reverse threading

the path back is the path forward


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the squirt in the old-fashioned. [kerri’s blog on d.r. thursday]

mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines. 

if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk. 

i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.

the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!

this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music. 

for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.

because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned. 

oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”

i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.

yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.

it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.

merry advent from my place off the bench, sans baton.

*****

YOU’RE HERE ©️ 2019 kerri sherwood

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clarity. [kerri’s blog on d.r. thursday]

there is no way to maneuver the depth of field on my old iphone. it is all about coming in closer and backing up – eyeing what is framed in the aperture and moving to adjust what i want the photograph to look like. i know that the newer iphones have some access to depth of field options but – at the moment – i don’t have access to a newer iphone option. so. i adjust.

i almost rejected this photograph as a melange post. with the closest red dogwood branch a bit out-of-focus it didn’t really meet my parameters for a post. and then i stopped to reconsider it. it’s a great visual reminder of how distorted things can look from up close.

clarity is something that comes when you put a little space between you and the issue or object of your attention. 20 always says, “you’re too close!” and it’s impossible to not hear his voice in my head now in the throes of any decision. and so i try to remember to back up a little, to have some distance as i consider – an overview. 

when d was working for a new software startup (before the business was unfortunately closed) their product was the perfect tool for clarity. after i understood even the most basic functions of this remarkable software – as they were looking for names – i kept blurting out suggestions like “pinnacle” or “eagle eye” or “lookout” or “apex”. it seemed obvious to me that having this incredible overview – a step back – was the perfect new software for people struggling to make sense of too much up close and personal…a pragmatic way to sort and prioritize…a realistic way to have perspective. it’s beyond my wildest imagination that they did not continue on their merry way into software stardom. but alas, such is life, eh?

anyway, that lookout tower approach has its wisdom. it’s like pulling into the overlook in the appalachia region on route 25e in tennessee. up until that moment – in the middle of them – you were aware that there were mountains but you were seeing them from too close to really appreciate the grandeur. you drive into the overlook, step out of your vehicle, walk to the retaining wall and you are stunned by the magnificence of how the whole world drops off beyond your feet, stretching on and on and on. and you can see – there are mountains and lakes and a river – things you could not discern from up close. 

in the middle of the middle stepping back is one of the ridiculously hardest things to do. it feels counter-productive when you are trying to come to some sort of conclusion or have some kind of perspective about a specific thing. but up close and personal, the red dogwood is blurry and i can’t appreciate its stunning beauty. from a little distance away, i can see how it plays against the warm beige of the grasses and cattails, how it enhances the fallow of this meadow.

in this crazy-busy time of year – with people rushing around trying to make the holidays perfect for themselves and others – i’m thinking that maybe we are all a little too close. i’m reminded again and again of what is most important. i’m taking in serenity as i can. we are trying to go slow – to appreciate the big picture – to not be clouded by that which is hard to sort or discern or, for that matter, even clearly see. 

yes, the red dogwood is blurry up close. but from a little distance it stands out in a field barren of much color. the dissonance fades. the chord resolves. there is clarity. 

*****

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INSTRUMENT OF PEACE acrylic 48″x91″

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decorated. [kerri’s blog on not-so-flawed wednesday]

it would appear that nature is decorating for the holiday season. even in the browns and tans and greys of the fallow, color bursts out at us. it’s stunning. the honeysuckle is unmoved though – it is standard fare in the winter to be berried. we, however, stop to appreciate it.

we decorated early this year. right around thanksgiving we put up our eileen-tree (which we named “e.e.”), pulled out the mini-trees i love to place everywhere, added twinkling white lights and silver ornaments. there are snowflakes and pinecones from the forest floor and heartfilled nods to my children-in-younger-days and my scandinavian heritage. we unearthed the boxes of vintage glass ornaments and shiny brites from my sweet momma and poppo and placed those ever-so-gently on the happy-light-lit big branches we now have year-round in the living room. it looks like christmas.

each day goes by faster now it seems. and then it’s friday again. i’m not sure where the time goes. as we make our holiday cards and a few handmade gifts to send out, george winston’s december is on repeat – the quiet of this album is speaking to us this season. bombastic christmas or vocal-gymnastic-laden carols seem like too much noise. restraint seems more in line with our spirits. more serenity.

there are many festivities to choose from – out there. we thought about a concert or two and lingered back. we thought about a holiday festival or two and lingered back. we thought about stores and crowds and lingered back. we will finish making our cards and creations and do a bit of boutique shopping. we may make a cookie or two. the krumkake of ages past nudges us and sip and feast taunts us with a long island italian almond cookie (gluten-free). we sit under blankets in a darkened living room – lit only by happylights. we savor the sparkle. we sit in content silence, we tell stories of past holidays – wistful, tearing up, laughing, lost in memories and hopes for future holidays.

and there is the woods.

whenever we can, we take time out there. the forest reminds us of both the everpresence and the evanescence of it all. it reminds us of the passing of time, the changing of seasons, adjusting to harsh circumstances and it reminds us of the rejuvenation and renewal of spring. we know that beyond the cold and frozen, there will be warmth. it’s all fluid and some things – like transition – are certain. there is silent wisdom – of the ages – you can feel as you place your feet – emanating from the dirt of the trail.

it is no wonder that nature has already decorated – with quiet fervor and vivid color – for the holidays.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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silence is not golden. [kerri’s blog on merely-a-thought monday]

“if what one has to say is not better than silence, then one should keep silent.” (confucius)

and then there’s the other side of the coin – the side where silence is not golden.

silence doesn’t stop injustice. it doesn’t stop bullying. it alludes to apathy and indifference, even complicity. it is a ship in a harbor. it is safe. it is spineless.

speaking up – of truth – is not babbling. it is not the proliferation of lies, of the made-up. it does not propagate agenda nor does it perpetuate a culture of the unquestioning. it screeches falsity to a halt; it brings focus to ambiguity; it stands up.

we choose our course. we choose what is or is not important to us. we look to others for wisdom and the ability to sort our path. we make errors in judgment; we keep quiet. we learn. we find our voice.

for me, cousin jerry’s t-shirt said it all: “SPEAK UP!”

because:

“silence becomes cowardice when occasion demands speaking out the whole truth and acting accordingly.” (mahatma gandhi)

“if you are neutral in situations of injustice, you have chosen the side of the oppressor. if an elephant has its foot on the tail of a mouse and you say that you are neutral, the mouse will not appreciate your neutrality.” (archbishop desmond tutu)

“we must always take sides. neutrality helps the oppressor, never the victim. silence encourages the tormentor, never the tormented. the opposite of love is not hate, it’s indifference.” (elie wiesel)

“each time a woman stands up for herself, without knowing it possibly, without claiming it, she stands up for all women.” (maya angelou)

“in the end, we will remember not the words of our enemies, but the silence of our friends.” (dr martin luther king jr)

“you own everything that happened to you. tell your stories. if people wanted you to write warmly about them, they should have behaved better.” (anne lamott)

“each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope.” (robert f kennedy)

“do unto others as you would have them do unto you.” (the golden rule)

“speak your truth quietly and clearly.” (max ehrmann)

with a modicum of tact, with compassion for those who have been wronged, with courage and vulnerability and timidity holding hands-hands-hands, standing in the fire of what is truth-telling, there is hope.

*****

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the wise garden. co-existing. [kerri’s blog on merely-a-thought monday]

and all the plants live together happily ever after.

it’s a beautiful place to just wander. the walkways through bushes you may have to duck under are not edged or over-weeded. it’s not perfect, yet, in its imperfection, it is perfect.

most of all, the natives and the regional perennials co-exist, nurturing each other simply by existing.

i suppose it might be wise for us to take a few cues from these plants. somehow, they are growing and thriving – side by side – without thwarting the growth and thriving of another. somehow, they are weathering the seasons without resistance, falling into fallow and rising out of the dirt. somehow, they are just being, without overly exuberant displays toward each other, without angsty concern, without aggression. somehow, they are blooming and verdant and glorious, trusting – implicitly – that the next plant will understand, that the next plant will also weave its way in the midst, working together to find the light-space they each need. somehow, they are symbiotic, bringing their best, setting aside differences, instinctively empathic. somehow, they are aware of the precious time they have in the sun.

and the garden is vibrant. beautiful. healthy.

and the garden is wise.

*****

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for right now. [kerri’s blog on k.s. friday]

“the sun shines not on us but in us. the rivers flow not past, but through us. thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, making them glide and sing. the trees wave and the flowers bloom in our bodies as well as our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountains is our song, our very own, and sings our love.” (john muir)

there have been moments – holy and glorious moments – when i remember that i am, yes, one with nature. i am no more or less a part of the whole than the heart-leaf on the side of the trail, no more or less a part of the whole than the rocks on the beach, no more or less a part of the whole than the cloud as it floats by. and i remember that in my tiny-ness – within the vastness – i could just as easily have been the energy of the leaf or the rock or the cloud.

“how will you spend your time?” asked the thru-hiker at the end of the trail. mary oliver asks the same, “what will you do with your one precious life?”

i realize – in these sacred and suspended moments when i can feel the threads of soul connect me to the trees, to the living plants, to the creatures – that i am, perhaps, spending too much time in worry.

i am alive. and, for right now, that is enough.

*****

GRACE from RIGHT NOW ©️ 2010 kerri sherwood

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some questions for you. [merely-a-thought monday]

my son shares his name. it’s his middle name. wayne.

it was in the middle of my second pregnancy we lost my vastly-loved big brother. my little girl was two; my little boy not yet arrived. i had lost grandparents before that. but, somehow, despite our sadness in these losses, in their older-age, it seemed a natural part of the life cycle. my brother was different. it was today, 31 years ago. and he was merely 41, which is twenty-three years younger than i am at this moment.

though my brain somehow grasped the details of his cancer, my mind couldn’t wrap itself around how it was possible that the world could go on if he could no longer feel it. i still struggle with this. i am not naive enough to think it all ceases because of one – but the lack of the act of feeling, the passion of feeling, the tactile, the visceral of feeling – all this – it felt – no, feels – inordinately complicated to me. the full-stop. surely, in the moments i ponder this is when i realize how utterly futile it is to try and control anything, to be utterly absorbed in stuffff, to not stop and notice the tiny delicate flowers on the path.

we are reading a book together. though the actual book has nothing at all to do with this post or my brother or pausing on trails in the woods, the title – for me – is relevant: i have some questions for you.

i do, my big brother. i have some questions for you.

i know you know, bro, how adored you always were. did you take it with you? can you feel it on this other plane you are on?

i know you loved coffee ice cream, hot cups of coffee, birthday cake. are your senses as vibrant? did you smell the peonies in our backyard? can you now catch a whiff of the lavender, the mint, the basil? can you feel the sun? are you aware of the breeze – or – are you the breeze itself?

i know you loved to hear neil diamond, loved to play guitar and sing, loved to feel your hands on projects of wood. do you float in and out now, catching snatches of song, feeling the pick in your hand, hearing the scroll saw start up?

i know you loved. are you right here – loving – right now? are you right next to your wife, your beloved children and your grandchildren, and, if we could touch incandescence, the full spectrum of color, translucent gossamer, could we touch you?

i know you are not in a physical form on this earth. but are you simply unseeable? are you, in turn, coffeesitting with our mom and dad and then swooping in to somehow steadfastly drop wisdom or strength onto the rest of us?

i know you probably don’t have any questions. but i do. and, as my big brother, you will need to find a way to answer them, as i am counting on you to explain all this.

i’ll stop – wayne – at the delicate flowers in the woods. i’ll slow down and dance on the deck. i’ll try not to worry about the angst of the day-to-day. i’ll feel and i’ll drop into pause.

there are times i know you are here. there are times i know our sweet momma and poppo are here. i wish it were easier to see you.

in some kind of trust – right smack in the middle of grace and not-knowing – i do believe you are the wind.

*****

you’re the wind ©️ 2005 kerri sherwood

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ANGEL YOU ARE ©️ 2002 kerri sherwood (this song is not jazz, nor does rumblefish own any portion of the copyright or publishing rights of this song)

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lighthouse, lighthouse. [k.s. friday]

“my lighthouse, my lighthouse, shining in the darkness, i will follow you…

my lighthouse, my lighthouse, i will trust the promise, you will carry me safe to shore…”.*

the first person i think of when i see a lighthouse is crunch. we spent so much time together going from long island lighthouse to long island lighthouse, it’s an instant connect. i sent him this photo of the light on the kenosha channel leading into the harbor.

we are lucky to live close to this harbor area. any day we don’t feel like getting in littlebabyscion or big red to drive out to a trail we walk down along the lake. it’s beautiful. and never the same. the foghorn sounds through misty days and is like the sound of mourning doves – gentle, somewhat wistful, always welcome.

as much as i think about mountains, i have been – my whole life – a sea-level-girl. i’ve never lived far from water – big water. long island sound, the atlantic ocean, the gulf of mexico, lake michigan. i’d go walk the beach winter, spring, summer, fall. i’d take my red ball-and-chain round am/fm transistor radio and a beach towel and soak up summer sun. i’d go snorkeling or diving or boating or fishing. it used to be – and still is true – that big water (and small water) is healing for me. it gives me breath.

“in my wrestling and in my doubts
in my failures you won’t walk out
your great love will lead me through
you are the peace in my troubled sea, oh oh
you are the peace in my troubled sea

in the silence, you won’t let go
in the questions, your truth will hold
your great love will lead me through
you are the peace in my troubled sea, oh oh
you are the peace in my troubled sea
“*

the lighthouse. it’s not hard to grasp the lyricist’s meaning. the divine – whatever or whoever that is for each of us – stays with us, holds us, holds on, lights the way. i suppose i should delve further into this songwriter’s political leanings and social consciousness, for i have found that many of the artists in this genre are hypocritically biased and sway away from equality, instead, lurking in the fringes of extremism. but for right now, i just want to remain – momentarily – a little bit uninformed. for this moment, i want to linger in some beautiful lyrics, a powerful song that my ukulele band sang many, many times.

the lighthouse of the harbor here is red. fire island lighthouse is black and white. montauk point lighthouse is white with a brick red stripe.

with those, time spent adrift at sea is lit, protection is concentrated candlepower.

our own personal lighthouses – those wise ones around us, our god, our universe-mother-earth – they light the way. countless times i have felt the strong arms of someone carrying me to shore, helping me breathe in the midst of the storm, holding steady in the turmoil.

“light their way when the darkness surrounds them. give them love, let it shine all around them.” (richard carpenter)
lighthouses. even on the top of a mountain, even in the desert, even in the amber waves.

“life is slippery. here, take my hand.” (h. jackson browne, jr., author)

the h. jackson browne, jr. card is in my studio. it reminds me that lighthouses aren’t the only lighthouses.

“fire before us, you’re the brightest;
you will lead us through the storms…” (*rend collective)

*****

ADRIFT ©️ 1996 kerri sherwood

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both exist. [two artists tuesday]

the owl feather lay on our trail. soft down curled at its base, it was striking against the dirt of our path. we stopped.

the trail has different rules. the point is never to hurry. it is never to walk without open eyes. it is never to pass by that which draws or beckons. instead, it is to take the time, to go slower, to see what is there – in all its mysterious beauty. and, though this is the most familiar of our trails, there is not a time we have hiked it that we have not seen something new, something informative, something so beautiful – even in its simplicity – that we had to stop and photograph it.

it IS how the world is, she said. it exists just the same way as the dark exists. we were talking about goodness, the presence of goodness, the pay-it-forward of goodness. i was wistfully talking about a world that valued goodness, that lingered in kindness, that held beauty in gratitude, that was full of light and hope and the love of one another. her words stopped me.

it does exist. and, yes, it exists the same way as all the dark in the world exists. it’s a profound thought.

we were walking out to big red to go take a hike. a beautiful black crow feather lay waiting on the driveway.

next to littlebabyscion was a smaller feather, perhaps one from a robin that sang the sun up earlier in the day.

to read about owl feathers and crow feathers and robin feathers, one finds a plethora of information, some seemingly opposite in meaning. but the one thing that all feathers seem to represent across the board is that there are angels with you, there is a connection to the spiritual world.

whatever you perceive that to be, it would seem that a connection to the comfort and love of those who passed before or the eternal wisdom, the resilience, the goodness of the universe would be a good thing.

all the light exists just as all the dark.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the GrassKing. [saturday morning smack-dab.]

drumroll, please.

yes, yes. he is convinced.

this is david’s year. the year that his grass (aka our grass) might – just might – even a tad – a smidge – a skosh – a teeny-weeny-yellow-polka-dot-bikini-bit – look like dan’s.

dan is The GrassKing. his lawn is manicured and beautiful. it feels lovely beneath your feet and, crosshatch-cut, looks lovely as well. tidy and healthy and green – all the things all those brochures tout – the ones that arrive in our mailbox, tucked into our front door, rubberbanded onto the doorknob of the screen, stuffed under the welcome mat. there are many-many-many companies out there that believe we need their help.

we don’t need their help.

we just need dan.

and so, we wait for instructions. he swings by to examine our poor front yard, post-demolition by the company that eradicated the lead water pipes and everything else in its excavation. he texts, “looks pretty good.” we breathe a sigh. luckily, he also texts, “call me.” he is our grass-hero and we love him for it.

you might think that you know all the special devices and products for lawncare. all kinds of spreaders and seeders and sprinklers and milorganite mixes and shade/sun helpers and weed and feed and lawnmowers and edgers. goodness!

the one thing you might not be aware of? the meat thermometer.

the soil must be exactly right for overseeding. and the only way to know is to set those grilling steaks aside.

yup, dan. the meat thermometer is on stand-by.

*****

read DAVID’S thoughts this SATURDAY MORNING

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