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the path back is the path forward


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it’s all how you look at it. [two artists tuesday]

THIS from the ferry copy

the ice-breaking bow of our ferry made its way across “death’s door”, the strait that connects lake michigan and green bay.  the windchill below zero, you could hear the hardy vessel crunching its way through the ice.  it was other-worldy.  no one else on the ferry appeared to be as enchanted with it as we were; clearly, they were big-I islanders, unmoved by this half-hour jaunt across frigid waters to washington island.  unfamiliar vs familiar equals enthralling vs mundane.  it’s all how you look at it.  and where you start from.

when i moved to wisconsin 30 years ago (kicking and screaming at the time) i stood in the pasta aisle of the grocery store – a local piggly wiggly.  there was no mueller’s pasta.  none.  the brand i had grown up with on long island, the brand i found in florida publix grocery stores…it was not here in wisconsin.  i felt instantly lost, instantly homesick.  i sensed people moving around my frozen-in-the-spot-trying-not-to-cry body; they were choosing boxes of spaghetti and penne with no problem.  for me, it was a telling moment.  it was an indicator of change, despite its seeming insignificance.  standing in that aisle i can tell you it’s all how you look at it.  and where you start from.  (*for an update on this incident, please see below.)

the ferry docked on the tiny island, a mere 35 square miles.  we disembarked and met our friends.  they drove us around, on snow-covered roads, through canopies of trees, past glimpses of water between the pines, their limbs bowing to the snow.  at one point they said we could go to the house if we were bored.  “no,” we answered.  how could we be bored, we wondered.  the quiet, the stillness, the solitude was compelling.  it’s all how you look at it.  and where you start from.

it was quieter on the ferry ride back with fewer people.  we were just as enthralled.  the ice pieces broken by the bow skittered along the ice plate on top of the water.  lines cracked through the sheet, paths drawn by nature’s etch-a-sketch.  some large slabs of ice raised skyward.  we looked at each other and quietly let out a breath.  we couldn’t imagine how this trip across open water could ever become run-of-the-mill.  but around us were people who acted like it was piggly wiggly brand pasta and they were in the aisle racing to get to the next aisle.  it’s all how you look at it.  and where you start from.

lake ice copy

*(the rest of the story) i called my sweet momma when i returned home from ‘the pig’ as they say.  she answered and i instantly recounted my no-mueller’s-pasta story, i’m quite sure teary in the telling, yearning for the home we had left.   four days later the UPS truck pulled up at the end of the driveway and the driver lugged a very large box to the front door.  in it i found every shape and size of pasta available…all made by mueller’s.  moms are wise beyond words sometimes.  by the time i finished using the boxes-in-the-box, the unfamiliar had begun to be familiar.  the crisis (yes, fundamentally not a physical crisis, but definitely an emotional one) was over.

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guidance is eternal. [merely-a-thought monday]

guidance framed copy

it drives them nuts, i’m sure, but i still write or say “triple always” to my children.  a redundancy of course, the “triple” emphasizes the “always”… an unnecessary modifier that says “eternally”…. i love you eternally.

there is a boeing commercial we see often.  in it, the narrator is stating steps of preparation for flight, counting down.  then she says, “guidance is eternal.”  that’s what i have heard every time.  until one time i asked d why he thought she said that.  he responded that she was actually stating, “guidance is internal,” which clearly makes more sense in the aviation world.

i had to listen more closely the next time to hear “eternal” as “internal”.  i did discern the difference, but i still, each time it airs, hear “guidance is eternal” anyway, and maybe that’s a good thing.  it serves as a reminder from an unlikely source, a sort of subliminal message, perhaps, at a time i need it.  an absolute when looking to the universe for answers to unsolved questions, small eddies of confusion, sorting and attempts at balance, at level positivity, seeking wisdom from those who are beloved but on another plane.

the guidance is there.  waiting.  it is internal AND it is eternal.  triple always.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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when the fog lifts. [k.s. friday]

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“…the other end of the process of living through uncertainty…” (liner notes)

sometimes when we drive along third avenue, right around the corner from our house, the fog totally obscures lake michigan.  you would never know it was even there.  you can’t see where the shoreline is, you can’t see the expanse of lake.  further down the road, you can’t see the beach, the waves, the jetty.  it is as if, for this time, the lake and the sky are one; neither exist and both exist.

this duality, this co-existence…is what this piece is about.  the presence of clarity and the presence of haze.  when i read my liner notes this morning, i sighed.  i wrote them in 1997 – (a shocking) twenty-two years ago.  i was 38.  i must have thought there was an “end” to uncertainty then.  and, at the time, i must have interpreted the fog, the mist, in a somewhat negative way, as something to get “through”, relief at the other end.

and then the fog lifts over the lake and there is differentiation of planes.  the sky becomes sky; the lake becomes lake.  until the next fog rolls in.

this month i will turn 60.  it takes me a few seconds for that to sink in each time i think about it.  were i to re-record this piece now, i would slow it down.  i would linger in the fog a little longer, not so afraid of it, of its mystery.  i’m still learning to embrace the fog, still learning to watch for the sky when it lifts, still learning that both can co-exist:  clarity and uncertainty.  nothing is really clear in life.  nothing is absolute.  we keep stepping. it is truly all a little foggy.  i now think it’s supposed to be that way.

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read DAVID’S thoughts this K.S. FRIDAY

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WHEN THE FOG LIFTS from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

 

 

 

 

 


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this great mystery. [d.r. thursday]

painting FOR PEACE I PRAY morsel copy

a morsel of the painting FOR PEACE, I PRAY

in this great mystery of the circle of life, i can think of no better prayer, no better mind-heart-talk, no better statement of living, than these words.  there is no partisan leaning, no self-serving ask, no specific request of a higher being.  just words to aid the step-step-step of life…words to accompany a walk on this good earth in wonder, in love, in light.

this great mystery, pointedly mysterious in moments high above canyons, on shores where waves crash upon the beach, in the hues of a new day stretching as far as you can see, in the million stars reaching further than you can imagine…a mystery of existence…the question why-am-i-here looking for an answer.

the answer of this great mystery?  never one thing.  the answer is found in hospital rooms and hands joined in hope, in gales of laughter shared with loved ones, the highest joy moments in one’s life, the lowest crushing moments in one’s life, holding a newborn baby, embracing a failing parent, hearing the voice of one’s grown child, walking side-by-side with another on a path, the about-faces and circular confusion on those paths, love at its best, love at its worst.

in every corner of the globe are people living this mystery.  each of these people breathe in and breathe out in the same way.  it is part of this great mystery that this breath is even possible.  if we can breathe in light, in strength, in love, in peace, in wonder, as one family, we will have embraced the prayer.   the mystery will continue to be.

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FOR PEACE, I PRAY mixed media 50″x60″ (sold)

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read DAVID’S thoughts this D.R. THURSDAY

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FOR PEACE, I PRAY ©️ 2016 david robinson & kerri sherwood

 

 

 

 

 

 


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so much tupperware. [not-so-flawed wednesday]

cropped tupperware wall copy

the most important tupperware – the pieces that i will likely save forever and ever – are the sippy cups with lids and the brightly colored small everything-in-a-bowl-bowls that The Girl and The Boy used when they were little.  years into college, The Girl came home, went directly to the cabinet, took out a sippy cup, went to a drawer below, pulled out a lid, poured some juice into the cup, attached the lid and announced, laughing, “i don’t want to adult anymore.”  if it were that easy to avoid, i suspect all of us would be using sippy cups fairly often.  but oh…those sippy cups and those bowls.  a trove of little-kid-memories, a rainbow of cups and bowls waiting for maybe the next generation.

my sister sold tupperware.  well, at least that’s what i remember.  she also sold mary kay products, so i wonder if i am getting confused.  nevertheless, she has more tupperware than anyone i know, so i suspect i am right about her long-ago-sales-effort.  as a result, i have tupperware that spans the years…clearish-white picnic-size salt and pepper shakers, an iceberg lettuce keeper, orange canisters in the closet, tools that zip the peel off oranges, section and core an apple, cut around the pith of a grapefruit, make gravy-making easier, things with lids that store other things.   my hands can still feel working the push-button on the top of the decanter my sweet momma always used for iced tea.

this room – at the school days antique mall – appealed to both of us.  all the tupperware was organized by color.  it made it interesting and easy to be around.  it felt less haphazard and more intentional.  it made us want to look at it.  there is another booth that we both cannot even think about entering; it is a chaos of piled articles, none of which stand out from the mess.  the organization was something that, i’m quite sure, took some time, but it paid off.  the investment in effort to make it appealing, the deliberate intention to be ordered made this booth more worthy of time spent.  i appreciated that.  it wasn’t lost on me that this organizing philosophy of tupperware could apply to most anything.  taking one’s time, baby step by baby step, clean and organized and with a well-intentioned end goal in mind leads to an outcome far better than what any chaos could yield.  hmmm. where else could that apply…..

i’m thinking that anyone who has ever wanted vintage tupperware or needs to replace a piece of their own collection will find it in this place.  and, because of the neat, clean orderliness, they will purchase it, trusting the integrity of the piece in the sale.  it’s much harder to think about purchasing a piece from the piled mess in a far corner of another room in the building.  were i to want something specific to actually be able to use, i would not look for it there.

regardless, i have enough tupperware.  all i really need is those sippy cups and those plastic bowls.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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not the fancy stuff. [two artists tuesday]

coffee pot copy

maybe we’ll go back.  this sassy coffee pot sits at one of our favorite antique shops and drew my eye.  we’ll be sure to know where to put it and, perhaps, how to use it before we maybe go get it.

we were on our way to cape cod and the sign salvage chic antiques stopped us.  four old aluminum coffee pots later, we left the store.  they are now part of a five-aluminum-coffee-pot collection on a shelf in our kitchen; instead of a canister set, these coffee pots keep all our different teas easily accessible.

anyone who knows us knows that we love our coffee.  anyone who knows us knows that we also love re-purposing old stuff.  but not the fancy stuff.  old aluminum coffee pots, old black vintage suitcases, old wooden boxes.  they are the treasures around us.  they hold special mementos, nespresso coffee pods, clothespins for the ukulele band, art supplies, rocks we have collected on beaches, in woods, from high sandstone precipices or red rock canyons deep.  they are history and they are new.  both true.

when we need a break, a few moments to lose ourselves, we will either hike or go to one of our local favorite antique shops.  things of worry will gently fall off as we walk through woods or aisles of things-that-remind-us of other times, memories, or maybe inspire us with a beckon to be brought home.

we choose carefully and deliberately.  for ourselves and for the gifts we get others.  it’s never the fancy stuff, but it’s the stuff that stops us, draws our eye, beckons to be purchased and re-treasured.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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plan ahead. [merely-a-thought monday]

chip hailstone box copy 3

my poppo would probably have liked chip hailstone.  an as-long-as-i-can-remember subscriber of national geographic, i imagine he would have liked the show ‘life below zero’.  he was good at solving problems, figuring things out, making stuff out of nothing.  his words of wisdom were simple.  “plan ahead,” he would say.   he was a card-holding-club-member-regular-reader of the handyman magazine; he easily could have been a contributing writer.  he would have loved chip hailstone’s comment, “you can make a long piece of wood short, but you can’t make a short piece of wood long.”  ahyup.  it’s in the details.  plan ahead.

we were coffee-sitting around the kitchen table.  it was a late florida morning, years ago now, and coffee break time was an every-day thing.  my dad suddenly got up from his chair and left the room, using his “stick” to get to the bedroom and back.  he returned moments later and started to speak.  “i have something for you, brat,” he started.  “with these years on your own you have learned so much out of necessity.  it’s time for you to have this.  you have earned it.”  he handed me his handyman club membership card and said, “this is yours now.  i’m proud of you.”

it was big news to get this card from my poppo and i didn’t underestimate its import. it would not have made me more gratified to receive a grammy award.  his -my- membership card is in plain view in my studio, reminding me of my dad and his words to me.

we watch ‘life below zero’ episodes and there are simple wisdoms dancing throughout the show.  things i can hear my dad say in his brooklyn accent.  things you think, “well, duh, of course.”  the same things you realize after-the-fact that you should have thought about before-the-fact.  yup, poppo.  plan ahead.

poppo & handyman club

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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you hold me. [k.s. friday]

YOU HOLD ME songbox copy

‘you-hold-me’s i will always remember…  among the more-than-i-can-count-mom-heart-moments, one of the last times My Boy fell asleep on my lap and i knew – at the age he was then, rounding 5 or 6 – it was something to hold onto.  or the time he, all-grown-up, bent down and, one more time, hugged me goodbye.  precious time dancing to marvin gaye with My Girl in the sitting room, her favorite infant-lullaby.  the bittersweet-tender-time-stood-still time she – as an adult – fell asleep while i held her.   in o’hare airport when d just held me while, with people swirling around us, we were lost in reuniting, in recognition.   the greetings we get from dogdog and babycat every single time we arrive home.  the hugs we get inside the door to our best friends’ house, their big beloved dogs jostling for attention.  the memory of watching my sweet momma and poppo hold hands as they walked, always…those linked hands grasping each other.  watching my momma hold my dad’s hand at the side of his last hospital bed, nodding off, both of them, but holding on.  ‘you-hold-me’s aren’t always just about you.

in these times, in any time, the simple feeling of being held – a quick hug or embrace that goes on and on – is the one true thing.  it doesn’t solve any problem, take away a worry, change any circumstance.  but it is a reminder that you are not alone.  you are woven of and into so much more.  and you are held – by your family, by your children, by your friends, by this good earth, by a higher power.  in appreciation of you.  in a bigger thing called love.

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YOU HOLD ME from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood

 

 


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chasing bubbles. [d.r. thursday]

morsel copy

nancy wrote that they added a drop of food coloring to the bubble mix for sweet lily.  it must have been enchanting…colorful bubbles in way-below-freezing temperatures, crystalizing, transformed by the absolute cold.  i know there are bubbles in this house; i just have to find them.  and then, next time, i will be out on our back deck, wand in hand.

there really is something about bubbles.  in the summer, at the farmer’s market they sell gigantic bubble wands.  while browsing one day, there was this little girl….chasing these enormous bubbles.  no worries on her mind, just arms outstretched, running, ready to embrace oversized magic.  it instantly reminded us of the innocence of a child, the seizing of something simple, the joyous caress of a moment.

this morsel and this not-quite-done-painting CHASING BUBBLES make me want to run into the sunshine or, perhaps, the falling snow, and chase iridescent dreams.

Bubble Chaser in process copy

CHASING BUBBLES mixed media 33″x48″

read DAVID’S thoughts this D.R. THURSDAY

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CHASING BUBBLES ©️ 2019 david robinson & kerri sherwood


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a small adjustment. [not-so-flawed wednesday]

comingtoyoufrommegaphone copy

we sat arm-in-arm in the megaphone.  we had been hiking in the snowy woods and it was the driest place to sit.  we’ve written about this megaphone before; it is a nature megaphone and it is supposed to amplify the sounds of nature from the woods and into the woods.  because someone didn’t maybe quite get the purpose, the megaphone is actually pulling sound from the street – a county highway through the woods on the narrow side of the amplifier, the side that draws in sound.  a small adjustment in its location would afford it the purpose for which it was designed.  it was built lovingly as an eagle scout project, but until this small adjustment in placement happens it will, unfortunately, not be as effective as it could be.

a small adjustment.  how many times would just a small adjustment create a path closer to success, a path more in alignment with purpose, a path that maximizes effectiveness, a megaphone that actually amplifies the amazing nature in the woods?  we get stuck in a line of thinking and, full-speed-ahead, think that is the only route, the only way.  until someone says something – a suggestion of a small adjustment – in thinking, in action, in REaction, in placement of our focus.  an ah-ha moment.

in the recording studio, as really in every musical performance, there is a groove.  it is the place where the tempo of the piece being played is “right”… everything comes together and syncs, the intent of the piece shines.  sensitive musicians and conductors can feel any deviation from that groove.  when it’s off, too slow, too fast, it doesn’t deliver the same emotional message.  just a slight adjustment brings it into center.

it’s the same with tuning.  A440 pitch is the universal standard tuning pitch.  a quarter tone off here or there makes a difference; not only can you hear this slight adjustment, but you can feel that the vibration is quivering, off its mark.

two people.  a difference of opinion.  the quivering vibration is palpable.  a small adjustment left or right, quietly spoken or wisely quiet, pivots them back to the heart-core, brings back solid ground.

that same kind of vibration…present in any gathering of people…in sync or magnets repelling each other…with underlying fields of pre-formed assumptions getting in the way of the small slight adjustments needed – the ah-ha’s – to be in actual alignment, stronger together than separate, amplifying the real sound of this earth – in the groove, in tune, on the mark, grounded, mutually, cooperatively, collaboratively on-purpose.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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