reverse threading

the path back is the path forward


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28 square feet. [kerri’s blog on two artists tuesday]

this brings me joy – stepping into this tiny little corner garden. each year it has been a place to wonder, to learn, to dream, to envision bounty. tiny as it is, it is a place of abundance and, even as autumn falls, i cherish its every bit of 28 square feet.

the parsley and the basil are still producing – they graced our homemade tomato soup last night. there are a few jalapeños left, still growing. the dill has dulled; the mint has faded. the cilantro has bolted time and again, despite my best efforts to convince it otherwise. the cherry tomatoes are ripening on the vine and the rosemary is a small tree. i suspect the rosemary will make its way inside for the winter. it all makes me think of next year’s planting – adding sweet potatoes in planters, more tomatoes, maybe a few other vegetables. it’s all been a lesson in embracing something new. it is a tiny space of zen.

we are considering some changes as we look around our house. in the cleaning-out mode, less and less is necessary. clearing away a child’s desk, a lateral file, unused appliances or electronics…it’s all fodder for the space we need – particularly in these times – for cherished quiet, for serenity. i am finding there is a direct connection between the more clear space and the more breath. it will take some time, as it has taken decades to acquire so many things. but we have time and, i believe, we have the wherewithal to go through our house, room by room, and invite in a sagefilled peace.

it’s really all about intention. though we do not live in a vast home and are not surrounded by vast acreage, we bring an intention to our home that is purposeful. as we move from room to room, slowly parsing out the unnecessary from the necessary or the wanteds, slowly replacing items with other items or replacing items with air-and-space, we tend to how it feels. we want to create a space in which we feel comforted, supported, valued. we want to create a space in which others feel comforted, supported, valued. we want a place filled with soul and acceptance of the inbetween moments in all of life.

today we’ll make a batch of pesto. as i look at the basil plants, i figure it will likely be the last batch this season. oh, there will be a bit for our homemade margherita pizzas, but not in real quantity. so we’ll go slow. snipping and rinsing, chopping and grating. we’ll talk about our garden – truly, for the umpteenth time. we’ll relish the pungent aroma of freshly-picked basil in the house.

and we’ll stand in the kitchen – looking at each other – with tears in our eyes – astonished at our good fortune.

*****

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sustain beauty. [kerri’s blog on d.r. thursday]

it was a spontaneous excursion – an unexpected morning a bit ago with no obligation. we got in the car early and drove down to the botanic garden.

as we came around the corner, d stopped and asked me to take a picture. the tree – shaped like a square – was something out of cartoonland. a filled-with-wonder dr. seuss and winnie the pooh mashup. this morning at the garden was definitely what we needed.

every step got slower. we paused and lingered over blooms; we drank in the quiet. this time of day in the garden was divine. we vowed to go more often, to soak up this place – so much beauty, such intention to sustaining it.

it’s really what i cannot fathom: the idea of not working to sustain the beauty of this country, instead, working to destroy it.

the list of places we’d love to go is lengthy. they are not shopping malls or shipping warehouses or land massacred for its resources. the list is the quiet places. the places of grandeur. the places that are understatedly glorious. the places that are wild, that are wide-open, that embrace all who step there.

sustaining the beauty of this country is not just about the environmental legacy of its sea-to-shining-sea. it is about its history – the good, the bad, the ugly. it is about the learnings, the coming-of-age into democracy – rights and privileges deemed law for the populace. it is about the diversity of its people, the gifts that we each bring – spokes in the wheel. it is about the sustaining of care and concern for each other, empathy as a moral code, compassion as a north star. the list of places of integrity within the hearts and minds of those in positions of leadership.

for those who do not wish to perpetuate goodness, who wish to forward messages of hatred and cruelty, who have no intention of sustaining beauty of any sort – these are people i cannot grok. it is impossible to wrap my head around the embrace of such immorality. it is impossible for me to understand such a disregard for decorum, for human dignity, for the wonder of living in the universe, for peaceful coexistence.

unless someone like you cares a whole awful lot, nothing is going to get better. it’s not.” (dr. seuss)

someone like each and every one of us.

*****

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WEEPING MAN 36” x 48”

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it’s not that hard. [kerri’s blog on not-so-flawed wednesday]

we came upon the bird while walking on the waterfront a town south in illinois. because it didn’t fly away as we approached, we became concerned. i knelt down in front of it – not touching it – to see if it was hurt. and then – because it is the thing to do – i google-imaged it.

this tiny bird was a starling. a juvenile. even likely, a fledgling. this darling little bird just stood its ground, tentatively trusting us, shifting its position, turning around, spreading its wings, tweeting silently with its beak. but nothing seemed wrong and our research pointed to a tired little bird learning to fly just stoking up a little energy. so we walked on, knowing that we would check on it just a bit later to see if it had flown off. we also knew that if it hadn’t – if it was still on the boardwalk – we would carefully take it to a bird sanctuary. we worried aloud during the rest of our walk until we got back to the same spot and the little starling had flown off.

it’s not really all that hard to love. because, well, love is love – as the saying goes.

it’s not really all that hard to care about peoples’ well-being – even if you don’t know them – to care about creatures’ well-being – even if they are wild – to care about the world’s well-being – even if you have not seen much of it. because love is love.

i am reminded – time and again – of the poem prayer written by belleruth naparstek:

“just give me this: a rinsing out, a cleansing free of all my smaller striving so i can be the class act god intended, true to my purpose, all my energy aligned behind my deepest intention.

and just this: a quieting down, a clearing away of internal ruckus, so i can hear the huge stillness in my heart, and feel how i pulse with all creation, part and parcel of your great singing ocean.

and this too: a willingness to notice and forgive the myriad times i fall short, forgetting who i really am, what i really belong to.

so i can start over, fresh and clean, like sweet sheets billowing in the summer sun, my heart pierced with gratitude.”

every day. another chance to be billowing sheets.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

 

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the beautiful and the blurred. [kerri’s blog on two artists tuesday]

it is hard for me to pass by something this beautiful – this wispy milkweed pod – without stopping. i am fortunate to hike with someone who understands this. we stop and i study the milkweed; i take several shots.

it is not the first time i have taken photographs of milkweed in the winter. i’m pretty sure it won’t be the last. each time i see milkweed – even in the winter – even in its fallow – i feel like it is different – its slant in the meadow, the curve of the pod, the way sunlight plays on it.

this is how i will get through it all, i think. zeroing in on intense beauty, tiny nuances, millisecond moments. i realize that this is the power that is available to me. this is the distraction.

the invitations are numerous from the side of the trail, from the side of life. they beckon to each of us and it is up to us whether to accept those invitations.

i am kind of a detail person…so the invitations are somewhat evident to me, hard to miss. they blur out everything else, if you intend to really take notice.

and, in just that way, we are intending new practices – more intentional meditation, more exercise, more outside. and each time – despite any same-ness, there is the possibility of new. each time we may stop and study or gaze and admire.

“things will not be the same, because we will not be the same.” (anon)

it may be difficult to avoid focusing on the way things will be in these fraught times. nevertheless, we will try to focus elsewhere. to lean into the beautiful and leave the rest of it blurred.

*****

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a season of light. [kerri’s blog on k.s. friday]

it did my heart good to wander slowly through milaegers garden center. like the line “it’s much more than a box” from the department store gift-wrapping scene in love actually, milaegers is much more than a garden center. and day before yesterday it was a holiday wonderland.

it was just what i needed. we strolled slowly, each of us raying out to what invited our eye. everything was decorated and the displays were glowing. we were searching for just the right thing and lingered around each tree – perfectly laden with ornaments and gleaming tchotchkes.

we finished our holiday shopping for the day and happily used a gift card we had held onto for well over a year – a local bistro where we loved sitting at the bar sipping a glass of wine and sharing a most-delicious burger. it was truly a day that put spirit into our spirits.

last night we sat in our living room under a furry white throw and looked around at our decorations, satisfied that we not only paid homage to a festive season but were true to our own sensibilities, a mashup of organic and glimmer. there is a shimmery incandescence in there we can both feel – particularly full of grace at a time of seasonal and out-in-the-world darkness.

the tiny trees we’ve collected are scattered about, both happy-lit and simply green. even the very plainest of these have their place.

the big branch in our living room – from the old tree out front – has now stood there for four holiday seasons. though it is wrapped in year-round white lights, each christmastime we have added something. two years ago it was silver bulbs. last year it was vintage shiny brites of my mom and dad’s. this year we added crystal prism ornaments. there is a lone metal star. it is – to us – really beautiful.

eileen’s tree – “e.e.” as it will always be known – has the place of honor, standing sweetly in the doorway from the living room to the dining room. a nod to the traditional, it has become, now, one of our own traditions. it all feels peaceful, which is our intention.

in the day the crystals on the branches in the living room throw beams of sunlight across the floor. with the room lights off, the happy lights of the trees on, the crystals on the branches in the living room glitter, anticipating the season of the return of light.

it is not milaegers but it is home and, in a world of frenetic and fraught, this luminous place is truly our sanctuary.

*****

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friendly with bears. [kerri’s blog on d.r. thursday]

the trees out front and across the street often filter the sunlight, depending on the angle of the sun. we are on the north side of the street and so, we have a southern exposure. gazing outside at the sun filtering through the limbs doesn’t always give me an accurate picture of what it’s like out. i am given to stepping out on the front step to see what it really feels like out there, to see what it’s really like, to see the real.

she said, “you can’t trust people just because of the mask they are wearing.” and she’s right. the masks – the titles – we make assumptions that don’t really depict the person. we grant pedestals upon which others have placed people wearing the masks, donning the costume, assuming the title, but all the while betraying authenticity. our view of others is filtered through their masks, whatever it is they want us to see. the sun through the limbs.

it all somehow makes me think of the song “return to pooh corner”, the hundred acre wood, the world of pooh and piglet. maybe it’s a yearning for that sort of innocence, that sort of blissful good intention. we didn’t wonder about winnie the pooh’s agenda or piglet’s loyalty. they were – clearly- a bear and a pig and they spoke to truth. winnie the pooh says, “i’m never afraid with you.” no filters.

i suppose that truth – sans filters – is like the hundred acre wood – the forest, though. like the sun, it’s always there – always available. a.a. milne states, “but of course, it isn’t really good-bye, because the forest will always be there…and anybody who is friendly with bears can find it.”

you just have to be friendly with bears.

*****

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SURRENDER NOW mixed media 24″x24″

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ifaqh. [kerri’s blog on merely-a-thought monday]

on just the right day, at the end of just the right week, at just the right place, at just the right time – we found a quilted heart.

a random-act-of-kindness initiative, this quilted heart was tagged and stated, “i need a home.” we plucked it off the tree on the side of the trail and carried it with us – home.

ifaqh (i found a quilted heart) is an anonymous project – they state on their site that “it is not about the maker of the heart; it is about the finder.” it is not affiliated with any organization or group and they “remain neutral”. they “place small quilted hearts around the globe to brighten the day of a stranger.”

and they did.

and the thing it immediately did – in my mind – was make me think about all the fabric i have in my sewing bins with which i could make quilted hearts – and all the places we could leave them for others. much like our planted-out-there painted rocks, these take us out of our own overstuffed angsty brains and into a spirit of goodness toward others. generosity overrides a worried heart. an intention, it turns us outward.

on this very day, at this very place, at this exact time, this little quilted heart was precisely what we needed.

i’m grateful for this simple gesture – being placed all over the world. hearts are the same no matter where you are: a reminder of love understood despite language or cultural differences, a gift given – anonymously – to sow joy.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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the stage. [two artists tuesday]

behind the curtain and between stage-left and stage-right wings, the action is paused and ready. umbel stalks on point, waiting to explode into clusters of tiny white flowers, delicate leaves opening, lacy, inviting the show to go on.

it’s spectacular – this performance of nature.

queen anne’s lace – i first learned of this wildflower from my dear friend linda – can be confused with other plants. bishop’s flower, wild parsley and hemlock taunt many from the meadow and one must be careful to realize that their performance piece is not the same – they are not edible – like this wild carrot of queen anne’s lace – and, in fact, they are toxic. the meadow stage offers up options but only carrots are carrots.

for those who love the stage in any capacity, there is a responsibility, things one must remember.

i knew from the beginning that the stage was not about me, not about what it could bring me. instead, the stage is about what i can bring to the audience. i have played to a handful of people; i have played to tens of thousands of people. i always knew it was simply my job to offer my music, stories, lyrics, song, to put it out there. to be absolutely present – sharing the moment – my jeans stuck in my boot. to connect, to resonate, to move – though my expectation was not to be moved, were i to feel it connect, resonate, move, i, in turn, am profoundly moved.

to be off-stage for a longer period of time is taxing. there’s expendable energy stoking up, ready to burst off the apron, into the house. shimmering moments, illuminating the glow of faces seated, the warm cloud of laughter, the sighs of sinking in.

i have stood on the giant rocks of the john denver sanctuary, bowing. i have stood on the stump and the downed tree in the forest, bowing. i have danced on the deck, bowing. i have fist-microphoned in the kitchen, bowing.

i googled “what is the difference between an entertainer and an artist?” for i am often called an “entertainer” and, for some reason, that word rubs me wrong. surprisingly, an AI bot responded. “sage” wrote, “entertainment often focuses on providing a pleasurable or amusing experience for the audience, while art is more about expressing ideas, emotions or personal experiences. … entertainers focus on entertaining, while artists focus on expressing themselves through their art.”

sage’s answer indirectly implies a contrived reorganization, a pleasing-you approach. and while i have read audiences time and again, choosing direction of a concert – if possible – as i perform, on the fly, it is still with an intent to share, to impact, not to simply “amuse”.

i think it’s a matter of purity. or order. or intention. a combination of the three. plus gut. intuition. emotion. to bring. to touch. to move. to prompt questions. to elicit change. artistry. to lift up – suspending in midair – a piece of music, to let it soak up tiny jet streams that will carry it, to let it fall – as it might – onto the anyone or the anyones who is or are there – recipients of my good intention, from stage to audience.

hunger for the stage is real. it is pining for that connection, for the very reason i have composed.

one day the curtain rises – one day the delicate leaves drop – and i’m grateful to perform, piano, boom mic, wood under my feet – and the clusters of tiny white flowers explode into daylight.

*****

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black and white prayers. [two artists tuesday]

it is all in the intention.

our old door – leaning against the house on the back deck – is not high in the himalayas. it’s not at everest base camp or, for that matter, on any scaled summit. but, like the space in which our other prayer flags fly, our deck provides a place from which to release prayers and mantras into the wind, to hope for compassion, peace, strength, wisdom, and good will.

the cracked-paint white door leans against the white lapped vinyl siding of the house. walking sticks – mostly from mountain trails we have hiked – lean nearby.

our colorado prayer flags have faded and shredded to nearly invisible. i imagine many, many prayers blown far and wide, the wind pulling at the string on the northeast side of the house, a place of distinct breezes off the lake.

i decided to make our own. they do not have the words of prayers on them. they are not specific in a colorful palette. instead, they are black-and-white, save for one white-and-black flag. sewn of thin bandanas and seam tape, i was pretty excited to string them up.

and with them, as they are beginning to catch the breeze, as they begin to get tattered and worn and sunbleached, they will begin – just as the others – to send wishes of goodness and positive energy into the world.

we aren’t going to get all hung up about color or what is printed on the flags. for us, in these times, it’s all about the intention.

*****

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true rainbows. [d.r. thursday]

chicago is aware. wide-awake LGBTQ aware.

to be there is not to be in a nod-to-diversity. instead, the city embraces diversity. it is true to its intention. the rainbow flags and “proud” banners and painted buildings are emblems of this good intention.

but one must be wary of emblems, of symbols, of misspoken intents. to live in today’s world is to bring a bit of doubt to the table, to ask questions, to do your homework, to be informed. for not every mission statement will stand up to scrutiny, not every symbol of goodness will survive real review. it is surprising – at best – to realize that agenda has superseded goodness and has taken your trust for a ride. beware of generalizing virtue simply because it falls under the umbrella of a symbol.

i have been immersed in places in which i placed all my faith, sans skepticism or dubiety. i have been in communities that touted their transparency, their compassion, their participation in good mission. all the while, the flags of opacity, of hidden agenda, of untruths spoken and truths unspoken, flew quietly and deliberately in, usurping any good intention that remained, driving out the hard work of community-building, of the joy of the embrace. out of alignment, were the symbols capable, the symbols would shudder.

and so, i walk into the thick of the city, sensors on. i know there are issues, problems, but i know there is attempt to address these, to ask hard questions, to communicate, to resolve any perceived conflict.

i know that the rainbows are true.

*****

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INSTRUMENT OF PEACE 48″ x 91″ acrylic