embrace of life – by mimi webster, the john denver sanctuary, aspen, colorado
THIS is how i feel in the mountains.
all worries, concerns, things we are suffering or things too complex – shed – as clothing falling off, a nakedness of joy, exulting in the sky, the purity of air, the scent of early spring in high elevation.
THIS is how i feel there.
it is not unlike how i feel at the side of the ocean, with waves lapping my feet, infinite blue meeting aqua on a horizon too far away to particularly discern, salt air sticking to my hair, sun beating down, uninhibited.
it is recent discovery that we realize it is a new time. though we both are – and have been – aware of the tenuousness, aware of how nebulous it all is – and one of us distinctly more thready than the other – we are beginning to see life in smaller morsels. we are not sprinting past on our way to somewhere which will ultimately be on the way to somewhere else. instead, we are slower and more deliberate. we are undressed inchworms – exposed – in miles and miles of life. intentionally.
at the entrance to the john denver sanctuary, embrace of life stands, gloriously. i needed no reminder. i walked in – throwing my head back to the sky – throwing my arms out to collect it all, to wrap in it, to bring it all home. my heart is open. wide open. air rushes in as we walk among boulders chiseled with lyrics and prose. each moment is shimmering.
we ordered fried rice and eggrolls the same day i blogged about joy sprinkles. it doesn’t take much to get us enthused and fried rice and eggrolls do it. because we don’t eat out often, it is always a treat to have something someone else has prepared and this dinner is no different.
we only got one fortune cookie in our brown stapled bag of deliciousness; our order must be considered a small order. we saved it for later.
i got to be the one to crack it open.
“sprinkles of joy will shower upon you in unexpected ways.”
it was one of those stunning moments in the universe when all comes to a screeching halt and you realize it is – indeed – all connected. just when you felt a little bit untethered, a little unsteady, the universe shows up with an anchor.
and here it was. simply the words “sprinkles of joy”.
i texted heidi – forever my keeper of the word “sprinkles” – and we laughed to realize we had juuust spoken these very words, that i had just written them. unexpected, for sure. it was like the universe had its own personal siri listening in – like when you talk about mumbai – never touching your computer or phone or any device – and then it shows up on your facebook feed or in your instagram. here it was – the universe echoing back to me the words “sprinkles” and “joy”.
we walked past the cemetery at the end of our road on the way back from the corner store. it was sunny saturday and, having spent the day doing chores inside and outside around the house, we were going to sit out back on the patio with dogga, sip a glass of wine and eat – yes – chips. we haven’t had chips in a week and thought, “eh…what’s a few chips?!!” it was with chip-guilt in a plastic bag walking home – as we strolled past the cemetery – that d looked over at me.
“i’m glad the cemetery is at the end of our block,” he said. “it reminds me that these people all had lives, too,” going on to talk about perspective, stuff that matters and stuff that doesn’t matter, the passage of time, the not-knowing.
every moment is one in which to create joy. for oneself. for others. together. to be showered by sprinkles of joy. in unexpected ways.
i proudly carried our bag of chips the rest of the way home.
it made me smile as i walked in. these flowers graced the expansive ladies room window in the milwaukee public market. it’s a large decal – produced by a small business in the uk called dizzy duck designs. they call this piece “retro flowers frosted window film.” it was the perfect way to achieve privacy in this space.
i’ve been in a lot of churches, plenty of chapels and many cathedrals along life’s way. i have seen countless stained glass windows. they have depicted the stories of the bible, the stories of the religious institution. there have been folksy windows, tiffany windows, ornate windows with more colored glass than imaginable, geometric windows with monochromatic patterns. the beautifully simple and texturally or story-line overdone, both.
i can’t honestly say – despite honoring the obvious artistry in all of these panels, despite their remarkability, despite their intention of storytelling, despite the serious religious overtones, the shade of light cast into the building – that i have felt anything like what i felt this day as i walked into this ladies room. i have felt other things, but not this.
these wildflowers were charming, captivating. i instantly felt joy. stealing from my dear heidi, “sprinkles” kind of joy.
i stood in front of this window – which i had not seen before – for several extra minutes. i admired each whimsical flower.
i didn’t google the panel till much later. it doesn’t have a behemoth history like magnificent stained glass windows through the decades. it’s just a sweet family-run business, trying to fill a niche and make the places in which people hang out feel good.
bravo, dizzy duck designs! i can’t think of a better reason to be in business.
“spring gets you every time. every year it sucks me in, but then, I’m easy—a few cool blue skies, new grass, wildflowers, and i’m in love. (anne lamott)
in most rehearsals, i would remind the choir that their smile could be heard. there is a major difference to the timbre of voice brought forward with or sans smile. the same is true with speaking; even when you are not seen, the difference in tone is distinguishable.
it’s the season of the christmas cantata – a major work of multiple pieces with various voicings, instrumental lines, accompaniment and narration – closer to an hour in length. i’m writing this on the sunday morning that was usually chosen as the day of performance – the second sunday in december. i can’t even begin to remember how many cantatas i’ve directed – and written and arranged – through my decades as a minister of music. just recently a facebook memory came up – it was my post thanking the choir and worship band at a church where we had just performed such a work. the creation of narrative and song is exhilarating – for both director and participants – and everything drives to the downbeat. there is a glow that emanates from such a group – these people who have diligently prepared a musical piece of larger extent – and the camaraderie that weaves its way through – it is joy.
it’s been a few years now since i have directed a cantata. i’m guessing it’s a few years since many of the people who participated have sung or played a cantata. not every minister of music or choir director is up to it and some choose other programming. while you are preparing weekly anthems for sharing in service you are concurrently rehearsing this large work, so it takes time and energy, a compositional spirit, an innate ability to discern cantatas of value, ingenuity, the ability to rearrange on the fly, the belief in showcasing your choir – as a choir – accommodating any ability level, the recognition that simplicity is potent, much flexibility and humor, meticulous planning and true dedication. it is knowing as a conductor – in the moment after the downbeat – that you will merely guide this integrated group of singers and musicians through this visceral experience of purity. yours is a backseat to the magic – this is not your microphone. it is an undertaking not for the meek.
to say that i miss cantata-day would be understating. the gift of music is to make resonant that which is hard to see, that which is not tangible. the gift of music is to evoke powerful imagery and to open emotions tucked away. the gift of music is to bring forward beauty and the magnificence of producing something together. the gift of music is to offer just that – the gift of music. impactful, moving, music has the ability to change souls.
we pass the leaf on the trail – so very obviously lips curled in a smile. i think about all the times i have urged a singer to smile, all the times i have listened to the difference between smiling and not smiling – like the difference between the keys of d minor and e minor. vast.
and right now – as i write this – i wonder how many choirs are gathered on chancels, singing their hearts out, smiling inside and out.
“squeaking with joy, ” cousin kate wrote – all in caps – “the turtles are back!”.
at the exact time she sent that, we were on our trail, on the bridge over the river, gazing down at the turtles. we had seen a couple earlier in the spring, but then it got cold and they disappeared. now, they are back – seemingly for good – and we, too, are squeaking with joy.
earlier in the winter, i had written:
“i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.
we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.
time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.
and waiting. and the river freezes. and then it thaws.“
and then i had this idea walking down the hall the other day. it was a the-turtles-are-back idea.
in my mind i named it “out of fallow” or “out of the mud” or even “the relevant challenge” or “on the fly” but the name is fluid. the idea floated around and landed tiny feet on my brain, so i eventually told david about it.
it’s relatively simple. we choose ten destinations – in wisconsin, in the midwest, on the northeast coast, in the high mountains, on quiet southern beaches, in the canyonlands, in the grand national parks – all different projects. taking a yamaha portable battery-operated keyboard (with recording/disc drive capability), ten canvases and paint, both laptops, and a couple spiral notebooks – we go to each destination for a pre-determined amount of time (say, three hours). while there, i compose on the fly – what that place feels like – and he paints on the fly – what that place feels like. on the fly – spontaneous creation – is not for the meek at heart. it requires focus, has a terminal product necessary at the end – a short time after beginning – and necessitates a degree of letting go. it pushes us back into the active-art-place and pushes us past edges. it gets us out of the muddy bottom. it produces the raw pieces of an album to be orchestrated and a collection of paintings to be framed. it needs some support to get off the ground. it has me pondering, swimming to the surface with the turtles.
our snouts will pop out of the river and we’ll look around some, trying to figure it out. we would definitely need some encouragement, some warm sun, some help.
and, if we move forward, out of the suspension, we – turtles, too – will definitely be squeaking.
i went to school for nineteen years. when i finished my master’s degree my sweet momma asked if i would – one day – work on a doctorate. i emphatically replied, “not a chance!”. i felt that i had reached my terminal degree, so to speak, and that all the rest – all that education, work experience, talent and intuition and tenacity and wisdom gained along the way – would serve me well.
i am 64 today. sixty-four. six decades plus four.
and i am a woman. woman. she/her/hers.
and this is the 21st century. the 2000’s.
yet, sitting on the couch the other day, watching new amsterdam – cast with actors in many female physicians’ and specialists’ roles – i stood up and cheered for the female character who firmly stated, “i didn’t go to school for twelve years [med school] to learn how to smile more.”
what – exactly – is the propensity for people to tell – specifically – women to “smile” or “smile more” or “just smile” or some similar iteration in answer to conflict, to agenda, to management riddled with prejudice? the question i ask – would you tell a man to “smile” or “smile more” or “just smile” or – truly – any iteration as such?
the continued thwarting, silencing, harassing of women is insidious. and forever. as in – forever.
“there is a pull, a fiercely ingrained pull, to mute a woman’s voice until it coos. to press it down until it is as small and sweet as a pastel after-dinner mint. to control it. to silence it.”
“and still, she speaks. she tries to be heard. but very—too often—her voice is ignored … or belittled, mocked, critiqued, or shouted down.”
“if a woman utilizes her voice in a powerful way, or shakes up systems that are firmly in place, she will be subject to an abysmal, hack, silencing-method known as punishment.”(fiona landers – we have always silenced women – damemagazine.com)
“learn how to smile more…” i put new amsterdam on pause and rolled my eyes.
smiling more and keeping silent…when is that appropriate action in one’s workplace? is it appropriate – palatable – with a minimal salary and no benefits? is it substantially more appropriate – indeed more palatable – with a substantial salary, full benefits and retirement? do leaps and bounds of higher financial reward translate to keeping-one’s-mouth-shut even in the face of maltreatment? is a silent smiler in the upwardly-mobile ranks helping those on the lower ladder rungs? where is the line (or is it a ladder rung?) between generative transparency and closed-lipped acquiescence? where is the respect?
my sweet momma – who died at almost 94, a woman before her time – was a smiler. i – like most people – love to smile. i can see her smile in mine, the thinning curve as she grins, the crinkling of her eyes and the crease just above her top lip. she was a promoter of joy and kindness and – as the basic tenets of all the work i do in the world – i would like to think i have brought those forward, from her.
i found a small pocket calendar she sent me. i had saved it in a drawer in my studio for fifteen years. there is a handwritten sticky note on the back in which she directs me to “read the motivations through these pages” and to “start with the cover”.
the cover quote reads, “you must be the change you wish to see in the world.” (mahatma gandhi)
smiling-on-demand – even being a “sweet pastel after-dinner mint” – does not get one anywhere. conversely, not smiling-on-demand, not being a “sweet pastel after-dinner mint” can get one destroyed. but, in fact, smiling-not-for-a-real-smile’s-sake and the act of being a “sweet pastel after-dinner mint” and staying quiet about any prejudicial wrongdoing or malfeasance is an abhorrent manipulation, a coercion, shutting down strong, smart, valuable women – employees – time after time. and for what purpose? is this not perpetuating the oppression? just what responsibility do we have to each other, to the next? are we the change or aren’t we?
reddi-wip was always on her list. any holiday, any winter-hot-cocoa-possibility day, any waffles-and-ice-cream-up-a-notch day. my sweet momma was a reddi-wip fan. so i can’t help but think of her when i look in the fridge right now and see the familiar red and white canister, just waiting…
we don’t buy ice cream. i can’t have it and, though it wouldn’t really bother me – unless it was coffee ice cream – in which case i would be ridiculously jealous, d doesn’t want to eat it in front of me. so we don’t put it on the list. we will – from rare time to rare time – pick up frozen cashew milk or some other dairy-free option. just a pint. but a treat and oh-so-good.
instead, we freeze bananas. and we take out one of those appliances you buy in one of those we-need-this moments. it’s a yonanas and, even though it isn’t a front-and-center machine, when it makes an appearance from the shelves in the laundry room in the basement, it reminds us of the deliciousness of a littlebitta dessert, a little something sweet.
frozen bananas become ice cream in this miracle-machine. we top it with berries. or really anything you might put on an ice cream sundae. and then – if it’s really a fancy moment – there’s reddi-wip. swirls and white fluffy clouds of whipped cream on top – it becomes an occasion. we look at each other and wonder why we don’t make this more often. what day – really – doesn’t deserve to be an occasion, we wonder aloud. what day – really – doesn’t deserve dessert, we insist.
i’ve been thinking a lot lately about the word “indulgent/indulgence”. i’ve sat with it, pondered over it, journaled about it, discussed it at length. it is one of those yin-yang words, one of those words that is both inspiring and guilt-producing. the dark and light of self-indulgence, the expansive greyness of indulging, judgement and justification invisible partners. i had to decide if i would indulge in some looking-back, in processing some times of great difficulty. i had to choose between indulgence and necessity. it was a seesaw for a bit.
the reddi-wip made its way into the shopping basket as i planned for a special holiday meal. and now, as i gaze into the refrigerator, i realize it’s still there – there is more in the container – more fluffy whipped cream – for any day. it’s an every-day possibility. some things that look like indulgences are not. some things are necessary.
“joy is not made to be a crumb.” (mary oliver – don’t hesitate)
“c’mon baby, light my fire,” the saying is the centerpiece of a beautiful frame of deep woods, reaching up and reflecting in a pond down. it was part of a moving wedding gift and we treasure it on top of our dresser.
dogdog needs little to light his fire. it would seem one of his favorite things is to “go on errands”. his little body quivers with excitement and it takes a few moments for him to stop jumping-bean-jumping before he sits on the rug for his leash and the chance to bound out the door and godirectlytothecardonotstoporcollect200dollars. he – in his weird aussie-quirk way – will only get in littlebabyscion from the rear passenger door and he jumps up and waits, with great anticipation. lit-fire and all, he will wait for a very long time to discover where it is we are going and, every time, even if it is only around the block, he looks thrilled. in nice weather he sticks his head out the window and lets the wind blow his ears, his eyes wide, his mouth open. he has no expectation. he finds his glee right there and then. he is elated.
there was a moment this weekend, a busy one working around the house and in our backyard, that we took to sit and relax at the table out back, eat too many pistachio nuts and paint rocks. my green paint pen cap exploded off and neon green paint went everywhere. we looked at each other and started laughing. a couple hours went by before we realized it might be time to warm up some leftovers. nothing like a saturday, dusk on the deck and yummy leftovers.
it just makes you realize that it’s all about framing.
lit-fires and joy.
we just need to bound into it with no expectations.
whoa. if the simplest sh*t does not interest you, you will not likely want to read this.
we bought a new dish rack.
we also bought a new dish drain.
we are ridiculously happy with our new dish rack and our new dish drain. we dance the dance of thing1 and thing2 in the kitchen and are most pleased with ourselves and our two new purchases (total at target: $21.10).
at a time – still – when pandemic limits in part – at least our – movements and choices, we are choosing to celebrate the littlest things. granted, there are no monumental purchases or excursions TO celebrate, but we are not terribly high-barred in our experience of happy-happy-joy-joy. for two people who have no working dishwasher, a new dish rack and dish drain – sans the yuckiness and the forming-rust of the old ones – make all the difference.
in like story, we painted the main floor bathroom. as you know, we purchased a big jug of vinegar, a big can of zinsser, an expensive can of benjamin moore aura bath and spa, and a can of ben’s slightly-less-expensive eggshell paint. chantilly lace white – “a classic go-to white that elicits images of fresh cotton and pure silk.” and we purchased a new faucet. it’s matte black. now, that – the faucet – i must say – was a big deal. and frankly, that – as is often the story – was what started the whole rigamarole. we re-decorated the bathroom, simply moving things from other parts of the house into the bath and giving ourselves permission to actually use the guest towels we had in the guest bath upstairs, bath towels reserved only for guests. a big deal, we both find ourselves standing and gleefully staring at “the new bathroom”.
and we’re dancing in the kitchen.
yup. it doesn’t take much.
our still life – dish rack with orange cup – signed – is available for purchase, should you want to be reminded of the simple stuff in life. we are choosing to go with christopher wool print and poster pricing – it’s only $40,000 for the original print and we will generously throw in the new dish rack, the new dish drain and, even more generously since it is part of a pair, the vintage metal orange cup we use for espresso. just use our contact form and we’ll call. trust us. we will.
the simple stuff. every day is a day to celebrate it.
and the marvel continues. this very-large-branch-turned-christmas-tree, really like anything that is nurtured, has opened in the world. it is as if it has actually-self-actualized. though it would seem that remaining a limb on the maple out front might have been its endgoal, in its experience of being cut down it suddenly has new life, new possibility, new importance. the oh-the-places-you’ll-go story of its existence has undergone transformation. the you’re-supposed-to-be-a-branch-on-a-tree has been shattered and the old story of small-pine is re-created in an unassuming maple limb. because we paid attention.
in this time of hyped seasonal holiday glee, it would seem that honoring the tiniest of tiny might yield the glee-est glee. it would seem that the slightest bit of paying attention to others might pay forward the goodness and generosity that have been showered upon us. it would seem that looking beyond the obvious – to something unexpected, something out of the ordinary – might bring unexpected, extraordinary joy.
our small-pine-maple-branch is most definitely smiling, its branches reaching out and up and, each day, feeling more a presence. a reminder that life is not normal. instead, it is a chance to pay attention, really-really pay attention. it is a chance to nurture each other. it is exceptional. i can hear our christmas tree 2021 breathing in and out, “don’t forget that.”
reverse threading 