. (take this blog, for instance.)
i have a box of fifty colored pencils that is brand new. it was a gift, along with an adult coloring book – if you haven’t tried this activity, don’t knock it. it’s zen-like coloring pages. i haven’t yet used these new pencils because i have older pencils and didn’t want to use up the new sharp points. ahh, i am my mother’s daughter.
the other day i took out the new tin of pencils and just gazed at the array of color – all beautifully laid out in a spectrum. i suddenly realized that it might be time to try them out. because after taking this photograph of this amazingly beautiful bush out on the trail, i could see that crayola wasn’t going to touch the nuances of staghorn sumac orange and red and yellow. i could see that it would be impossible to shade all the variations – rich – prayer flags burning a place into my memory. i could see that maybe fifty won’t be enough. there’s a set of 72, of 174, of 220, even 520 – the montblanc of colored pencils.
and i could see – gazing at this sheer beauty – i guess i like orange and red a little more than i thought. there’s more to them than meets the eye.
reverse threading 