a large-moving-truck-sized asteroid missed the earth. apparently, not by much. npr called it a “very close encounter” and nasa said it was a “near miss”. it kind of puts things in perspective. i mean, what does anything angsty mean when all could be destroyed in a moment by a united-van-lines-projectile?
i suppose the wise among us would nod slowly at that question. they’d take a deep breath and exhale audibly before speaking. and then they’d point out that there are no guarantees – for any of it – and perhaps lighter hearts would be a better way to fly through this universe, skimming along, soaring, aerial acrobatics from moment to moment.
it’s been seven years. my sweet momma glimmered her way to heaven seven years ago and now, seven years later, we are interring her ashes. the wooden box that my brother-in-law holds gently in his hands is added to my dad’s niche in the columbarium. his ashes are in a hard cardboard heart-shaped box and my dad grins as her wooden box is added next to his, relieved that it wasn’t the other way around or my momma would have had something to say about his box being wood and hers being cardboard. nevertheless, our son said it best, “happy they are resting together.”
i brought my ukulele and a songsheet and we all gathered around and sang “always” before the niche was closed. it was simple. and short. and the service a row behind us had a twenty-one gun salute followed by taps – just in time as the caretaker replaced the granite door.
it’s sobering to be in the veteran’s cemetery. pristine and beautiful, but sobering. so many headstones. so many little granite doors.
i looked up – i wanted to remember the sky – perhaps the heavens – the moments we stood there, after. the sun was shining and there was a gentle breeze.
my sweet parents whispered “thank you” to us and my momma got that stink-eye look she gets. “now go live life,” she added. and my dad reached out his hand and diverted the asteroid’s path, just a little. but enough to make a difference.
in her gravelly voice, from the back row of the choir room, i heard one of the bass singers say, “i used to be a soprano!” everyone laughed and laughed. and then we sang.
laughter was a dominant force in that room. there is nothing quite as motivating as laughter-punctuating-work, nothing quite as unifying as laughter, nothing quite as joyful as the laughter of others. we had no shortage of laughter.
for in the choir room, the ukulele band gathering, the handbell practice, the worship band rehearsal, with soloists and in ensemble, laughter and joy were how i led.
linda was the council president when she hired me as the minister of music almost a decade ago. they never saw another president who led with her understated panache and wisdom and authenticity. “a pillar of the church,” someone said. yes. a powerful woman – who was who she was.
the first time i met her – at my interview way back when – she arrived late, disheveled and with a dirty t-shirt on. i wondered who that woman was. i wondered why she arrived looking like that. as it turned out, she had been cooking for the masses – it could have been ten thousand for the enormous heapings of food she would prepare – and she had been in the basement kitchen. she pitched in, in every way. her presence – in all ways – was a given.
there is much i never knew about her, but i knew this. she was honest and blunt and generous. she was kind to everyone, adored her family, and she stood tall as she faced down loss and serious health issues. she was straight-up, as they say.
years ago she asked me to sing, on some eventual day, at her memorial service. i first waved off her thoughts of mortality – for a woman like this is needed in this world – and then i agreed. “of course i will,” i said to her, “it would be my honor.”
her service was last friday – a week ago now – and i was not there. the church to which she had dedicated her energy and love had fired me – over a year ago now. (i mean, who gets fired from a church??)
i don’t know if she knew much about that, for her world had become smaller in her struggle for health. i do know that, had she still been in the position she was when i first arrived, i would still be there. for linda had a way of making sure others had perspective, that balance was achieved, that agenda was dispelled, that conflict was resolved, that transparency was paramount and that the best interest of the whole was held in open hearts.
alas, that wasn’t the case.
i was unable to sing for her service and, much like the service for H, i was unable to be there.
we lit a candle for linda on friday. we talked about her. we told our favorite stories. we laughed. i posted a thought on facebook. it was important for me to acknowledge this amazing woman, the bass-who-used-to-be-a-soprano.
and now, the whole wide world is without her. and as the whole wide world looks on, filmy incandescent threads of her, her spirit, her dedication, her fortitude, her voice weave around us.
my yashica fx-2 35mm camera went everywhere with me. a prized possession i had gotten for my high school graduation, it opened my vision of the world, the things i looked at. in the days of film and negatives and developing, i was an enthusiastic participant, eating boxes of cornflakes so that i could develop the next roll and the next.
i passed through the minolta auto-exposure-auto-focus phase when my children were young. it was easier to grab the camera and snap a picture of them doing something amazing or indescribably adorable with the auto-camera.
then came the sony tiny-cameras you could slide into your pocket, also easy and accessible. that camera and the minolta and my treasured yashica are still around here somewhere, lenses for the 35mm in a hard-shell briefcase my dad designed with foam fitting around the wide-angle and telephoto choices.
in these days i carry my phone. it is the height of easy and always right there, ready to record a moment. in recent years, i have rediscovered the utter joy of taking photographs, of recording the sun glimmering on dogdog’s fur, of capturing the blossom as it wanes and the curl of the wave and the way the mountains look in a dark sky. a camera pointed at wonder.
“come forth into the light of things. let nature be your teacher.” (william wordsworth – from today’s daily wonder app)
i haven’t opened the “daily wonder” app in a while. i discovered it when we chose and featured the movie “wonder” on island. a single snippet of thought for your day, it is a tiny gift i had forgotten about, often reminding you of the wonder of simply being here.
we carry the not-so-wondrous around in heavy baggage, somewhat unwilling to part with it, feeling as if it somehow defines us. how buoyant we might be without it, how resilient. letting go might yield a smidge of wonder.
one evening, watching “life below zero” one of the intrepid alaskans said, “bring the wonder back in life” and i grabbed my phone to jot it down. as we travel to his memorial service to honor columbus’ life and his earnest grasp on happy-living, intentionally marveling, i know he would immediately agree with the person who said that.
undoubtedly, he would laugh a little and add that the wonder was always there.
when my big brother died, i was lost in a maelstrom of emotion. it was hard for me to wrap my head around how the world would go on at a point he could no longer feel it. it wasn’t like i hadn’t experienced loss before. at that point in my life, i no longer had any of my grandparents present on this earth with me. that just felt like a more natural thing – to lose those we love who are elderly, who have lived long and full lives. my beloved brother, on the other hand, was merely 41 and there were so many hopes and dreams he still had for himself and his family. i am still struck by the fact that the world does, indeed, go on. the sun rises and sets; the moon lingers in the night sky. and my question, both existential and somewhat obvious, remains unanswered: how it can go on if he can’t feel it anymore. how it will go on – someday – if i can’t feel it anymore.
at some point a few years ago, i played for a memorial service at a synagogue. one of the meditations before kaddish made me weep. penned by merrit malloy, it reads: “when i die give what’s left of me away to children and old men that wait to die. and if you need to cry, cry for your brother walking the street beside you. and when you need me, put your arms around anyone and give them what you need to give me. i want to leave you something, something better than words or sounds. look for me in the people i’ve known or loved, and if you cannot give me away, at least let me live in your eyes and not in your mind. you can love me best by letting hands touch hands and by letting go of children that need to be free. love doesn’t die, people do. so when all that’s left of me is love, give me away.”
the white trout lily humbly bows on the forest floor. much like people, though on a different scale, their presence is ephemeral, fleeting. on sunny days, their petals will curl back, up, towards the sun; on shady days these small flowers may not even open. their simple beauty a mystery to the passerby, their faces shyly downward, they fill the underbrush on the side of the trail, dotting the landscape with fragile white blooms. i trust they are not concerned with the impact they make on the world nor do they wonder about their footprints once they are gone. they are simply there – love – dressed in white floral.
as we have moved through the pandemic and the devastating myriad of even just this past year, it is inevitable to think of all the loss, the loved ones who have died, the families and concentric circles left behind in grief, questioning. it is also – yes – a reminder that we are still here.
my dear friend sent me a link to a new york times op ed by charles blow. she drew my attention to the last line, words of perfection: “when i am gone, and people remember my name, i want some of them to smile.”
it would be 75 today. 75 years since the day my sweet momma and poppo married. and so, i am sharing two videos here today – the first is a dedication and the other is my song YOU’RE THE WIND. because i know you are. the wind. to each other and to each of us here on earth who miss and love you. always.
reverse threading 