the lake wakes up different every day. our little bay is moody and this pensive morning was not willing to add much color. water morphed into sky which morphed into water and, were it not for hog island and two birds, it would be hard to tell where they each started and ended.
every day we are on island i will take a picture of the morning lake. its hues, its movement, its message for the day.
today, as i look at this photograph with two birds and an island, i am quieted into thinking about the day. in looking at the date, i note that 27 years ago today i lost my big brother. i wonder if he is gazing out at this morning lake with me. i wonder if he looks out on the day, its hues, its movement, the message of this good earth’s day. i wonder if he has snapshots of every morning from heaven.
if you are watching hgtv and they are touting the positives of having a washer-dryer combo all-in-one, don’t believe them. we quickly discovered that the dryer part of the washer-dryer was in name only. unless you have hours to wait and money to toss for the added electricity, the “dryer” is more like a wringer-outer that removes some of the moisture from your laundry.
and so, on this little island, for this summer, we now have a …. wait for it … clothesline. after a trip to the mercantile where we bought line and clothespins, d installed it and voila! we have a “dryer”!!! the breezes off the lake and the sun dry our laundry quickly and dogdog loves to help with the hanging-out and taking-down of clothes on the line. i feel myself channeling my sweet momma as i shake the clothes taking them out of the basket before hanging, lessening possible wrinkles, and again shake the clothes as i take it them off the line, lessening possible hitchhikers. it feels like time-ago. it’s refreshing and pretty heavenly. there’s plenty of time. and the laundry dries.
we have found that we needed to slow down a bit here. we drive slower, for wildlife is everywhere and you must be careful. we walk slower – in the middle of the road – for there are far fewer cars and no frenzy. we have fewer errands, for there are not many places to shop. we see that we will see change slower, for the wheels of progress are big ole tires here, turning slowly as a big tractor down a mottled dirt road. we wave at everyone we go by, we stop and talk, we laugh about our long tenure here – a whopping fourteen days. we know we will slowly become a part of this place. there’s plenty of time.
we were at a new friend’s house high on a bluff in the woods overlooking the lake the other night. we were telling a story and i said something to our host about not doing nutshells very well; she interrupted my apology and said, “there’s no rush. tell the whole story. we have plenty of time.”
you have to plan a little differently with a clothesline. adjustment is necessary. a day which dawns rainy and grey will not be a good clothesline day. and so, you must choose a different day. for there is plenty of time.
every time you think you have it all figured out, life has a way of poking fun at you, pulling the rug from underneath you, making you re-evaluate, maybe roll your eyes, maybe cry out and push back, maybe giggle in abandon.
the island players performed a short at TPAC from spoon river anthology (e. l. masters), a collection of epitaphs spoken as monologues by the deceased residents of the fictional town called spoon river. it is gripping. a not-so-subtle reminder of our brief time on this earth and the absolute into-thin-air-ness of our lives. perspective-arranging, yes, as you listen to the tales of each person, ephemeral, transitory, all fleeting moments in a deep milky way of vast time.
one of the characters, a finely and properly dressed older woman, brags of renting a house in paris, entertaining the elite, dining at fine restaurants, taking the cure at baden-baden, a spa town in germany’s black forest. she returns to her hometown of spoon river, only to realize that no one really cares about where she dined or what she ate or who she entertained or if she took the cure at baden-baden. a sobering moment for her and, if you let it in, another one of those lessons. the kind where you realize that what you do and what you have is – not – who you are.
instead, the dust of us will later snicker, laugh, out and out guffaw at how invested we all were in the things of life that didn’t really count, the things that will disappear into the outer atmosphere of the universe, never to be retrieved. instead, we should chuckle now, realizing that indeed the best-laid plans are only that. plans. that doesn’t make them life. life has its own ideas. perhaps we should just remember that, cut ourselves a bit of slack and recognize how funny it really is that each of us, formed of zillions of random cells, somehow ended up here, right here, right now. for this time.
the lake is glistening out the window right now, diamonds in the sun on a sea awash in blues and teals. we just listened to this track SCATTERED and i am taken back to when i composed and recorded this, a time i felt scattered. yet, this is the right piece of music for today.
how we arrived together at this place at this time – all scattered puzzle pieces. rearrange one piece and everything changes. somehow, the pieces all fit, snug tabs and blanks forming a picture.
right now, coincidentally the album title, we are in a new time of life at a new place doing a new thing. our job is to respectfully, mindfully, keenly watch. we will listen and study and learn the branches of our little island, the unique challenges of the work here. as we develop relationship with the island, the people, the places, our littlehouse, our work here, the scattered tabs and blanks will come together. not without intention or purpose, not without dreaming or planning, not without knowledge or the wisdom of experience, not without experimentation or failure, but they will come together…as they will. it just feels a bit scattered right now, as every jigsaw puzzle fresh out of the box.
my sweet momma had a painting of a modestly nude woman hanging in her master bath. she was proud of this painting and of its location. it traveled with them from long island to various homes in florida, an item that made the keep-it cut time and again. now, this painting was not a brilliant work of art, for it was actually a paint-by-number that she had painted at some point before painting her own abstracts. (more on paint-by-numbers at a later date.)
but momma’s painting was meaningful to her and i suspect it represented a powerful statement – the beauty of a woman’s body, the grace of line, the respect shown. perfection. i think it resembled her in her youth, and in later years reminded her of earlier years, an earlier body before babies and emotion and injury and surgeries and wrinkles and time changed everything. changed the shape and the look of body but added strength and wisdom that only life lived can add. momma was indeed a woman before her time.
CLASSIC is such a painting, but is exquisite art. the beauty of a woman’s body, the grace of line, the respect shown.
momma would have loved this painting of david’s and, probably, would have convinced him to hang it for her in her own home. it would remind her of how much she loved being a woman. of how she taught her daughters and granddaughters to embrace being female and yet, not to stand by meekly or idly or retreatingly. to revel in the beauty of having a body that is female, but not to tout or compare or compete. to move with grace as best as you can, for in that movement grace will be found. to show and expect respect for your own body, in all ways. to recognize perfection. in all the times of life.
we watched the movie ABOUT TIME three times this week. it’s one of those movies. well, that and we have no wifi, internet or tv, so movies we borrow from the little island library are our late evening entertainment. even then, we don’t usually watch things multiple times during a one-week span. but this one drew us in.
how many times have you been reminded to live life like this? to live a day like you have come back to live it – the way you should have lived it the first time around….enjoying it, making it full, recognizing its brilliance, knowing that jewel of day will never again actually be repeated. too many lessons along the way teach us these things.
if i could wish upon a star and know that it would come true, it would be to live each day the way i would live it if i could do it over and “fix” anything that might have gone awry. to live it with absolute certainty that it was extraordinary, particularly in its ordinariness.
days. there are none to waste. during those days with moments of angry words, minutes are washing out to sea. in those times of drudgery when you are hoping for time to pass quickly, the hours vanish into thin air never to be lived again. in those times of grief, when pain washes over you and the minutes seemingly creep by, the chance to find any iota of joy co-existing with anguish passes by as you crawl into the next day, exhausted, depleted from losing the day before.
ABOUT TIME was a reminder: live each day like it was the full, final day. how would we choose to live on the full, final day? how would we treat people around us? what would we say to those we love? what would we do?
i remember my dear friend richie at the end of his life. each day he spent on this good earth he was a shining example of this. like all of us, he woke up never knowing which day would be the full and final day. and yet he woke up knowing it was close. people asked him how he did what he did, how he lived his days without regret. he just said, “everything’s going to be ok.” and he believed it. extraordinarily ordinary. every day.
we drove to the post office, a tiny building about two miles from the ferry dock. when we got there, there were – what seemed like – a million bugs clinging to the side of the building. so. many. of. them.
because it’s what we do, we took pictures of them. and then inquired around about what they were. “may flies”, “bay flies” – apparently they go by different names. and they come in different sizes. but one thing is for certain. they come in mass. the tiny version invaded the island earlier in june. and now, all of a sudden, this bigger variety was here.
they were literally everywhere. tenaciously holding onto the post office, gripping the metal sheeting of TPAC; buildings seemed to be their preferred lodging. they looked like strange dragonflies. they were kind of beautiful, this mass of insects, together.
and then they were gone.
and now we can just look at the photographs we took of these little creatures, wonder where they went and be perplexed about them.
i’m curious – if some day – some other being in the universe will be looking at photograph albums, scrapbooks, shutterfly books, envelopes of pictures, old yellowed newspapers – with pictures of people, all shapes and sizes and colors, en masse and alone – and think, “i wonder what they are. where did they go? how perplexing.”
i suspect that my sweet momma and mike would be friends. just this quote alone would qualify him.
it’s a simple premise….listen before you speak. and then, think before you speak. and it goes hand and hand with momma’s “if you have nothing good to say, say nothing at all.”
in today’s outspoken world, this is not so easy. the love of candor seems to supercede the love of respect. one-up-ness rises above humility. but-listen-to-what-happened-to-me out-volumes quietly listening what happened to you. complaining-in-public tantrums over mature restraint. bullying pushes back compassion. kindness is lost in angry, impatient words. helpful advice goes the way of competition and judgment. condemnation is mute consolation. louder seems to be the way of the land, the horizon punctuated by harsh decibels of bitter noise. less quiet. more frenzy. less listening. more clamoring.
“God gave you two ears and one mouth for a reason,” mike said. in heaven, my sweet momma was nodding, a smile on her face.
she was born in 1921 and saw everything change around her. she stood in a world that saw the great depression, world war II, telephones and cars, movies, televisions and news shows reporting on more wars than she could wrap her head around. her husband was missing in action and then a POW shot down over bulgaria, all while she was expecting a baby. she gave birth to their first child while my poppo was still a POW and stood in faith that he would return as that little girl died.
momma built a life with my dad, all the while navigating veteran-ptsd that hadn’t yet been labeled. but she figured it out. she held her ground, both supportive and snapping to action or to “words” as she would call arguments between them.
my sweet momma wore stockings and pumps “to business” and had housecoats with snaps, long flowing mumus and finally, at long last, blue jeans and keds for relaxing. momma drove a mean stick shift and, because they were a one-car family for the longest time, walked to the king kullen and dairy barn for groceries and milk. she turned her very green thumb over to my dad after he retired, likely to keep him out of her hair for a bit of time.
she volunteered as the girl scout president and in aarp alongside my dad. she loved wood and glass; she loved to paint with oils. she loved lists and calendars and math and writing and doing the laundry any time she was stressed. she wrote old-fashioned letters with pen and paper. she adored her word processor and then the computer and finally, her beloved iphone. anything to stay in touch. she texted, she called, she facebooked, she mistakenly took pictures of the ceiling and sent them on errant trips out to the ethers. momma loved to coffee sit and have english muffins or crumb cake or danish or chocolate chip cookies or pie. and she made extra homemade french fries every time she knew I was visiting so we could sit, drink iced tea, eat cold french fries and talk.
she didn’t let fear overtake her. she was strong in every way. she credited being from new york, but i credit just her – she just went with the flow and sort of ignored anything that got in the way, including any physical challenge that presented itself. two days after a double mastectomy at 93 she sat on the side of the hospital bed and, in good humor, sassed everyone around.
she loved that everyone called her beaky. and i mean everyone.
her journey was long, her experiences rich. she was an exclamation mark in life. she celebrated people and love and moments and I miss her. so much.
but it is part of my journey to miss her.
each of us bring to our journey our own punctuation. sometimes i think i am an ellipsis, but i realize that applies to all of us. we go on…
if i got to choose what singular punctuation i would want to be, i would want to be an exclamation mark, just like my sweet momma. for this part of my journey. for every part of the journey.
download THIS PART OF THE JOURNEY on iTUNES or CDBaby
he painted this early on in the days he lived in wisconsin. a big canvas, his brushes moving effortlessly, carefully, intentionally, jars of paint by his side. and JOY came to be. i immediately loved it. equally, i loved being present for the process. i got to WATCH. a creation in the making. beautiful. he stood back and looked at his work.
regardless of your belief, you certainly must acknowledge that somewhere along the way there was a big blank canvas. a divine being named whatever-honoring-name-you-want-to-name-this-presence moved brushes effortlessly, jars of unimagined colors, buckets of stars, clouds full of rain and snow, mountains of hills and mountains, fields of fields and open rangeland, oceans and lakes full of water, gigantic test tubes of atoms and cells that would eventually turn into plants and trees, amoeba, bacteria, organisms, mammals, reptiles, amphibians, people – all by the side of the canvas. this supreme being moved effortlessly, carefully, intentionally. and the world came to be. a creation in the making. beautiful.
we hang this painting and gaze at it, interacting with it daily. we feel the joy of it, the color. we have relationship with the painting; it speaks to us and we listen. we respond to it, respecting it, hanging it out of direct sunlight, preserving it and keeping it beautiful.
we stand in the world and gaze at it, interacting with it daily. we feel the joy of it, the color. we respond to it, but do we respect it? do we have relationship with it? do we listen as it speaks to us? do we concern ourselves with its sunlight, its atmosphere, its water, its land, its living things – all of them? do we preserve it? do we keep it beautiful?
reverse threading 