reverse threading

the path back is the path forward

Tag Archives: fallow


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oh, the mayhem. [kerri’s blog on two artists tuesday]

oh, the mayhem.

the wind blows.

there are about 200 seeds in a single dandelion fluff. even in the gentlest of breezes, the dandelion field scatters everywhere – seeding, seeding – more dandelions, more dandelion fields.

oh, the mayhem.

88 keys.

the clusters of piano keys that might be in any piece of music. consider just a three-note composition. in the simplest of equations, assuming once the first choice is made you must move on to the second choice and then the third choice, one has 88 keys to choose from x 88 keys to choose from x 88 keys to choose from – merely 681,472 options for any given composer on any given day working to write just the first three notes of a melodic gesture.

oh, the mayhem.

choices.

for the painter and a canvas, a writer and a pad, a dancer and a wood floor, a potter and blocks of clay, a blogger and a computer keyboard.

it – the imperative to mayhem – calls us. to make something out of it all. to birth something out of the raw materials, to use our tools to create, to choose direction, to express artistic vision – what we see or hear or feel – a passion – that might – or might not – touch others.

there is no guarantee, no real proverbial “if you build it, they will come”. it doesn’t just happen that way. it is an imperative nonetheless.

the imperative to show up, to engage in the mayhem.

i’ve done much of my composing in-between other things, stealing time – minutes even – to write something – anything, something that might be universally understood, something that gives air to a thought, an emotion – something in my internal or external world. scraps of melodies, bass line roots, ideas only until i might make them airborne.

mayhem steals my imagination and lifts it past the stuff-of-the-day. it pokes and prods me, not allowing for passivity, foisting ideas and snippets of muse upon me.

it’s a bazillion seeds in a dandelion meadow, a bazillion pianos, a bazillion pencils and pads, a bazillion brushes and a bazillion paint pots.

a mayhem of bazillions.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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a squall of light. [kerri’s blog on two artists tuesday]

it will surely get worse before it gets better.

it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.

in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.

i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.

later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.

but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.

in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.

when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.

since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.

maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.

i stand in the doorway and acknowledge that i don’t know.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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stars in the cold. [kerri’s blog on two artists tuesday]

“your hand opens and closes, opens and closes…your deepest presence is in every small contracting and expanding.” (rumi)

brave thistle plant – even in the bitter cold – open. this star in the meadow reminds me to stay open…fluid in breath…in and out.

i sometimes wonder about my music. my grand sits in my studio, waiting. it is patient, although i can sometimes hear it in hushed tones, calling me. there has been much between the last time and now, much that has left me closed to it.

i’ve touched it a few times in a few years. i don’t want it – or anyone, including me – to overreact to that. it is beautiful and full-stick and keys-open and – like the thistle – it bravely stays starlit even in the fallow times. and so, it is – every now and then – inviting. but it is complex – complicated – and it’s obvious I haven’t sorted through all the layers yet.

it is an artist’s imperative to create. but there are no rules that state the medium must remain the same. and so…in these inbetween times…i write. to be open to something different is to dance with that imperative.

the heavy old mic stand tucks right outside the doorway to the studio. it’s holding a vessel for candlelight right now but – at the end of our hallway – it reminds me of microphones and wood stages, simple lighting and boom stands. and then i wonder again – about all that.

the real answer is that i don’t know. i don’t know what will happen in these nexts. i don’t know if i’ll compose more, record more, perform more. there are a lot of ifs between here and there, a lot of details, a lot of stars that must align.

but the little thistle plant in the meadow reminded me that even with all that – all in the galaxy that must cluster – constellations in the cold are possible.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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golden. [kerri’s blog on d.r. thursday]

on the southern part of the trail, most of the leaves have fallen. we shuffle through them, making that crunchy sound of autumn hikes. we can see further now – further down the trail, deeper into the woods. we can see the river, so often hidden by foliage. our views are unobstructed by earlier thick growth of underbrush and leafy trees.

the golden leaves cling to the willow. the sun catches them and they glow. i am grateful for their color and for this day of technicolor as november begins to push the need for more vitamin d. storm clouds rushed past, hinting at the possibility of pummeling us. yet the sun returned and we hiked on, glad to be out there, grateful to reclaim some air on the trail.

the days are darker now. and it makes me think of the many seasons of alone (the history channel) we have viewed, as moderate weather early in season episodes seemed to morph quickly into unthinkable cold, punishing loneliness, long darkness. we binged on alone during our month plus of covid. and as we hike now, we talk about the ability of the contestants to survive, to sustain. clueless about true survivalist skills, we both know we would likely fail miserably out in the wild – alone.

kielyn – season 7 – was out there for an unbelievable 80 days. a personality full of color, in one episode, she said, “women. we are a force to be reckoned with.”

yes. we are.

and even in the fallout of the fallout of this election, the fallout of the fallout of insane politics and a divided country, the fallout of the fallout of an agenda to kick women (among others) to the ground, we are still a force. she is right.

the lush leaves of spring, summer and early fall blocked what you could see in the woods, past the woods. they blocked long vision.

until they didn’t.

it was in the falling of the leaves on-trail that one could again see. it is in that clearing out, the storm threatening, winter on its way, that one can see further – beyond just existing, beyond just surviving, beyond just sustaining – further – to a place where thriving is an imperative. it is heading into fallow that any bit of color stands out, interrupts the grey.

because we women are out here. and no clearing-out, no storm, no winter will stop us.

long vision is one of the plates we women spin.

we aren’t afraid of a time of fallow.

and we sure aren’t afraid of the dark.

we are a force. you will have to reckon with us.

if the willow has lost all its leaves, we will bring the color.

and it will be our golden moment.

*****

read DAVID’s thoughts this D.R. THURSDAY

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getting ready. [kerri’s blog on not-so-flawed wednesday]

fall has cracked the door open. and, though it may tiptoe around a bit in this teeter-totter season, it will not backtrack. it is on its way.

and nature – in its wisdom – is doing the work, prepping for cold to arrive, stoking up, storing up, guarding its ability to survive, seed heads readying to spread far and wide.

she asked me if i would be recording again. I wasn’t sure how to answer. i don’t know. it has been some time since my last project. recording is expensive and – because of today’s world of streaming – not particularly financially rewarded, making it a kind of skewed investment…heavy on the cost, extraordinarily light on the payoff.

yet, every independent artist knows recording is not solely about the financial reward. it is the expression of what’s inside, just waiting to hit air. it’s doing the work, prepping, stoking, storing, guarding – all for the seed heads to fly.

she asked me other questions as well – how i compose, if i hear music inside. her questions cracked open the door to a conversation I haven’t had in a long time, a real conversation about my music. i felt grateful – not only for her inquisitiveness, but for her obvious support of what i have already produced. it was a sort of balm on a wound that was just lingering, lingering.

I don’t know when – or if – i will produce another album. i’ve teetered-tottered just like the waning of summer and the rising of fall, just like daisies struggling to stay vibrant, open, to stave off utter fallow. i’ve wondered through these last few years if, after fifteen albums, i was “done”, wondered if, at 65, i was no longer relevant, wondered if i still had the necessary chutzpah.

i miss the stage, a piano and a boom vocal mic, a wood apron beneath my boots. i’ve missed telling the stories of songs and the gestures of instrumental piano. i’ve missed eye contact with an audience, finding resonant bits, making people laugh or reminisce, the moment you know they are right there with you.

the daisy seed heads are getting ready. it’s pretty certain they will proliferate gardens again in the spring after their fallow through fall and winter.

maybe – somewhere in here – i am getting ready too. i guess we’ll see.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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the hallway. [kerri’s blog on k.s. friday]

and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.

it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.

but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.

and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.

we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.

and then.

*****

UNTITLED INTERLUDE from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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the daffodil told us. [kerri’s blog on saturday morning smack-dab.]

and suddenly, there – in the midst of dried fallen leaves and fallowed underbrush, trees not yet ready to bud – there – there it was.

and it was simply in seeing it – the daffodil – that hope was evident. next is evident. tomorrow is evident.

anything right now will soon be before. the daffodil told us.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2024 kerrianddavid.com

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watched pots. [kerri’s blog on not-so-flawed wednesday]

the signs are everywhere now.

birds are singing at the crack of dawn outside our open-at-least-a-slit window. the bunny is out and about in the backyard and there is a new softly-padded divot under the ornamental grasses where she made her nest last year. bulbs are sprouting and the postal delivery folks are starting to wear shorts. it will soon be spring in wisconsin.

it is tempting to go outside and trim back the grasses, rake all the debris from the gardens, pare down the sedum. to unplug the gutter warming cables, to put away the snow shovels right outside the back door, to drain, clean and refill the pond, to bring out the table and chairs, to consider much-needed replacement rugs for the deck. it is tempting to get ready.

but that would be premature.

and, ultimately, we know better.

so we will wait.

patience – at this time of year – with the sun shining and temperatures ranging from the twenties to the sixties – is most definitely hard to come by. we just have to stoke up and be zen in this liminal time.

but all good things do come in time. and eventually, it all plays out. even if it doesn’t really look that way. what’s that expression…? a watched pot never boils.

and waiting is hard.

but i have watched pots in my life.

and i know – for a fact – that – eventually – they do boil.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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decorated. [kerri’s blog on not-so-flawed wednesday]

it would appear that nature is decorating for the holiday season. even in the browns and tans and greys of the fallow, color bursts out at us. it’s stunning. the honeysuckle is unmoved though – it is standard fare in the winter to be berried. we, however, stop to appreciate it.

we decorated early this year. right around thanksgiving we put up our eileen-tree (which we named “e.e.”), pulled out the mini-trees i love to place everywhere, added twinkling white lights and silver ornaments. there are snowflakes and pinecones from the forest floor and heartfilled nods to my children-in-younger-days and my scandinavian heritage. we unearthed the boxes of vintage glass ornaments and shiny brites from my sweet momma and poppo and placed those ever-so-gently on the happy-light-lit big branches we now have year-round in the living room. it looks like christmas.

each day goes by faster now it seems. and then it’s friday again. i’m not sure where the time goes. as we make our holiday cards and a few handmade gifts to send out, george winston’s december is on repeat – the quiet of this album is speaking to us this season. bombastic christmas or vocal-gymnastic-laden carols seem like too much noise. restraint seems more in line with our spirits. more serenity.

there are many festivities to choose from – out there. we thought about a concert or two and lingered back. we thought about a holiday festival or two and lingered back. we thought about stores and crowds and lingered back. we will finish making our cards and creations and do a bit of boutique shopping. we may make a cookie or two. the krumkake of ages past nudges us and sip and feast taunts us with a long island italian almond cookie (gluten-free). we sit under blankets in a darkened living room – lit only by happylights. we savor the sparkle. we sit in content silence, we tell stories of past holidays – wistful, tearing up, laughing, lost in memories and hopes for future holidays.

and there is the woods.

whenever we can, we take time out there. the forest reminds us of both the everpresence and the evanescence of it all. it reminds us of the passing of time, the changing of seasons, adjusting to harsh circumstances and it reminds us of the rejuvenation and renewal of spring. we know that beyond the cold and frozen, there will be warmth. it’s all fluid and some things – like transition – are certain. there is silent wisdom – of the ages – you can feel as you place your feet – emanating from the dirt of the trail.

it is no wonder that nature has already decorated – with quiet fervor and vivid color – for the holidays.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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it ain’t heavy. [kerri’s blog on k.s. friday]

“… the road is long
with many a winding turn
that leads us to who knows where, who knows where
but i’m strong
strong enough to carry him
he ain’t heavy, he’s my brother

… so on we go
his welfare is of my concern
no burden is he to bear
we’ll get there

… for i know
we would not encumber me
we ain’t heavy, he’s my brother

… if I’m laden at all
i’m laden with sadness
that everyone’s heart
isn’t filled with the gladness
of love for one another

… it’s a long, long road
from which there is no return
while we’re on the way to there
why not share?

… and the load
doesn’t weigh me down at all
he ain’t heavy, he’s my brother

… he’s my brother
he ain’t heavy, he’s my brother
he ain’t heavy, he’s my brother

(bob russell / bobby scott – he ain’t heavy, he’s my brother)

queen anne’s lace does not bow down under the weight of the snow. it stands – upright – proudly holding what looks like a single-scoop of snowfall. despite the wind, despite the force of gravity – queen anne’s lace bears the burden, singing along with the hollies “and the load doesn’t weigh me down at all…..”

we have a thing or two to learn from nature. long roads, winding turns, shared concern for welfare, love for one another.

we are witness to miracle after miracle out here. they are tiny; they are vast. we stand at the wayside of nature’s rest area – in the fallow that is late autumn and early winter – and we watch as the journey of the woods marches on. working side by side, arm in arm, shoulder to shoulder, the forest and its inhabitants are thrust onto the long cold road ahead, eventually seeking spring. the ecosystem is symbiotic and nothing is encumbered more than the next. even in any not-knowing, critters and plants and trees alike trudge on, sans complaint. they carry with them the exchange of energy and the work of the fallow. they are strong. and it ain’t heavy. they are brothers-sisters together.

and they are waiting for us – the humans – to catch up to their simple wisdom.

*****

WAITING from JOY! A CHRISTMAS ALBUM ©️ 2005 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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