“tonight while the lights are shining and the microphone is on, i’ll play for you…” (seals and crofts)
or no lights.
a piano perched among the boulders looking out toward the mountain range – in this very special place. a boom mic.
in my dreams, i can see it.
the bigrocks are seats and the program is not written. it all comes from the spirit in this place, from air, from healing. and – even more specifically in my dream – a yamaha disklavier pro minus the fancy-schmancy newfangled stuff – an instrument to record directly to disk…on-the-fly on-tape, in the vernacular.
in my dreams – in my regaining of feeling relevant – my fight to regain relevance – as a 65 year-old recording artist who broke both wrists snowboarding and then tore my scapholunate ligament (leaving me with a rh grand total of 45° forward rom) – i am sitting at C7 pros all over – in fields of boulders, in canyonlands, perched on mesas, in meadows of wildflowers, on a cool sand beach. i am playing the boulderfield, the canyonland, the mesa, the meadow, the beach. it is a conversation between us – even, maybe – through me. it is simply an offering to anyone – or any one – who wishes to listen. it’s a dream awash in unlikelihood but with maybe-just-maybe the smallest iota of possible. maybe we can make it happen.
i stood – again – on the most obvious rock from which to bow to my invisible audience. and i bowed low.
because sound or not, there is music. sheet music or not, there is composing. audience or not, there is listening. it is all happening – simultaneously. right there. in that place.
the boulders on the grassy knoll know it. and i can see it.
“i’ve practiced many years and i have come a long, long way just to play for you… my life is but a song i have written in many ways, just to say to you…”
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“follow me where i go, what i do and who i know. make it part of you to be a part of me. follow me up and down, all the way and all around. take my hand and say you’ll follow me.”
“you see I’d like to share my life with you and show you things i’ve seen. places that i’m going to, places where i’ve been. to have you there beside me, to never be alone. and all the time that you’re with me, we will be at home…” (john denver)
the first time i saw the rockies i was 18. i was in the backseat of my mom and dad’s dodge and they took my breath away. i was changed – those mountains stayed a part of me.
so when it was that he was from there, it just seemed right. our path now includes going there fairly regularly and always a desire to be there more and more, to return and return, to linger. those mountains…it’s that john muir quote: “the mountains are calling and i must go.”
there will be a day soon he will follow me to long island. we’ll go to the regular haunts. we’ll bring sage with us and, having lost them forty-five years ago, i’ll take those places back. and he will be there. with me. our path will take us to the beach and to the harbor, maybe out on the sound, definitely past my old house. we’ve been there together before – because we have followed each other – taking turns leading the way – for over a decade now.
“…take my hand and I will follow you.“ (j.d.)
the path through the john denver sanctuary in aspen leads past boulders of lyrics. we amble our way through, choosing to be slow. we have returned here. we will return again and again.
“come dance with the west wind and touch on the mountain tops, sail o’er the canyons and up to the stars…”(j.d.)
we have danced in places noisy and places quiet. we have danced in places with music and without. we have waltzed on our deck, in our kitchen and on dusty dirt trails. we have carried the wind with us and discovered stars on the horizon we had not noticed before. the path winds and makes unexpected turns. laughing and crying turns. and we trust it together.
“you fill up my senses like a night in the forest, like the mountains in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean. you fill up my senses, come fill me again.”(j.d.)
and we tell tales of the times we did not share together, the stories of before. sometimes we tell them over and over. they don’t get old. they are the pieces that made up who we met eleven years ago. two weeks after the day we first set eyes on each other, he came back – to see if it had really happened. sometimes you have to see home more than once to believe it.
“this is my autograph…here in the songs that i sing, here in my cry and my laugh, here in the love that i bring. to be always with you…and you always with me.”(j.d.)
and each path now – in the simple times and in the fancy times – we’ll hold hands or link arms, we’ll dance, we’ll lead, we’ll follow.
it was somewhat inconspicuous. the heartrock just tucked in with the rest of them, quiet, unassuming. it knew it would be seen; it knew it would be recognized. it was not unexpected – particularly that very day.
because earlier in the day – that very day – just a tad bit earlier – right before lunch – in late morning – inconspicuously and quietly – my beloved girl married her best friend. and, as unassuming as they wished this all to be, nevertheless, there were six parents in the world who felt the shift of the earth, whose heartstrings were tugged, who held her and held him – both – closely – in these intentionally-unassuming but admittedly-profound moments. sans tulle and without a nod to anything traditional, our families connected the dots and joined together. and a new chapter started.
i would have been surprised not to stumble across the rock that day. i worked kind of hard at not leading toooo much from my heart, tried to be casual, mellowishly nonchalant even. but i’m sure i lost some laidback points that day. i was celebrating my beautiful and fiercely bold daughter, who was choosing this dearest guy with whom to spend life. it’s a big deal for a momma…if not from an event-ish place, definitely from a heart-place.
and that particular day, the heartrock was waiting for me. it was just a couple hours past the moment. we took a walk – a most exquisite stroll – slowly through the sanctuary and it nodded at me as i started to pass by, making sure i noticed, grounding me. i let out a deep breath, a few happy tears. it was a stunning day in aspen.
because that particular day was different. not the mountains, not the blue sky and brilliant sun, not the smell of pine and the early quaking aspen leaves, not the roaring fork river gurgling.
the axis had shifted a little and things were changed.
and six moms and dads were there to hold space as part of our hearts married.
embrace of life – by mimi webster, the john denver sanctuary, aspen, colorado
THIS is how i feel in the mountains.
all worries, concerns, things we are suffering or things too complex – shed – as clothing falling off, a nakedness of joy, exulting in the sky, the purity of air, the scent of early spring in high elevation.
THIS is how i feel there.
it is not unlike how i feel at the side of the ocean, with waves lapping my feet, infinite blue meeting aqua on a horizon too far away to particularly discern, salt air sticking to my hair, sun beating down, uninhibited.
it is recent discovery that we realize it is a new time. though we both are – and have been – aware of the tenuousness, aware of how nebulous it all is – and one of us distinctly more thready than the other – we are beginning to see life in smaller morsels. we are not sprinting past on our way to somewhere which will ultimately be on the way to somewhere else. instead, we are slower and more deliberate. we are undressed inchworms – exposed – in miles and miles of life. intentionally.
at the entrance to the john denver sanctuary, embrace of life stands, gloriously. i needed no reminder. i walked in – throwing my head back to the sky – throwing my arms out to collect it all, to wrap in it, to bring it all home. my heart is open. wide open. air rushes in as we walk among boulders chiseled with lyrics and prose. each moment is shimmering.
because it feels like the past, the present and the future all at once and – here – it all wraps around your heart.
we are both john denver fans. not the ridiculous push-to-the-front-of-the-crowd-for-a-signature type. just the quiet, eternally-grateful type. he has inspired us. he has inspired me. he made the simple melodic gesture a visceral thing. he elevated folksy messaging and storytelling; he reinforced the beauty of a lack of adornment. simplicity.
and when we stand in this beautiful place – designed to honor him, his composing and songwriting, his vision of the world – we are standing in and with his spirit. and you can feel it.
we slowly walkabout, arm in arm. we hum the songs chiseled into granite boulders. we stand immersed, pondering, in front of quotes of john muir and leonardo da vinci and helen keller and rachel carson and jacques cousteau.
i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.
some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.
i know i might be accused of over-documenting. so many photos. “1.81 trillion photosare taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.
yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.
because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.
so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.
despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.
selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.
reverse threading 