reverse threading

the path back is the path forward


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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the field in early october. [d.r. thursday]

Morsel

the field in early october

in the bins in the basement (and scattered in places around the house) are child-drawings and paintings, ornaments made of paper and glue and sparkly glitter, painted rocks of various sizes,  necklaces of beads and shells, framed little scraps of paper with things like “goodnight mom” written in pencil and surrounded by hearts.  The Girl and The Boy have marked time through their artwork (and also through their writings) and i cherish each saved piece.  this morsel – the field in early october – makes me think of such pieces.

in the corner of a new piece on david’s easel i found this morsel.  extracted from the painting it is so childlike in feel.  such simplicity and innocence.  it immediately brought me to open fields we have walked…where sunflowers gaze for just a bit longer and grass is still verdant and lush and there are wild red berries on the bushes along the trail.  the sun is in our eyes and everything takes on a muted hue.  i can smell the leaves burning from the farmer’s field far off to our west.

what is more heavenly than remembering an early october day from a reality-fantasy visual perspective?  what is more treasured than the artwork of a child?  what a delicious combination.  just ask picasso.

read DAVID’S thoughts on this D.R. THURSDAY

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the field in early october ©️ 2018 david robinson & kerri sherwood