mount everest wisdom. mark whetu, professional guide – passionately speaking about the mountain – maintaining, “one more step. you can always make one more step.”
it is without any doubt that i can say i will not be climbing everest (or, for that matter, k2 or annapurna et al). i have watched enough video footage to know that it would not be possible for me to summit. i don’t feel badly about that. i know that there are other challenges i will take on, other summits to step to. and those will take remembering the same mantra “one more step” with the same bravery.
we each have our everests, himalayan mountain peaks up close and personal. some of them are indeed adventures – the stuff we try during time away from work, on vacations near and far. some of them are health issues – and we work toward healthy. some of them are traumas we have lived through – and we, as survivors, work on healing, a little bit at a time. some of them are learning challenges we place before ourselves – to learn a language, to learn to dance, to learn to build, to learn the piano. some of them are more philosophical – a chance to explore and try to understand social and political issues, to dissect and parse out and ask questions, have discourse and form opinions based on true information. some of them are more existential – to sort out how we belong in the world, no small feat.
regardless, there is no way ‘there’ from ‘here’ without taking steps.
“on the road of experience i’m trying to find my own way sometimes i wish that i could fly away when i think that i’m moving suddenly things stand still i’m afraid ’cause i think they always will“
(john denver – looking for space)
mark was on everest. in an excruciatingly difficult situation, he speaks to the standing-stillness of choice. he knows that after the way up, the way down is an imperative for survival. he knows the only way there – either way – is one step at a time.
it’s the only way no matter what. no matter the challenge, no matter the summit. one baby step at a time.
i would say this quote – “everyone has their training wheels on” – is one of the best descriptions of life i have heard lately. when jack spoke the words in his pct-thru-hike documentary, i jotted them down.
because nothing is absolute, and nothing is perfected, and no one can stake claim to knowing-all-ness, i see everyone in my mind’s eye on their banana-seat-two-wheelers, training wheels attached, riding around the globe, pedaling fiercely, trying to get somewhere, anywhere, even nowhere.
i am thinking that if we all could acknowledge how little we actually know – i mean reeeally know – and how nothing we think we know is actually certain – i mean reeeally certain – we might all get along a little bit better.
the stubborn stancers, the unbudging discurious, the omniscient narcissists – these are the troublemakers. the universe is – again, in my mind’s eye – guffawing at their misguided haughtiness, the sheer arrogance of fallacious righteousness, delusional at best.
for each and every day, perspective strikes us once again. and we see that we really know very little and we realize that nothing is for sure. so we learn – in these daily lessons – to embrace these little easily-attached helper-wheels. because life is full of unnatural skills and pedaling through can be tough.
somewhere, there is a long line of humankind-humans who are waiting to size up their training wheels so they can add them next to their ten-speeds, their roadbikes, their colorful cruisers, their folding ebikes. they – the canny ones – know they are always in training.
she reached into her rainbow bag and pulled out two rainbow buttons, handing them to us. “brilliant!” i thought, while also thinking we should have brought our “be kind” buttons and given them out as well. this darling little girl, accompanied by her mom, stood in the center of the blocked-off pridefest road, twirling right and left, gifting festgoers with happy faces.
i was awake most of the night. it wasn’t until sometime after the birds began showering the rising sun with song that i fell asleep. middle-of-the-night musings often keep me awake these days. the harvard medical school reports that insomnia is present for 35% to 60% of women after menopause. i’m seriously thinking someone needs to do something about this.
so it is in those wee hours of the night i ponder everythingunderthesun. it is like my own personal pablo neruda book of questions – random, open-ended and with no real answers. all over the map, i revisit growing up, walk through previous houses, go back on vacations, have conversations all over again, list groceries, think about deferred house maintenance, slink around the edges of new creative projects, send positive energy to beloveds. i wonder about the universe answers – if they will drop in, like a sticky note from the heavens above. i list gratitudes – simple, like this tiny girl’s happy face rainbow buttons – and complex, like straddling the line of relevance. i list worries – like the day to day challenges of aging, the challenges of a world fraught with superficiality and division, the challenges of the environment, the heart-challenges of most important relationships. the one thing i do not do is sleep.
i’m pretty sure i am not necessarily capable of solving everything at 2am. and 3am is worse.
but a couple minutes after 4am – when the birds gather in our neighborhood trees and sing up the sun and its roygbiv – and i am present – that is when most of it – the kaleidoscope of life – makes sense.
it was a cacophony of sound in the restaurant. so.many.people. but it’s chicago and it’s summertime and it was a beautiful night and a trendy 7pm dinner hour, so it’s to be expected. we leaned in to hear our daughter speak and figured most eateries at that hour would be similar. i’d imagine that the frequency decibels would be all over the place and that any recording of the ambient sound would have to be compressed in mastering to accommodate the full spectrum, most especially the louds, the gain between quiet dinner and boisterous restaurant.
i’ve looked over the shoulder of my producer probably hundreds of times, watching the waveform of my music. reducing sound and hours of composing to crisp contrails, manipulating them, editing, mixing, ultimately mastering – it’s complexity, the telling of narrative, an artform in itself.
i would imagine that – somewhere – there is one colossal frequency wave. it started when all-time started and it keeps going. it builds and wanes and layers all manners of sound – the roaring ocean, a tiny peeper frog, a destructive tornado, a baby’s first cry. it mixes piano and the gentle ding of a triangle, cymbal washes and sweeping cello lines. it wraps in first graders singing in denver and the country artist on the flatbed in nashville and the happy guy in the shower in fort wayne. it expands with the din of the city and gets tiny under northern lights and the milky way. it soars over countries, soaking up rich sounds of tradition and ritual, vernacular music.
and then, the frequency wave – giant, unending, inclusive of all sound – is distilled by the wind. it becomes a bit less distinct, its edges are less rigid. particles break off and float, and, though they remain in the atmosphere a long while, they begin to fade, eventually fading as if to zero.
but just as the wave feathers on one end, it grows on the other, pushing forward. and all things continue. all sounds have a place in the wave.
and we listen to live music and the birds at 4am. and we listen to the voices of beloveds and mournful foghorns. and we listen to laughter and sighs. and we listen to the rain and the silence of sunrise. and we listen to harmony and dissonance and cacophony.
surely it would garner a bidding war. “post-old-fashioned” – a contemporary art piece. a beguiling installation.
how could it be any less engaging, any less valuable, any less a statement piece, any less desirable than the fresh banana duct-taped to the wall? the first banana (with the used duct tape, i’m guessing) sold for $120,000, followed by more bananas and rising prices. and – it expires! one cannot keeeep the banana piece (called “comedian”) around unless one loves fruit flies and smush.
instead, “post-old-fashioned” is meant to be enduring. the orange peel will shrink and dry, but will remain – likely – bug-less. and the cherry stem…..well, it is likely to outlive all of us.
“post-old-fashioned” is a work of active art that is conceptual and timeless and we could certainly provide a certificate of authenticity and directions for proper display. i cannot imagine any true wisconsinite without this piece or, perhaps, any wisconsin bar without it.
any curator who can go on and on about the benefits of purchasing the long strand of jute with the kitchen sponge hanging off of it should surely be able to conjure up the joy of owning “post-old-fashioned” in its three-dimensional option or a limited edition print of the work.
were it not for the teasing of the hike&spike foursome – and, also likely, the up-north gang – renowned experts in the field of old-fashioneds – i would list it, enter it in contests, send it to galleries. each week – post-hike – in the spike section of our hike&spike – i could add to a burgeoning collection of pieces dedicated to the afterglow of the old-fashioned.
watch out. i’m about ready to follow in the clearly-brilliant footsteps of italian artist maurizio cattelan, who explains, “the banana is supposed to be a banana.”.
it’s simple. there’s only one pertinent question about this work, an old-fashioned supposed to be an old-fashioned.
it was the last night. we stood out on the porch and then out in the east field, the farmhouse behind us. the dark of iowa-night rained down on us as we peered into the sky to see the constellations. we could feel the “last” of the last night. but out there, on the horizon – in the way an ellipsis works – the ellipses had a reminder: it’s never really over. the horizon lights suggested the story would be trailing on and on – up till now and then dot-dot-dot…
the story dot-dot-dot – without definition, without a distinct end, unrestrained – keeps on…
last week’s time in iowa and return home gave us grounding…reminders…learnings. feet firmly planted…spine tall…solid and trusting, we intentionally rearranged our thoughts – trying (because it’s not easy and it always takes the work of trying) to put aside worry and angst, instead centering on being steady and calm. the decision to not panic. the ellipsis of keeping on…
the impermanence sticks with us.
and we know it doesn’t matter that there is rust on our hubcaps or that our countertops are chalkboard/food-safe-wax-painted-wood. we know it has no bearing on real life that we don’t wear trendy name-brand clothing or that we actually like $2.50 old navy flipflops. we know that leftovers nourish us just like restaurant fare and we are not worried if we never get to sit at the table of a three-star-michelin. we know that there are wines of great robust but we continue to sip apothic and splurge on the new broadside (paso robles) we found. the ellipsis of keeping on…
the transitory taps us on the shoulder.
gathered, we listened to stories of the past, suddenly way long ago. we went to the pioneer cemetery high on a hill overlooking planted cropfields. the 1800s were just a moment ago there. and, just as the years fly by, we know that the incandescent kite we each fly has fragile filmy threads. our hands – holding the moment – age before our eyes. the ellipsis of keeping on…
the ephemeral sounds harmonic overtones we can hear.
we gaze at the peony buds in the backyard. they will soon bloom – in their sweet time – and they will stun all who walk by. their beauty will not be forgotten. each one has opened to the sun and told its own story. each one. and then dot-dot-dot…
if my photos are correct, the last time we were on metra – heading to chicago – was december 15, 2019.
and then, last week. over and over i said, “i can’t believe we’re on the train.”
we used to go on the train quite often…jaunting down to see our son, to catch dinner with him, to simply walk around downtown, to see holiday lights. we really live in a convenient place…pretty much midway between milwaukee and chicago with a hop-skip-jump to madison. each of these cities are within less than a two hour radius. but it didn’t matter during covid. we stayed away.
on the train with dear friends, we talked about the arc of the last three plus years. how 2020 was a watershed into the next, how impacted we all were by the pandemic, how the recovery phase has been slow. and we marveled at sitting on the train together, chatting with our seats facing each other, laughing, having a picnic lunch, taking the easy route to chicago. it was – truly – marvelous.
we don’t mind driving to chicago. we always take the back roads and enjoy the little towns and ravines along the way. it’s not that we are completely interstate-averse, but if there’s a back way and we can plan some extra time, we are going to opt for it. with a tiny bit more control of our schedule, we also felt a little more control of our airspace.
so we had virtually forgotten about the train. until last week.
our first-time-back on-board was kind of magical. much of the route goes along the back road, so new perspectives as we chugged past the towns we love to drive through. it made us all a little dreamy – so many possibilities of things to do together – simply by taking the train.
saturdays and sundays and holidays offer $7 weekend passes and weekdays – on an app – offer $10 full day passes throughout all the zones metra travels. the new ventra app makes it all easy. “easypeasy” as 20 says. i imagine we’ll be using that eataly giftcard we were given one of these days. it’s been tucked into a cupboard, waiting for some time now.
like us. we’ve been waiting. to move back into the world. it’s not like we haven’t moved about. not as much adventuring up to now as most, but we have roadtripped to see our kids, our family, have shared time with closest friends. but we can feel the difference now. we can feel the tug of concerts, the pull of town hall type talks, the visceral tapping on our shoulder of travel and experiences.
it was weird to sit on the train – after all this time – sans mask. there were a few moments i thought about it, a little wary, because the pandemic has left its mark on me. it’s left its mark on all of us. i don’t suppose there will be a time now that my purse won’t have a KN95 in it. and hand sanitizer. i definitely see the wisdom of sanitizer.
we exited metra at our northbound station, tired from the day but not in an exhausted way. a little bit had changed.
and we felt it. we talked it about it later.
life – and breathing a little bit easier – inviting us. on a tiny and a grand scale, both.
the chicago botanic garden spring field guide arrived. a really beautiful small magazine of images and quotes and information, i have kept it nearby to peruse from time to time. on the last page – under a stunning close-up photograph of the bud of an orange tulip poised to open – are the words “thank you for helping us thrive.” the text goes on to express appreciation for members who “allow our community of plants and people to flourish.” without members and their support, the garden would falter. instead, they are thriving. “come alive this spring at the garden,” they encourage.
there are moments – as an artist – that you feel truly alive…even more than other moments.
the moment the theatre audience stands at the end of your concert. and – maybe even more – the moment of hush at the beginning when first sitting at the piano, boom mic poised.
the moment – performing in the glaring sunlight on a flatbed trailer or in the artificial light of a wholesale or retail show – people come to the very edge of the flatbed or the edge of your booth to tell you that your music has comforted them in a time of sorrow or has accompanied them in a time of joy.
the moment you open email to find a message – someone has taken precious time to write to you – that says, “our favorite piece of yours came on dish radio and we danced!”.
the moment someone orders twenty copies of a cd to give to all their family members.
the moment someone writes to comment on the many-many words you have penned.
the moment someone comments on your cartoon “i can relate.”
the moment someone says, “you have no idea how much of an impact you make.”
that is true. we actually don’t. have any idea.
it is with an abundance of gratitude that i think of anyone who has supported my – and our – creative work in the world: purchasing cds or tracks or tickets to a concert, forwarding a blogpost or cartoon, hanging a painting, sending us a written card or a virtual coffee. you have helped us thrive.
when you wear the shoes of an artist, you are not necessarily aware of any dent in the air you have made. you are not aware of the seeds of thought or questions or perhaps, hopefully, goodness that are scattered in concentric circles or in the breeze around or after you.
this minute magazine is full of inadvertent wisdom.
“love in bloom” is the garden’s initiative june 3 – september 24. magnolias and redbuds, tulips and shooting stars, azaleas and irises start off the spring. “blooms aplenty.”
you’re an artist and you know that your life is different; it lacks the security – particularly financial security – of others’ lives. the moment you look at the total bill for one of your full-length recordings you are reminded. the moment you open your meager royalty checks – in these days of online streaming – you are reminded. the moments you ponder what’s next. you are encouraged by people to make another album, author a book, produce more cartoons, yet you know that any of these are without the good heart-and-mind-fertilizer of solid footing, as there is no promised return on your dedication or time or that vulnerability that comes with the territory. yet, i stand next to my piano and ponder the scraps of songs, i linger over the keyboard of my macbook, wordsmithing manuscript, i lay out the next smack-dab and write the next blogpost. blooms aplenty. yes. asking for help? not so much.
“we hope you find inspiration in the brilliance of spring,” on a page listing 80,500 bulbs planted-last-fall.
you’re an artist. and you hope there is inspiration – even an incandescent filmy thread – in your work.
“the woods are a recovery story of resilience and bouncing back…” writes the managing ecologist, woodlands.
the albums, blogs, manuscripts, paintings, cartoon strips – all recovery stories of resilience and bouncing back. we – artists – are on tiny trampolines in the world, trying.
“consider making a gift so that we can protect and celebrate the natural world for many seasons to come,” rounds out the garden’s “thank you for helping us thrive” message.
share. pass on. join. follow. gift. donate. purchase. download. consider coffee. consider being a patron to an artist – of any medium – who helps you move from one day to another, one season to another.
“discover the world of spring ephemerals. the garden’s mcdonald woods…ephemeral wildflowers make their brief appearance.”
we – artists – are ephemeral wildflowers, making a brief appearance in this universe, ready for anyone who wishes to catch a glimpse, to share in the synergy of our art.
“in years with little to no spring rain, ephemerals produce fewer flowers and less seed, which can impact their ability to bounce back in future years….if plants are healthy enough and if they have the right natural disturbances such as fire, they are resistant to annual variability in the weather and can adapt to longer-term climate change.”
“i want to know if you will stand in the fire with me and not shrink back.”(oriah mountain dreamer)
we – ephemeral artists on our tiny trampolines – need the rain. we need the fire. we need you to stand in the fire with us. we need your help.
“1. i don’t spend my days retired. 2. i don’t let myself get out of shape. 3. i don’t smoke. 4. i don’t restrict myself. 5. i don’t let my knowledge go to waste.”(dr. howard tucker – “at 100 years old”)
he’s a centenarian, so it would seem like his words would have some clout. his rules – so simple. and #5!! still a practicing physician, he is pragmatic and dedicated, believes in moderation, enjoys broccoli and brussels sprouts and sharing wisdom gleaned in the decades of his work. the passing of knowledge back and forth – to the younger workers in his field and back to him – he emphasizes acknowledging the importance of the gathering together of experience, education, hard work. he sounds like a delightful person.
we sat next to mary on a thursday afternoon at the milwaukee public market. on a stool at the bar of the st. paul fish market booth, we sipped wine and ate shrimp gumbo. mary pulled up a stool, ordered a beer and some oysters. i was transported back home – to long island – where fresh seafood abounds and i’ve sat on plenty a bar stool eating clams-on-the-halfshell or baked clams or lobster bisque.
mary whispered that she was celebrating her birthday that day – 74. we started to sing to her and she hushed us. we finished in low tones for it seemed that we might be her only sung song that day.
in the brief period of time – maybe an hour or so – that we sat next to mary, we learned plenty. she was engaged.in.life. she was a little bit raucous, a little bit edgy, a-lot-a-bit delightful. we talked about oysters and beer and irish men, ireland and nova scotia and downtown milwaukee, volunteering and learning and olive oil and balsamic vinegar. she talked about work; she talked about how important previous and long experience is for employers. ahhh, if they could all hear mary’s sage words. and she shared a sea bass recipe we forgot to write down. i suspect she and howard would be friends, had they a chance to meet.
in the meanwhile, i keep wanting to go back to the market on a thursday, pull up the stools we had at the end of the bar and wait for mary.
“stay young by continuing to grow. you do not grow old, you become old by not growing.” (wilferd a. peterson – the art of living)
we would like to be like frank. he will be 90 this month and his busy life could make many people feel like couch potatoes. he is interested and curious and makes himself available to volunteer for a wide variety of organizations. he is our go-to excuse for sipping apothic – “it’s such a drinkable wine,” he says. he’s not afraid to try new things. the art of staying young – he has this down pat.
today is eileen’s birthday. she is 100. one hundred. it’s quite the life you’ve lived when you were born in 1923 and it is now 2023. always interested, she loves the chicago tribune. her desk has stacks of issues, piles of stories she has read or, at this stage of health, it counts to even just simply touch the newsprint. 20 talks to her about current events, encourages her to think, to discern, to learn – even at 100.
we celebrated her birthday with butter-creme-heavily-frosted layered chocolate birthday cake, hyacinth and tulips, catered sliders and quesadillas and apothic. frank would have approved. we studied boards with photographs of a little girl named eileen, eileen and duke as young marrieds, the sassy and spirited and fashionista eileen, a mother named eileen, a grandmother. i’m certain it seems to her now that the 100 years have flown by, for indeed that’s how time is. as she was wheeled into the party room her words were boisterous, “i made it!”
my own sweet momma would be 102 this year and my dad 103. my dad always said he was going to be 100. he did not make it. he died when he was 91. my mom never stated those aspirations but she, as well, was not a centenarian, crossing planes at almost-94. my dad, never one to turn down any dessert would have devoured a big slice of eileen’s cake. and my mom would have sat at the table with eileen asking questions and telling stories. i wish we were also having their cakes, most definitely chocolate ganache, but soon now those crossing-over anniversaries will come again and i will burn candles and blow kisses into the universe.
it’s all a mystery, this life. how long we get to live it, how many desserts, how many sips of toasting wine. seems like – once again – there’s no time to waste.
maybe today is a good day for some cake.
“tell me, what is it you plan to do with your one wild and precious life?”(mary oliver)
reverse threading 