reverse threading

the path back is the path forward

Tag Archives: innocence


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the wistfuls. [kerri’s blog on saturday morning smack-dab.]

we’d get on our bikes early in the day and just take off. susan and i would bike hike anywhere – we’d plan our journeys and make sure there was a carvel or a mcdonald’s somewhere on the way. as long as we were home by dinner no one worried about us. and we had the freedom to roam around our neighborhoods or anywhere we could reach on the island.

it should be this way.

back in school, in the fall – after the ultimate freedom of our summer – we practiced getting under our desks at school but the likelihood of any bombing actually happening to our school was a mere mention on a fire-drill-bomb-scare just-in-case checklist.

every year d and i talk to each other about “the wistfuls”. it hasn’t happened yet this year – neither of us has felt it descend on us. but we know it will.

there’s fall – the changing of the guard moving toward fallow. my favorite season of jeans and boots and flannel shirts. and there’s fall – a recognition of summer ending, of the sun and long, hot days and freedom and a lightness of spirit coming to a close.

and i wonder – in these gorgeous fall days, the lower sun intense, the breeze cooler, the colors more vibrant with the humidity pushed aside – what that wistful is about.

is it about those days growing up? is it about a yen to have little to no responsibility, no concerns, a time of fiercely following curiosity, of grasping the tiny adventures of childhood with both hands, believing they were huge explorations? is it about painfully remembering a time when my whole extended family seemed to be on the same page, supporting each other, caring for the world and its inhabitants?

is it about a yearning for when my own children were little? when their backyard playing was the everyday joy of looking out the kitchen window? when the dining room table was the gathering place for school supplies and backpacks? when the summer freedom slipped back into a schedule of school and homework and lessons and sports practices? when, after dropping them off or seeing them onto the bus, hoping that they ate their packed lunch, remembered their spelling words, weren’t bullied by anyone were my worries?

although there were occasional bomb threats issued at the schools and 9/11 was a profoundly terrifying day, there was never an actual shooter on the premises (that i knew of).

but there had been moments in our town. and the moment i heard a loud inner voice direct me – vehemently – to NOT stop at the mcdonald’s i was about to pull into on my way home from the mall with my two tiny children – the day that minutes later a shooter entered that very mcdonald’s through the back door, killing the people at the table where we always sat – the one at the very back opposite the door, where the smoking-allowed-smoke didn’t reach our happy meals – that moment reached inside me and raised up the fear i had carried with me since my own earlier life, the time after bike hikes and carvel and fireflies in the neighborhood.

it shouldn’t be like that.

i just watched an instagram reel during which a mom instructs her little boy – who is five years old – about following his teacher’s directions during an emergency at school. between reading the circumstances about her little boy, his physical challenges, and the thought that his tiny – tiny! – self following directions could mean the difference between life and death made my head want to explode.

it should not be this way.

and is it any wonder that i wonder what the wistful is about???

oh, i imagine that when the wistful hits, it will be with some degree of force. for everything is changing – not just the leaves. and we are suddenly thrust into a world – a country – where freedom and rights are being usurped, where the administration is upholding the secrecy of sexual predators, where school shootings – with children and adults dying – dying! – elicit merely passive thoughts and prayers, where xenophobic, racist, homophobic, misogynistic leaders wish to eliminate – eliminate! – actual people they consider superfluous, unwelcomed, expendable, where the premise of warmongering seems to be a sport and the propensity to further lethality and offensive actions on those they perceive as disposables runs rampant, where healthcare and the ability to have enough food is considered elite, where having more gets more and having less doesn’t matter.

WHY is it this way?

the wistfuls indeed.

*****

read DAVID’s thoughts this SATURDAY MORNING

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kinship. [kerri’s blog on d.r. thursday]

were this monarch to have the tiniest of notebooks and a tinier pencil, i would feel even more kinship with it.

i can imagine that it – perched on the vine-wall that has taken over the fence – is writing gentle poetry, haikus about flying and how sunshine feels on its wings. i can imagine that it – late in the summer, maybe a super-generation butterfly – is pondering the freedom of a bit-longer lifespan, the sky-trip it has booked to mexico as summer ends. it might write of adventures and exploring, of new discoveries, milkweed and other plants it now feeds on.

i wonder if it feels the same way i felt – so many decades ago – sitting in my maple tree, perched against the trunk, writing. it felt like there could be nothing at all wrong in the world, and that, like the monarch’s vibrant colors warning of toxins, my coca-cola it’s-the-real-thing pants and floppy hat would keep away any predators. i wonder if its words flit over sunrises and sunsets, grown-up seagull dreams, innocence and possibility.

we’re sitting in the old gravity chairs we unearthed from up in the rafters of the garage. our feet up, pillows behind our backs, we quietly watch the busy life of our backyard. there’s so much space to just think, to ponder.

the butterfly floats past us, over us, behind us. it lands on the burgeoning vine, the natural privacy screen growing helter-skelter on the fence. it is free to roam. it is free to be.

and then.

i overheard, “he got a monarch.” the butterfly’s vivid orange and black and broad stripes didn’t protect it from the cat prowling for prey next door.

i felt my heart sink. in like manner, my coca-cola pants and dr scholl’s, hard-held value set and a sunrise-sunset horizon full of possibility didn’t protect me either.

*****

read DAVID’s thoughts this D.R. THURSDAY

66 and 19 © david robinson (mixed-media)

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moonglow. [kerri’s blog on k.s. friday]

it was late night on the train platform. though we had walked from the station when we arrived, our boys dropped us off for the way back home. the train was a wee bit late and there were a few people on the platform waiting, some a bit impatiently. we were tired but not impatient, grateful to not be driving home from the city.

the clouds and the moon got together, plotting a bit of choreography. nearly full, this waxing gibbous was extraordinarily bright, backlighting the cotton balls of clouds passing in front of it. with wildfire smoke particles catching the light, an orange glow encircled the white moon peeking out, the glow much like the salt lamp emits in my studio. we stood on the platform, waiting for the train, completely captivated by the sky above us.

in recent days i have been reading old journals. journals almost fifty years old. these were the days when i passed through teenage years. when my days and nights were long and full of adventures: dancing at discos and early sunrise photo shoots, beach-camping and scuba diving, fishing and arboretums and county parks and apple-picking, skiing and my red round transistor radio on a picnic blanket. they were days of my little blue vw bug and growing-up-nuclear-family time, guitars and poetry, climbing trees and frisbee and term papers, bike hikes, the mall, my dog missi and a plethora of friends. i was often writing in my journal at 2am, wide-awake, reviewing my day, waxing poetic, loving life. it is a pilgrimage into the innocent.

my late-nights are different now, indeed, than way back when. sleep is now something i really adore, much more so than when the most minimal amount seemed – maybe – necessary.

because i am reading and reading and reading, i am feeling somewhat immersed in back-then.

these days i turn on the salt lamp that sits on the chifforobe. i don’t do it every day, but right now seems a good time for it as i hold space for the going-through of things of the past. from this vantage point – looking back – i know the shatter of innocence comes. the voice in my journal changes.

the glow stays with me as i pass by the studio door.

and now, as sleep eludes me at night, i lay under the quilt and gaze at the moon illuminating the blinds.

*****

IN THE NIGHT © 1997, 2000 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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the american dream. [kerri’s blog on two artists tuesday]

we spoke quietly to them as we hiked. they seemed to be everywhere that day…on the trail, in the brush, by the river. they watched us; we watched them. we told them they could trust us, that we would not hurt them in any way. they didn’t flee, instead, aware of us, grazing a bit, snuffling in the snow. it is my hope that they felt no danger from us. when we hiked on, they moseyed, unhurried, beautiful innocence graceful through the snowy woods.

no danger. it was not that long ago when we did not feel impending danger.

all that has changed. rapidly.

and suddenly, we are thrust into a country where all is at peril. we are standing and staring at the unchecked mob taking over our democracy, at the purely evil intention permeating the administration that is destroying every vestige of the american constitution.

we watched hgtv the other night. there was a couple looking for a house in north carolina, specifically in rocky mount – where martin luther king, jr first spoke his “i have a dream” speech. as they visited houses, they remarked excitedly about one, “this is the american dream!!”

i grimaced. for what – exactly – is now the american dream?

is it destroying the foundation upon which this country was built? is it the annihilation of civil rights, of freedoms, of the helping programs in this country? is it stripping opportunity-for-all in favor of opportunity-for-only-a-very-few? is it adding to the income of a few billionaires, while decimating the lives of billions of ordinary folks, undermining any stability they might have had? is it aligning with authoritarians around the world, ignoring long-time allies and neighbors? is it gleefully watching people die in wars, in famine, in disease while shaving aid so that the wealthiest among us might not participate in paying taxes? is it deporting millions of innocent people who have been seeking a better life, contributing to our communities? is it living inside – and capitulating to – the maniacal sickness in the soul-less minds of the new administration? is it standing by, silently applauding your own bigotry? what exactly is the american dream?

if you are not deeply embarrassed by what is happening in these un-united states, i have no idea what is in your heart.

we are all at risk. there is impending danger.

“every life is a march from innocence, through temptation, to virtue or vice.” (lyman abbott)

we are watching you – those of you who voted for this desecration of our country, for the scourge running the show.

so, which is it?

is your american dream virtue or vice?

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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friendly with bears. [kerri’s blog on d.r. thursday]

the trees out front and across the street often filter the sunlight, depending on the angle of the sun. we are on the north side of the street and so, we have a southern exposure. gazing outside at the sun filtering through the limbs doesn’t always give me an accurate picture of what it’s like out. i am given to stepping out on the front step to see what it really feels like out there, to see what it’s really like, to see the real.

she said, “you can’t trust people just because of the mask they are wearing.” and she’s right. the masks – the titles – we make assumptions that don’t really depict the person. we grant pedestals upon which others have placed people wearing the masks, donning the costume, assuming the title, but all the while betraying authenticity. our view of others is filtered through their masks, whatever it is they want us to see. the sun through the limbs.

it all somehow makes me think of the song “return to pooh corner”, the hundred acre wood, the world of pooh and piglet. maybe it’s a yearning for that sort of innocence, that sort of blissful good intention. we didn’t wonder about winnie the pooh’s agenda or piglet’s loyalty. they were – clearly- a bear and a pig and they spoke to truth. winnie the pooh says, “i’m never afraid with you.” no filters.

i suppose that truth – sans filters – is like the hundred acre wood – the forest, though. like the sun, it’s always there – always available. a.a. milne states, “but of course, it isn’t really good-bye, because the forest will always be there…and anybody who is friendly with bears can find it.”

you just have to be friendly with bears.

*****

read DAVID’s thoughts this D.R. THURSDAY

SURRENDER NOW mixed media 24″x24″

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northport’s woodbine. [kerri’s blog on d.r. thursday]

viriginia creeper…after the leaves have fallen. blue berries. it’s also called woodbine. and the instant that david told me that, i was back in northport.

for on the corner of woodbine avenue and main street sits skippers pub. it’s just on the other side of main from the park and the gazebo and the harbor boatslips and that place – at the end of the dock – where i have sat for hours and listened to the clanking of metal-rigged sails in the moonlight. it’s visceral.

some of the berries are gone now – only a few days since i took this picture. but as the temperatures drop, the critters have been busy, i suppose. and i hope that the woodbine berries help them prepare and stoke up.

in daydreams, i go back to skippers. sit at the bar and talk with crunch about fishing or diving or life, eat lobster bisque and baked clams, maybe sip a beer (back in the day). i go back when i was 18 or just barely 19; those earlier times were different than later.

a bunch of years back, david and i were on the island and we spent time walking around northport, spent time on the docks, spent time at skippers. we sat at the bar and ate baked clams and buffalo calamari. he sipped a guiness and i had a glass of wine. it was a little bit of heaven. i pointed out the window and, as he looked out, i knew he was looking out the same lettered window i had gazed out of decades ago. the view was a little changed – both from inside and out – of me.

but i could feel the energy of those times past and i could feel the bits of goodness that still floated about from happy moments spent there. skippers will always be a place of refuge in my mind – not because it was a pub – but because it was a place of joy, a place of innocence, of fun and friendship and tales of fishing and diving.

there will always be places we internally feel good about and, of course, the complete opposite – places that are inherently negative, that drudge up things toxic or painful. each of us can likely rattle off a few examples of each category.

skippers – on the corner of woodbine and main – will remain one of the good ones.

and now, each time i pass our dear westneighbors’ fence along our driveway and see the woodbine curling and stretching and growing on the wooden posts, i will likely smile and think of baked clams and lobster bisque and the long island when i was 18.

*****

read DAVID’S thoughts this D.R. THURSDAY

click on image above – aqua agua mit rouge – to view on david’s gallery

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sunrises, rainbows and bubbles. [kerri’s blog on d.r. thursday]

it doesn’t take much to get my attention. the drops of water. the juxtaposition of muted color. the use of the add-9 in a 1-3-5 chord. the tension that is created between that ninth and the tonic of the triad, begging for release, suspended to evoke emotion.

if we all spent time in the beautiful details of things, perhaps there would be little time for disagreement, little time for division, little time to perpetuate negativity. i suppose this all sounds a bit idealistic, maybe even pollyanna-ish.

when i was in high school, one of my best friends – marc – used to poke fun at me. he’d point out that i was all about sunrises, rainbows, bubbles. we’d argue the merits of musicians – me defending john denver, him defending bob dylan. i was an innocent back then, living in a family that was almost all a “generation” older, comparatively speaking. while other families were watching the wonderful world of disney and episodes of dark shadows, mine was watching doris day, rock hudson, debbie reynolds movies and episodes of gidget and hogan’s heroes and petticoat junction. my parents weren’t in front of the tv when saturday night live started in 1975 and the radio in the kitchen played wgsm from huntington, which didn’t include led zeppelin or aerosmith in their line-up. the record player in the living room spun robert goulet and jim nabors, herb alpert and the tijuana brass. my sweet momma did not dance to janis ian or carole king or joni mitchell or aretha franklin. my dad whistled all the time, but never a john lennon song or billy joel or david bowie. i wasn’t so much pop-culture-up-to-date-informed.

innocence has a way of exiting the building and sometimes this is by more profound circumstances than others. i’m in that second category.

but i still look back – to before – and think about the sunrises, rainbows and bubbles of that period of my life. sometimes somewhat wistfully.

and as i pass the mauve and olive leaves on the trail, noticing the tiny droplets of dew or the morning rain – still visible, i realize that somewhere in there, the unwavering john denver fan, the jonathan livingston seagull fan, the doris-day-rock-hudson-debbie-reynolds fan still exists. i can see her waving from other there. she stops me on the trail and reminds me. of goodness and beauty. and of sunrises, rainbows and bubbles.

*****

read DAVID’s thoughts this D.R. THURSDAY

CHASING BUBBLES mixed media 33.25″ x 48″

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seeds. [two artists tuesday]

and the beautiful flower – with tiny white petals – its seeds were ripening. slowly, it began to wrap its inflorescence in, protecting. and the tiny bird’s-nest-shape remained, wound around, parenting, holding dear until the dried seeds, ready, release and go off into the world.

nature repeats itself. its stories – from one species to the next, one genus to the next – seem inordinately similar.

we – now adults – have left our own green-bird’s-nest years ago. it was a haven of sorts, but only for a time, as we grew. and then, suddenly, we are out and about in the world, riding the jet stream, surfing the tide, subjected to scorching sun and bitter cold. we trust the world to carry us safely. we are innocent seeds.

we learn – in different stages of our growth – that though we are held in unconditional love by some, there are others who will not tend us gently. we begin to discern the difference. we choose those who support us, whose inflorescent arms wrap us lightly, tenderly. we are buoyed, encouraged, picked up, bolstered by these arms. the others – the ones who aim to dilute, push down, disempower – they are loud voices – righteous and suffocating and dispiriting.

but – amidst either – we are still seeds as we continue on, other seeds also on this way.

and we try to remember to be as queen anne’s lace – once held gently and released – always with the knowledge that there are nurturing tiny and big blossoms out there, sharing the universe with us.

and we try to remember to be as queen anne’s lace – to, similarly, hold gently and release – with empathy our north star as we float and soar, celebrating every single other seed.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

(composers pat alger and ralph murphy)

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the field in early october. [d.r. thursday]

Morsel

the field in early october

in the bins in the basement (and scattered in places around the house) are child-drawings and paintings, ornaments made of paper and glue and sparkly glitter, painted rocks of various sizes,  necklaces of beads and shells, framed little scraps of paper with things like “goodnight mom” written in pencil and surrounded by hearts.  The Girl and The Boy have marked time through their artwork (and also through their writings) and i cherish each saved piece.  this morsel – the field in early october – makes me think of such pieces.

in the corner of a new piece on david’s easel i found this morsel.  extracted from the painting it is so childlike in feel.  such simplicity and innocence.  it immediately brought me to open fields we have walked…where sunflowers gaze for just a bit longer and grass is still verdant and lush and there are wild red berries on the bushes along the trail.  the sun is in our eyes and everything takes on a muted hue.  i can smell the leaves burning from the farmer’s field far off to our west.

what is more heavenly than remembering an early october day from a reality-fantasy visual perspective?  what is more treasured than the artwork of a child?  what a delicious combination.  just ask picasso.

read DAVID’S thoughts on this D.R. THURSDAY

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the field in early october ©️ 2018 david robinson & kerri sherwood