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revere real. [kerri’s blog on merely-a-thought monday]

three words stand out: weathered beauty. revered. a sign in the japanese garden section of the chicago botanic garden.

we walked around the 500 or so booths of the outdoor antique show held at the neighboring county fairgrounds. and we were drawn to the same kind of items, again and again. we are pretty consistent. we list to the things that are weathered.

it’s the tall peeling column we’d place in our living room somewhere near the peeling paint chunk of concrete that holds our iPod. it’s the galvanized metal work light on a tripod that would serve for reading in our sitting room somewhere near the old farm table, bits of barnwood showing through its white paint. it’s the old white porcelain coffee pot that would sit with the metal coffee pots on the shelf in our kitchen holding teabags. it’s the collection of glass doorknobs like every doorknob in our own home. we hold these things in esteem not because they are perfect, but because of their stories, because they are weathered, because they have patina, because they are real.

“you become. it takes a long time. that’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in your joints and very shabby. but these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.” (the velveteen rabbit – margery williams)

in these times, it would seem that Real would count most, regardless of age or stage or any other categorizing of any sort at all. it would seem – in particular – that it be most important that we choose people around us who have become Real, who are Real. it would seem obvious – absolutely and entirely obvious – that is where truth is found, where respect is valued, where perspective is honed, where conversation is possible, where progress has potential.

we need be mindful of what we revere, of whom we revere, for there is much pretending, much misinformation and misrepresentation, much that is truly Ugly in this world. Real is sometimes difficult to discern and aligning with Real can make one vulnerable to the scorn of others.

but Real is, well, real.

“once you are Real you can’t become unreal again. it lasts for always.”

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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the lull. [kerri’s blog on k.s. friday]

in this time – the lull – we will immerse in each moment. we will not tarry in angst nor indulge in everyday worries. we will step back from all of it. we will try to quiet our minds. we will simply be in it.

it’s like a pause. only not. because we are not paused; we are breathing and moving and appreciating – all in gratitude, intentionally slower, intentionally sans complexity, intentionally sans discord.

soon enough, there will be lists of things to do, to sort, to attend to, to concern ourselves with. things to decide, things for which we need muster courage or fortitude.

but for right now, for this bit of time, there is only the lull.

*****

listen to PEACE: https://m.youtube.com/watch?v=7T3pQmQrz4A

read DAVID’s thoughts this K.S. FRIDAY

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y to the third power. [kerri’s blog on flawed wednesday]

and it’s time again. two years have gone by since the last time. it was two years prior to that.

and now, another. another Y. the third one.

appropriately timed, i’d say.

it’s not common to come upon a branch that is a literal letter y. most of the time it’s a stretch. but this is pretty obvious – and it gets my attention.. again.

like those previous two times – mid 2020 and mid 2022 – there is just as much reason now for nature to be asking “why?”. truth of the matter is – there’s more.

sometimes, there just isn’t time for a long, belabored, ponderous “why?”

this is one of those times. there isn’t. the time for this country is running out. we are accelerating down the pike toward the november 5 election day and it feels like things are beginning to spiral out of control.

i am truly having a very hard time grokking the current political state of affairs of our country. every day now it feels like the fabric of our democracy is on the verge of shredding. in extremist-agenda-riddled moves, at best, the destruction will be a demolition of this republic, at worst, it will be a hellish bend to authoritarianism. and the words of the declaration of independence “we hold these truths to be self-evident, that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness” will cease to exist for all men and women. full stop. period. what is the united states if not united? what is this democracy if not a democracy?

baffling me beyond reasonable comprehension, it’s being facilitated by people whose evil intent seems obvious and it’s supported by those who are not asking “why?” it’s downright frightening to watch others rabidly embrace any and every single thing that will ultimately destroy this nation as we know it.

now, don’t get me wrong. i’d love to write about something lighthearted, something trivial, something that doesn’t feel like the weight of the world is hanging in balance.

but it is.

and – before november 5th, i hope you ask yourself “why?” for who? for what? why?

*****

read DAVID’s thoughts this FLAWED WEDNESDAY

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castings. [two artists tuesday]

back in the day, when i was a small child, we laid shells in sand cavities we had carefully dug out of the beach, filled in plaster of paris and a little water and made sculptures, castings of shapes. mine was a fish. not a very good fish, i might add, but a fish nonetheless. my brother made an anchor and my sister made a seahorse. the castings instantly came to mind when we passed by this leaf impression in the snow.

soon, others would walk on the trail and it is likely that their footprints covered the leaf. or, possibly, the sun came out and the edges of the leaf – so clear on our passing – melted. i don’t know. what counted is that the leaf was there when we passed by.

the last time i sat by my brother’s side, he told me a few stories about being my big brother. i still remember how that felt. his words – a little fuzzier, with a little less clarity – echo in the bank of memories i have, my heart ever-full, his little sister. though the impression has melted a bit with the thirty years of sun since he died, it is no less profound than it ever was.

even if it doesn’t look quite like a fish – or a leaf – each impression is actually indelible and its invisible sculpture takes up a tiny space in our hearts and minds. castings you can look at any time you want.

kind of makes you want to make sure each moment is worthy of plaster of paris, a few shells and a little time to cure.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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we are naked trees. [two artists tuesday]

it is entirely and utterly exfoliated. delaminated. naked.

the slender tree stands alone in the marshland, like a graceful ballerina in allongé. barely a side branch, it is stunning against a blue blue sky.

and, yet, in all its raw nakedness, its vulnerability, it stands proudly, stalwart, determined. it is still alive.

we stand next to our canvases, in front of microphones, in recording studios, on wooden stages, at qwerty keyboards, poised in front of 88 keys, with ballet shoes or tap shoes or jazz shoes, behind the cine-camera, in front of the cine-camera, at the potter’s wheel, baton in hand, holding sculpting tools or playscripts, focusing lens and aperture, holding written words in our fingers.

we are naked trees in the marsh. we stand – vulnerable to the elements – unprotected. we brave lack. we brave abundance. we withstand the inbetween.

we are exfoliated every single time we put it out there. we are artists.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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hag icecube. [merely-a-thought monday]

it was easy to lose ourselves on the beach. it was cold, but the sun was out and we were all dressed for it. our hike had brought us through the preserve and then – a little jaunt through the woods – to the shore. deserted, it was sandy, punctuated by driftwood and thick stripes of rocks. the further south we walked, the more rocks. the shoreline curved and must have been the place where the stones were captured as lake michigan rogue waves carried them in. so much to pick up, with smooth edges to run our fingers over, ponder. so easy to lose ourselves.

we walked – heads down – looking, looking. the treasures were abundant, all right there. we found the first hag stone. there is something about hag stones. these rocks – with a hole straight through them – mysterious and beautiful, hag stones are thought to have special powers that represent protection and luck. sandstone, limestone, flint…we found another. and then another. we walked and walked on the beach, looking, looking – because it becomes addictive – finding treasures just waiting to be found. easy to lose ourselves.

it got colder and, with the wind picking up, it was time to leave. we ended up bringing home a few rocks, some magical hag stones, and some sea pottery, gorgeous sherds of earthenware with green glaze, worn down for years perhaps by the powerful great lake. despite no knowledge of the origins of any of these, the connection to the day and to the water made them alluring.

“luck will show itself when it’s there.” (ricko dewilde – life below zero) on challenging days, luck is certainly hard to see. the grass-is-always-greener mindset takes over and it’s easy to succumb, the we’re-never-lucky-like-that defeatist, unmoored. easy to lose ourselves.

but the grass-is-greener-anywhere-else moment yields. and after a pause, a deep breath, mind-quieting, a good lookaround tells us something else.

a walk on the beach with dearest friends. talking and laughing and quiet treasure-hunting. finding sea pottery and sea glass and heart-shaped rocks and smoothed-to-ivory driftwood and hag stones – there all along, just waiting to be seen.

and luck starts to show itself. even in ice cubes.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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lessons from the tree on highway h. [saturday morning smack-dab.]

we go back and go back and go back.

we have adopted this tree and should we ever drive there and find it is gone we will likely be pretty devastated.

we have a relationship with this tree in this farmfield on this road. we never tire of it. somehow it keeps us centered.

this beautiful tree stands there – as weather systems spin around it and time travels on and on, we see the stalwart and steady tree – withstanding it all. it is not ON the mountain in the raging wind, the swirling snowstorm, the beating rain, the ice and drought and cold and heat and night and day and fog – it IS the mountain.

lessons on highway h.

“be the mountain,” the tree calls to us, “be the mountain.”

and before we drive off, “just like me, like me, like me,” it adds, echoing into the wind.

*****

read DAVID’s thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerrianddavid.com


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the softer side of selfies. [two artists tuesday]

it’s the softer side of selfie.

i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.

some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.

i know i might be accused of over-documenting. so many photos. “1.81 trillion photos are taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.

yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.

because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.

so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.

despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.

selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the icing on the cake. [merely-a-thought monday]

it’s 925 miles from the corner of sixth avenue and west 55th street, but it displaced me in an instant. there i was – back sometime in the 70’s, in new york city, seeing robert indiana’s love sculpture for the first time. i loved love then. i love love now. (could that be any more redundant?!)

a part of sculpture milwaukee in 2018, this sculpture has returned and was permanently installed at the milwaukee art museum in 2019. we saw it for the first time last week. life and covid interrupted our visits to mam. we were really happy to be back. seeing love out the window facing lake michigan’s lakefront was the icing on the cake.

there are nearly fifty of these sculptures around the world. people travel far and wide to have their photographs taken next to the iconic stacked word. it became a u.s. postal stamp in 1973. it has big history. its artist has big history.

the success of this giant – yet simple – sculpture begs questions for me: what musical gesture might be equivalent to this sculpture? what rhythmic or melodic motif has this kind of powerful impact? googling these questions produces a plethora of suggested lists – everything from classical to motown to the beatles and beyond. i suppose it’s a truly personal thing.

any listener of albinoni’s adagio in g minor or j.s. bach’s air on the g string or arvo pärt’s spiegel im spiegel or ennio morricone’s gabriel’s oboe or john denver’s annie song or leonard cohen’s hallelujah or carole king’s you’ve got a friend or aretha’s r-e-s-p-e-c-t or the beatles’ here comes the sun or, for that matter, eldar kedem’s you and i or any piece composed and played or sung by giant artists or tiny independent artists …. any listener of anything arrives at the place of listening – the dropped-down-out-of-the-universe of their own world – individually. we tote along with us our lives-at-the-moment, our busy schedules, our worries, our longings, color and breath and heart, a distinctively different set of ears. we hear and we listen and we are transported by music to worlds away, places and times stored up, a chorus of commentators in us telling silent stories in viewmaster snippets, our hearts grasping the filmy tails of memories. impact. giant impact.

the love sculpture means something different to everyone who poses in front of it; every person’s story has different details, a different emotional spectrum. how we connect to this emotive piece depends largely on where we are when we visit with it, what we bring to it, how open we are to its energy.

the love sculpture stands outside the museum and i know that each time we now visit, it will demand our time as well. we will stand and gaze and visit with it. and we’ll keep loving it. it’s simple. it’s that kind of piece.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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getting it. [saturday morning smack-dab.]

i was one of them.

the first time i walked by i was a misunderstander, a glancer, a critic.

i thought – and spoke aloud – that it seemed elementary to display canvasses with the primary colors…large canvasses at that, lots of wall space, valuable real estate for an art museum.

it only seems right that ellsworth kelly, in a conversation with john cage (i mean, who gets to talk to john cage!!) said, “i am not interested in painting as it has been accepted for so long – to hang on the walls of houses as pictures. To hell with pictures – they should be the wall.” and so, ellsworth created big multiple panel paintings – murals – to cover walls. they are stunning and i have been enlightened – by sheer experience of his work. you need just stand there a few extra moments and it hits you. his “austin” temple of light is on our list of places to visit. minimalism. color. breath.

we visited the milwaukee art museum and the two of us, ellsworth, richard diebenkorn and mark rothko all hung out together. their notoriety far surpasses anything we could dream of – yes, yes – by miles and miles. but they love hanging out with people who get it and we were happy for their company.

we talked about art and music and simplicity and air and light. we talked about the ocean park series and rectangular color fields and bigness. we talked about communicating basic human emotions in our work. we talked about journeys and life and times of passage, evolution. we rued the difficulty of transitions and obstacles. and then, though sans museum ticket but clearly listening in, john cage stopped by and reminded us, once again, to “begin anywhere.”

and then it was time for us to leave, to go sip wine at the public market and to talk about the magic of getting it.

*****

read DAVID’s thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerrianddavid.com