in the juxtaposition of october’s start and summer’s last grasp – up north – we were the recipients of the gift of a subtle duality, the gift of liminal space as the seasons shift and morph into the next: summer falling away and autumn rising.
i am a fall-girl and october is my favorite month. way back when – when color and season analysis was a thing – i was told i was autumn. but i already knew it. and now – in what is defined as the autumn of my life – i find myself looking back so as to look forward, to go forward. sometimes this is with great intention, sometimes it is not at all deliberate.
i stumbled across a video the other day. i was googling a youtube of one of my recordings. second up on the googlelist was a video i had never seen. from 1996, shot and edited by a videographer, this was posted recently as a memorial to him and is a 25 minute snippet of a full-length concert i had played at uw-parkside’s auditorium. i released two CDs that night, my second and third…a dozen albums and so, so many concerts and stages ago.
i pushed the play button.
there are days you wonder where the time has gone, how summer has turned to fall and fall to winter. time has rushed by and, in its fleetingness, you have left behind profound moments, defining moments.
watching this video became one of them. watching this video reminded me.
my straight-bangs-wrinkleless-eye-shadowed face was in her element. i could feeel it.
maybe – in the autumn of my life – in the liminal space of relevant-not-relevant, of summer-fall, of falling away-rising – i’m not quite done yet.
*****
snippets from 1996 CONCERT at UW-PARKSIDE – releasing BLUEPRINT FOR MY SOUL & THE LIGHTS CDs(a memorial post on YouTube to videographer Harry Stoetzel)
it was by itself. high on the wire that’s included in the squirrel highway system, it perched, alone.
mourning doves are usually together, in pairs. cooing in our backyard, pondside, they are cleaning up under the birdfeeder, welcoming the day or bringing an enchanting beginning to the evening. we have a particular fondness for them.
but it has been rare to see one by itself.
if i had to imagine what it was doing, i would say it was talking to the universe. way high like that, it would seem to be a little bit closer to infinity, to whatever it perceives as divine. it sat there, quiet.
i don’t require an intermediary either. my prayers are whispered on the trail, on the pillow, blowdrying my hair, chopping onions. in my own life, i have now found – after repeated learnings – that grace is all around and the divine is not in some building somewhere.
on the contrary, i wonder about those buildings now. for i, personally, have experienced the worst hypocrisy there – in communities that are waxing poetic in mission statements and disappearing in actually participating in those sentiments.
and so, i sit on the wire with the mourning dove. we both find this universe beautiful. we both find it challenging. we both lift longings up and we both ask for mercy in our living. we both live in the mystery and immensity of faith. i would imagine that sole bird does not wrestle with religious underpinnings, historical narrative stories or philosophical questions. that bird-on-the-wire is not concerned with the begats nor the maps of supposeds. i’m guessing we are kind of in alignment with the basic tenets – goodness, kindness, love, peace, generosity, fairness, grace. just like me, like, well, all of us, it has a direct-connect with its deity and the universe.
it is not likely – though i have learned never to say “never” – that i will ever be in a church again. i gave my entire heart to working at one at 19. they did not warn me of any danger, protect me or aid me. i gave my entire heart to working at one in latest life. they did not warn me of any danger, protect me or aid me.
i don’t blame god. for my god isn’t stuffed into nooks and crannies of the church. my god isn’t clinging to any specific denomination. and my god isn’t justifying any wrongful behavior because of some building.
to be in a sanctuary, one must feel in a place of refuge or safety. stone walls, brick, wooden altars, pews, organ pipes, artifacts, relics with touted significance – these are not naturally-occurring as safe or as refuge. the leadership and the community must bring that. and, in bookended experiences – on either end of my three-plus-decades of such work – though i brought every ounce of heart in, i walked out with my heart destroyed.
and so, the mourning dove and i sit on the high wire sanctuary together. we gaze at the sky and the divine tethers us in gently-held gossamer threads, tied to all the rest. i’m not sure what my dove friend is thinking, but i know that i am in prayer. that the universe yearns to hear each of us. that, even though i may feel alone on the wire, i am now more in the community of truth than in those fraught buildings.
i and the mourning dove are in the “church of nones” and the universe of all.
for more than half my life (read: over three decades) i shaped the experience of the christmas holiday season for others. each year i tried to find a way to touch the deepest part of people’s hearts in celebration, to help a story-of-the-ages resonate in their up-to-the-minute lives, to help them, their souls, sink into the light.
this is the first year in recent history (read: decades) that i am not creating the musical shape of anyone else’s holiday. it is the first year in recent history (read: decades) that my dining room table and the top of my piano are not laden with music all strewn about. it is the first year in recent history (read: decades) that i will not spend it racing between planning, arranging, practicing, rehearsing, readjusting, rehearsing, rearranging, readjusting, rehearsing and encouraging big community laughter. it is the first year in recent history (read: decades and decades) that i will not go to church.
i did not create. instead, i tried to file it all away in my head, ignore the intuitive music prompts that my heart issues in the weeks prior to and during this season, silence the ideas and gestures that help to make faith – that which you cannot see – touchable. i did not layer my table or piano with music. instead, i put it all away, in boxes and file cabinets and thick binders. i did not race or plan or arrange or practice or rehearse or readjust or rearrange or even encourage laughter. instead, i sit on the steps in the hall, the stuff of decades decimated, and i wonder. i do not plan to go to church nor do i plan to watch church online; i have had enough.
instead, i will quietly walk outside under a starlit sky. i will light candles. i will extinguish the lamps in the living room and i will watch the lights.
and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.
the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.
i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.
it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.
and now.
i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”(john o’donohue)
it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.
upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.
my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.
bananas. they were $.49 lb. we picked up a bunch and walked to the register. a moment later, with no question or drama, we paid our $1.17 and left.
the next step in my two-broken-wrists saga is occupational therapy. not because we do everything with our hands. not because we write with them and open doors with them. not because we use them for our personal hygiene or because we cook with them. not because we drive with them or dress with them or shake hands with them. but because using my hands IS what i do. the therapist asked me how long i have played the piano. 53 years. it’s what i DO. so getting my wrists back to pre-snowboard-fall is imperative to me. there are no other options.
before we went to this first appointment i, responsibly, called our healthcare insurance company – the one we pay $29,000 a year to – the one with the slogan ” for the care you need at a price you can afford” – to check in about the coverage of OT. i was told, after much menu-choosing, that i am limited to 20 visits and that the cost will be $50 per visit. with the OT’s recommendation that my getting-these-wrists-back-trajectory would involve appointments twice a week, that would add $400 to the already-$2400/month in healthcare costs. bracing. impossible.
the OT office checked in with me to remind me of my appointment, coincidentally, just after i hung up with the insurance company. i told them what i had just learned and they insisted i was wrong. “no,” i was told, “we have never heard of molina charging ANYthing for a copay.” I asked them to please double-check for me and they assured me they would and that they would apprise me at my appointment.
when i arrived, the receptionist checking me in told me that they had their 23-year-insurance-veteran in the office check and that there would be no copay. i asked them to provide a written document to that effect so that if and when i was billed i would have recourse. they assured me that they would triple-check and to stop back after my appointment.
at the end of my appointment with the therapist, the receptionist told me that “no, you don’t have to pay $50 per visit. it’s actually worse. instead, you have to pay 100% of all fees until your thousands-of-dollars-deductible is met.” what?!!!! now this is the third story i am hearing about the same service with the same provider and the same insurance company. who am i to believe?
i stood there and literally cried in front of the receptionist in the middle of the waiting area. you mean to tell me that our $29,000 a year doesn’t really cover much of anything??? this is blatantly wrong, grossly outrageous.
bernie sanders, if you have listened to him speak, has given a example of the perverted and pathetic healthcare in this country. he speaks about a family who makes $60,000 a year and that this family must pay $12,000 for healthcare. “that’s 20% of their gross income,” he bellows. what i wish he would add is this next example: consider a couple who makes say $65,000 a year (this is the magic healthcare cliff for two people and only $5000 more than the previous example). that couple will pay anywhere between $24,000 and $29,000 for a policy that will still have high deductibles and yet (clearly) not actually have good coverage. i want to jump on the bernie-bellowing-band-wagon and yell, “that’s 45% of that couple’s income!!! what is wrong with that???? EVERYTHING!” how is it that we can live in this country, the richest country in the world, and have the worst healthcare for our populace? how is it right to set the populace up for financial disaster when they have to deal with the eventual health scare, injury, illness?? (on a side note, i won’t even beGIN to start talking about Covid-19, for i have nothing good to say about the administration’s handling, lack of information or truth, and unpreparedness for this pandemic that will truly test the resiliency of our country.)
when i could take a breath at the receptionist’s desk i asked, “what do these appointments cost?” how much is my professionalism worth to me, i am thinking. i earn my living playing the piano, i am thinking. i have fifteen albums of piano music, i am thinking. i am a pianist, i am thinking. i just need care for my wrists so that i can do what i do, i am thinking. at what cost, i am thinking.
but healthcare is not like bananas. i was told, “we can’t answer that. we don’t know.” i beg your pardon??? “billing handles that. and it’s different depending upon insurance plans and whether or not you have appropriate insurance.” i beg your pardon???? “what if i just wanted to pay cash right now?” i ask. “you can’t,” she says. “we don’t know what it costs.”
i wonder if it would be more if i paid cash – after all, i’m not an overstuffed insurance company that has the capacity to deny portions of the billing or disallow costs or base payment on the coding used to describe my treatment, while at the same time accepting ridiculously high premiums from clients with the knowledge that the insurance offered is incomprehensibly lacking.
no. i’m just a person who needs her hands.
we left, went to the store and bought more bananas.
i miss my piano. i didn’t realize how much until late last night, in the darkened theatre, my hands touched the keys and i could breathe. my neck and shoulders, stiff and aching from undue stress, relaxed just a little. tears fell down my face. they are still there now, as i write this.
this morning, as d was making breakfast, a tree frog hopped out from between the cabinets and landed on the stove. fortunately, we were able to coax him from the hot burners and take him safely outside. it was unclear how he got inside. but his message was clear, a message we had learned from helen quite some time ago. f.r.o.g. = fully rely on God. and so, a giggle and a time of fresh, deep breaths.
when i have performed this piece NURTURE ME (as i mentioned in a previous post) i have loved to tell the story of the carrot seed, the absolute knowing that nurturing can lift anyone, any living thing, from fallow, from despair, from seed into grandness, into thriving, into life.
carrots, pianos, tree frogs. all are capable of telling the story. nurture trumps hate.
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