we watched global citizen’s concert ‘together at home’ on saturday night. this virtual concert featured a wide spectrum of celebrities and musicians and raised about $128 million for the world health organization as well as local and regional frontline healthcare workers in support of covid-19 relief. despite wildly varying opinions about this effort, i would have been proud to play in the midst of this. it was about humanity. some of it was pretty raw. people were in their homes, many the likes of which i will never enter. they were with their instruments, they were playing or singing songs they felt would resonate with those watching. a few were, as expected, clearly voice-tracked. a few were, as expected, a bit ego-tainted. split-screen performances and technology raised the bar for musicians everywhere. but it was a moment in time – eight hours in total between online and on-air – when you could see that all of us grieve and yearn the same way. no matter the size of your mansion or tiny house, no matter the grammys on your shelf or the lack thereof, this global pandemic is just that – global- and is not discerning of your privilege. it does not care. it can take anyone. and so we weep.
if there is a painting that depicts the face-holding grief and prayerful yearning for hope, it is this painting WEEPING MAN.
i wonder if he weeps for those who have fallen ill, those who have died. i wonder if he weeps for those who refuse to acknowledge the seriousness of this pandemic. i wonder if he weeps for those on the front lines, helping. i wonder if he weeps for those who have hidden in extravagant bunkers underground in far away countries. i wonder if he weeps for our isolation. i wonder if he weeps watching people intolerant of the isolation that will protect others, people who are selfishly and arrogantly protesting stay-at-home orders. i wonder if he weeps for the unrelenting non-discrimination of this contagion or if he weeps for the divisiveness of responsibility-taking, the it-doesn’t-affect-me attitude. i wonder if he weeps for the continuance of humanity. or if he weeps for the loss of humankind. or, if he weeps for the lack of humaneness. i wonder if he weeps because, in the middle of this trying and profound now, Next will come. i wonder if this painting is tomorrow’s tomorrow and he weeps with relief and hope.
THIS all exists. for each of us. it isn’t always good. it isn’t always not-good.
there are those moments. the moments you weep openly, the moments you cover your face to cry, the moments of overwhelm, the moments of absolute weariness that, despite all evidence to the contrary in your tired mind and body, actually do lead to Next. times you feel alone, times of sorting, times of grief, times of fragile vulnerability, times of regret. the times you put your face in your hands and weep…
and there are those moments. the moments you weep openly, the moments you cover your face to cry, the moments of stunning awe, the moments of sheer exhaustion at your goal-line, moments that actually do lead to Next. times you feel enamored of life itself, times of incredulity, times of unquestionable good fortune, times of serendipity, times of simple all-consuming sweet love. the times you put your face in your hands and weep…
we recognize it. we can feel it. and we know that in another moment he -or she, for there is no pronoun-hogging here- will slowly raise his head out of his hands and Next will have arrived. (reverse threading, and so he weeps, january 17, 2019)
read DAVID’s thoughts this D.R. THURSDAY
to view or negotiate purchasing this painting, please visit the virtual gallery here
WEEPING MAN ©️ 2015 david robinson
























we went to a concert a week ago or so. it was a group of us and we were all excited about going. the band we were going to see is creative, talented, sincere and full of energy. what’s not to like about that?!
the snow, having survived the wind and driving snow. vivid color. in heavy boots, bulky coats, long underwear, double gloves and earmuffs we set out. we weren’t far into our hike when we realized that we were the first out on the trail since the snow. first after the deer. first after the rabbits and tiny birds that had hopped across the path. first after whatever animal it was that made enormous tracks in the snow. longer than his boot, these tracks kept us company for a long way, meandering in and out of the brush, in and out of the woods. we wondered aloud what it was. we quietly pondered that these woods were not ours. they are home to beautiful creatures, big and small. creatures that depend on the turning of the seasons, the sun, the warmth, the snow, the rain, the ecologic responsibility of those of us who are out there, for a bit of time, with them.
mostly, i was bowled over by the fact that we were the first people to walk out there since it had snowed. the trail through the prairie glittered in the sun and in the woods, the trees reflected majesty on the snowy path. we were first; we weren’t first. but to make the first people-tracks in the snow…to know that in at least the last 36 hours or so, no one else had walked there…something about that was humbling. hugely grateful for the universe in all its goodness, in that place of quiet-quiet, that space of pristine clear that single digit temperatures make possible, the smell of sun in our hair, i was struck by our smallness. four footprints in the snow, walking together, side by side. hand in hand. on trails. through the woods. in life. that’s really it – four footprints. each set of prints count. each stride counts. each breathless moment that we get to breathe counts. now counts. now is the only thing that really counts, the only thing that really is.