“it was so romantic. i will never forget,” she texted.
reminders are good. we all get lost in the shuffle of life and all its challenges that we sometimes forget the tiny details that add up to the big stuff.
each day – this advent – we open one tiny door of twenty-four on the big box that was delivered to us from dear friends. we take out a small glass bottle and pour two glasses of wine. we clink and, one by one – back and forth – we speak aloud gratitudes for the day. but sometimes…sometimes it is still hard to remember.
this little snowman was wrapped and hanging on our front door, “you had me at merlot,” its message.
in this time of uncertainty, it was perfect timing.
our roadtrip together started with almost six months of daily emails…back and forth…stories and questions and yearnings and news of our every day taking place across the country from each other. it progressed to photographs of coffee mugs texted back and forth and talk of merlot and a raising of the glass to the other. all before we met in person. a foundation, solid, like the snowball base of a snowman. we read parts of this story – our roadtrip – at our wedding years ago, wanting to share our story with all the beloveds gathered there with us.
and she remembered.
so the snowman will sit on the windowsill by the kitchen sink between the small silver tree and a cairn of long island and colorado rocks. the snowman…a nudge for us also to not-forget, to not get lost in the worry, but, instead, to immerse in the magic of our own story and the angels who remind us.
“about love…in the face of all aridity and disenchantment it is as perennial as the grass…” (desiderata)
i suspect that richard curtis does not want to have dinner with us as much as we’d love to have dinner with him.
this brilliant filmwriter, director, producer extraordinaire – charming as all get-out – has it all figured out, really. he is right. it is all about love. it is all about the potential all around us, the gorgeousness. we all watch all his fabulously feel-good films – reminders to stay in the moment and in gratitude and to live today the way we would were we to have a chance to come back and do it again – and we all get lost anyway.
before dessert i would just sit and stare and listen intently, hoping to absorb some of his wit, his wisdom, his simplicities. the ability to portray life and love – as laura linney told diane sawyer about the movie love actually, “it’s also the repercussions of love and the responsibility of love and the heartbreak of love…it’s not just positive love.”
after dessert maybe we’d tell stories of real life and sip on port. he’d point to the walls in the dining room – if dinner was here, at our house – and ask how we achieved the paint texture. i’d tell him it’s called ‘hot-gun-wallpaper-removal-tracks’. he’d nod and say he likes it, that it feels somewhat tuscan, that he feels at home in our old house. he’d then ask about the sticks and stones and branches and rocks – lit and unlit – cairned and not-cairned – and i’d explain where they are from, what they represent, the moments we knew they’d come home with us. he’d nod again and say he’s glad we didn’t miss those – the mementos.
before he left maybe he would stop at the front door – at the old door handle – and remark about how unique it is. i’d tell the story about how it didn’t work for a little over a decade – i couldn’t unlock it from outside. i’d explain how i didn’t want to change it and suspected that i couldn’t afford to replace it or fix it – it has a complex lock system – and so i waited. until early last month. the locksmith was able to find a replacement barrel, tinkered with it a whole bunch, and it all stayed intact. we can now enter the house through the front door. with a key. sort of amazing stuff. again he’d nod. he hold the flat cold metal in his hand and feel how it feels to turn it to enter our home and look at us, saying, “yes. it’s gorgeous.”
we’d hug and he’d leave. we would stand in the doorway and wave at him, better for the last couple hours sitting with him, reminded. it is that every-day thing.
yes. entrenched in the land of hallmark christmas movies. ’tis the season.
two years ago we actually purchased one – our favorite hallmark christmas movie – a season for miracles. and, though we know it by heart – much like my big fat greek wedding or love actually or about time – we watch it over and over, never tiring of its sweet story.
weeks ago, we walked through downtown to mail our voting ballots. having proximity to town and the waterfront – all within walking distance – seems to be one of our leanings for all potential future places to live. the other is to be far away from everything hectic. it’s a toss-up. that late fall day with golden leaves, we walked along the lakefront and then cut in west – past the historic library and library park.
i must never have looked up there, because it took me by surprise.
an angel statue.
there’s history to this statue, but that wasn’t what it brought up for me. instead, it was a reminder of this ultra-sweet hallmark movie, with a very similar angel statue at the center of the fictitious town of bethlehem and a person who looks strikingly like this angel – an angel who is cast as multiple characters in the movie. it’s a heartwarming story.
we spent the rest of the walk, wondering about never noticing this angel statue before and talking about the generosities and grace in the movie we love. it cast a magical quality to our walk that day. we were surrounded by what-felt-like a gentle cloak of hopefulness, of light.
we’ve held off so far. but soon. soon we will pull out this movie and the fleece sherpa blanket on the couch. and we will sit and watch – once again – knowing exactly what is going to happen and still getting teary-eyed. both of us.
it will remind us of those around us without whose goodness we might be lost.
the tiny fallen branch must be radiating enough absorbed heat to melt the icy snow-pack just around it. the perfectly custom-shaped frame of snow reveals gorgeous long-needled pine laying on the ground atop a small clump of clover. the green in a field of frozen crunchy white was a beautiful glimpse underneath, a reveal.
things aren’t necessarily what they seem. and – though we sometimes remember we also sometimes forget – we find that there is more going on – beneath the visible surface – than we can imagine. i suppose it’s mr. rogers’ endings-beginnings, it’s george eliot’s “don’t judge a book by its cover”, it’s the cinderella song “it’s what’s inside that counts”… i suppose you just never know.
it served as a reminder on the trail. though fallow seemed to be starting and early winter was beginning to take its toll, a little bit of green busted through the ice, peeking out, asking us to notice. it seemed it was stored-up warmth that mattered.
reading and research bring up many physics and scientific theories postulated about this phenomenon, about the albedo effect, about dunes and wind, about snow and pine needles. they are all fascinating, but for me – it was mostly all about the disparity between what it looked like on the outside and what was on the inside. because we don’t always know what’s just below the surface – in circumstance, in the environment, in people.
but a little warmth (or albedo or a breeze) reveals a smidge. just a little grace, a little forgiveness, a little compassion, a little generosity, a little love.
it doesn’t take much – this tiny pine bough is proof, indeed.
“step confidently,” the stio catalog reads. there is an ad for boots – winter boots – and gorgeous pictures of snowfall and mountains and terrain where confidence could be challenged. we were just talking with 20 about those yaktrax you strap on your shoes to instill a bit of chutzpah as you walk on icy trails. anything to keep us outside. cause stuff happens.
yes. stuff happens.
and it happens fast. without warning.
a couple days ago i was walking from the kitchen to the sunroom – sans yaktrax – to let the dog inside. holiday music was playing and i was busy thinking about my next task as i approached the step down to the tile floor by the back door. i did a little math. i’ve successfully navigated this step – only one – at the very least – one-hundred-twenty-two-thousand times. but, somehow, and i have no idea how, i missed the step and fell flat – kerplunk-kind-of-flat-like-in-cartoons – on my knee. the one time i didn’t reach out my hands to stop myself – i guess those two other falls taught me something – but my knee took the entire brunt of the trip-fall.
i’m not sure the first thing out of my mouth was pretty or anything i’d be proud to mention here. my reaction – as i laid on the cold floor – was incredulous, thinking i was running out of appendages, wondering what vortex in the universe we had fallen into or if mercury was in retrograde or just what was happening here.
the xray technician told me that’s why it’s called an accident – because there is no real reason, but i was about as amused by that as other people to whom i have said those words. no real reason. she said, “stuff just happens!” uh-huh.
the nurse practitioner at the urgent care told me she concurred with the radiologist and – thank goodness – there was no fracture. geesh. she said a few days and we’ll see how it goes.
patience is now in order. time to spend with my knee horizontal doesn’t fall under “my favorite things” column. i’ll be hobbling around and sitting and trying to get things done, in a slew of time i can only label as “fraught”.
“when i am among the trees, especially the willows and the honey locust, equally the beech, the oaks, and the pines, they give off such hints of gladness.i would almost say that they save me, and daily.” (mary oliver *when i am among the trees)
which is why we walk in the woods.
“i am so distant from the hope of myself, in which i have goodness, and discernment, and never hurry through the world but walk slowly, and bow often.”(mary oliver *)
which is why we walk in the woods.
“around me the trees stir in their leaves and call out,“stay awhile.” the light flows from their branches. and they call again,“it’s simple,”they say,“and you too have come into the world to do this, to go easy, to be filled with light, and to shine.”(mary oliver *)
which is why we walk in the woods.
and this day – the day of this trail – we hiked the familiar, listening to the greetings of trees who knew us, remembered us. it was comforting and, though they were silent but for the rustling high above us, they rained down the last of their leaves on us, like a ticket-tape parade.
which is why we walk in the woods.
“trees go wandering forth in all directions with every wind, going and coming like ourselves, traveling with us around the sun two million miles a day, and through space heaven knows how fast and far!”(john muir)
we leave a bit of worry behind in each step. we will retrieve them later, all the bits. we dream and wonder and walk under the canopy of these giants that stay with us, tuck us in, give us pause. we shuffle our feet through fallen fall and draw in long breaths of musky leaves piling around the underbrush.
which is why we walk in the woods.
“between every two pines is a doorway to a new world.” (john muir)
and between every two oaks and every two maples and every two hickories and every two ash and every two cottonwoods and every two elms and every two willows…doorways. “it’s simple,” they say.
the old boards creak. and, at night – when it is bitter cold out – they pop, like the sound ice makes under your feet on a frozen lake, only not as treacherous.
in the summer he replaces the deck screws that have risen, stubbed-toe-tripping-hazards, worry about dogga’s paws. in the winter it is clear of all summer amenities. with just the old wooden glider and chair left, it is sans wrought iron, sans outdoor rugs that define its space, sans umbrella shielding our eyes from the sun while we dine, sans old door and happy-hour two-step ladders that hold wine glasses, sans fire column, sans record player, sans lavender and lemongrass. to look outside at the deck – even without snow – it is obvious that winter is approaching, the starkness is blatant and a little sad. we speak of a tree for out there and, if we go to the forest to cut one down we may cut down two and place one outside so that we can see it – lit – from the window.
the old deck has gone through many iterations, first built – by a dad and a grandpa – to help keep tiny toddlers safely playing – a railing all around and gates. a bright plastic little tikes picnic table anchored one end, with a round wrought iron table and chairs on the other end. back then, it was a place for snacks and bubbles, matchbox cars and babydolls, a turtle sandbox, and children dancing to a fisher-price cassette player.
the toddlers, past toddling, grew fast and, eventually, the railing and the gates were removed and the deck, still with the same wrought iron table, was open to the backyard, easy access to the swingset and the fort and, then, the basketball hoop.
years later, with the addition of the stone patio, it would be the place people would gather – for fourth of july barbecues, for the-big-dig day of the pond, for slow dance parties, for pre-wedding gatherings, gatherings for any reason. the old wrought iron table, another coat of rustoleum black paint, still holding vigil for food and gaiety.
and then, since it had no railings, it became the perfect place for ukulele band. folding metal music stands and bag-chairs, edge-of-deck-sitting, clothespins and laughter, there was no stopping the fun, the music-making and community, and, after, all would gather around the old wrought iron table and gnosh on schnibbles everyone brought along, to prolong time together.
during covid the deck became a place of comfort, a necessity for peace of mind. we slowly researched and watched for sales and added pillows and rugs and an umbrella-that-made-all-the-difference for dinners around that old wrought iron table, a little decor and some clay pots and plants for our outside sanctuary. we took refuge there, from cold days to the return of cold days – outside as much as possible.
and now, the deck is blank again, save for the snowflakes. the old wrought iron table and chairs are carefully stored in the garage and we can hear the boards pop and crackle from inside the sunroom and from here, sitting on the bed, writing this – the grey day outside begging for sun, the old deck waiting to see just how we might holiday-it-up.
the stairs in our home go straight up a few steps, turn 90 degrees to the left and then another 90 degrees to the left before the last few to the landing. if you turn left again you will see straight into the treetops through the office window, will pass the bathroom, and will head down a short hall to our daughter’s room. if you turn right at the landing you walk into our son’s room.
there’s a big window in his room ahead of you and it faces north. it is the window of magic. for if the circumstances are just right and the frost gathers and holds hands with the sun, this is where the crystals are found. and they are divine.
that day, in every corner, from every angle, the ice shimmered, an evanescent presence that would disappear as the window warmed. the ephemeral tiny expressions of frozen wouldn’t last. not yet. it is still fall and there will be warmer days still.
but for right then, to stand and gaze at the strands and shards and bubbly droplets is to take part in the very moment, that very moment of cold. it was to acknowledge it. and to recognize its transient beauty.
a long while ago i was gifted a necklace with a silver snowflake charm. in the tiny box was printed a brief message, “every snowflake is unique; it’s true. each one’s special, just like you.” not the thought-provoking words of mary oliver or john o’donohue, but a simple reminder of unrepeatable gorgeousness, in words anyone can grok.
these last days have been harder, a holiday with empty chairs. we are adults now and we know that this is the way of life. john pavlovitz writes, “in this season each of us learns to have fellowship with sadness, to celebrate accompanied by sorrow. this is the paradox of loving and being wounded simultaneously.”
we walked on the trail and spoke of each member of our family. we each spoke a gratitude for each person, each step on the trail punctuated by a story or some enlightenment. we laughed and i wondered what gratitude would be uttered for us, hoping that words would not be difficult for the utterer to find. our thanksgiving was bookended with early morning pumpkin pie and full bellies of mashed potatoes at day’s end. in the middle was appreciation for the people we love.
it is easy to see the cold, the long winter ahead, the empty chairs. they are apparent and they can be brutal.
it is harder to walk, peer through the window, and see the crystals and their exquisite – even if brief – magical uniqueness.
i would not call myself a whirling dervish. though there are moments we all must succumb to that. any time i have spent whirling and dervishing i have felt like i was in the middle of an “i love lucy” episode, all eyes on my fumbling and klutz. i truly don’t know anyone who can stake claim to getting all tied up in the vacuum cord, but maybe it’s just that no one else will admit to it. it is one of my nemeses. yes, you read that right. the vacuum cord.
my sweet momma had a maroon electrolux. it was the kind where there was a long hose and the canister tank was on metal sled slides and you pulled it around behind you. for some reason, it seemed easier to operate. i suspect this is solely my problem.
in recent developments of technology i see that there is a vacuum operated on battery. the dyson v15 detect has been getting a lot of attention. i’m wondering if there is any merit to this machine. i mean, we have an aussie. and aussies shed twice a year. the first half and the second half. dogga has an unbelievable amount of doghair and it is a constant battle with tufts gathering en masse in corners of the old wood floors everywhere. my continued war-with-the-cord challenges me at every turn – even if i hold up the cord that would tangle my feet – while dogga tries to stay away from the monster whose cord he chewed the very first day we got it. someday, it may be time for a new purchase. i’m hoping that they improve the battery-operated variety by then.
in the meanwhile, cleaning and chores will continue to be somewhat circular, spinning and twirling from room to room…thinking broom, dustrag, oh-what-about-that-pile, wait-i-need-a-drink-of-water, sheesh-throw-on-a-load-of-laundry, yikes-did-i-pay-that-bill-due-online-today, don’t-forget-to-take-something-out-for-dinner, oh-these-dishes-need-to-be-washed, what-about-THIS-pile, where-are-my-favorite-jeans, maybe-i-should-take-out-our-gloves-from-the-winter-bin, maybe-i’ll-go-work-on-smack-dab, does-this-still-fit, write-down-that-thought, make-a-grocery-list, the-bathroom-needs-cleaning, let-the-dog-out, let-the-dog-in, make-that-call, page-through-a-catalog, i-should-darn-these-socks and …….. vacuum.
in my spare time – the time that no woman i know has – i’ll be hanging out with lucy and ethel, honing my handy dandy vacuum skills.
“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)
i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.
and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.
we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.
we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.
“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”
reverse threading 