in the rare moments d texts me, my phone ringtone is john denver’s annie’s song.
“you fill up my senses like a night in the forest, like a mountain in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean, you fill up my senses, come fill me again.
come let me love you, let me give my life to you. let me drown in your laughter, let me die in your arms. let me lay down beside you, let me always be with you. come let me love you, come love me again…”
and in those moments – daisy moments – i am reminded, once again, of the improbability of two tiny starflecks in the universe noticing each other, of the utter impossibility of our meeting, the sheer unlikeliness of our marrying, the astounding unimaginable gift of our time together.
even in the moments when my senses are overburdened, impatient, saturated, senseless.
daisies in any form, every stage – this wildflower fleabane – are just like hearing annie’s song. because i am me, they bring tears to my eyes.
“remember,” they whisper from the meadow on the side of the trail, “just remember.”
a long, long time ago my big brother penned a calligraphy print. it says, “may there be such a oneness between you that when one weeps the other will taste salt.”
it’s merely nuance. just the subtlety of shades, leaves begging for us to notice.
surrounded by meadows filled with wildflowers and a splendid array of color, these leaves are blend-inners, standing out only by their presence in size. so beautiful.
it’s like people, sort of. there are blend-inners and there are stand-outers. both are necessary in the balance of the meadow or the prairie.
the stand-outers are noisier, more assertive – colorful and obviously there, attracting attention, striding.
the blend-inners camouflage into the surroundings, quietly supporting efforts of others, tenaciously pursuing their own bliss, no wish to be flamboyant or noticed.
the surprising thing, however, is when – like this prairie dock plant – there is suddenly growth that is astounding. flower stems begin to shoot up skyward.
if you only passed by in early june you would not know this. you would assume that these broad leaves were in monochromatic zen with the rest of the meadow. you would assume that they would silently simply green their way through the season, other wildflowers growing up and around them, perhaps stifling them.
you would not know that later – just a little bit of time later – these seeming blend-inners would herald tall leafless stems – even as high as eight feet tall – sporting bright yellow daisy-like flowers. it becomes a towering plant, high above the rest, hardy and pretty much invincible. not so silent anymore.
you just can’t judge a book by its cover, can you?
*****
I DIDN’T KNOW from THIS PART OF THE JOURNEY Šī¸ 1997, 2000 kerri sherwood
i cannot tell you how excited we are about this. for, as in most things, the beginning of something is almost always glorious, full of anticipation and expectation. and the-season-of-the-adirondack-chair is no different.
even with thermals and down vests, even with warm and fuzzy boots, there is no distracting us from the advent of this time, there is no disconcert about temperature or our sedimentary layers of clothing. the possibility just seems limitless.
we easily turn our perfectly lightweight chairs to the sun. we look at each other and smile. and deep inside, we hear bob marley singing, “every little thing is gonna be alright”.
we have waltzed on this patio, sipped wine on this patio, eaten delicious dinners on this patio, played ukuleles on this patio, had band rehearsal on this patio, entertained family and friends and scores of people who are or had been a part of our community on this patio, planned our wedding on this patio, watched our dogga on this patio, had hard and hopeful and healing conversations on this patio, planted tiny farms on this patio, laughed till our bellies hurt on this patio, cried till our bellies hurt on this patio, wished on the moon and the stars on this patio, watched the flame of our firepit dance with abandon on this patio, contemplated on this patio, grieved on this patio, napped on this patio and felt finally-awake on this patio.
and now, a new time will start, overlapping all the other times, weaving in and out of all the rest, a foliated-metamorphic-conglomerate-sedimentary rock life.
and the patio greets the adirondack chairs with glee. they all face the sun. and they smile.
and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.
it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.
but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.
and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.
we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.
and then.
*****
UNTITLED INTERLUDE from RELEASED FROM THE HEART Šī¸ 1995 kerri sherwood
it is full of seeds, full of possibility, full of tomorrows.
and it will all spin and float and whirligig – just like these maple seedpods.
though wrinklier now than in last spring or last summer – and, really, ever more wrinkly – these samaras are ever viable and will coax saplings from the ground once they disperse. with big breezes at their backs, the winds of change, the tug of relevance, in fields of gold and forests of native plants. though they have been dormant, though they haven’t germinated for months or even years, they remain alive.
alive.
resilient.
for placing samaras in a bowl of water, it is the seedpods that sink that have seeds likely to germinate. the others – the ones floating – are less likely, though sometimes it simply takes a little soak in warm water, a little good soil and a continued cold blast of air for some time – a bit of fallow – that will draw out the remaining life.
it’s funny. you’d think that the test for a maple seed would be it if floats in water – floating – the ability to rise above that which wishes to drown you. but the real test – for the likely viability of a maple seed – is to hope that it sinks. clearly, maple seeds hold their breath.
and then, the seeds breathe. out of the bottom of the bowl in which they have sunk. and the seeds sprout. even from the trauma they have endured, the inertia they have tolerated. and the seeds grow big strong maple trees, even though buckthorn and other toxic invasives would prefer them stifled. the maples withstand, persist, ride it all out.
so – for those of you out there who are thinking 65 is run-roughshod-over, washed-up, put-out-to-pasture, tested by toxins, no-longer-relevant, done – i have some news.
some good news.
it is the steadfastness of a drowned seedpod.
or, in the case of a wrinkled-up-old-floater, just a little warm water, a little good soil, a little cold fallow and then, a little sun.
either way, watch out. 65 is only the beginning.
*****
THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL Šī¸ 1996 kerri sherwood
IN A SPLIT SECOND from AS SURE AS THE SUN Šī¸ 2002 kerri sherwood — PLEASE NOTE: This song is not “jazz” nor is any part of its copyright or publishing rights owned by Rumblefish.
it is impossible to not feel it.âit swirls around us.âit stirs us.
this season.âa season of light and hope and generosity, a season of consideration and thoughtfulness and compassion, a season of simplicity and complexity, a season of love and grace and possibility.âa season of deep gratitude.
we sit still – eyes closed – and take it in.â
wishing you these gifts now.âwishing you these gifts every day.
foresty forest is our new nighttime-video obsession.âfrom the vantage point of our pillows, under a cozy comforter and handmade quilt, with dogga at our feet, the window cracked – all seasons – we watch the youtube life of foresty.â
foresty lives in a van that – with a toolbag of skills – he built out into his home.âhe hails from canada – his accent giving that away – even if his pride in the immense beauty of his native country didn’t.ârocko, his jack russell terrier, is his constant and truly incredibly intrepid companion.âwell, rocko and his ninja aircooker (ever since his treasured crockpot died).âforesty’s travels take him high into mountainous areas – both in canada and the states – and he keeps a log of the summits he (and rocko) have successfully completed.âhe is totally someone you could invite over for dinner – with a sense of humor and a world of stories accompanying him.âhe has an immense and supportive patreon community and it’s no wonder why.âhe has simplified his life, focused his intentions, and he brings home everywhere he goes.
one thing – among many things – i have learned from my children is the ability to make home.âboth of them have moved more times in the last decade than i have moved in my entire life.âand yet, each time, they have made it home – any dorm, apartment, condo, house, shared space – roomy, tiny and tinier, all.âthey have found community and forged friendships; they have created routines and sought out those activities which are important to them.âthey have created home.âin any tree hollow.
“don’t limit yourself to living in your shell. the possibilities are endless.” (a post by susan – with a photograph of snails)
no limits.âout of shell.âflexibility of spirit.âtransformation.â
dark into light.âreflection.âthe sun rests, stands still.âit is the solstice.âand then…
in the middle of the hustle and bustle and festivity going on around us, i stand still in the living room.âi’m gazing at the shiny brites i grew up with.âi turn and see the note that my daughter and son wrote to santa.âi turn and see branches from the front yard, from long island, from colorado.âi turn and see the pinecones we collected while hiking on our trail a few weeks ago.âi turn and see wrapped presents on the table, ready to be shipped or delivered.âa timeline of life – the dots pinpointing moments.
we are home at this beloved old house.âwe are fortunate.â
and it is winter solstice.âa turning point.
and i know – that sometime out there – the snailshell that has wrapped itself around me will break open.âand i will crawl out, stunned by the rays of light and grateful that i can grasp onto their filaments of fiery energy.âwhatever was dormant will rise with the sun.âwhatever was painful will ease.âwhatever was without conclusion will have justice.âwhatever was dark will be light.âwhatever is possible will be possible.
and – wherever i go – i will take home with me.âi will be home.âin any tree hollow.
*****
THE WAY HOME from THIS PART OF THE JOURNEY Šī¸ 1997, 2000 kerri sherwood
the seagull looked at me furtively, side-eyed. he acted like i just wasn’t there, stepping along the harbor channel wall at his own pace, seemingly not too nervous about my presence.
writing, i’m holding my weathered copy of jonathan livingston seagull in my hand. jonathan thrived. he left the traditional flock of gulls so that he could fly, soaring higher than he had ever soared. he was an outlier but was kind and loving, generous with the skills he learned.
i’m thinking he was as much an artist as those of us who are artists.
ever since, well, forever, i have had a thing about seagulls. i have a seagull collection in a box in the basement. in the 70s, it was a popular tchotchke – a plaster or wood base that looked like a piling or rocks or shoreline with a thin metal piece atop which was a seagull. sold in every beachfront town, i was – back then – a willing buyer. i had seagulls everywhere in my room. they represented the beach for me – my winter/spring/summer/fall sanctuary. and then i read richard bach’s book. and i was hooked. it resonated with me back then, this story of breaking away, hopefulness, dreaming, accomplishing. i was 18 and i was a jonathan-livingston-seagull.
my soaring seagull days ended abruptly at 19.
but in these days now – as i walk the lake michigan beach or hear the gulls as they fly overhead our house – i am reminded. the caw of the gull is reassuring and, as i gaze up watching them swoop and soar, i feel vestiges of the surf – the sound and the ocean from long ago. tide out. tide in.
i walked along the channel and, in parallel lines, the gull started to step along the wall. and then he stopped, put both feet firmly on the cement.
and, still looking at me sideways, whispered, “don’t forget you know how to fly.”
âstill, what i want in my life is to be willing to be dazzledâ to cast aside the weight of facts
and maybe even to float a little above this difficult world. i want to believe I am looking
into the white fire of a great mystery. i want to believe that the imperfections are nothingâ that the light is everythingâthat it is more than the sum of each flawed blossom rising and falling. and i do.â (mary oliver – house of light)
truth be told, i am pretty easily dazzled.
diamonds on the lake, owl feathers on the trail, first fireflies, an unsolicited kiss from dogdog, the rising moon, constellations pinpricking the sky, tightly-wound buds, wide-open-blossom fragrance. catching my beloved’s eye, the gesture of hand to his heart, the ninth in harmony, the sinking sun through a forest of trees, birds gathering at 4am, sunrise, surprise texts from my grown children, squishy pillows, the first coffee, a bold red, a new thermal shirt, snowfall, the first glimpse of the mountains.
as everything changes – my body, my work, my impact, my voice – it is easier to float above the difficult when dazzled a dazzling number of times a day.
i don’t know who to credit with my easy-dazzability. i suspect it’s my sweet momma. she did not have a high bar for ecstatic. she cheered on the tiniest event, she buoyed even those she did not know. her gaze took it all in…it became fodder for extraordinary within the ordinary.
but, oh, the practice of being astounded, of having your breath taken away, of being startled by that which you’ve seen many times, of holding the horizon loosely like the reins of a horse – without restraint, your knees signaling “gallop”. full-fledged immersion in possibility, unabashed glee, awed.
when the lake glitters, it feels as if the day itself has reason to shimmer.
i realize now – already – and at long last – the shimmer – of light – is always there. no matter.
i am a fan of happy endings. i would guess that’s something on which we likely agree. i mean, who doesn’t love any sort of happy ending – quiet or gushy – any part of the happy spectrum.
and so, in the past couple of weeks – with people we love close-in struggling with serious issues – i want to linger in the happy ending. perspective has slapped us upside the head a few times over these weeks and, teetering a little on shaky ground, we are holding firmly to happy conclusions.
on days when hikes generate deep pondering or the dinner table yields questions about uncertainty, googling about things we know little, we tend to list to an evening of a little couch-sitting and a movie of choice that will – most definitely – have a happy ending.
this could be a hallmark movie. or it could be my big fat greek wedding, which makes us laugh every single time, dozens of times later. it could be about time or love actually or the proposal. it could be sweet home alabama or ps i love you or the family stone. the fuzzy purple zippy dvd holder is the keeper of our cherished movies and we can pick pretty much anything from it and sink into the couch cushions, sighing.
we don’t feel like we are sticking our heads into the sand. we don’t feel like we are fancying escapism (though who doesn’t?!). we don’t feel like we are pollyanna-ing our way into the lull of sleep. we are painfully aware of the precariousness of it all.
instead, we feel like we are reminding ourselves of the possibility. we are immersing in the potential of goodness. we are restoring that place inside from which we draw strength that we might pass on to others, the place from which we can hold others close, lift them up, ask the universe for grace and their healing.
we are taking a deep breath and seeking the happy ending. remembering that they do exist.
*****
FREEFALLIN’ IN LOVE Šī¸ 2002 kerri sherwood, sisu music productions inc. (Note: this is not jazz, nor does rumblefish own any copyright or publishing rights to this song.)
reverse threading 