and today – after last night’s eve – we’ll turn on music. we’ll light all the twinkling lights and maybe have breakfast in the living room by the trees. i’ll remember our walk last night – all around the ‘hood – admiring lights and decorations and christmas trees in front windows. i’ll smile thinking of us standing in my candlelit studio singing carols together – in lieu of a church service. and then, a few luminaria on the deck in temperatures unseasonably warm for a wisconsin december.
and sometime this morning we will open all the cards that have made their way to us. in the last years we have started saving them – waiting until christmas eve or christmas day to open the greetings from far and wide. it is like a visit from each family member or friend then as we sit – in no rush – and read cards and letters. we know that time is precious these days and that it takes some of that precious time to sit and write cards, to select gifts, to craft messages and mementos. we are so happy to be thought of, to have community near and far.
the shiny brites are on our big lighted branches in the living room. they, too, are like a visit – specifically from my parents. i had a blue day last week in the midst of preparations – a little shopping, a little shipping, a little planning. because in my mind this year i’ve spent a lot of time on my growing-up long island. with all that remembering, it’s brought me back to 1960s and earlier 1970s christmases – times of unfettered bliss – of being a child and then young teenager in the middle of a family creating simple christmas magic. it made me miss my sweet momma and poppo. our holiday was never anything really fancy – it was just about being together. my mom didn’t plan activities for us nor did she prepare mountains of food ahead of time, except for krumkake and spritz cookies. dinner was always a turkey and all the trimmings for christmas day. christmas eve…well…my solidly norwegian grandparents would drive their gigantic beige and brown was-it-a-buick out from brooklyn, laden with the christmas eve fish pudding and rum cake. and yes, that meal is really as eh as it sounds. fish pudding, boiled potatoes, cauliflower and a white sauce with crabmeat – it’s a monochromatic meal that would horrify any child’s taste buds in the midst of christmas eve’s glimmer. we’d all survive it though and the very-frostinged layered rum cake was the reward. we lounged around and sipped eggnog and sang christmas carols while i played the organ or piano in the living room and my brother played the guitar. and then, as it got darker we’d go outside to walk around the neighborhood in the candlelight of luminaria, still singing. hot cocoa later and off to the 11pm service to ring in christmas. simple. nothing grandiose. most of it was predictable. but it brought a sense of comfort in its familiarity, just like the shiny brites on the trees in our living room.
these last years have had a different rhythm. sans advent and christmas directing, time has burst open. for those decades of immersion in church preparations yielded little extra time – and, for most years with the chaos of those responsibilities, brats on the grill were christmas eve fare. it was only on christmas morning that it was possible to – finally – take a deep breath. it’s a different season now.
today we will go to our son’s home in chicago. we’re excited to spend christmas with him, bringing his gifts and ever-present stocking, sharing in the making of dinner. we will sooo miss our daughter, but we shipped her gifts and will facetime with her after her travels out west. the rest of our families all also live out of state, so we won’t be posting those wide-angle holiday photos with scads of people posed in front of the tree. but we hold each of them close.
and tonight, on our way home from downtown, we’ll take the backroads, as always. we’ll go slow in appreciation of the beauty of the route, the festive lights, magic lingering in the air. the waiting is over.
and we’ll nod our heads together, agreeing that simplicity has been the real gift.
it is impossible to not feel it. it swirls around us. it stirs us.
this season. a season of light and hope and generosity, a season of consideration and thoughtfulness and compassion, a season of simplicity and complexity, a season of love and grace and possibility. a season of deep gratitude.
we sit still – eyes closed – and take it in.
wishing you these gifts now. wishing you these gifts every day.
foresty forest is our new nighttime-video obsession. from the vantage point of our pillows, under a cozy comforter and handmade quilt, with dogga at our feet, the window cracked – all seasons – we watch the youtube life of foresty.
foresty lives in a van that – with a toolbag of skills – he built out into his home. he hails from canada – his accent giving that away – even if his pride in the immense beauty of his native country didn’t. rocko, his jack russell terrier, is his constant and truly incredibly intrepid companion. well, rocko and his ninja aircooker (ever since his treasured crockpot died). foresty’s travels take him high into mountainous areas – both in canada and the states – and he keeps a log of the summits he (and rocko) have successfully completed. he is totally someone you could invite over for dinner – with a sense of humor and a world of stories accompanying him. he has an immense and supportive patreon community and it’s no wonder why. he has simplified his life, focused his intentions, and he brings home everywhere he goes.
one thing – among many things – i have learned from my children is the ability to make home. both of them have moved more times in the last decade than i have moved in my entire life. and yet, each time, they have made it home – any dorm, apartment, condo, house, shared space – roomy, tiny and tinier, all. they have found community and forged friendships; they have created routines and sought out those activities which are important to them. they have created home. in any tree hollow.
“don’t limit yourself to living in your shell. the possibilities are endless.” (a post by susan – with a photograph of snails)
no limits. out of shell. flexibility of spirit. transformation.
dark into light. reflection. the sun rests, stands still. it is the solstice. and then…
in the middle of the hustle and bustle and festivity going on around us, i stand still in the living room. i’m gazing at the shiny brites i grew up with. i turn and see the note that my daughter and son wrote to santa. i turn and see branches from the front yard, from long island, from colorado. i turn and see the pinecones we collected while hiking on our trail a few weeks ago. i turn and see wrapped presents on the table, ready to be shipped or delivered. a timeline of life – the dots pinpointing moments.
we are home at this beloved old house. we are fortunate.
and it is winter solstice. a turning point.
and i know – that sometime out there – the snailshell that has wrapped itself around me will break open. and i will crawl out, stunned by the rays of light and grateful that i can grasp onto their filaments of fiery energy. whatever was dormant will rise with the sun. whatever was painful will ease. whatever was without conclusion will have justice. whatever was dark will be light. whatever is possible will be possible.
and – wherever i go – i will take home with me. i will be home. in any tree hollow.
mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines.
if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk.
i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.
the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!
this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music.
for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.
because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned.
oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”
i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.
yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.
it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.
merry advent from my place off the bench, sans baton.
we had long front yards in our growing-up neighborhood. it was noisy with the sound of children’s voices playing outside, especially around dusk. red-light-green-light, red rover, spud, mother-may-i….all those vintage outdoor games! it’s many-many seasons ago but somehow i can still feel the rush of those games.
i lived next door to a family of athletes. there were eight children and every one of them had amazing gymnastic or athletic ability. me? not so much. so any game or competition that involved athleticism – kickball, kick the can, climbing trees, running – i was never the surefire winner, but that never really mattered. it was simply all about the play.
so, the thing about red-light-green-light is that you have to know when to move and when to stop. the person who is “it” turns around, facing the other direction. the rest of the players line up horizontally. as “it” recites “red-light-green-light-one-two-three” everyone who is not “it” starts to run forward, always aware that you must stop suddenly at the end and you must be absolutely still – no matter your stance. as soon as “it” finishes the word “three” they turn back and if they catch anyone moving at all, that person is out. the first person to get to “it” safely is the winner. ”it” can vary the speed at which they recite the words – going in slow motion or super-fast like the fedex guy on the commercials. you just have to be aware of when to gooo and when to stop.
sounds like life. you have to be aware of when to gooo and when to stop. the trick is being able to discern the thin thread between too soon and too late. on both ends.
in the way of synchronicity, sometimes these are obvious. in the best of times, things just sort of drop in and line up. in the most – well – challenging of times, it all feels like a battle. you are forcing things to start and then you are reluctant to stop, reticent to give it up. and there’s no one standing in front of you reciting red-light-green-light so you’re on your own.
but there are those moments in life – those moments of intuition – when you just know. things seem to align and you know it’s time to move. it has arrived – whatever it is that you have waited for, thought would never happen, couldn’t imagine in a million years, have attempted to conjure up to no avail. suddenly, you know that it’s time to run forward – fullsteamahead – full tilt.
no matter what it is – any initiative you are undertaking, any practice you are trying to make habit, any new learning, any unraveling, any new exploration – of any sort – you give it the best you can.
i guess going is kind of more important than stopping. i mean, who has time for stopping?
because just like when you were a child and red-light-green-light was a rush of adrenaline, so it is now.
wrapped for the holidays, nature put her best curling ribbon on this stalk, replicating it all over the meadow for us to see and appreciate. clearly, giftwrappers and bauble experts everywhere must be jealous of the ease with which nature decorates herself – always minimalistic, always beautiful.
for a smidge of time, i was hired – long, long ago – as a holiday giftwrapper at a beall’s department store in florida. i spent shifts of hours wrapping the unwrappable – really one of the reasons why people have their gifts wrapped at the store. now, there are folks (having gifts wrapped) who just prefer to have everything done-and-done by the time they pull in their driveway, but most of the time it was the unwieldy that was brought to the service desk, the customer wide-eyed with wrapping trepidation.
i did my best, but i was no wrapping maven and had not yet learned any of the wizardry of the wrap. nevertheless, the customers seemed pleased, if only not to have to do-it-themselves.
in the years when our children were young – for reasons i still cannot figure out – we saved all the wrapping-of-presents (including stocking stuffers) for the night of christmas eve. there we were, in the middle of the dining room – having retrieved bags and boxes hidden all over the house – trying to quietly cut paper and wrap assorted gifts of all sizes and shapes – while our children were upstairs in their beds gazing out the window watching for signs of santa and his reindeer in the night sky. we’d leave christmas music on and close the swinging dining room door and the living room bifold doors into the hall, trying to disguise – or at least muffle – the clear sound of scissors meeting paper, hoping that the fact that it was quickly approaching the wee hours – like 2 or 3am or so – would mean they would have fallen fast asleep, dreaming of the next morning.
in later years – for the most part – i wrapped earlier, not saving it all for the elves-of-the-eve to desperately try and wrap as quietly as possible. though in later years the pressure of the magic was lessened, so quiet wasn’t quite as necessary.
in the latest years, we’ve had to ship presents. the boy and the girl who used to live upstairs live elsewhere and are not always home for christmas. it changes the landscape of the holiday. immensely. facetime never equals real time. and the holiday is quieter.
to say i miss those days of reports of reindeer and rudolph’s nose lighting the starry sky would be an understatement. to say i miss putting out carrots and milk and cookies would be an understatement. to say i miss twinkling lights reflecting on the faces of my children – as infants, as toddlers, as children, as teenagers, as young adults – would be an understatement. to say i miss the chaos after midnight on christmas eve would be an understatement.
but time marches on. and every year things change. i peruse social media – seeing multiple stockings waiting on the mantels of people far and wide, stacks of presents under trees, gatherings and family parties – and i silently send my children a wish of love and light and joy. we hike on treasured trails and pass by nature’s curling ribbon and i’m reminded over and over of the miles of curling ribbon i’ve curled, the stuffed stockings under our trees over the years, the small mountains of wrapped packages, giftwrap strewn across the floor.
and i am grateful. this holiday may be minimal in its festivity. but, sitting in the darkened living room with trees and branches and twinkling lights, holiday music or silence, cards to send out and presents to wrap on the dining room table – curling ribbon at the ready – it is no less beautiful. it is just different.
yes, yes. we are the height of fashion, the apex of vogue, the pinnacle of couture, trend-setters and latest-style-forward leaders. uh-huh.
in this new world – where i’m applying for medicare (what?!!!) – we are quite possibly – maybe probably – an eensy-weensy bit definitely – lagging behind. we are jeans-wearing, boots-flaunting, blackshirt-donning … and not so much … ok, not at all … runway-following.
were we sooo consumed with the intimate-wear choices of the riche, we would only consider silk or satin, rayon or charmeuse in nightwear lingerie. but, ohmygosh, give me a break!
we are over that.
truthfully – if people were truthful – most are over that.
and so, we are here to reassure you.
at least about pjs.
now that it is cold out it is completely apropos to pull out the flannel. because flannel – a style unto itself – is cozy and warm, snuggly and forgiving. a classic. it is love in a fabric.
and the buffalo plaid?? THE most popular.
yes. yes. we will rest easier now. we are most definitely the cat’s meow.
“all i can do is be me. whoever that is.”” (bob dylan)
it’s an imperative. composing, songwriting, producing, performing – they aren’t really choices. they are inherent – something inside that begs you to feel it. it is an ancient call for an answer that tugs and prods and taunts until you comply, baring your soul. it makes you vulnerable and demands courage and fortitude, sacrifice and a stalwart sense of purpose. it is not a straight path. It is fluid. it is failure and a phenom. it is devastation and ecstasy. it is necessary.
standing backstage – our son and the board clearly in view – i am whisked away to the place parents are taken when they see their children doing something they wildly love to do.
i have stood on a giant mountain – one of the highest skiable terrains in the united states – and felt this feeling as our daughter flew past on a snowboard, everything in her aligned in the freedom of expression that single piece of wood opened in her.
and now i have stood on a wood floor in a crowded nightclub – way past my bedtime – and felt the exhilaration of my son’s music – truly moving him, bringing forth who he is from a place deep in his heart.
and in both circumstances, i have been in awe. and in both circumstances, i have celebrated.
because though they have both been scrappy and deliberate, non-traditional, intentionally creating the ability to have the room to express – with any combination of full-time work, layered jobs, skimping and saving, lack of resources – in an ever-changing river, they have led with who they are. what is important to them – deep down – is their truth. their heartbeat. figuring it out as they go.
our son is an EDM artist – electronic dance music. his music is powerful and pulsing, driving you to dance. it is layered and complex and technical and, as a composer – even understanding a slice of the process – i stand back in wonder. we are both creating music and, even in its difference, it has the same goal.
“some people feel the rain. others just get wet.” (bob dylan)
he is feeling the rain. and his music invites everyone else to feel it as well. that’s the imperative. it’s what has compelled me to compose. it’s what compels me to write. it’s what compels david to paint. it’s what compels the potter to sculpt, the dancer to dance, the climber to climb, the actor to act, the skier to ski, the athlete to push, the chef to craft, the aerobatic pilot to soar on bluesky days, the creator to create. it takes some guts. but it’s necessary. for the world.
“dear artists. don’t hold back. that’s it…” (okuntakinte)
there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.
i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.
clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview.
when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?
anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close.
in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.
in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see.
yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity.
reverse threading 