this installation was beautiful. stunning. olafur eliasson’srainbow bridge was in a room full of light and the spectrum of color was immediately striking. and then, we walked into the room further and all the color disappeared, instead spheres of glass reflected the windows and the water outside the museum. “the appearance of the spheres is unstable, slipping between clarity, colour, and blackness in response to the slightest movement of the viewer.” (olafur) if you stand right in front of one of the twelve spheres, you can see your reflection upside down, teasing you to make faces and play. we could have visited with this piece all day – moving around the room, standing still, watching the light waltz and dip as the hours wore on.
“its [the extraordinary] concern is the edge, and the making of a form out of the formlessness that is beyond the edge.” (mary oliver- upstream)
and so, when we finally moved on, past the sunlit rainbow, i’m quite sure we were both in that dreamy place – the place where you linger in all the vast possibilities that are out there – combinations of color and sound, notes joining together, brushes brushing, harmonics floating above you and bass notes stabilizing your foothold. it is a place of creation, where you feel the tendrils of ideas, of paintings, of songs, of melodies of piano, of sweeping strings and mournful french horns, of spattered acrylic, of photographs with intense depth of field. it is the place we visit on the trail, on the mountains, on the seashore, in our studios. it is beyond the edges of billpaying folders and mortgages, student loans and job searches. it flies past all the details of everyday mundane. it is nebulous and it is visceral.
we moved out of the room – newly equipped with dream – refreshed because someone else had “put it out there”. someone else – also – had vision and the impulse to express it. someone else – also – had stood for long hours, sat for long hours, pondered for long hours in front of canvas or a piano or on a wooden dance floor or waiting for the perfect snapshot. someone else had composed – the extraordinary – from out beyond the edge. and its whisperings fell on our ears, encouraging our response to it and reminding us to jump.
out the window was a snowstorm. it was february and it is wisconsin. it’s an IFTTT. we had plans for the next few days, not something we oft have…fun things booked with others. we pulled up accuweather and, between that and the ice forming on the window, had anticipatory grief, figuring all would be cancelled. we worried. if this-then that. if a snowstorm, then everything halts.
IFTTT – if this then that – i didn’t know this acronym was a thing, but i see no reason for conditional statements not to have their own acronym. “if you build it [then] they will come” made hugely popular with the movie “field of dreams”.
out the window was a snowstorm. it was february and it is wisconsin, so this is not a surprise. it is an IFTTT. but in these strange climate-changing times, the snow didn’t really stick around much. a couple days later we were out and about at the winter festival in cedarburg, traipsing around with the up-north gang. and the next day we hiked our favorite river trail. i might add – sans miracle mittens.
IFTTT should come with a caveat, some sort of warning. because there are times we may make the worst of assumptions about what is to come. we if-this-then-that ourselves into angst. we can – for sure – envision the difficult, the darkness. but, she reminded me, do we envision the blessings?
it didn’t all halt. on the contrary. instead, the snow fell and it was a magical day. by the time another day passed, most of it was gone. the temperatures were in the 40s and our day’s end on the deck around a couple firepits was dreamy.
out the window was a snowstorm. from inside, we watched it fall. we were warm and toasty. we were immersed in the work we must do right now – the IFTTT of job loss. and we were excited – with some trepidation about cancellations – for the next few days to follow.
kevin costner called and reminded us to stay focused on the hope, to stay the course, to dream of the field of possibilities, to go play after the snow falls.
i touch a single key on the piano. depressing it, i reach for the next and then the next. i build a melody, i build the cello line for arvo, i build a blueprint upon which to put lyrics. i touch a single key on the piano. slowly depressing it, i make no sound. instead, it is silent – to our ears. yet i wonder if some tiny bit of frequency escapes and travels away, bouncing off particles in the air, absorbed into light. “the vibrations of the strings are transmitted to the soundboard through the bridges, and a sound resonates as a result of the soundboard vibrating the air.“ (yamaha)
“a sound wave is the pattern of disturbance caused by the movement of energy traveling through a medium (such as air, water or any other liquid or solid matter) as it propagates away from the source of the sound.”
it would seem apparent that we are all patterns of disturbance. every molecule, every atom within, constantly moving, disturbing all other matter.
in the way of the feathering of sound as it travels away, away, from the source, our impact upon another tends the same – energy as it gets further away and there is more surface area. a decrescendo of sorts, our notes turn pianissimo, our voices to whispers. though a quieter din, the nearly silent cacophony is out there, traveling in air. more than we realize. until it is not.
our notes and words and colors and textures dance around the others in our lives, sometimes landing, sometimes repelled by mysterious opposite magnetic forces. they are absorbed, turn into heat and may warm those upon whom they land.
the world will adjust, yes, to our patterns of disturbance. we are all pianos, concurrent notes, synchronous string vibrations, noise ever-traveling.
the universe glances down at us – from its ever-silent timelessness. space, sans air, doesn’t entertain sound. there are no pianos, no notes, no cellos, no voices that can be heard.
so, we must be who we are here – now – doing the best we can to avoid absolute discordance and strident disharmony, timbres of aggression, anger, division. instead, i would hope we would recognize the responsibility of every sound wave we make.
someone peeled carrots into the pond and then it froze over. shavings of those multicolored organic rainbow carrots on the ice surface, just below the surface…it made me laugh to see so many carrots in one place. only they weren’t carrots. they just looked like carrots. instead, it was bits of bark and dried grasses and small sticks – no nutritional value or nurture to bunnies and squirrels and chippies, deer and birds.
it brings to mind the children’s book “the carrot seed” – the little boy plants carrots despite the fact that practically everyone around him tells him – basically – that the bottom line is that they won’t come up, despite his care. the last frame of the book shows him – having persisted nurturing the seeds he had planted – pushing a wheelbarrow with the biggest carrot you’ve ever seen. the value – the power – of true nurture.
nurture: to care for and encourage the growth or development of someone or something.
at this moment, for me, it is a hop, skip and a jump from there to thoughts about healthcare and insurance, keeping wellness forefront.
insure: to secure or protect someone against (a possible contingency) this definition would lead one to believe that “to insure” is somewhat parallel – or at least supplementary – to “nurture” – seeking to keep someone safe, healthy, attempting to look out for someone’s best interests.
“insurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. it is a form of risk management, primarily used to hedge against the risk of a contingent or uncertain loss.” (wikipedia)
“insurance plans will help you pay for medical emergencies, hospitalization, contraction of any illnesses and treatment, and medical care required in the future.“(an insurance company)
our current (and unfortunately necessary) gap coverage insurance company states they are dedicated to a simple goal: “making health care easier for the people we serve.”
the insurance plan that will take effect in five days believes that “health connects us to each other” and that “what we all do impacts those around us”. and so, they say they are dedicated to “delivering better care to our members”.
nevertheless, the united states seems to have a grotesque insurance problem. the earnings pie – or say – the carrot cake only goes so far, particularly with major medical insurance. but then, there’s dental insurance, vision insurance, life insurance, home insurance, car insurance, major appliance insurance, small appliance warranty insurance, laptop and tablet insurance, recreational vehicle and boat insurance, travel insurance, personal, general, property damage liability insurances. americans are slicing away at their own cake…for most, never quite big enough to start with.
and then there’s business insurance…various insurance plans that companies, organizations, institutions purchase to cover costs associated with property damage or liability issues and to keep their employees safe and healthy – because companies and organizations and institutions care about their employees and want to look out for their best interests.
“your employees may be your business’ most valuable asset.” “… protect your employees …”(an insurance company)
yes.
ahh, but here’s the rest of that insurance company’s statement:
“your employees may be your business’ most valuable asset.” “… protect your employees – and your bottom line…”
hmmm.
though it may look like carrots, there are no carrots there. no nurturing. no nutritional value. just a bottom line.
it lay in the snow, the last of the sun’s rays dancing across it. it was merely a single pinecone. but the sun drew me to it and the way the light played on it called attention to the texture. up close and personal, it is a painting.
reading reveals that pinecones are the safe place for the seeds of the tree, that pinecones can remain on a tree for even ten years, that pine cones open and close depending upon moisture. more complex than you might think.
though ever-important for the proliferation of pine trees, pinecones are one of those things we pass by, often not noticing. what else are we missing – passing by the ordinary, not stopping to really look.
because we know our favorite trail well, we see the tiny shifts, the changes, the transformation. we watch the light play on the cattails and marsh grasses and catch the shadows as they fall. if one note in the woods is different, one tint of color, we draw up, stop. there are days we are stopping often, capturing the transitions, watchful.
we don’t buy a lot of new things. we are sorely behind the fashion curve – i suspect our target jeans are a few years behind-the-times. instead, we accumulate these moments of noticing. our breath is not connected to the facets of diamonds, but rather to the way underbrush berries stand out against the snow. we don’t reach for the keys of a porsche; we reach for our backpack to take on the trail. we do not watch a larger-than-life screen tv; our big-screen of choice is outside.
we look for the paintings in the snow, in the sky, in the stand of trees. we listen for the song of the breeze, of wildlife sharing space with us. the wind stings our cheeks and makes the tips of our fingers burn. we are grateful for the quiet and this path through the forest, across the marsh, along the river.
we immerse in the 3D canvas nature is providing us. no virtual reality needed.
i hadn’t thought of it in those terms before. but – suddenly – it was just as obvious an interruption to me as night is to day.
resilience is a support organization in chicago – “empowering survivors ending sexual violence” is their byline. their presence is powerful, necessary, moving survivors forward in healing and advocacy, providing education and empathy. there was nothing like that on long island in 1978.
my life was forever interrupted. and i just realized that. because – back in 1978 – i filed it all away – all the trauma, all the grief, all the stripping of innocence, all the betrayal – i placed it on a shelf in my heart i didn’t want to access, a place i didn’t want to go. no one really talked about it. i moved on.
only i didn’t.
the night-that-turned-my-day-dark wrapped itself around me and, in all likelihood, affected every single decision – good and bad – that i made from that day forward. it acted like a filter – like the kind you screw onto the front of a 35mm camera lens, coloring every scene in the aperture, every experience in life. just as in so many of these stories, no one was made to take responsibility for this act of life-interruption, for the thing that would skew everything in my heart. i was nineteen and he was free. he still is.
there are defining moments in our lives that lay down a blanket of circumstance, that wound in all directions. sexual violence is one of those.
even now – 45 years later – though i cannot dredge up all the minute details as they seem locked up on that shelf – i can feel the interruption of my life – the unmooring – the visceral line of before and after.
the sun is setting through the trees and i suddenly see clearly through the woods, without underbrush. i can feel the night fall.
the thing that has helped is that 45 years has granted me people who have been there, who have held me in grace despite it all, who have loved me even as i – at times – flailed.
i wouldn’t hope for anyone to experience the pain of sexual violence of any sort. but, because women are insanely statistically likely to be victimized and betrayed in this way, i would hope for their resilient spirits and bodies to see the enormous life interruption for what it is and to rise in the sun the next day – surviving – accessing hope, surrounded by loving support, empowered.
in a weekend of weather whiplash, it was stunningly beautiful out. the temperatures reached the fifties, the sun was out, the snow was melting, the breezes were mostly gentle. we spent most of the weekend outside. it was revitalizing – in a week we particularly needed a bit of revitalizing.
we usually take the trails – and stay on them – but this was a week of off-trailing. we trudged our way through the marsh, feet sloppy wet, laughing, just so i could get a good picture of the stand of birch. it put us in territory we hadn’t been and the geese stared at us, wondering what we were doing there. miles later, it was no wonder our legs were tired, but oh-so-worth-it.
and then – something caught my attention sticking up from the dried straw of marsh grasses. i reached down to look at it more closely and drew in my breath. a set of three-point antlers. likely not seen by anyone except us. just touching their smoothness we could imagine the white-tailed deer that had shed them. i took pictures and laid the antlers back down in the marsh, knowing that’s where they belonged.
in the days we have hiked since that day, we have seen many deer in the woods and fields. sunday was a gift of a day – alone on the trail, we had so many visits we lost count. gentle faces peered out of the brush at us – we all stood still, silent. these beautiful creatures of grace and intuition and agility, so welcome as reminders to us. they were – seemingly – everywhere around us – off the trail by the river, in the woods next to the trail, crossing our path time and again, watching us. they knew we meant them no harm; we didn’t even move to photograph them. we just watched and our heartbeats slowed down, worries abating in these shared moments.
antlers are said to signify strength, determination, alertness, and protection. in a time during which i need strength, determination, alertness and protection, i will carry them with me – in my mind’s eye. the balance of things of beauty and things from which we would choose to shield ourselves…the deer are powerful nudges to remember both exist, to be gentle with oneself, to move with conviction, to be devoted to truth and not be mired in others’ agendas, to stand – even antlerless – in grace.
we were sitting on the couch, talking. there’s much to ponder, to talk over, to talk about.
“anything’s possible,” he repeated.
even before lipton suggested it for american heart month*, my sweet momma and i had #liptonteatalks. at the end of the day – after i’d get home from school – we’d sit on the couch in front of the big bay window, a hot mug of lipton tea in our hands, chips ahoy cookies on a plate – and we’d talk. #teatalks. i would give a lot for another #liptonteatalk with my mom. there was so much to talk about back then too. the world was at my fingertips – out there – waiting for me to decide where to go, what to do, how to move into it. it feels so long ago.
there’s been a lot of life since those #liptonteatalks with my momma. i have been fortunate to have had #teatalks and #coffeetalks and #winetalks with dear people, connections that value real talktalk, hard questions as well as the simple ones, introspective musings as well as anecdotal tale-telling.
we’ve been together ten years now – our connection is really relatively fresh. we still have stories to tell each other – things we never thought about before – things we need to talk through with a loving ear – things we’ve wondered about the days to come, quietly in some space in our hearts and minds. we tell stories to each other on the couch, on trails, in the car on long drives, under the quilts at the end of a long day. we take turns being the bottom rock of the cairn; we take turns being the kite in the wind, ribbons loosely – but safely – wrapped to the other’s wrist, grounded in flight.
in one of my favorite scenes of one of our favorite holiday movies – a season for miracles – the little girl is on a clue-filled treasure hunt. she ends up at the library, finding the treasure – the book the secret garden. tucked inside the book is the last note: “anything is possible.” it’s a heartwarming moment, a foreshadowing of one of the last lines of the movie, narrated at the end by the same little girl. “anything’s possible,” she reminds us.
sometimes it takes an other in our lives to remind us of this – to embrace the possibilities. sometimes with a cup of tea in our hands. always with big heart.
*****
*”a tea talk is a great time to have a meaningful conversation about your heart health, plan healthy meals for the week, pause and take time to meditate with a cup of tea, map out your weekly schedule to ensure you are including physical activity and even schedule doctor’s appointments to get your heart health checked.”… “time for women to prioritize their heart health by engaging with family, friends, and doctors in open conversations about their needs, concerns, and goals, helping them embrace healthy habits, especially those that are good for their heart.” (Lipton)
in the middle of the night – as i lie awake – i can hear the trains. not just the haunting whistles of freight chugging by or a late passenger railcar, but a train or two in the yard, idling. the sound hits me at just the wrong frequency – i am hyper aware of its rise and fall, the pulsing of it. once i hear it, i cannot un-hear it. it stays present and i stay awake.
nevertheless, the tracks hold sweet mystery and, each time i see a train, i wonder its destination, i wonder its journey, i wonder its freight or its passengers. i had not ever stood in the middle of a rural track, bent down – almost kneeling, photographing, until recent years. the track – a classic portrayal of perspective, narrowing further away.
i stood in the middle and looked both ways. south and then north. the south curved into the woods, the north was a straightaway. i turned back south.
in the right-now there seems no straight path, no tight focus, no horizon point that is clear. the tracks curve into the woods, beyond my sight, beyond my imagining. i meander. it makes me wonder.
we seek next and idle in our thoughts in the night, not-knowing. it’s liminal space, a diesel engine that needs to be kept warm for the next day, a time to be present on the tracks, bent down, looking for classic perspective. we are attendants.
i hear the haunting whistle in the wee hours and consider this journey.
i don’t remember exactly where it was, but i remember driving my little blue vw to a hidden pond along the north shore. next to me, on the front seat, were my ice skates. i’d get there and bundle up, lace up my ice skates and spend a few hours gliding across the pond. it was silent, save for the swoosh of the skateblades on ice.
a couple decades later – when we moved to wisconsin from florida – i decided that the proximity of the ice arena left me no choice but to – finally – latch onto my dreams of becoming an olympic figure skater…clearly a dream based on reality. so i signed up for lessons.
my first lesson – with all the other eight-year-olds – was a bit of an adjustment. i wondered if i should try to find a time with just-adult-learners. i can’t remember now if i switched classes.
the instructor reviewed the skills we brought with us. i was able to crossover-crossover, go backwards (and forwards) and stop correctly (an important skill as painfully revealed to me on my first snowboarding lesson).
my next skill – along with practicing the finesse of each of the others i had mostly-mastered – was an upright spin. there are one-foot spins and two-foot spins and axels and salchows and camels and the lutz and other beautiful spinny moves. i was ready to learn. i had much to accomplish to become the world’s oldest newest-olympic-figure-skating-champion.
the day for the first spin came.
my instructor demonstrated what i was to do. it didn’t look entirely impossible so i set about practicing it on my little corner of the ice.
good lord.
somewhere – in all the dreamy fantasyland of wishing to be a figure skater – i had missed the part about motion sickness. no one had mentioned how incredibly dizzying this tiny spin would be. i mean, i was going around like twice! and the nystagmus (automatic repetitive eye movement) was killing me. i kept practicing, watching my dream dissipate into the cold-breath-vapor cloud in front of me, my brain unable to quash the dizzies. whoa.
i went back for a couple more lessons, but skipped the froo-froo tulle-skirted-skate-dressed skating recital, not wanting to outshine any hardworking eight year old. it was quickly becoming apparent to me. this was not my future. no medal platforms, no medals, no certificates of participation.
but when we left the trail and stood at the edge of the river – mostly still frozen – the snowbanks an invitation for strapping on skates – i was back on long island, jumping out of my bug, lacing those skates up and spending a few hours gliding in silence.
reverse threading 