you are surrounded by the forest – dense, unyielding, a bit dark. though there are paths, they are still shadowed by big trees, overgrowth that doesn’t seem to allow in the light. and then – as you are plodding on and on, making an effort to maintain your equilibrium, to stay in center, you come to the tiniest clearing. and, looking up, there is sky. clear blue sky.
a periscope to the universe.
and suddenly, your worries and angsts, your doubts, your lost road are scaled down, lessened to tiny pinpricks of stars, unseen in the day-sky, though ever-there, allayed in the bluest-blue, soothing hope in the periscope, a reminder of perspective and time and expanse and right now.
and you stand, with all the creatures in the forest, and look up – for minutes and minutes unblinking until you are slightly dizzy from your stillness. and you lower your head, stretching your neck, your gaze-to-the-heavens broken.
but you are moved. you are reminded of your tiny-ness in the vastness. you remember you are part of this universe and, that just as you are not alone in the light that the leaf-periscope offers, you are not alone in the dark either.
you breathe. a deep breath. a prayer. a gratitude.
and you walk on in the forest, knowing, for certain, that you will find natural clearings with big spaces of light. knowing, too, that curling your hand into itself and peering through – like a hand-periscope – you can focus on smaller bits of the forest and within it, find the bits of light between the leaves.
behind the curtain and between stage-left and stage-right wings, the action is paused and ready. umbel stalks on point, waiting to explode into clusters of tiny white flowers, delicate leaves opening, lacy, inviting the show to go on.
it’s spectacular – this performance of nature.
queen anne’s lace – i first learned of this wildflower from my dear friend linda – can be confused with other plants. bishop’s flower, wild parsley and hemlock taunt many from the meadow and one must be careful to realize that their performance piece is not the same – they are not edible – like this wild carrot of queen anne’s lace – and, in fact, they are toxic. the meadow stage offers up options but only carrots are carrots.
for those who love the stage in any capacity, there is a responsibility, things one must remember.
i knew from the beginning that the stage was not about me, not about what it could bring me. instead, the stage is about what i can bring to the audience. i have played to a handful of people; i have played to tens of thousands of people. i always knew it was simply my job to offer my music, stories, lyrics, song, to put it out there. to be absolutely present – sharing the moment – my jeans stuck in my boot. to connect, to resonate, to move – though my expectation was not to be moved, were i to feel it connect, resonate, move, i, in turn, am profoundly moved.
to be off-stage for a longer period of time is taxing. there’s expendable energy stoking up, ready to burst off the apron, into the house. shimmering moments, illuminating the glow of faces seated, the warm cloud of laughter, the sighs of sinking in.
i have stood on the giant rocks of the john denver sanctuary, bowing. i have stood on the stump and the downed tree in the forest, bowing. i have danced on the deck, bowing. i have fist-microphoned in the kitchen, bowing.
i googled “what is the difference between an entertainer and an artist?” for i am often called an “entertainer” and, for some reason, that word rubs me wrong. surprisingly, an AI bot responded. “sage” wrote, “entertainment often focuses on providing a pleasurable or amusing experience for the audience, while art is more about expressing ideas, emotions or personal experiences. … entertainers focus on entertaining, while artists focus on expressing themselves through their art.”
sage’s answer indirectly implies a contrived reorganization, a pleasing-you approach. and while i have read audiences time and again, choosing direction of a concert – if possible – as i perform, on the fly, it is still with an intent to share, to impact, not to simply “amuse”.
i think it’s a matter of purity. or order. or intention. a combination of the three. plus gut. intuition. emotion. to bring. to touch. to move. to prompt questions. to elicit change. artistry. to lift up – suspending in midair – a piece of music, to let it soak up tiny jet streams that will carry it, to let it fall – as it might – onto the anyone or the anyones who is or are there – recipients of my good intention, from stage to audience.
hunger for the stage is real. it is pining for that connection, for the very reason i have composed.
one day the curtain rises – one day the delicate leaves drop – and i’m grateful to perform, piano, boom mic, wood under my feet – and the clusters of tiny white flowers explode into daylight.
in the category of fruit, you can kind of draw a dividing line. there are the people who love peaches and the people who love nectarines. it’s a more distinct line than you might think.
for many years, i solely bought nectarines. the smooth skin of this sweet fruit was preferred in our house back then and so, respectful of the tactile-lips-to-fruit-skin-touch-aversion, i skipped over the fuzzy peaches and went directly to nectarines.
it’s taken many, many years of nectarines, but – just the other day – i bought my first peaches in a very long time.
it did not go unrewarded.
sweet peach juice, the perfect ripeness. it was an exquisite peach. it reminded me of the scene in cityof angels where meg ryan is trying to describe – in words – what a pear tastes like to nicholas cage. maybe, were i to describe the peach if would be too intimate, too descriptive. instead, i’ll say it was glorious. it was a reawakening. the next time, i walked past the nectarines.
in a time of feeling a little bit fragile, a little untethered, somewhat insignificant, the peach brought me instantly to the moment. with no guarantee of next and with the dissipating condensation of the bursting bubble from before, it was – a moment of standing in gravity on a spinning-spinning globe – an arrow pointing to right now.
nectarines provide more vitamin a, vitamin c and potassium than peaches. but the up-and-up present sweetness of a peach will stop you in your tracks. savoring. it will make you think of every sweet thing in your life. it will possibly drip down your chin while you reach for a napkin, willing the drip to stop before it hits your shirt. it will astound you.
and i wonder what could be better than being astounded on an ordinary day.
his legs wrapped tightly around the garden fence, the cicada gave in to his time of transformation.
i found him when i was watering. i bent down to pull a weed by the low fencing and there he was, clinging with all his might to the thin metal frame, following his call of nature, nymph to adult. the transition is recognizable. the two creatures look remarkably different, so it is easy to tell which is the mature cicada.
it’s the second time we have been witness to part of the cicada’s metamorphosis. the first time the cicada was clinging to the deck and we watched the whole fascinating process. this time, we came upon the cicada after it had shed its old skin, the outer exoskeleton having molted off into the dirt. both were profound for us. the giving over, the trusting of transformation, gaining wings, going on into next as something quite different.
“life is not so much about beginnings and endings as it is about going on and on and on. it is about muddling through the middle.” (anna quindlen)
and in the middle, the holding on. legs – and arms – wrapped around the garden fence of our lives, clutching for dear life. to be in the middle – sorting and pondering, full of wonder and angst – we can only trust that each next will arrive, that the on and on will not betray us, that we will not betray the on and on. the cicada surrenders, relinquishes any worry of what is to come.
and then, it wakes soon after, having pushed its way through the deadened shell. with wings. wings! exuberant noise fills the summer air. i know i will listen for our garden-fence-cicada on hot nights when the sun is setting and dusk is on the sky.
and we – in our metamorphosis from one day to another – sorting and pondering on our fence – begin to know that wings are possible. we learn that we have had them all along. we untuck them, test them out, flex a little, grow stronger. and we are astounded to learn – like the cicada – that we can fly.
“i want to be light and frolicsome. i want to be improbable beautiful and afraid of nothing, as though i had wings.” (mary oliver)
the owl feather lay on our trail. soft down curled at its base, it was striking against the dirt of our path. we stopped.
the trail has different rules. the point is never to hurry. it is never to walk without open eyes. it is never to pass by that which draws or beckons. instead, it is to take the time, to go slower, to see what is there – in all its mysterious beauty. and, though this is the most familiar of our trails, there is not a time we have hiked it that we have not seen something new, something informative, something so beautiful – even in its simplicity – that we had to stop and photograph it.
it IS how the world is, she said. it exists just the same way as the dark exists. we were talking about goodness, the presence of goodness, the pay-it-forward of goodness. i was wistfully talking about a world that valued goodness, that lingered in kindness, that held beauty in gratitude, that was full of light and hope and the love of one another. her words stopped me.
it does exist. and, yes, it exists the same way as all the dark in the world exists. it’s a profound thought.
we were walking out to big red to go take a hike. a beautiful black crow feather lay waiting on the driveway.
next to littlebabyscion was a smaller feather, perhaps one from a robin that sang the sun up earlier in the day.
to read about owl feathers and crow feathers and robin feathers, one finds a plethora of information, some seemingly opposite in meaning. but the one thing that all feathers seem to represent across the board is that there are angels with you, there is a connection to the spiritual world.
whatever you perceive that to be, it would seem that a connection to the comfort and love of those who passed before or the eternal wisdom, the resilience, the goodness of the universe would be a good thing.
one of my favorite memories of time spent with columbus was fishing with him up at the mountain lake. gently he handed me a fishing pole and explained the fish thereabouts and we made our way down to the shoreline. i could have stood there all day, my line in the water, casting again and again and dreaming. surrounded by mountains and aspen trees and tall pine, i was standing in heaven. the fish didn’t really matter.
the times i spent fishing on long island were generally from a boat. crunch and i would mosey out into the sound – at all times of day or night – and drop in a line. we’d talk quietly and ponder life and watch the stars and drift a bit. it, too, was a bit of heaven. and it never really mattered if there was anything on the stringer at the end of the day.
up in ely, 20 took us out on the vast lakes. the boundary waters were absolutely quiet. we dropped in lines with no real expectation. trolling around, we were surprised when we ended the day with a few fish. i can’t remember that i caught any of them.
i haven’t ever fished in wisconsin. no real reason. we prefer the pontoon boat up north or getting a little lost in time in the canoe.
and it is true – i’m not really good at fishing. though i relish the time in the boat or, better yet, on that mountain shoreline, it’s not really the fish that matter.
what matters is the serenity found in the waiting, the time spent outside being quiet together, the being there.
and it grew and grew. up from the forest floor, where it was surrounded by decaying leaves and bits of branch. next to the big meadow and not far off the beaten trail, it pushed its way past the low grasses next to it.
this wildflower – a somewhat historically unloved taproot – with an abundance of early spring juju, kept sprouting up, up. it looked around to see many just like it. suddenly, it was surrounded by a village of yellow flowers – each maybe a bit hard to discern from the other.
but the flower still knew it had a place in the world.
and so, it held its bloom until it was time to close and then it grayed. it stoked up seeds and waited for the right time to release them, a puff of magic.
and then it bent its head to the sun, content in its cycle on earth, knowing it would be back and that – for a time – it had been a wild giraffe.
i used to know someone who really despised redundancy. this person would interrupt and say, “you already told me that” or “i heard that already”. ask them about their day and they would reply, “same-old-same-old.” it was hard for me – a new yorker – born into repetition and long-story-telling.
d and i sat on that iowa porch only four days, but it doesn’t take long to grow fond of something beautiful.
in front of us – facing east – were two trees. beyond the trees were fields. before they were mowed down, the fields were wildgrasses green with sunny yellow flowers. in the distance – quite a ways off – was the road. a country highway, it was populated by many pickup trucks, an occasional sedan, rarely a semi and, at one point, more booming harleys than we could count.
the light changed during the day. no surprise there. the sun rose to the left of the trees and burned its way into the sky. the trees glimmered and reappeared through the early morning thin layer of smoke from wildfires in canada, jetstreaming its way into the heartland. it was bright in midday and then the sky took on the echo of the western sunset. at night, the trees were still a presence, silent, rooted strength.
i took many photographs of these two trees. they were somehow very comforting and reassuring; it was a time of memorial for columbus and emotions were all over the place. and the trees stood there, steadfast.
they watched us all gather and eat and talk and reminisce and play bags and run with oversized bubble wands. they watched us hula-hoop and dance in the grass and drag chairs following the sun and escaping the wind. they watched us wander and take pictures, play with gracie-cat, pour wine. they watched – as trees do – and we watched them back.
i love each of the photos of the two trees on the east side.
it was the last night. we stood out on the porch and then out in the east field, the farmhouse behind us. the dark of iowa-night rained down on us as we peered into the sky to see the constellations. we could feel the “last” of the last night. but out there, on the horizon – in the way an ellipsis works – the ellipses had a reminder: it’s never really over. the horizon lights suggested the story would be trailing on and on – up till now and then dot-dot-dot…
the story dot-dot-dot – without definition, without a distinct end, unrestrained – keeps on…
last week’s time in iowa and return home gave us grounding…reminders…learnings. feet firmly planted…spine tall…solid and trusting, we intentionally rearranged our thoughts – trying (because it’s not easy and it always takes the work of trying) to put aside worry and angst, instead centering on being steady and calm. the decision to not panic. the ellipsis of keeping on…
the impermanence sticks with us.
and we know it doesn’t matter that there is rust on our hubcaps or that our countertops are chalkboard/food-safe-wax-painted-wood. we know it has no bearing on real life that we don’t wear trendy name-brand clothing or that we actually like $2.50 old navy flipflops. we know that leftovers nourish us just like restaurant fare and we are not worried if we never get to sit at the table of a three-star-michelin. we know that there are wines of great robust but we continue to sip apothic and splurge on the new broadside (paso robles) we found. the ellipsis of keeping on…
the transitory taps us on the shoulder.
gathered, we listened to stories of the past, suddenly way long ago. we went to the pioneer cemetery high on a hill overlooking planted cropfields. the 1800s were just a moment ago there. and, just as the years fly by, we know that the incandescent kite we each fly has fragile filmy threads. our hands – holding the moment – age before our eyes. the ellipsis of keeping on…
the ephemeral sounds harmonic overtones we can hear.
we gaze at the peony buds in the backyard. they will soon bloom – in their sweet time – and they will stun all who walk by. their beauty will not be forgotten. each one has opened to the sun and told its own story. each one. and then dot-dot-dot…
the flower-power stickers adhering to my growing-up wall and my sister’s volkswagen beetle were these colors. hot pink and orange daisies, yellows, greens, vibrant and happy. and you think that some pantone or pms chart somewhere was the place they originated. but it’s not so.
this is where they came from.
and the tulips stand – proudly but not arrogantly – in their color, in their field. completely present and at ease, they open to the world, giving it all they’ve got. stand in nature and try not to be humbled…it’s impossible.
belleruth naparstek guides you – inside and outside – to quiet. a place of presence, of ease. not trying to push out thoughts or streams of consciousness passing by, but allowing it all to flow. with practice, you can feel the roots growing under your feet, the steady breathing of awareness, calmness.
and, if you are fortunate, you are held gently, right in the middle of tulip petals, and you are reminded, once again, you are alive. “knowing in a deep place that this place is inside of you…that you are better for this…“
