there are those places – where you sit and your breathing slows down. the blue of sky calms you, the warm sand molds to your shape and the water beyond where you sit lulls you and quells the inner mixmaster of your thoughts.
for me, many many years ago now, that place was crab meadow beach. i felt some kind of kinship with the seagulls and the lure that shoreline had on them. off-season still found me sitting on the pebbles along the waterline, in the sand gathered in small wind-dunes, on the cement dolphin or walking, walking, walking, ankle-deep in a surf that changed daily. a place where i could sort out growing up, it soothed me, challenged me, spoke to me.
it’s not always a beach. or the top of a mountain. or a quiet lakeside cove. or an inviting stump on a thick woodsy trail. most of the time we don’t all have access to these things on a daily basis.
but there is a place. where you can find the silence you need. for david, this is often in front of his easel, a fresh canvas waiting or an unfinished painting beckoning. this painting – ALKI BEACH – reminds me of that place. the places nearby, the places within. the rocking chair in the room upstairs, the adirondack chair in the backyard, the piano bench. the place you draw the seagulls close, whisper your thoughts to them and send them on their way back into the world.
my sweet momma would often call me just as the time i was born would pass on my birthday. at the end of her life she didn’t do this anymore but i always remembered anyway. mid-morning i would know that this was the moment i arrived at this place, this was the beginning of my passing through, the time of my visiting.
today, this very morning, it was 60 years ago that i joined the rest of this good earth on its journey around the sun. spinning, spinning. every day.
it wasn’t long till i realized – as an adult – that we spin our wheels constantly to get to some unknown place we can’t necessarily define or find. we search and spin faster, out of mission, out of passion, out of frustration, loss, a feeling of no value or a sense of lostness. we spin. we seek. we try to accomplish. we try to make our mark. we try to finish. we try to start. we leave scarred rubber skids of emotions on the road behind us; we burn out with abrupt, unexpected turns, we break, wearing out. spinning. spinning. from one thing to another, our schedules full of busy things to do. often, days a repetition of the previous day. every day full. full of spinning. but we are still seeking. life is sometimes what we expected. life is sometimes not what we expected. and that makes us spin faster, our core dizzying with exhaustion.
the simplest gifts – the air, clear cool water to drink, the mountaintop exhilaration of parenthood, hand-holding love, the ephemeral seconds of self-actualizing accomplishment, the sun on our faces…we have images stored in our mind’s eye like photographs in an old-fashioned slide show, at any time ready for us to ponder. but often-times we fail to linger in these exquisite simplicities. the next thing calls.
this morning, as i stare at 60 – which, as i have mentioned, is kind of a significant number for me – i realize that everything i write about or compose about or talk about or hold close in my heart is about these simplest things, the pared-down stuff, the old boots on the trail – not fancy but steadfast, not brand new but muddied up with real. in our day-to-day-ness i/we don’t always see IT. the one thing. there is something -truly- that stands out each day in those sedimentary layers of our lives. it is the thing that makes the rest of the day pale in comparison. in all its simple glory, the one true moment that makes us realize that we are living, breathing, ever-full in our spinning world. the thing that connects us to the world. the shiny thing. the mica. that tiny irregular piece of glittering mica in the layers and veneers of life. the thing to hold onto with all our might.
that tiny glitter of mica. mica nestles itself within a bigger rock, a somewhat plain rock – igneous, metamorphic, sedimentary ordinariness. not pinnacle, it is found within the bigger context. sometimes harder to find, harder to notice, but there. and it makes the day our day, different than any other. it is the reason we have learned or grown that day. it is the reason we have laughed that day. it is the reason we have picked ourselves up off the floor that day. it is the reason we have breathed that day.
and now, at 60, i resolve to see, to collect those pieces of glitter. not in an old wooden box or a beat-up vintage suitcase, but, simply, since they are moments in time, in a tiny notebook or on my calendar. join me in #TheMicaList if you wish. as we wander and wonder through it is our job, in our very best interest, to notice the finest shimmering dust, the mica in the rock, the glitter in our world.
with all the reminders around us to remember-remember-remember that every day counts, we get lost in our own spinning stories, narratives of many strata. i know that in the midnight of the days i look back on the hours of light and darkness in which i moved about and remember one moment – one moment – be it a fleetingly brief, elusive, often evanescent moment of purity, the tiniest snippet of conversation, belly-laugh humor, raw learning, naked truth, intense love – those are the days i know – i remember – i am alive.
my visit to this physical place is not limitless. but each glitter of mica is a star in a limitless sky of glitter, a milky way of the times that make me uniquely me and you uniquely you, a stockpile of priceless relics. my time stretches back and stretches ahead, a floating silken thread of shiny. it’s all a mysterious journey.
this came across my desk last week. “maturity in season of life.” part of a minister of music job description, i was struck by the unguarded language, the bow to what only time and experience can teach. i have never seen this written as such before. it was bracing in every GOOD way. it was appreciatory. it was a breath of fresh air.
in a society that seeks to remain youthful and puts less emphasis on maturity in season of life than on staying young, we need remember there’s a place for everyone. some places require youth, fresh and breathing hard from the sprint. other places recognize the need for the steadfast wisdom of the ages, a decision-maker-doer who brings a lifetime of positive and negative experiences and knows how to differentiate between them, has an intuition built on time and the ever-growing wealth of lessons. the seesaw has room for both; the fulcrum can only balance with both.
as two artists living together, we are more than aware of the challenge of ageism, the challenge of time spent in our artistry and how that relates to value. more than a thousand times we have each been admonished for thinking we need to be paid when we should be grateful for the “exposure” we are being “granted”. more than a thousand times we have each been in a place where we have had to explain why our artistry needs to be financially rewarded just like anyone else’s work.
indeed, pay scales have been built to reflect time spent and job descriptions use verbiage like “pay is commensurate with experience.” experience. maturity: “the ability to respond to the environment in an appropriate manner. being aware of the correct time and location to behave and knowing when to act, according to the circumstances and the culture of the society (read: job) one lives in (read: one works in).”
i recently was having a written messaging chat with a hard-working young adult whose job is in the arts. with these challenges facing him every day, he said that people do not realize that “they’re paying me to know what to do if things don’t go well.” intuition. working on the fly based on training, knowledge and an ever-building bank of experiences. he will continue to face that challenge; it will only deepen. how is that maturity measured? how will he be paid for that maturity, for that which he cannot describe and for which others cannot fathom? for some reason, in this society, it is easier to answer that question if you are doing a numbers job, something seemingly more concrete, more measurable, more quantifiable.
but maturity in season of life touches others as well and we have dear friends who have been ‘let go’ from their jobs simply because of their age. now, their companies would never testify to that and are careful to avoid such language – for that would set them up for all kinds of legal problems – but it has been clear to our friends, struggling to find a new way in later days of their lives. few and far between are those who are able to benefit by pointing out the error of their ways to the company that is undervaluing a later human-on-this-earth season. other friends are fortunate enough to be working somewhere that has deeply valued the long time they have spent in their work and these friends have retired with spoken words of gratitude and wishes of continued good living. where is the fulcrum?
in this particular document that came across my desk, the whole phrase read, “maturity in season of life and maturity in ministry experience.” shockingly, they are seeking this as a qualifier and they are willing to pay for it. speaking directly to that qualifier that beautifully honors the wisdom of the ages, there are things that, as a minister of music at 19 i did not know. there are things that, as a minister of music at 32 i did not know. likewise, as a 30-years-as-a-minister-of-music at days-away-from-60, of course there are things i do not know.
what i DO know is that every experience i have had as a minister of music has built upon the last. instead of a chasm where learnings have dropped rapid-fire into an abyss, i have learned what the important stuff is and how to attempt to keep those things foremost.
like anyone in any job, mastery is commensurate with time spent, with growth in that work, and yes, without exception, with maturity in season of life.
“take kindly the counsel of the years, gracefully surrendering the things of youth.” (desiderata)
my sweet momma always said that you can catch more flies with honey than with vinegar. although she stood her ground, she rarely pushed back. well, maybe at my dad…i certainly heard her push back in that relationship. she was a woman before her time, struggling to be seen and heard…in relationship, in work, in the world. nevertheless, she led with kindness and generosity.
recently i surprisingly found myself in a situation where i felt the kind of civility that is needed to accomplish anything was lacking. instead it was aggressive, pointed, antagonistic. “when push comes to shove” implies escalation and this, indeed, was the case. instead of actual conversation, it was a push-shove back-and-forth. instead of communication, it was a shining example of what-not-to-do.
we drove past a passiton billboard on the way up north that read these words: when push comes to shove, don’t. civility is in you. what does a boorish push or a retorted shove accomplish other than an establishment of immaturity, a driving desire and play for power and an uncooperative non-collaboration?
civility is not that hard. it should be what we lead with. respecting others and their place in their world. we each get the same air to breathe and we each breathe in and out the same way. instead of escalating to shove or pushing yet harder, how might we fill our lungs with responses of peacefulness, thoughtfulness, fairness, appreciation, intelligent consideration, magnanimity, grace, even reconciliation. why must push come to shove? it needn’t.
i’m not a particularly good teller-of-jokes. even the punchlines of knock-knock jokes sometimes evade me and i find myself wracking my brain for the end, while anyone who listens can’t help the yawns. but one of my all-time favorite jokes to tell is the one about the wide-mouthed-frog. my niece heather was the first to tell me this joke; she was a pretty adorable toddler acting out the part of the wide-mouthed frog and i couldn’t help but laugh. now here was one i could remember! there are many versions of this joke now and you can make it last as long as you want; for me, the longer you have people watching you act like a wide-mouthed frog, the better.
the curious wide-mouthed frog hopped happily around, stopping to ask various animals what they are and what they eat. he stopped by a robin and said, “hi! i’m a wide-mouthed frog and i eat bugs! what are you and what do you eat?” the robin replied, “i’m a robin and i eat worms.” “OHHHHHHHHHHHH!” exclaimed the wide-mouthed frog and hopped happily on. he stopped by a giraffe and said, “hi! i’m a wide-mouthed frog and i eat bugs! what are you and what do you eat?” the giraffe replied, “i’m a giraffe and i eat the leaves off the highest trees and bushes around.” “OHHHHHHHHHHHH!” exclaimed the little-bit-more-informed wide-mouthed frog and he hopped happily on. the wide-mouthed frog visited with many different animals on his way, learning new animal names and diets. then he came to the side of a river where a snake was lounging in the sun. “hi,” he said to the snake. “i’m a wide-mouthed frog and i eat bugs! what are you and what do you eat?” the snake sneered at the wide-mouthed frog and, coiled into a tight circle, said, “i’m a snake and i eat wide-mouthed frogs!”
this picture of wide-mouthed-babycat makes me think of that joke. he clearly has no cares in the world and would have no worries, lest his food bowl disappear and the sunlight be gone from the sky. sleeping and eating, pestering the dog, yawning, snoring and vocally demanding attention are his tasks and he is brilliant at each of them. we simply couldn’t resist posting this picture of the cat-we-adore, a part of our world.
and the tightly-purse-lipped-wide-mouthed frog said, “oh.”
we pass under them every time we leave the house and every time we return. our prayer flags fly between the house and the garage…a welcome sight either way. although better given to you as a gift, we purchased our flags in a little shop in ridgway, colorado and i consider it a gift that we were able to spend time in that tiny mountain town in the san juan mountains. these flags represent that place to us, that time, and so much more.
each color is symbolic of an element…white is air and wind, blue is sky and space, green symbolizes water, red is fire and yellow is earth. flying these in a specific order produces a balance of health and harmony. flying these promotes peace, compassion, strength and wisdom; the wind blows the prayers into the universe. i cannot think of more visual evidence of constant prayer. it matters not to me what religious practice is associated with them. the prayers are so much bigger than that. everything is bigger than that.
every time we watch any depiction of an everest story, there are multitudes of these buddhist prayer flags. they grace base camp and the summit and each camp between, the prayers issued by those people seeking to reach the highest place on earth.
we can’t claim trying to reach the highest physical place on earth. but we can claim seeking peace, compassion, strength and wisdom, a balance of health and harmony. for me, for us, those things are the highest place on earth.
20 rolled his eyes at himself when he told us the story. he was at the grocery store and was looking at dish soap. he likes dawn dish soap; it gets the best ratings, he said. as he is peering at the shelf of containers, he can see that way in the back is a container with just a bit more…the volume of the ones in the front seem lower than this particular one in the back. so he reaches all the way in, moving aside other dawn bottles now rejected by him and pulls out the one where he can see the soap level just-a-little-bit-higher. he notes that the plastic bottle is not squished or dented (for obviously that would cause a rise in level) and he triumphantly puts the chosen bottle in his cart. voila! “there must be something wrong with me,” he said.
as a person who grew up with soap socks and leftovers i couldn’t disagree more. of COURSE you look for the highest level of soap in the bottle. that’s a no-duh. penny-pinching and making things last as long as possible were unspoken mantras for me; they still are.
my sweet momma kept a soap sock. for those of you who have no clue what that is: as a bar of soap gets smaller and smaller it becomes increasingly difficult to use. never to waste anything, my momma would gather all of her tiny vestiges of soap bars and put them in a clean white sock (generally a sport sock…something a little thicker with a tooth like a washcloth.) she would tie off the end and voila! there you have it – a washcloth with built-in soap! a soap sock!
i have inherited this trait from my momma. i will turn bottles upside down and squeeze the life out of them in order to finish all the product. days after d has declared a shampoo bottle empty i am still encouraging shampoo out of its depths. our refrigerator rarely has much extra in it – we buy for what we need and we use it up, even if it ends up as some weird concocted leftover. growing up i didn’t need the “starving children in ….” speech. i had dna.
so when 20 told us that he takes three pre-packaged 3 lb bags of potatoes over to the scale and weighs them i listened. apparently, 3 lbs of potatoes can look like 2 3/4 or 3 1/2 or 4 1/4 lbs. who knew? you can bet i’ll be trying that. more potatoes for the money! voila!
“there must be something wrong with me,” 20 said. nah.
it comes in waves. in less than two weeks i will be 60. i’m not a consumed-with-my-age-person, but this particular birthday is proving me different. without any prompts, i find myself sorting through my life, the six decades that lead me to right now. memories flow in and ebb out like the tide on a surfboard of emotions. trying not to resist, i ride the wave as it brings me growing up times on long island…my nuclear family all together, all alive, gathered in our dining room on abby drive or up in the catskills in a rustic state park cabin….bike hikes and carvel….simple times of arguing for john denver over bob dylan….time walking or sitting or playing frisbee on crab meadow beach…late sunday morning mc-arnson sandwiches or waffles and ice cream around my sweet momma and poppo’s table in florida…the time of building the first home i ever bought, a big choice for us as a young couple…the sheep farm in new hampshire….moving to wisconsin away from family and the challenges that raised…celebrating the amazing birth of our daughter and son and watching them grow into the people they are….recording my first album and what that meant….letting go of the day-to-day mothering as my children became adults and still being an every-single-day mother….balancing the impact of good decisions and bad decisions….times of intense grief….choosing love….starting over….wondering what is coming next….
the inner monologue chronicles through all of these years…i sit in quiet watching the slideshow in my mind’s eye and ponder. what was most important, what is most important, what will be most important. what it all means. and it’s clear most of the time. the people who have surrounded me, who have loved me, who i have loved. the people i am missing – and will always miss – as well as the people who are right here. the times i am missing – as well as the times -moments- i could miss right now were i to be too engrossed in something else.
on the album RELEASED FROM THE HEART, the track that i selected to follow MISSING is called CONNECTED. because it all stays a part of the vast ocean that is each of our lives. the missing and the now and the wondering, all part of the whole. all waves to ride.
pax: the kiss of peace (latin); peace (ecclesiastical latin)
“pax,” he wrote to me. years ago, in a chaotic, somewhat scary time of my life, the word “pax” was an end-goal, security in an insecure world, the warmest blanket on a bitter cold day. it doesn’t just happen. there are people around us, some epicentered and some peripherally, who create a place where we can find this peace, even momentarily. their stalwart stance, their steadiness brings us back off the brink of angst. the smallest iota of peace, like a mustard seed, grows until we can balance back on our own feet, strong enough to walk on…with leaps or even baby steps.
this painting makes me think of one of those people in my own life. a dear deeply-valued friend, his help and his accessibility helped me deal with someone else’s craziness unfortunately directed at me. he was the lighthouse in that storm for me. he helped me feel safer so that i could find peace in the chaos.
for various reasons, we don’t always realize when we are someone else’s rock. we don’t feel central, we don’t feel involved, we don’t feel informed. but there are times we don’t know – times we plant ourselves into someone’s life and nurture them, even in the tiniest of ways – times we may never know how much what we said or what we did counted. times of giving peace to someone else, one of life’s most essential elements.
“the finnish wood carvings, ” my sweet momma would answer when asked what she wanted in her little assisted living apartment, a place she would occupy without my dad, some time after he died. those finely carved statues accompanied her from new york to florida, house to house, and, finally to her small apartment. she cherished them and spent long hours deciding to whom she would give each one. the list in many notebooks and on many scraps of paper showed that she pondered each recipient’s personality and interests before deciding on a gift choice; these wood carvings were important and each was later given with decades of love. placed on an equally significant-to-her live-edge wooden shelf in her tiny living room, they seemed to represent comfort to her, something that spanned the years, something that, in their familiarity, gave her a sense of security. a piece of what-had-been-home in this new home.
when you walked down the hall in eileen and duke’s home, just in front of you before you turned in to their master bedroom was this painting. duke was an amazing artist, a painter and sculptor with an enormous collection of work. when we were helping 20 move his momma eileen into her assisted living apartment a few weeks ago, this painting beckoned me as something that might be a familiar sight in her new unfamiliar home. as we placed other artwork on the wall, i kept thinking about this painting that we had left in their home and i nagged 20 about it. i felt it could be placed so that the moment that eileen stepped into her new bedroom it would be ahead of her, before she turned to head to her bed. jogging her memory of the home she and duke had made together, a touch of comfort for her. 20 picked it up later that night and the day his momma moved in we hung the painting. this sunny, but somewhat austere space, suddenly was lifted to a different level. the photographs of duke and eileen in the kitchen, the familiar prints in the living room, this painting in the bedroom. all touchstones from home in this new home.
there are certain things i like to have around me. things that even in times of uncertainty give me a sense of footing. were i to pare down there are items that would definitely make the cut, unlikely choices maybe, but things that bring me solace, things that alleviate angst, things that gladden my heart. what are yours?