he asked me as we hiked the river trail on christmas day. it was brisk, but we had warm coats and gloves, turtles and boots so we were cozy enough to be out there for a few hours. “what would you like to see in the new year?” he posed as we rounded the icy bend in the woods.
heidi and i had a phone chat. it wasn’t really long but she told me of a sentiment she received in a holiday greeting card. “may peace gently find you and fall upon your heart.”
we talked about how – instead of going out to seek peace – this wish she had received was one that simply – and gently – graced her with peace. we talked about how feeling peace fall upon you – like the softest snowflakes falling from a winter sky – would impact us.
and so, this.
peace.
in answer to d’s question on the trail, i listed all the things i would like to see resolved in the new year. i listed all the things i would like changed in the new year. i listed all the things i might really want in the new year – to do, to accomplish, to try, to find. i could have also listed things that might make this a better world. i could have also listed things that might bring balance back into people’s lives. i could have also listed things that might make people conscious, compassionate, moral, in their right mind again.
and peace.
there are only two more days left of this year, three if you count today. i wonder what i might do with these days as i approach next year.
i wonder what i might let go of in order to allow space for peace to find me. i wonder what i might reflect on in order to feel peace falling upon my heart. i wonder what i might commit to in order to hold that peace close, to let it simmer and grow.
and what if we, like the sweet autumn clematis, were each merely one featherduster, one long, wispy tendril birthed from a maroon-brown pod joined with other maroon-brown pods on a single branch of a single vine.
what is it we would do with our wispiness, our soft fluffy plumes, tiny jet engines to propel us near and far? what seeds would we disperse, what knowledge would we dispense, what silvery sheen would we spread?
what would we choose to do with our one, wild featherduster life, our one journey through air, aided by wind, abetted by the twirling of our feathertail? where would we go, what jet stream would we join? what earth song would we sing? what would we touch – ever so lightly – brushing past, barely felt, a tickle of plume?
what if that were all we had? would we join with all the other featherdusters, an intertwined community seeding community? or would we spend our time engaged in disjointed competitive infighting with the others? would we choose a path on which we might twirl through together or would we choose to shoot off, like that one plane in a memorial fly-by, forging a new trail in air, bushwhacking through underbrush? what would our desire path be?
what if that had been our passage in this place? what if our featherduster existence had been it? would we have been all in? would we have given our best? would we have embraced seeding more clematis – like seeding more shimmery goodness? or would we have held back, continually waiting for something glorious to happen, for better weather, or for whatever later might be?
it’s light later now. that means we can go hike later in the day, after we’ve done all else that needs to be done. it means we can finish the day – whatever it’s been – with some time outside, some time on a trail, maybe some time watching the sun come down.
i feel worried these days. not just a little anxious. downright worried. every day something else in this country is blatantly being torn apart, shredded, trashed. the rule of law is disappearing. people are disappearing, democracy is disappearing.
but if you look at facebook, you will still see posts about dandelions and dogfood, early spring flowers and people on trips, concerts and recipes, memories and people eating. if you didn’t know, you wouldn’t know.
that is the part that gets me.
it’s not because i don’t like dandelions or food or flowers or concerts or travel, and it’s not because I don’t see the value in celebrating the simplest “normal” pieces of life. it’s because it feels like there are people who do not care about the horror of what the dismantling of this country is wreaking. it feels like there are people who are just pretending it is not happening. it feels like people are sloughing off the absolute danger, the loss, the devastation. and i look around and wonder why.
the most obvious answer to the question – why aren’t we talking about this – is that a person voted for it. they want this destruction – which will always make my head spin. they feel righteous and elitist and entitled – deserving of being held above “all those other people” – you know, the women, the black and brown people, the lgbtq people, the people who worship differently, the people who came from a different place, the people who have less. it literally makes me sick to my stomach thinking about how many people feel this way – particularly people i have loved or thought i knew really well. the we-don’t-talk-about-this crowd is somewhat close-in and i am growing weary of tolerating their cavalier silence.
there are people – out there – who subscribe to this administration’s cold-hearted, soulless agenda, who are are pretending that there are “just a few kinks” that need to be worked out, who think that “great” is coming, who believe the narcissistic evil promises made to them actually are “great” things. i am astonished at their acquiescence to the annihilation of the ideals of this country, to the bowing idolatry they express to these vile efforts.
i guess another answer to the question – why aren’t we talking about this – is that there are people who are not paying attention to factual news. they are listening to and watching what could be called “state tv” and they have no real idea what is happening to the country. they are shielded by the thick grimy viscose membrane of misinformation. this also makes me feel ill – that people are not bothering to glean what is really happening here, just tooling along scarfing up hateful lies.
any way i sort it, i am feeling incredibly disheartened by the lack of communication about the destruction of this country. having conversation with these people is to speak about the most superficial of things, the stuff of small talk, the things you would talk about with the clerk at the cash register. and so – these forms of surface-only communication fall under the if-you-didn’t-know-you-wouldn’t-know category. and it makes me want to just scream – are you going to talk about this takeover of our country or what?????!!!
i wonder how many people are struggling – like me – only four months after the election, merely two months after the inauguration – to try and navigate the divisiveness and shockingly-earned mistrust of people in our very own communities that have come with this new administration of “public servants” who have no public-servant-bones in their heartless bodies.
i really do need to be out on the trail – watching my feet move and the sun sink into the horizon. i need the quiet and truth of nature, a reminder of how i fit into the order of things. i need to be around natural goodness and not intentional complicity. it is restorative and feeds the place that needs peace and the feeling of being one with the universe.
fall has cracked the door open. and, though it may tiptoe around a bit in this teeter-totter season, it will not backtrack. it is on its way.
and nature – in its wisdom – is doing the work, prepping for cold to arrive, stoking up, storing up, guarding its ability to survive, seed heads readying to spread far and wide.
she asked me if i would be recording again. I wasn’t sure how to answer. i don’t know. it has been some time since my last project. recording is expensive and – because of today’s world of streaming – not particularly financially rewarded, making it a kind of skewed investment…heavy on the cost, extraordinarily light on the payoff.
yet, every independent artist knows recording is not solely about the financial reward. it is the expression of what’s inside, just waiting to hit air. it’s doing the work, prepping, stoking, storing, guarding – all for the seed heads to fly.
she asked me other questions as well – how i compose, if i hear music inside. her questions cracked open the door to a conversation I haven’t had in a long time, a real conversation about my music. i felt grateful – not only for her inquisitiveness, but for her obvious support of what i have already produced. it was a sort of balm on a wound that was just lingering, lingering.
I don’t know when – or if – i will produce another album. i’ve teetered-tottered just like the waning of summer and the rising of fall, just like daisies struggling to stay vibrant, open, to stave off utter fallow. i’ve wondered through these last few years if, after fifteen albums, i was “done”, wondered if, at 65, i was no longer relevant, wondered if i still had the necessary chutzpah.
i miss the stage, a piano and a boom vocal mic, a wood apron beneath my boots. i’ve missed telling the stories of songs and the gestures of instrumental piano. i’ve missed eye contact with an audience, finding resonant bits, making people laugh or reminisce, the moment you know they are right there with you.
the daisy seed heads are getting ready. it’s pretty certain they will proliferate gardens again in the spring after their fallow through fall and winter.
maybe – somewhere in here – i am getting ready too. i guess we’ll see.
my son shares his name. it’s his middle name. wayne.
it was in the middle of my second pregnancy we lost my vastly-loved big brother. my little girl was two; my little boy not yet arrived. i had lost grandparents before that. but, somehow, despite our sadness in these losses, in their older-age, it seemed a natural part of the life cycle. my brother was different. it was today, 31 years ago. and he was merely 41, which is twenty-three years younger than i am at this moment.
though my brain somehow grasped the details of his cancer, my mind couldn’t wrap itself around how it was possible that the world could go on if he could no longer feel it. i still struggle with this. i am not naive enough to think it all ceases because of one – but the lack of the act of feeling, the passion of feeling, the tactile, the visceral of feeling – all this – it felt – no, feels – inordinately complicated to me. the full-stop. surely, in the moments i ponder this is when i realize how utterly futile it is to try and control anything, to be utterly absorbed in stuffff, to not stop and notice the tiny delicate flowers on the path.
we are reading a book together. though the actual book has nothing at all to do with this post or my brother or pausing on trails in the woods, the title – for me – is relevant: i have some questions for you.
i do, my big brother. i have some questions for you.
i know you know, bro, how adored you always were. did you take it with you? can you feel it on this other plane you are on?
i know you loved coffee ice cream, hot cups of coffee, birthday cake. are your senses as vibrant? did you smell the peonies in our backyard? can you now catch a whiff of the lavender, the mint, the basil? can you feel the sun? are you aware of the breeze – or – are you the breeze itself?
i know you loved to hear neil diamond, loved to play guitar and sing, loved to feel your hands on projects of wood. do you float in and out now, catching snatches of song, feeling the pick in your hand, hearing the scroll saw start up?
i know you loved. are you right here – loving – right now? are you right next to your wife, your beloved children and your grandchildren, and, if we could touch incandescence, the full spectrum of color, translucent gossamer, could we touch you?
i know you are not in a physical form on this earth. but are you simply unseeable? are you, in turn, coffeesitting with our mom and dad and then swooping in to somehow steadfastly drop wisdom or strength onto the rest of us?
i know you probably don’t have any questions. but i do. and, as my big brother, you will need to find a way to answer them, as i am counting on you to explain all this.
i’ll stop – wayne – at the delicate flowers in the woods. i’ll slow down and dance on the deck. i’ll try not to worry about the angst of the day-to-day. i’ll feel and i’ll drop into pause.
there are times i know you are here. there are times i know our sweet momma and poppo are here. i wish it were easier to see you.
in some kind of trust – right smack in the middle of grace and not-knowing – i do believe you are the wind.
she reached into her rainbow bag and pulled out two rainbow buttons, handing them to us. “brilliant!” i thought, while also thinking we should have brought our “be kind” buttons and given them out as well. this darling little girl, accompanied by her mom, stood in the center of the blocked-off pridefest road, twirling right and left, gifting festgoers with happy faces.
i was awake most of the night. it wasn’t until sometime after the birds began showering the rising sun with song that i fell asleep. middle-of-the-night musings often keep me awake these days. the harvard medical school reports that insomnia is present for 35% to 60% of women after menopause. i’m seriously thinking someone needs to do something about this.
so it is in those wee hours of the night i ponder everythingunderthesun. it is like my own personal pablo neruda book of questions – random, open-ended and with no real answers. all over the map, i revisit growing up, walk through previous houses, go back on vacations, have conversations all over again, list groceries, think about deferred house maintenance, slink around the edges of new creative projects, send positive energy to beloveds. i wonder about the universe answers – if they will drop in, like a sticky note from the heavens above. i list gratitudes – simple, like this tiny girl’s happy face rainbow buttons – and complex, like straddling the line of relevance. i list worries – like the day to day challenges of aging, the challenges of a world fraught with superficiality and division, the challenges of the environment, the heart-challenges of most important relationships. the one thing i do not do is sleep.
i’m pretty sure i am not necessarily capable of solving everything at 2am. and 3am is worse.
but a couple minutes after 4am – when the birds gather in our neighborhood trees and sing up the sun and its roygbiv – and i am present – that is when most of it – the kaleidoscope of life – makes sense.
on the side of the willis tower – downtown chicago – is affixed the atmospheric wave wall. created by the same artist whose rainbow bridgewe loved at the milwaukee art museum, olafur eliasson’s piece is striking and imbues the colors of the lakefront – sky, clouds, water in all its moods.
in speaking about his piece, olafur – also a climate and community activist – says, “what we see depends on our point of view: understanding this is an important step toward realizing that we can change reality. it is my hope that this subtle intervention can make a positive contribution to the building and to the local community by reflecting the complex activity all around us, the invisible interactions and minute fluctuations that make up our shared public space.”
the steel catches the light of the sun. the piece seemingly shifts with the movements of everything around it, with time as time passes.
we have not yet seen it at night – lit from behind – but i imagine it is stunning – with light escaping from the intersection of the colored tiles. the places of light: in-between.
just as weird as it was to sit on the train it was equally with wonder to move freely about in the city – after all this time and so much that has happened in our country – sans innocence. it is with a bit of heightened awareness we move in the world now, though i don’t suppose heightened awareness helped any of the victims of the latest violent rages at the hands of angry out-of-control people. it is impossible to figure out why the wrong front door or the wrong driveway or the wrong ask-of-a-neighbor could elicit such unconscionably brutal responses.
we were driving to the grocery store. we took the route we usually take, a side street. two-thirds of the way down this road – before the traffic light – our attention was driven to a guy on the sidewalk, staring at us. brandishing something – we don’t know what – he flailed his arm around, pointing to the sidewalk, swinging, pointing, staring at us.
pre-whatever-phase-one-would-call-the-phase-that-this-country-is-in we probably wouldn’t have thought twice. we might have wondered what he was doing, might have wondered why he stared at us, might have pondered what he was brandishing. but we wouldn’t have been entirely creeped out and we wouldn’t have planned a different route home and, perhaps, a different route to our store for the continuing future. it felt like the place between was unsafe. and i find that devastatingly sad.
we live in a normal midwest town. only – i guess – not so much. our town is now known – in these last years of the more-unsafe-phase – for a plethora of events that have no light in-between. our small city is as broken as every other small city, as every other big city.
were there to be a wall of art to represent this phase of our world what colors would it be?
in his rush to get one of the coveted front spots at costco, the guy in the infinity cut me off in the parking lot. i parked in a different row, but watched as he got out of his car. he bent down and pulled out some kind of revolver, tucking it into the back waistband of his pants. then he walked into the store.
i must say – i haven’t ever felt a need to protect myself in costco. maybe from overspending, but never from violence. it was disturbing – almost to the point of turning around and going home – to know this guy was walking around – maybe getting a rotisserie chicken or ribs or a bottle of wine or eddie-bauer-sweats or glucosamine-in-bulk – with some big handgun in his pants. i told d about my reticence to go into the store.
we have a code word for anytime we are in a situation that suddenly feels unsafe. post-parade-massacres, post-grocery-store-shootings, post-concert-devastation, post-festival-tragedies, post-school-maulings – post-all-of-it and in the middle of all of it – we know to drop everything and get out or get away if either of us senses danger. no questions asked. no lingering. just go.
it is without light in-between that this country has come to this point. the intersections of peoples and genders and ethnicities and belief systems and economic statuses and, apparently, any differences whatsoever, seem to have no light. they are not backlit nor are they reflective of the sun streaming over this land.
“our shared public space.” shared. from sea to shining sea.
how do we create the invisible interactions and minute fluctuations of a safe shared public space? how – in a country that seems to have insidious anger and no shortage of violence – do we find the light in-between us? because “we can change reality”.
the light lit up the sky, a golden glow in a fog toward the heavens. it is one of the chicago botanic garden’s iconic displays, this tunnel of light, begging you to look up, be wrapped in its light, acknowledge the goose bumps. the luminous winter cathedral drawing people toward it. they stood, marveling, they strolled slowly, they posed for photographs, the millions of starry twinkling lights enveloping all.
i’m not much for cathedrals, really. i never have been; it’s nothing new. while i can appreciate their stunning beauty and the incredible feat it often took to build or install, they have never brought me closer to faith than any other place…outside, in the presence of others, at the piano, alone in wonder.
in my life – and in three and a half decades of my work life – i have found churches to not only house beauty. i have found churches to also house ugly. and so, i was relieved to read the words of john pavlovitz. it is important to distinguish the difference – the building is not God. and, sometimes, the best place to find the supreme deity you are seeking – no matter the name, no matter the denomination or affiliation, no matter the book of written word – is not in a place, not in a building.
the people – so many gathered there – under the arch of the winter cathedral seemed softer. the glow of light on their faces, they moved slower, offered to photograph others, gazed up. just as a community of people in a church often do, they seemed to come together, one of the benefits of “the building”. but, as i have found time and again – and, if we are to speak truth – those benefits sometimes run out. and people within become consumed by that which would never be considered a basic tenet of faith – the hypocrisies of power and control and discrimination and subjugation and competition, toxic things that “[don’t] feel like Love anymore”*.
as i walked under the night sky i knew that the cathedral would be close to the last installation on the guided path. i steeled myself for its overtones, even with its undeniable beauty.
we stood back and watched people enter it. in awe. it is truly glorious.
we approached and there was this tiny voice inside my head naysaying “church” to the other tiny voice exclaiming “wow”. both.
yet ethereal was there and it shone down on us as we walked through to the other side. and then we were once again under a night sky, full of stars we could see and stars we couldn’t see. just like faith.
“you are fully freed to run into the wide open spaces of this world, and to experience life and faith and beauty in ways you never thought possible…”*
took everything off every surface. dusted everything. put some things away. moved things around. got rid of excess. hung a favorite print. and – with great care – gently vacuumed the inside of my really beautiful piano, for full-stick is an invitation to dust.
i stood back, stood in the doorway, looking in.
the room was breathing. deep breaths.
i was breathing. immersed.
there is still more to go through. there is more to file away. there is former work-trauma to discard and there are calendars of choir music and ukulele band books and handbell arrangements and contemporary solos to box up. the first pass didn’t get all those and now, two years later, i am still a little paralyzed by all of it. that’s why it all needs to go. this process is taking longer than i would have anticipated. “mind, body, spirit,” she said. “it’s not likely others will understand all the layers. they will expect you to just move on, to get over it. they will not grok the wounds; it is all fraught.”
but there were staff lines in the sky. and the universe prompt is haunting me a little.
it’s always had a purpose – my studio – a direct line from standing or sitting in there to actual work. i’ve not just noodled or played because i was just playing. i’ve stood in there to write – to flesh out an album, to practice, to plan – the arc of music for a concert or for a church calendar, to teach – so many students through the years. it hasn’t been a place i go to without purpose, without an end-product, without a result i could see. as an adult, my studio has represented the potential for income; it has been a professional place. now there are questions. many of them. like living in a blank staff, i live – lost – in the questions.
i played my piano. a few carols.
there is one more day this year. and then 2023.
and i won’t carry carols into the new year. it will be time for something else, something less dusty.
there’s some way to go. it’s not as simple as it sounds.
the staff lines in the sky hold no clues, have no notes.
maybe – instead of reading that as tacet – silent – i might – and “might” is the operative word here – read that as a composition without designated key, without predetermined time signature, without definitive expression markings, sans any direction or boundary.
reverse threading 