and somehow, the universe knew and the snow began to fall.
and everything became quiet and peaceful. all forward movement ceased. we sat in the pause.
this fermata was certainly needed. we had been feverishly working, working. emotions were high and our energy was almost depleted. but then the snow came.
though spring had made an appearance and our garden – peeking out – was circumspect about the snowfall, we welcomed its hush. every flake that fell received thanks from us. and it kept falling.
our fermata in the snow granted us a bit of rest, a bit of perspective. we took deep breaths and moved slowly through our day. we gazed out the window and watched as the snow covered all – everything – in a blanket of white. it erased all the writing on the page. it shushed the noise in our busy heads. it lent ease to our weary minds and hearts. it took the astonishing – disheartening – events of the week and buried them under inches of snow. it cleared the ugly like the swoosh of lifting cellophane on a magic slate.
and when the swirl slowed a bit and i stood on the deck – giant flakes gently falling – gazing out at the pristine world surrounding us, i realized that was pretty much all that mattered. we had been granted time. time to consider and rejuvenate, time to reflect, time to clean off the shields we held so tightly – the ones that protected us. time to grasp onto snowflakes – quickly melting – and realize – once again – that life is just too short.
and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.
the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.
i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.
it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.
and now.
i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”(john o’donohue)
it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.
upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.
my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.
the fermata lingers over my days, issuing a pause of length undetermined. the baton is held in the air. there is no downbeat, no pattern of time. just prolonged waiting.
in dr. seuss fashion we wait in the waiting place.
answers are just beyond our grasp, skimming the rim of the atmosphere, invisible to us, ephemeral and flimsy, ever-changing, like trying to capture the flicker of flame from the top of a candle lit in the darkness.
so i just keep waiting. we just keep waiting. our world just keeps waiting.
we sit quietly. we rail at the wind. we speak up. we skirt to the sidelines. we ask questions. we wonder. we are met with silence. we are dissolved. we seek fairness, equity. there is none of that. we step away from the noise. it follows us, snapping at our ankles. we do good work. we seek truth. we are managed, a place of hypocrisy. our country flails. we flail.
and we wait. knowing that, indeed, better will come. knowing that, in some measures, new will come. knowing that, after the fermata, light will come. grieving all we have lost in the process, in the journey, in the waiting place.
the chaos of irato. a passage of angry, passionate. a symphony of irate engaging us, challenging us, buckling us under in its fervor.
“take a break,” earth-the-breathless-conductor would admonish. “hold and rest,” earth-the-counselor would encourage. “slow down. be deliberate,” earth-the-sage would advise. caesura. fermata. lento.
acknowledging the rage. listening. resting in the questions. conscious mindful steps. measured decisive action. slowly leading the way with goodness.
i suspect mother earth, in its mother-earth-wisdom, would hear the symphony as transition. the space between before and after. a time of growth and change and every possible note, every possible emotion.
we listen, as earthlings, imperfect-in-every-way, and we get lost. to live in irato is uncomfortable. a cliffhanger.
but mother earth smiles. after all, she knows all about suspense and the big bang and butterflies.
reverse threading 